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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6F445 it is the complementary color #490BBA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6F445. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6F445 shade: #BBF440, #CCFF53, #DDFF66, #EEFF79 and #FFFF8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6F445. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6F445 shade: #B6F445, #A5E232, #94D01F, #83BE0C and #72AC00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6F445 shade: #B5F443, #E5F443, #F4D343, #F4A443 and #F47443

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6F445 shade: #B5F443, #86F443, #56F443, #43F460 and #43F490

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6F445 shade matches the following richer shades: #B5F443

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6F445 shade: #B5F443, #B1E453, #ACD463, #A7C473 and #A3B483

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6F445 shade: #F4D443, #E5F443, #B6F443, #87F443 and #58F443

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6F445 shade: #90D80D, #A6F21C, #B5F443, #C5F66A and #D4F991

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6F445 shade: #B6F445, #43F4A4 and #EB43F4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6F445 shade: #B6F445, #43B6F4 and #F443B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6F445 shade: #B6F445, #43F4A4, #8143F4 and #F44393

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6F445 shade: #B6F445, #43F4DA, #8143F4 and #F4435E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 72 / 4

HEX #B6F445

RGB 182 244 69

HSL 81.26, 0.89%, 0.61%

LAB 89.43, -43.63, 73.36

 

Complementary color

CMYK 61 / 94 / 0 / 27

HEX #490BBA

RGB 73 11 186

HSL 261.26, 0.89%, 0.39%

LAB 27.3, 62.3, -76.32

 

CMYK 23 / 0 / 74 / 4

HEX #BBF440

RGB 187 244 64

HSL 79, 0.89%, 0.6%

LAB 89.69, -42.04, 75.35

 

CMYK 20 / 0 / 67 / 0

HEX #CCFF53

RGB 204 255 83

HSL 77.79, 1%, 0.66%

LAB 93.88, -39.45, 73.33

 

CMYK 13 / 0 / 60 / 0

HEX #DDFF66

RGB 221 255 102

HSL 73.33, 1%, 0.7%

LAB 95.1, -31.73, 67.56

 

CMYK 7 / 0 / 53 / 0

HEX #EEFF79

RGB 238 255 121

HSL 67.61, 1%, 0.74%

LAB 96.44, -23.71, 61.25

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8C

RGB 255 255 140

HSL 60, 1%, 0.77%

LAB 97.9, -15.49, 54.62

 

CMYK 25 / 0 / 72 / 4

HEX #B6F445

RGB 182 244 69

HSL 81.26, 0.89%, 0.61%

LAB 89.43, -43.63, 73.36

 

CMYK 27 / 0 / 78 / 11

HEX #A5E232

RGB 165 226 50

HSL 80.8, 0.75%, 0.54%

LAB 83.24, -43.08, 73.07

 

CMYK 29 / 0 / 85 / 18

HEX #94D01F

RGB 148 208 31

HSL 80.34, 0.74%, 0.47%

LAB 76.98, -42.36, 71.95

 

CMYK 31 / 0 / 94 / 25

HEX #83BE0C

RGB 131 190 12

HSL 79.89, 0.88%, 0.4%

LAB 70.65, -41.43, 69.56

 

CMYK 34 / 0 / 100 / 33

HEX #72AC00

RGB 114 172 0

HSL 80.23, 1%, 0.34%

LAB 64.23, -40.25, 65.57

 

CMYK 26 / 0 / 73 / 4

HEX #B5F443

RGB 181 244 67

HSL 81.36, 0.89%, 0.61%

LAB 89.36, -44.1, 73.94

 

CMYK 6 / 0 / 73 / 4

HEX #E5F443

RGB 229 244 67

HSL 65.08, 0.89%, 0.61%

LAB 92.47, -25.51, 78.01

 

CMYK 0 / 14 / 73 / 4

HEX #F4D343

RGB 244 211 67

HSL 48.81, 0.89%, 0.61%

LAB 85.11, -3.09, 71.39

 

CMYK 0 / 33 / 73 / 4

HEX #F4A443

RGB 244 164 67

HSL 32.88, 0.89%, 0.61%

LAB 73.67, 21.38, 60.04

 

CMYK 0 / 52 / 73 / 4

HEX #F47443

RGB 244 116 67

HSL 16.61, 0.89%, 0.61%

LAB 63.45, 45.99, 49.34

 

CMYK 26 / 0 / 73 / 4

HEX #B5F443

RGB 181 244 67

HSL 81.36, 0.89%, 0.61%

LAB 89.36, -44.1, 73.94

 

CMYK 45 / 0 / 73 / 4

HEX #86F443

RGB 134 244 67

HSL 97.29, 0.89%, 0.61%

LAB 87.08, -59.9, 70.93

 

CMYK 65 / 0 / 73 / 4

HEX #56F443

RGB 86 244 67

HSL 113.56, 0.89%, 0.61%

LAB 85.55, -71.96, 68.89

 

CMYK 73 / 0 / 61 / 4

HEX #43F460

RGB 67 244 96

HSL 129.83, 0.89%, 0.61%

LAB 85.37, -72.6, 57.4

 

CMYK 73 / 0 / 41 / 4

HEX #43F490

RGB 67 244 144

HSL 146.1, 0.89%, 0.61%

LAB 85.96, -65.73, 35.73

 

CMYK 26 / 0 / 73 / 4

HEX #B5F443

RGB 181 244 67

HSL 81.36, 0.89%, 0.61%

LAB 89.36, -44.1, 73.94

 

CMYK 26 / 0 / 73 / 4

HEX #B5F443

RGB 181 244 67

HSL 81.36, 0.89%, 0.61%

LAB 89.36, -44.1, 73.94

 

