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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B7029E it is the complementary color #48FD61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B7029E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B7029E shade: #BC0299, #CD14AC, #DE26BF, #EF38D2 and #FF4AE5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B7029E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B7029E shade: #B7029E, #A6008B, #950078, #840065 and #730052

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B7029E shade: #B6029D, #B6026C, #B6023C, #B6020B and #B60202

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B7029E shade: #B6029D, #9E02B6, #6E02B6, #3D02B6 and #0D02B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B7029E shade matches the following richer shades: #B6029D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B7029E shade: #B6029D, #A71192, #982087, #892E7D and #7A3D72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B7029E shade: #6E02B6, #9E02B6, #B6029E, #B6026E and #B6023E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B7029E shade: #640156, #8D017A, #B6029D, #DF02C0 and #FD0EDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B7029E shade: #B7029E, #B63E02 and #02B686

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B7029E shade: #B7029E, #9EB602 and #029EB6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B7029E shade: #B7029E, #B63E02, #02B61A and #027AB6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B7029E shade: #B7029E, #B67402, #02B61A and #0244B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 99 / 14 / 28

HEX #B7029E

RGB 183 2 158

HSL 308.29, 0.98%, 0.36%

LAB 42.12, 72.89, -34.7

 

Complementary color

CMYK 72 / 0 / 62 / 1

HEX #48FD61

RGB 72 253 97

HSL 128.29, 0.98%, 0.64%

LAB 88.2, -74.6, 60.22

 

CMYK 0 / 99 / 19 / 26

HEX #BC0299

RGB 188 2 153

HSL 311.29, 0.98%, 0.37%

LAB 42.82, 73.17, -30.53

 

CMYK 0 / 90 / 16 / 20

HEX #CD14AC

RGB 205 20 172

HSL 310.7, 0.82%, 0.44%

LAB 47.57, 76.96, -34.2

 

CMYK 0 / 83 / 14 / 13

HEX #DE26BF

RGB 222 38 191

HSL 310.11, 0.74%, 0.51%

LAB 52.59, 79.72, -37.22

 

CMYK 0 / 77 / 12 / 6

HEX #EF38D2

RGB 239 56 210

HSL 309.51, 0.85%, 0.58%

LAB 57.88, 81.51, -39.63

 

CMYK 0 / 71 / 10 / 0

HEX #FF4AE5

RGB 255 74 229

HSL 308.62, 1%, 0.65%

LAB 63.19, 82.35, -41.82

 

CMYK 0 / 99 / 14 / 28

HEX #B7029E

RGB 183 2 158

HSL 308.29, 0.98%, 0.36%

LAB 42.12, 72.89, -34.7

 

CMYK 0 / 100 / 16 / 35

HEX #A6008B

RGB 166 0 139

HSL 309.76, 1%, 0.33%

LAB 37.79, 67.44, -30.18

 

CMYK 0 / 100 / 19 / 42

HEX #950078

RGB 149 0 120

HSL 311.68, 1%, 0.29%

LAB 33.45, 61.7, -25.38

 

CMYK 0 / 100 / 23 / 48

HEX #840065

RGB 132 0 101

HSL 314.09, 1%, 0.26%

LAB 29.02, 55.84, -20.39

 

CMYK 0 / 100 / 29 / 55

HEX #730052

RGB 115 0 82

HSL 317.22, 1%, 0.23%

LAB 24.49, 49.87, -15.16

 

CMYK 0 / 99 / 14 / 29

HEX #B6029D

RGB 182 2 157

HSL 308.33, 0.98%, 0.36%

LAB 41.88, 72.57, -34.49

 

CMYK 0 / 99 / 41 / 29

HEX #B6026C

RGB 182 2 108

HSL 324.67, 0.98%, 0.36%

LAB 39.7, 67, -7.63

 

CMYK 0 / 99 / 67 / 29

HEX #B6023C

RGB 182 2 60

HSL 340.67, 0.98%, 0.36%

LAB 38.4, 63.54, 21.21

 

CMYK 0 / 99 / 94 / 29

HEX #B6020B

RGB 182 2 11

HSL 357, 0.98%, 0.36%

LAB 37.87, 62.08, 48.02

 

CMYK 0 / 99 / 99 / 29

HEX #B60202

RGB 182 2 2

HSL 0, 0.98%, 0.36%

LAB 37.83, 61.98, 51.38

 

CMYK 0 / 99 / 14 / 29

HEX #B6029D

RGB 182 2 157

HSL 308.33, 0.98%, 0.36%

LAB 41.88, 72.57, -34.49

 

CMYK 13 / 99 / 0 / 29

HEX #9E02B6

RGB 158 2 182

HSL 292, 0.98%, 0.36%

LAB 39.05, 72.31, -54.2

 

CMYK 40 / 99 / 0 / 29

HEX #6E02B6

RGB 110 2 182

HSL 276, 0.98%, 0.36%

LAB 31.2, 66.13, -67.35

 

CMYK 66 / 99 / 0 / 29

HEX #3D02B6

RGB 61 2 182

HSL 259.67, 0.98%, 0.36%

LAB 24.99, 62.38, -77.81

 

CMYK 93 / 99 / 0 / 29

HEX #0D02B6

RGB 13 2 182

HSL 243.67, 0.98%, 0.36%

LAB 21.97, 61.09, -82.94

 

CMYK 0 / 99 / 14 / 29

HEX #B6029D

RGB 182 2 157

HSL 308.33, 0.98%, 0.36%

LAB 41.88, 72.57, -34.49

 

CMYK 0 / 99 / 14 / 29

HEX #B6029D

RGB 182 2 157

HSL 308.33, 0.98%, 0.36%

LAB 41.88, 72.57, -34.49

 

