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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B702C4 it is the complementary color #48FD3B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B702C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B702C4 shade: #BC02BF, #CD14D2, #DE26E5, #EF38F8 and #FF4AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B702C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B702C4 shade: #B702C4, #A600B1, #95009E, #84008B and #730078

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B702C4 shade: #B802C5, #C5029D, #C50269, #C50234 and #C50202

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B702C4 shade: #B802C5, #8302C5, #4F02C5, #1A02C5 and #0202C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B702C4 shade matches the following richer shades: #B802C5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B702C4 shade: #B802C5, #AA12B5, #9C22A5, #8E3295 and #804285

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B702C4 shade: #4D02C5, #8102C5, #B502C5, #C502A1 and #C5026D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B702C4 shade: #6C0173, #92029C, #B802C5, #DE02EE and #EE1DFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B702C4 shade: #B702C4, #C51902 and #02C567

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B702C4 shade: #B702C4, #C5B502 and #02C5B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B702C4 shade: #B702C4, #C51902, #12C502 and #02AEC5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B702C4 shade: #B702C4, #C55302, #12C502 and #0274C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 99 / 0 / 23

HEX #B702C4

RGB 183 2 196

HSL 295.98, 0.98%, 0.39%

LAB 44.37, 78.37, -53.62

 

Complementary color

CMYK 72 / 0 / 77 / 1

HEX #48FD3B

RGB 72 253 59

HSL 115.98, 0.98%, 0.61%

LAB 87.94, -77.79, 73.69

 

CMYK 2 / 99 / 0 / 25

HEX #BC02BF

RGB 188 2 191

HSL 299.05, 0.98%, 0.38%

LAB 44.94, 78.4, -49.75

 

CMYK 2 / 90 / 0 / 18

HEX #CD14D2

RGB 205 20 210

HSL 298.42, 0.83%, 0.45%

LAB 49.66, 82.28, -53.03

 

CMYK 3 / 83 / 0 / 10

HEX #DE26E5

RGB 222 38 229

HSL 297.8, 0.79%, 0.52%

LAB 54.63, 85.14, -55.73

 

CMYK 4 / 77 / 0 / 3

HEX #EF38F8

RGB 239 56 248

HSL 297.19, 0.93%, 0.6%

LAB 59.85, 87.06, -57.86

 

CMYK 0 / 71 / 0 / 0

HEX #FF4AFF

RGB 255 74 255

HSL 300, 1%, 0.65%

LAB 64.47, 86.19, -54.23

 

CMYK 7 / 99 / 0 / 23

HEX #B702C4

RGB 183 2 196

HSL 295.98, 0.98%, 0.39%

LAB 44.37, 78.37, -53.62

 

CMYK 6 / 100 / 0 / 31

HEX #A600B1

RGB 166 0 177

HSL 296.27, 1%, 0.35%

LAB 40.05, 72.94, -49.55

 

CMYK 6 / 100 / 0 / 38

HEX #95009E

RGB 149 0 158

HSL 296.58, 1%, 0.31%

LAB 35.71, 67.22, -45.3

 

CMYK 5 / 100 / 0 / 45

HEX #84008B

RGB 132 0 139

HSL 296.98, 1%, 0.27%

LAB 31.28, 61.38, -40.93

 

CMYK 4 / 100 / 0 / 53

HEX #730078

RGB 115 0 120

HSL 297.5, 1%, 0.24%

LAB 26.74, 55.4, -36.45

 

CMYK 7 / 99 / 0 / 23

HEX #B802C5

RGB 184 2 197

HSL 296, 0.98%, 0.39%

LAB 44.61, 78.68, -53.81

 

CMYK 0 / 99 / 20 / 23

HEX #C5029D

RGB 197 2 157

HSL 312.31, 0.98%, 0.39%

LAB 44.73, 75.36, -29.82

 

CMYK 0 / 99 / 47 / 23

HEX #C50269

RGB 197 2 105

HSL 328.31, 0.98%, 0.39%

LAB 42.66, 70.03, -1.02

 

CMYK 0 / 99 / 74 / 23

HEX #C50234

RGB 197 2 52

HSL 344.62, 0.98%, 0.39%

LAB 41.47, 66.84, 30.72

 

CMYK 0 / 99 / 99 / 23

HEX #C50202

RGB 197 2 2

HSL 0, 0.98%, 0.39%

LAB 41.09, 65.78, 54.64

 

CMYK 7 / 99 / 0 / 23

HEX #B802C5

RGB 184 2 197

HSL 296, 0.98%, 0.39%

LAB 44.61, 78.68, -53.81

 

CMYK 34 / 99 / 0 / 23

HEX #8302C5

RGB 131 2 197

HSL 279.69, 0.98%, 0.39%

LAB 35.79, 71.46, -68.54

 

CMYK 60 / 99 / 0 / 23

HEX #4F02C5

RGB 79 2 197

HSL 263.69, 0.98%, 0.39%

LAB 28.74, 66.9, -80.42

 

CMYK 87 / 99 / 0 / 23

HEX #1A02C5

RGB 26 2 197

HSL 247.38, 0.98%, 0.39%

LAB 24.62, 65.02, -87.39

 

CMYK 99 / 99 / 0 / 23

HEX #0202C5

RGB 2 2 197

HSL 240, 0.98%, 0.39%

LAB 23.96, 64.78, -88.51

 

CMYK 7 / 99 / 0 / 23

HEX #B802C5

RGB 184 2 197

HSL 296, 0.98%, 0.39%

LAB 44.61, 78.68, -53.81

 

CMYK 7 / 99 / 0 / 23

HEX #B802C5

RGB 184 2 197

HSL 296, 0.98%, 0.39%

LAB 44.61, 78.68, -53.81

 

