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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B700233F it is the complementary color #48FFDC3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B700233F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B700233F shade: #BC001E3F, #CD12313F, #DE24443F, #EF36573F and #FF486A3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B700233F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B700233F shade: #B700233F, #A600103F, #9500003F, #8400003F and #7300003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B700233F shade: #B80023 and #B80000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B700233F shade: #B80023, #B80055, #B80086, #B800B8 and #8600B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B700233F shade matches the following richer shades: #B80023

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B700233F shade: #B80023, #A90F2C, #9A1E35, #8B2D3F and #7C3B48

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B700233F shade: #B80087, #B80056, #B80025, #B80C00 and #B83D00

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B700233F shade: #650013, #8E001B, #B80023, #E1002B and #FF0B3A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B700233F shade: #B70023, #B8B800 and #006EB8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B700233F shade: #B70023, #25B800 and #0025B8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B700233F shade: #B70023, #B8B800, #00B893 and #0000B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B700233F shade: #B70023, #81B800, #00B893 and #3700B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 20 / 7

HEX #B700233F

RGBA 183 0 35 0.25

HSLA 348.52, 1%, 0.36%, 0.25

LABA 38.18, 63.03, 36.48, 0.25

 

Complementary color

CMYK 18 / 0 / 3 / 0

HEX #48FFDC3F

RGBA 72 255 220 0.25

HSLA 168.52, 1%, 0.64%, 0.25

LABA 90.81, -53.16, 3.63, 0.25

 

CMYK 0 / 25 / 21 / 7

HEX #BC001E3F

RGBA 188 0 30 0.25

HSLA 350.43, 1%, 0.37%, 0.25

LABA 39.22, 64.14, 40.69, 0.25

 

CMYK 0 / 23 / 19 / 5

HEX #CD12313F

RGBA 205 18 49 0.25

HSLA 350.05, 0.84%, 0.44%, 0.25

LABA 43.7, 67.02, 35.52, 0.25

 

CMYK 0 / 21 / 17 / 3

HEX #DE24443F

RGBA 222 36 68 0.25

HSLA 349.68, 0.74%, 0.51%, 0.25

LABA 48.52, 68.99, 30.69, 0.25

 

CMYK 0 / 19 / 16 / 2

HEX #EF36573F

RGBA 239 54 87 0.25

HSLA 349.3, 0.85%, 0.57%, 0.25

LABA 53.68, 70.03, 26.53, 0.25

 

CMYK 0 / 18 / 15 / 0

HEX #FF486A3F

RGBA 255 72 106 0.25

HSLA 348.85, 1%, 0.64%, 0.25

LABA 58.91, 70.11, 22.75, 0.25

 

CMYK 0 / 25 / 20 / 7

HEX #B700233F

RGBA 183 0 35 0.25

HSLA 348.52, 1%, 0.36%, 0.25

LABA 38.18, 63.03, 36.48, 0.25

 

CMYK 0 / 25 / 23 / 9

HEX #A600103F

RGBA 166 0 16 0.25

HSLA 354.22, 1%, 0.33%, 0.25

LABA 34.28, 58.3, 41.84, 0.25

 

CMYK 0 / 25 / 25 / 10

HEX #9500003F

RGBA 149 0 0 0.25

HSLA 0, 1%, 0.29%, 0.25

LABA 30.37, 53.66, 44.07, 0.25

 

CMYK 0 / 25 / 25 / 12

HEX #8400003F

RGBA 132 0 0 0.25

HSLA 0, 1%, 0.26%, 0.25

LABA 26.46, 49.13, 39.26, 0.25

 

CMYK 0 / 25 / 25 / 14

HEX #7300003F

RGBA 115 0 0 0.25

HSLA 0, 1%, 0.23%, 0.25

LABA 22.46, 44.5, 33.99, 0.25

 

CMYK 0 / 100 / 81 / 28

HEX #B80023

RGB 184 0 35

HSL 348.59, 1%, 0.36%

LAB 38.4, 63.28, 36.77

 

CMYK 0 / 100 / 100 / 28

HEX #B80000

RGB 184 0 0

HSL 0, 1%, 0.36%

LAB 38.18, 62.69, 52.6

 

CMYK 0 / 100 / 81 / 28

HEX #B80023

RGB 184 0 35

HSL 348.59, 1%, 0.36%

LAB 38.4, 63.28, 36.77

 

CMYK 0 / 100 / 54 / 28

HEX #B80055

RGB 184 0 85

HSL 332.28, 1%, 0.36%

LAB 39.32, 65.76, 6.49

 

CMYK 0 / 100 / 27 / 28

HEX #B80086

RGB 184 0 134

HSL 316.3, 1%, 0.36%

LAB 41.08, 70.32, -21.71

 

CMYK 0 / 100 / 0 / 28

HEX #B800B8

RGB 184 0 184

HSL 300, 1%, 0.36%

LAB 43.73, 76.89, -47.62

 

CMYK 27 / 100 / 0 / 28

HEX #8600B8

RGB 134 0 184

HSL 283.7, 1%, 0.36%

LAB 35.06, 69.59, -62.06

 

CMYK 0 / 100 / 81 / 28

HEX #B80023

RGB 184 0 35

HSL 348.59, 1%, 0.36%

LAB 38.4, 63.28, 36.77

 

CMYK 0 / 100 / 81 / 28

HEX #B80023

RGB 184 0 35

HSL 348.59, 1%, 0.36%

LAB 38.4, 63.28, 36.77

 