CMYK 0 / 90 / 13 / 35

HEX #A71192

RGB 167 17 146

HSL 308.4, 0.82%, 0.36%

LAB 39.06, 66.51, -32.46

 

CMYK 0 / 79 / 11 / 40

HEX #982087

RGB 152 32 135

HSL 308.5, 0.65%, 0.36%

LAB 36.85, 58.47, -29.37

 

CMYK 0 / 66 / 9 / 46

HEX #892E7D

RGB 137 46 125

HSL 307.91, 0.5%, 0.36%

LAB 35.5, 48.17, -25.46

 

CMYK 0 / 50 / 7 / 52

HEX #7A3D72

RGB 122 61 114

HSL 307.87, 0.33%, 0.36%

LAB 35.38, 34.37, -18.95

 

CMYK 40 / 99 / 0 / 29

HEX #6E02B6

RGB 110 2 182

HSL 276, 0.98%, 0.36%

LAB 31.2, 66.13, -67.35

 

CMYK 13 / 99 / 0 / 29

HEX #9E02B6

RGB 158 2 182

HSL 292, 0.98%, 0.36%

LAB 39.05, 72.31, -54.2

 

CMYK 0 / 99 / 13 / 29

HEX #B6029E

RGB 182 2 158

HSL 308, 0.98%, 0.36%

LAB 41.93, 72.7, -35.01

 

CMYK 0 / 99 / 40 / 29

HEX #B6026E

RGB 182 2 110

HSL 324, 0.98%, 0.36%

LAB 39.77, 67.19, -8.79

 

CMYK 0 / 99 / 66 / 29

HEX #B6023E

RGB 182 2 62

HSL 340, 0.98%, 0.36%

LAB 38.44, 63.65, 19.98

 

CMYK 0 / 99 / 14 / 61

HEX #640156

RGB 100 1 86

HSL 308.48, 0.98%, 0.2%

LAB 21.59, 47.02, -22.62

 

CMYK 0 / 99 / 13 / 45

HEX #8D017A

RGB 141 1 122

HSL 308.14, 0.99%, 0.28%

LAB 32.01, 60.28, -29.02

 

CMYK 0 / 99 / 14 / 29

HEX #B6029D

RGB 182 2 157

HSL 308.33, 0.98%, 0.36%

LAB 41.88, 72.57, -34.49

 

CMYK 0 / 99 / 14 / 13

HEX #DF02C0

RGB 223 2 192

HSL 308.42, 0.98%, 0.44%

LAB 51.31, 84.46, -39.81

 

CMYK 0 / 94 / 13 / 1

HEX #FD0EDC

RGB 253 14 220

HSL 308.28, 0.98%, 0.52%

LAB 58.38, 92.44, -44.35

 

CMYK 0 / 99 / 14 / 28

HEX #B7029E

RGB 183 2 158

HSL 308.29, 0.98%, 0.36%

LAB 42.12, 72.89, -34.7

 

CMYK 0 / 66 / 99 / 29

HEX #B63E02

RGB 182 62 2

HSL 20, 0.98%, 0.36%

LAB 43.35, 46.56, 54.02

 

CMYK 99 / 0 / 26 / 29

HEX #02B686

RGB 2 182 134

HSL 164, 0.98%, 0.36%

LAB 65.9, -50.46, 13.66

 

CMYK 0 / 99 / 14 / 28

HEX #B7029E

RGB 183 2 158

HSL 308.29, 0.98%, 0.36%

LAB 42.12, 72.89, -34.7

 

CMYK 13 / 0 / 99 / 29

HEX #9EB602

RGB 158 182 2

HSL 68, 0.98%, 0.36%

LAB 69.99, -27.05, 70.92

 

CMYK 99 / 13 / 0 / 29

HEX #029EB6

RGB 2 158 182

HSL 188, 0.98%, 0.36%

LAB 59.75, -25.7, -22.18

 

CMYK 0 / 99 / 14 / 28

HEX #B7029E

RGB 183 2 158

HSL 308.29, 0.98%, 0.36%

LAB 42.12, 72.89, -34.7

 

CMYK 0 / 66 / 99 / 29

HEX #B63E02

RGB 182 62 2

HSL 20, 0.98%, 0.36%

LAB 43.35, 46.56, 54.02

 

CMYK 99 / 0 / 86 / 29

HEX #02B61A

RGB 2 182 26

HSL 128, 0.98%, 0.36%

LAB 64.6, -66.03, 60.56

 

CMYK 99 / 33 / 0 / 29

HEX #027AB6

RGB 2 122 182

HSL 200, 0.98%, 0.36%

LAB 48.65, -5.91, -39.46

 

CMYK 0 / 99 / 14 / 28

HEX #B7029E

RGB 183 2 158

HSL 308.29, 0.98%, 0.36%

LAB 42.12, 72.89, -34.7

 

CMYK 0 / 36 / 99 / 29

HEX #B67402

RGB 182 116 2

HSL 38, 0.98%, 0.36%

LAB 54.49, 18.84, 60.85

 

CMYK 99 / 0 / 86 / 29

HEX #02B61A

RGB 2 182 26

HSL 128, 0.98%, 0.36%

LAB 64.6, -66.03, 60.56

 

CMYK 99 / 63 / 0 / 29

HEX #0244B6

RGB 2 68 182

HSL 218, 0.98%, 0.36%

LAB 32.97, 29.1, -64.71

 

Description

Color code: HEX #B7029E | qconv.com Color code: HEX #B7029E | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, 2 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 2 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 99 magenta, 14 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 99% 14% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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