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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6FEB1 it is the complementary color #49014E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6FEB1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6FEB1 shade: #BBFEAC, #CCFFBF, #DDFFD2, #EEFFE5 and #FFFFF8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6FEB1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6FEB1 shade: #B6FEB1, #A5EC9E, #94DA8B, #83C878 and #72B665

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6FEB1 shade: #B8FEB4, #CCFEB4, #E0FEB4, #F5FEB4 and #FEF3B4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6FEB1 shade: #B8FEB4, #B4FEC3, #B4FED7, #B4FEEB and #B4FDFE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6FEB1 shade matches the following richer shades: #B8FEB4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6FEB1 shade: #B8FEB4, #BEF8BA, #C3F1C0, #C9EBC6 and #CEE5CC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6FEB1 shade: #E0FEB4, #CCFEB4, #B9FEB4, #B4FEC2 and #B4FED6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6FEB1 shade: #6CFD62, #92FD8B, #B8FEB4, #DFFEDC and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6FEB1 shade: #B6FEB1, #B4F4FE and #FEB4D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6FEB1 shade: #B6FEB1, #B4B9FE and #FEB4B9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6FEB1 shade: #B6FEB1, #B4F4FE, #F9B4FE and #FEBEB4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6FEB1 shade: #B6FEB1, #B4DEFE, #F9B4FE and #FED4B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 30 / 0

HEX #B6FEB1

RGB 182 254 177

HSL 116.1, 0.97%, 0.85%

LAB 93.45, -36.59, 29.91

 

Complementary color

CMYK 6 / 99 / 0 / 69

HEX #49014E

RGB 73 1 78

HSL 296.1, 0.97%, 0.15%

LAB 15.43, 40.38, -27.34

 

CMYK 26 / 0 / 32 / 0

HEX #BBFEAC

RGB 187 254 172

HSL 109.02, 0.98%, 0.84%

LAB 93.64, -35.74, 32.71

 

CMYK 20 / 0 / 25 / 0

HEX #CCFFBF

RGB 204 255 191

HSL 107.81, 1%, 0.87%

LAB 95.21, -27.68, 25.43

 

CMYK 13 / 0 / 18 / 0

HEX #DDFFD2

RGB 221 255 210

HSL 105.33, 1%, 0.91%

LAB 96.63, -18.96, 17.9

 

CMYK 7 / 0 / 10 / 0

HEX #EEFFE5

RGB 238 255 229

HSL 99.23, 1%, 0.95%

LAB 98.18, -10.1, 10.53

 

CMYK 0 / 0 / 3 / 0

HEX #FFFFF8

RGB 255 255 248

HSL 60, 1%, 0.99%

LAB 99.83, -1.2, 3.33

 

CMYK 28 / 0 / 30 / 0

HEX #B6FEB1

RGB 182 254 177

HSL 116.1, 0.97%, 0.85%

LAB 93.45, -36.59, 29.91

 

CMYK 30 / 0 / 33 / 7

HEX #A5EC9E

RGB 165 236 158

HSL 114.62, 0.67%, 0.77%

LAB 87.22, -36.81, 30.98

 

CMYK 32 / 0 / 36 / 15

HEX #94DA8B

RGB 148 218 139

HSL 113.16, 0.52%, 0.7%

LAB 80.91, -37.03, 32.1

 

CMYK 35 / 0 / 40 / 22

HEX #83C878

RGB 131 200 120

HSL 111.75, 0.42%, 0.63%

LAB 74.5, -37.24, 33.28

 

CMYK 37 / 0 / 45 / 29

HEX #72B665

RGB 114 182 101

HSL 110.37, 0.36%, 0.55%

LAB 68, -37.43, 34.52

 

CMYK 28 / 0 / 29 / 0

HEX #B8FEB4

RGB 184 254 180

HSL 116.76, 0.97%, 0.85%

LAB 93.61, -35.48, 28.63

 