CMYK 6 / 90 / 0 / 29

HEX #AA12B5

RGB 170 18 181

HSL 295.95, 0.82%, 0.39%

LAB 41.71, 72.17, -49.22

 

CMYK 5 / 79 / 0 / 35

HEX #9C22A5

RGB 156 34 165

HSL 295.88, 0.66%, 0.39%

LAB 39.46, 63.57, -43.43

 

CMYK 5 / 66 / 0 / 42

HEX #8E3295

RGB 142 50 149

HSL 295.76, 0.5%, 0.39%

LAB 38.2, 52.01, -35.92

 

CMYK 4 / 50 / 0 / 48

HEX #804285

RGB 128 66 133

HSL 295.52, 0.34%, 0.39%

LAB 38.16, 37.25, -26.35

 

CMYK 61 / 99 / 0 / 23

HEX #4D02C5

RGB 77 2 197

HSL 263.08, 0.98%, 0.39%

LAB 28.52, 66.78, -80.79

 

CMYK 35 / 99 / 0 / 23

HEX #8102C5

RGB 129 2 197

HSL 279.08, 0.98%, 0.39%

LAB 35.48, 71.23, -69.06

 

CMYK 8 / 99 / 0 / 23

HEX #B502C5

RGB 181 2 197

HSL 295.08, 0.98%, 0.39%

LAB 44.09, 78.21, -54.68

 

CMYK 0 / 99 / 18 / 23

HEX #C502A1

RGB 197 2 161

HSL 311.08, 0.98%, 0.39%

LAB 44.92, 75.86, -31.91

 

CMYK 0 / 99 / 45 / 23

HEX #C5026D

RGB 197 2 109

HSL 327.08, 0.98%, 0.39%

LAB 42.79, 70.37, -3.34

 

CMYK 6 / 99 / 0 / 55

HEX #6C0173

RGB 108 1 115

HSL 296.32, 0.98%, 0.23%

LAB 25.1, 53.16, -35.96

 

CMYK 6 / 99 / 0 / 39

HEX #92029C

RGB 146 2 156

HSL 296.1, 0.97%, 0.31%

LAB 35.11, 66.16, -45.07

 

CMYK 7 / 99 / 0 / 23

HEX #B802C5

RGB 184 2 197

HSL 296, 0.98%, 0.39%

LAB 44.61, 78.68, -53.81

 

CMYK 7 / 99 / 0 / 7

HEX #DE02EE

RGB 222 2 238

HSL 295.93, 0.98%, 0.47%

LAB 53.76, 90.69, -62.2

 

CMYK 6 / 89 / 0 / 1

HEX #EE1DFD

RGB 238 29 253

HSL 295.98, 0.98%, 0.55%

LAB 58.18, 92.92, -63.33

 

CMYK 7 / 99 / 0 / 23

HEX #B702C4

RGB 183 2 196

HSL 295.98, 0.98%, 0.39%

LAB 44.37, 78.37, -53.62

 

CMYK 0 / 87 / 99 / 23

HEX #C51902

RGB 197 25 2

HSL 7.08, 0.98%, 0.39%

LAB 42.11, 62.84, 55.05

 

CMYK 99 / 0 / 48 / 23

HEX #02C567

RGB 2 197 103

HSL 151.08, 0.98%, 0.39%

LAB 70.12, -62.19, 35.66

 

CMYK 7 / 99 / 0 / 23

HEX #B702C4

RGB 183 2 196

HSL 295.98, 0.98%, 0.39%

LAB 44.37, 78.37, -53.62

 

CMYK 0 / 8 / 99 / 23

HEX #C5B502

RGB 197 181 2

HSL 55.08, 0.98%, 0.39%

LAB 72.84, -9.62, 74.44

 

CMYK 99 / 0 / 8 / 23

HEX #02C5B5

RGB 2 197 181

HSL 175.08, 0.98%, 0.39%

LAB 71.75, -44.21, -3.61

 

CMYK 7 / 99 / 0 / 23

HEX #B702C4

RGB 183 2 196

HSL 295.98, 0.98%, 0.39%

LAB 44.37, 78.37, -53.62

 

CMYK 0 / 87 / 99 / 23

HEX #C51902

RGB 197 25 2

HSL 7.08, 0.98%, 0.39%

LAB 42.11, 62.84, 55.05

 

CMYK 91 / 0 / 99 / 23

HEX #12C502

RGB 18 197 2

HSL 115.08, 0.98%, 0.39%

LAB 69.52, -70.09, 68.39

 

CMYK 99 / 12 / 0 / 23

HEX #02AEC5

RGB 2 174 197

HSL 187.08, 0.98%, 0.39%

LAB 65.21, -28.68, -22.21

 

CMYK 7 / 99 / 0 / 23

HEX #B702C4

RGB 183 2 196

HSL 295.98, 0.98%, 0.39%

LAB 44.37, 78.37, -53.62

 

CMYK 0 / 58 / 99 / 23

HEX #C55302

RGB 197 83 2

HSL 24.92, 0.98%, 0.39%

LAB 49.57, 42.49, 58.86

 

CMYK 91 / 0 / 99 / 23

HEX #12C502

RGB 18 197 2

HSL 115.08, 0.98%, 0.39%

LAB 69.52, -70.09, 68.39

 

CMYK 99 / 41 / 0 / 23

HEX #0274C5

RGB 2 116 197

HSL 204.92, 0.98%, 0.39%

LAB 47.67, 3.63, -49.66

 

Description

Color code: HEX #B702C4 | qconv.com Color code: HEX #B702C4 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 2 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 2 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 99 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 99% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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