CMYK 22 / 0 / 64 / 11

HEX #B1E453

RGB 177 228 83

HSL 81.1, 0.73%, 0.61%

LAB 84.72, -37.53, 63.25

 

CMYK 19 / 0 / 53 / 17

HEX #ACD463

RGB 172 212 99

HSL 81.24, 0.57%, 0.61%

LAB 80.04, -30.71, 50.96

 

CMYK 15 / 0 / 41 / 23

HEX #A7C473

RGB 167 196 115

HSL 81.48, 0.41%, 0.61%

LAB 75.41, -23.19, 37.43

 

CMYK 9 / 0 / 27 / 29

HEX #A3B483

RGB 163 180 131

HSL 80.82, 0.25%, 0.61%

LAB 70.92, -14.49, 23.1

 

CMYK 0 / 13 / 73 / 4

HEX #F4D443

RGB 244 212 67

HSL 49.15, 0.89%, 0.61%

LAB 85.37, -3.6, 71.64

 

CMYK 6 / 0 / 73 / 4

HEX #E5F443

RGB 229 244 67

HSL 65.08, 0.89%, 0.61%

LAB 92.47, -25.51, 78.01

 

CMYK 25 / 0 / 73 / 4

HEX #B6F443

RGB 182 244 67

HSL 81.02, 0.89%, 0.61%

LAB 89.42, -43.74, 74.01

 

CMYK 45 / 0 / 73 / 4

HEX #87F443

RGB 135 244 67

HSL 96.95, 0.89%, 0.61%

LAB 87.12, -59.6, 70.98

 

CMYK 64 / 0 / 73 / 4

HEX #58F443

RGB 88 244 67

HSL 112.88, 0.89%, 0.61%

LAB 85.6, -71.56, 68.95

 

CMYK 33 / 0 / 94 / 15

HEX #90D80D

RGB 144 216 13

HSL 81.28, 0.89%, 0.45%

LAB 79.08, -47.64, 76.47

 

CMYK 31 / 0 / 88 / 5

HEX #A6F21C

RGB 166 242 28

HSL 81.31, 0.89%, 0.53%

LAB 87.82, -50.2, 82

 

CMYK 26 / 0 / 73 / 4

HEX #B5F443

RGB 181 244 67

HSL 81.36, 0.89%, 0.61%

LAB 89.36, -44.1, 73.94

 

CMYK 20 / 0 / 57 / 4

HEX #C5F66A

RGB 197 246 106

HSL 81, 0.89%, 0.69%

LAB 91.15, -36.36, 61.05

 

CMYK 15 / 0 / 42 / 2

HEX #D4F991

RGB 212 249 145

HSL 81.35, 0.9%, 0.77%

LAB 93.36, -28.31, 45.94

 

CMYK 25 / 0 / 72 / 4

HEX #B6F445

RGB 182 244 69

HSL 81.26, 0.89%, 0.61%

LAB 89.43, -43.63, 73.36

 

CMYK 73 / 0 / 33 / 4

HEX #43F4A4

RGB 67 244 164

HSL 152.88, 0.89%, 0.61%

LAB 86.29, -62.01, 26.1

 

CMYK 4 / 73 / 0 / 4

HEX #EB43F4

RGB 235 67 244

HSL 296.95, 0.89%, 0.61%

LAB 60.08, 82.58, -55.31

 

CMYK 25 / 0 / 72 / 4

HEX #B6F445

RGB 182 244 69

HSL 81.26, 0.89%, 0.61%

LAB 89.43, -43.63, 73.36

 

CMYK 73 / 25 / 0 / 4

HEX #43B6F4

RGB 67 182 244

HSL 201.02, 0.89%, 0.61%

LAB 70.3, -12.35, -40.06

 

CMYK 0 / 73 / 25 / 4

HEX #F443B6

RGB 244 67 182

HSL 321.02, 0.89%, 0.61%

LAB 58.63, 75.84, -22.35

 

CMYK 25 / 0 / 72 / 4

HEX #B6F445

RGB 182 244 69

HSL 81.26, 0.89%, 0.61%

LAB 89.43, -43.63, 73.36

 

CMYK 73 / 0 / 33 / 4

HEX #43F4A4

RGB 67 244 164

HSL 152.88, 0.89%, 0.61%

LAB 86.29, -62.01, 26.1

 

CMYK 47 / 73 / 0 / 4

HEX #8143F4

RGB 129 67 244

HSL 261.02, 0.89%, 0.61%

LAB 45.92, 63.34, -78.88

 

CMYK 0 / 73 / 40 / 4

HEX #F44393

RGB 244 67 147

HSL 332.88, 0.89%, 0.61%

LAB 57.42, 72.03, -3.77

 

CMYK 25 / 0 / 72 / 4

HEX #B6F445

RGB 182 244 69

HSL 81.26, 0.89%, 0.61%

LAB 89.43, -43.63, 73.36

 

CMYK 73 / 0 / 11 / 4

HEX #43F4DA

RGB 67 244 218

HSL 171.19, 0.89%, 0.61%

LAB 87.46, -49.68, -0.21

 

CMYK 47 / 73 / 0 / 4

HEX #8143F4

RGB 129 67 244

HSL 261.02, 0.89%, 0.61%

LAB 45.92, 63.34, -78.88

 

CMYK 0 / 73 / 61 / 4

HEX #F4435E

RGB 244 67 94

HSL 350.85, 0.89%, 0.61%

LAB 56.14, 67.86, 25.77

 

Description

Color code: HEX #B6F445 | qconv.com Color code: HEX #B6F445 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 244 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 244 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 72 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 72% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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