CMYK 20 / 0 / 29 / 0

HEX #CCFEB4

RGB 204 254 180

HSL 100.54, 0.97%, 0.85%

LAB 94.75, -28.89, 30.36

 

CMYK 12 / 0 / 29 / 0

HEX #E0FEB4

RGB 224 254 180

HSL 84.32, 0.97%, 0.85%

LAB 96.01, -21.95, 32.27

 

CMYK 4 / 0 / 29 / 0

HEX #F5FEB4

RGB 245 254 180

HSL 67.3, 0.97%, 0.85%

LAB 97.47, -14.38, 34.48

 

CMYK 0 / 4 / 29 / 0

HEX #FEF3B4

RGB 254 243 180

HSL 51.08, 0.97%, 0.85%

LAB 95.36, -5.63, 31.78

 

CMYK 28 / 0 / 29 / 0

HEX #B8FEB4

RGB 184 254 180

HSL 116.76, 0.97%, 0.85%

LAB 93.61, -35.48, 28.63

 

CMYK 29 / 0 / 23 / 0

HEX #B4FEC3

RGB 180 254 195

HSL 132.16, 0.97%, 0.85%

LAB 93.68, -34.25, 21.08

 

CMYK 29 / 0 / 15 / 0

HEX #B4FED7

RGB 180 254 215

HSL 148.38, 0.97%, 0.85%

LAB 94.1, -30.6, 11.41

 

CMYK 29 / 0 / 7 / 0

HEX #B4FEEB

RGB 180 254 235

HSL 164.59, 0.97%, 0.85%

LAB 94.56, -26.62, 1.78

 

CMYK 29 / 0 / 0 / 0

HEX #B4FDFE

RGB 180 253 254

HSL 180.81, 0.97%, 0.85%

LAB 94.78, -22.07, -7.7

 

CMYK 28 / 0 / 29 / 0

HEX #B8FEB4

RGB 184 254 180

HSL 116.76, 0.97%, 0.85%

LAB 93.61, -35.48, 28.63

 

CMYK 28 / 0 / 29 / 0

HEX #B8FEB4

RGB 184 254 180

HSL 116.76, 0.97%, 0.85%

LAB 93.61, -35.48, 28.63

 

CMYK 23 / 0 / 25 / 3

HEX #BEF8BA

RGB 190 248 186

HSL 116.13, 0.82%, 0.85%

LAB 92.41, -29.8, 24

 

CMYK 19 / 0 / 20 / 5

HEX #C3F1C0

RGB 195 241 192

HSL 116.33, 0.64%, 0.85%

LAB 90.93, -23.84, 18.9

 

CMYK 14 / 0 / 16 / 8

HEX #C9EBC6

RGB 201 235 198

HSL 115.14, 0.48%, 0.85%

LAB 89.82, -17.89, 14.3

 

CMYK 10 / 0 / 11 / 10

HEX #CEE5CC

RGB 206 229 204

HSL 115.2, 0.32%, 0.85%

LAB 88.7, -12.18, 9.62

 

CMYK 12 / 0 / 29 / 0

HEX #E0FEB4

RGB 224 254 180

HSL 84.32, 0.97%, 0.85%

LAB 96.01, -21.95, 32.27

 

CMYK 20 / 0 / 29 / 0

HEX #CCFEB4

RGB 204 254 180

HSL 100.54, 0.97%, 0.85%

LAB 94.75, -28.89, 30.36

 

CMYK 27 / 0 / 29 / 0

HEX #B9FEB4

RGB 185 254 180

HSL 115.95, 0.97%, 0.85%

LAB 93.66, -35.16, 28.71

 

CMYK 29 / 0 / 24 / 0

HEX #B4FEC2

RGB 180 254 194

HSL 131.35, 0.97%, 0.85%

LAB 93.66, -34.42, 21.56

 