CMYK 0 / 91 / 74 / 34

HEX #A90F2C

RGB 169 15 44

HSL 348.7, 0.84%, 0.36%

LAB 35.9, 57.92, 27.66

 

CMYK 0 / 81 / 66 / 40

HEX #9A1E35

RGB 154 30 53

HSL 348.87, 0.67%, 0.36%

LAB 34.1, 50.81, 19

 

CMYK 0 / 68 / 55 / 45

HEX #8B2D3F

RGB 139 45 63

HSL 348.51, 0.51%, 0.36%

LAB 33.4, 41.21, 11.09

 

CMYK 0 / 52 / 42 / 51

HEX #7C3B48

RGB 124 59 72

HSL 348, 0.36%, 0.36%

LAB 33.73, 29.63, 5.36

 

CMYK 0 / 100 / 27 / 28

HEX #B80087

RGB 184 0 135

HSL 315.98, 1%, 0.36%

LAB 41.12, 70.44, -22.25

 

CMYK 0 / 100 / 53 / 28

HEX #B80056

RGB 184 0 86

HSL 331.96, 1%, 0.36%

LAB 39.35, 65.83, 5.89

 

CMYK 0 / 100 / 80 / 28

HEX #B80025

RGB 184 0 37

HSL 347.93, 1%, 0.36%

LAB 38.42, 63.34, 35.62

 

CMYK 0 / 93 / 100 / 28

HEX #B80C00

RGB 184 12 0

HSL 3.91, 1%, 0.36%

LAB 38.64, 61.36, 52.77

 

CMYK 0 / 67 / 100 / 28

HEX #B83D00

RGB 184 61 0

HSL 19.89, 1%, 0.36%

LAB 43.55, 47.68, 54.92

 

CMYK 0 / 100 / 81 / 60

HEX #650013

RGB 101 0 19

HSL 348.71, 1%, 0.2%

LAB 19.28, 41.13, 20.8

 

CMYK 0 / 100 / 81 / 44

HEX #8E001B

RGB 142 0 27

HSL 348.59, 1%, 0.28%

LAB 28.98, 52.37, 28.94

HEX #8E001B

CMYK 0 / 100 / 81 / 28

HEX #B80023

RGB 184 0 35

HSL 348.59, 1%, 0.36%

LAB 38.4, 63.28, 36.77

HEX #B80023

CMYK 0 / 100 / 81 / 12

HEX #E1002B

RGB 225 0 43

HSL 348.53, 1%, 0.44%

LAB 47.21, 73.5, 43.92

HEX #E1002B

CMYK 0 / 96 / 77 / 0

HEX #FF0B3A

RGB 255 11 58

HSL 348.44, 1%, 0.52%

LAB 53.82, 80.27, 44.31

HEX #FF0B3A

CMYK 0 / 100 / 81 / 28

HEX #B70023

RGB 183 0 35

HSL 348.52, 1%, 0.36%

LAB 38.18, 63.03, 36.48

 

CMYK 0 / 0 / 100 / 28

HEX #B8B800

RGB 184 184 0

HSL 60, 1%, 0.36%

LAB 72.54, -16.87, 73.94

 

CMYK 100 / 40 / 0 / 28

HEX #006EB8

RGB 0 110 184

HSL 204.13, 1%, 0.36%

LAB 45.1, 2.12, -46.25

 

CMYK 0 / 100 / 81 / 28

HEX #B70023

RGB 183 0 35

HSL 348.52, 1%, 0.36%

LAB 38.18, 63.03, 36.48

 

CMYK 80 / 0 / 100 / 28

HEX #25B800

RGB 37 184 0

HSL 107.93, 1%, 0.36%

LAB 65.49, -64.65, 65.48

 

CMYK 100 / 80 / 0 / 28

HEX #0025B8

RGB 0 37 184

HSL 227.93, 1%, 0.36%

LAB 26.11, 49, -77.23

 

CMYK 0 / 100 / 81 / 28

HEX #B70023

RGB 183 0 35

HSL 348.52, 1%, 0.36%

LAB 38.18, 63.03, 36.48

 

CMYK 0 / 0 / 100 / 28

HEX #B8B800

RGB 184 184 0

HSL 60, 1%, 0.36%

LAB 72.54, -16.87, 73.94

 

CMYK 100 / 0 / 20 / 28

HEX #00B893

RGB 0 184 147

HSL 167.93, 1%, 0.36%

LAB 66.81, -48.08, 7.84

 

CMYK 100 / 100 / 0 / 28

HEX #0000B8

RGB 0 0 184

HSL 240, 1%, 0.36%

LAB 21.8, 61.98, -84.41

 

CMYK 0 / 100 / 81 / 28

HEX #B70023

RGB 183 0 35

HSL 348.52, 1%, 0.36%

LAB 38.18, 63.03, 36.48

 

CMYK 30 / 0 / 100 / 28

HEX #81B800

RGB 129 184 0

HSL 77.93, 1%, 0.36%

LAB 68.71, -39.77, 69.37

 

CMYK 100 / 0 / 20 / 28

HEX #00B893

RGB 0 184 147

HSL 167.93, 1%, 0.36%

LAB 66.81, -48.08, 7.84

 

CMYK 70 / 100 / 0 / 28

HEX #3700B8

RGB 55 0 184

HSL 257.93, 1%, 0.36%

LAB 24.55, 63.02, -79.75

 

Description

Color code: HEX #B700233F | qconv.com Color code: HEX #B700233F | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 183 red, none green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
183 0 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 20 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 20% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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