CMYK 29 / 0 / 16 / 0

HEX #B4FED6

RGB 180 254 214

HSL 147.57, 0.97%, 0.85%

LAB 94.07, -30.79, 11.9

 

CMYK 57 / 0 / 61 / 1

HEX #6CFD62

RGB 108 253 98

HSL 116.13, 0.97%, 0.69%

LAB 89.07, -67.54, 61.01

 

CMYK 42 / 0 / 45 / 1

HEX #92FD8B

RGB 146 253 139

HSL 116.32, 0.97%, 0.77%

LAB 90.88, -52.71, 44.96

 

CMYK 28 / 0 / 29 / 0

HEX #B8FEB4

RGB 184 254 180

HSL 116.76, 0.97%, 0.85%

LAB 93.61, -35.48, 28.63

 

CMYK 12 / 0 / 13 / 0

HEX #DFFEDC

RGB 223 254 220

HSL 114.71, 0.94%, 0.93%

LAB 96.71, -16.14, 12.92

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 28 / 0 / 30 / 0

HEX #B6FEB1

RGB 182 254 177

HSL 116.1, 0.97%, 0.85%

LAB 93.45, -36.59, 29.91

 

CMYK 29 / 4 / 0 / 0

HEX #B4F4FE

RGB 180 244 254

HSL 188.11, 0.97%, 0.85%

LAB 92.38, -17.65, -11.27

 

CMYK 0 / 29 / 16 / 0

HEX #FEB4D6

RGB 254 180 214

HSL 332.43, 0.97%, 0.85%

LAB 81.05, 31.76, -6.32

 

CMYK 28 / 0 / 30 / 0

HEX #B6FEB1

RGB 182 254 177

HSL 116.1, 0.97%, 0.85%

LAB 93.45, -36.59, 29.91

 

CMYK 29 / 27 / 0 / 0

HEX #B4B9FE

RGB 180 185 254

HSL 235.95, 0.97%, 0.85%

LAB 77.02, 13.34, -34.6

 

CMYK 0 / 29 / 27 / 0

HEX #FEB4B9

RGB 254 180 185

HSL 355.95, 0.97%, 0.85%

LAB 80.3, 27.56, 8.25

 

CMYK 28 / 0 / 30 / 0

HEX #B6FEB1

RGB 182 254 177

HSL 116.1, 0.97%, 0.85%

LAB 93.45, -36.59, 29.91

 

CMYK 29 / 4 / 0 / 0

HEX #B4F4FE

RGB 180 244 254

HSL 188.11, 0.97%, 0.85%

LAB 92.38, -17.65, -11.27

 

CMYK 2 / 29 / 0 / 0

HEX #F9B4FE

RGB 249 180 254

HSL 295.95, 0.97%, 0.85%

LAB 81.8, 36.9, -26.73

 

CMYK 0 / 25 / 29 / 0

HEX #FEBEB4

RGB 254 190 180

HSL 8.11, 0.97%, 0.85%

LAB 82.48, 21.65, 14.04

 

CMYK 28 / 0 / 30 / 0

HEX #B6FEB1

RGB 182 254 177

HSL 116.1, 0.97%, 0.85%

LAB 93.45, -36.59, 29.91

 

CMYK 29 / 13 / 0 / 0

HEX #B4DEFE

RGB 180 222 254

HSL 205.95, 0.97%, 0.85%

LAB 86.55, -6.48, -20.02

 

CMYK 2 / 29 / 0 / 0

HEX #F9B4FE

RGB 249 180 254

HSL 295.95, 0.97%, 0.85%

LAB 81.8, 36.9, -26.73

 

CMYK 0 / 17 / 29 / 0

HEX #FED4B4

RGB 254 212 180

HSL 25.95, 0.97%, 0.85%

LAB 87.7, 10.17, 21.33

 

Description

Color code: HEX #B6FEB1 | qconv.com Color code: HEX #B6FEB1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 254 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 254 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 30 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 30% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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