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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6EC6E it is the complementary color #491391. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6EC6E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6EC6E shade: #BBEC69, #CCFE7C, #DDFF8F, #EEFFA2 and #FFFFB5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6EC6E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6EC6E shade: #B6EC6E, #A5DA5B, #94C848, #83B635 and #72A422

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6EC6E shade: #B6EC6E, #D8EC6E, #ECDE6E, #ECBC6E and #EC9A6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6EC6E shade: #B6EC6E, #94EC6E, #72EC6E, #6EEC8C and #6EECAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6EC6E shade matches the following richer shades: #B6EC6E and #B8F961

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6EC6E shade: #B6EC6E, #B4DF7B, #B2D188, #B0C496 and #AEB7A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6EC6E shade: #ECDD6E, #D9EC6E, #B7EC6E, #96EC6E and #74EC6E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6EC6E shade: #91E225, #A4E74A, #B6EC6E, #C8F093 and #DBF5B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6EC6E shade: #B6EC6E, #6EECBC and #EC6EEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6EC6E shade: #B6EC6E, #6EB7EC and #EC6EB7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6EC6E shade: #B6EC6E, #6EECBC, #A26EEC and #EC6E9E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6EC6E shade: #B6EC6E, #6EECE1, #A26EEC and #EC6E79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 53 / 7

HEX #B6EC6E

RGB 182 236 110

HSL 85.71, 0.77%, 0.68%

LAB 87.52, -36.98, 54.84

 

Complementary color

CMYK 50 / 87 / 0 / 43

HEX #491391

RGB 73 19 145

HSL 265.71, 0.77%, 0.32%

LAB 23.43, 50.01, -57.86

 

CMYK 21 / 0 / 56 / 7

HEX #BBEC69

RGB 187 236 105

HSL 82.44, 0.78%, 0.67%

LAB 87.76, -35.61, 57.45

 

CMYK 20 / 0 / 51 / 0

HEX #CCFE7C

RGB 204 254 124

HSL 83.08, 0.98%, 0.74%

LAB 93.96, -35.76, 56.42

 

CMYK 13 / 0 / 44 / 0

HEX #DDFF8F

RGB 221 255 143

HSL 78.21, 1%, 0.78%

LAB 95.53, -28.04, 49.74

 

CMYK 7 / 0 / 36 / 0

HEX #EEFFA2

RGB 238 255 162

HSL 70.97, 1%, 0.82%

LAB 96.95, -19.63, 42.61

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB5

RGB 255 255 181

HSL 60, 1%, 0.85%

LAB 98.48, -11.08, 35.46

 

CMYK 23 / 0 / 53 / 7

HEX #B6EC6E

RGB 182 236 110

HSL 85.71, 0.77%, 0.68%

LAB 87.52, -36.98, 54.84

 

CMYK 24 / 0 / 58 / 15

HEX #A5DA5B

RGB 165 218 91

HSL 85.04, 0.63%, 0.61%

LAB 81.24, -36.84, 55.83

 

CMYK 26 / 0 / 64 / 22

HEX #94C848

RGB 148 200 72

HSL 84.38, 0.54%, 0.53%

LAB 74.87, -36.62, 56.66

 

CMYK 28 / 0 / 71 / 29

HEX #83B635

RGB 131 182 53

HSL 83.72, 0.55%, 0.46%

LAB 68.42, -36.27, 57.16

 

CMYK 30 / 0 / 79 / 36

HEX #72A422

RGB 114 164 34

HSL 83.08, 0.66%, 0.39%

LAB 61.86, -35.75, 57.01

 

CMYK 23 / 0 / 53 / 7

HEX #B6EC6E

RGB 182 236 110

HSL 85.71, 0.77%, 0.68%

LAB 87.52, -36.98, 54.84

 

CMYK 8 / 0 / 53 / 7

HEX #D8EC6E

RGB 216 236 110

HSL 69.52, 0.77%, 0.68%

LAB 89.73, -24.13, 57.98

 

CMYK 0 / 6 / 53 / 7

HEX #ECDE6E

RGB 236 222 110

HSL 53.33, 0.77%, 0.68%

LAB 87.58, -9.31, 55.88

 

CMYK 0 / 20 / 53 / 7

HEX #ECBC6E

RGB 236 188 110

HSL 37.14, 0.77%, 0.68%

LAB 79, 8.16, 45.66

 

CMYK 0 / 35 / 53 / 7

HEX #EC9A6E

RGB 236 154 110

HSL 20.95, 0.77%, 0.68%

LAB 70.92, 26.16, 35.62

 

CMYK 23 / 0 / 53 / 7

HEX #B6EC6E

RGB 182 236 110

HSL 85.71, 0.77%, 0.68%

LAB 87.52, -36.98, 54.84

 

CMYK 37 / 0 / 53 / 7

HEX #94EC6E

RGB 148 236 110

HSL 101.9, 0.77%, 0.68%

LAB 85.71, -48.65, 52.26

 

CMYK 52 / 0 / 53 / 7

HEX #72EC6E

RGB 114 236 110

HSL 118.1, 0.77%, 0.68%

LAB 84.33, -58.53, 50.27

 

CMYK 53 / 0 / 41 / 7

HEX #6EEC8C

RGB 110 236 140

HSL 134.29, 0.77%, 0.68%

LAB 84.59, -55.28, 36.13

 

CMYK 53 / 0 / 26 / 7

HEX #6EECAE

RGB 110 236 174

HSL 150.48, 0.77%, 0.68%

LAB 85.18, -49.14, 19.6

 

CMYK 23 / 0 / 53 / 7

HEX #B6EC6E

RGB 182 236 110

HSL 85.71, 0.77%, 0.68%

LAB 87.52, -36.98, 54.84

 

CMYK 26 / 0 / 61 / 2

HEX #B8F961

RGB 184 249 97

HSL 85.66, 0.93%, 0.68%

LAB 91.15, -43.17, 64.63

 

CMYK 23 / 0 / 53 / 7

HEX #B6EC6E

RGB 182 236 110

HSL 85.71, 0.77%, 0.68%

LAB 87.52, -36.98, 54.84

 

CMYK 19 / 0 / 45 / 13

HEX #B4DF7B

RGB 180 223 123

HSL 85.8, 0.61%, 0.68%

LAB 83.92, -30.35, 44.33

 

CMYK 15 / 0 / 35 / 18

HEX #B2D188

RGB 178 209 136

HSL 85.48, 0.44%, 0.68%

LAB 80.09, -22.75, 32.9

 

CMYK 10 / 0 / 23 / 23

HEX #B0C496

RGB 176 196 150

HSL 86.09, 0.28%, 0.68%

LAB 76.63, -14.97, 20.88

 

CMYK 5 / 0 / 11 / 28

HEX #AEB7A3

RGB 174 183 163

HSL 87, 0.12%, 0.68%

LAB 73.23, -6.81, 9.09

 

CMYK 0 / 6 / 53 / 7

HEX #ECDD6E

RGB 236 221 110

HSL 52.86, 0.77%, 0.68%

LAB 87.33, -8.81, 55.58

 

CMYK 8 / 0 / 53 / 7

HEX #D9EC6E

RGB 217 236 110

HSL 69.05, 0.77%, 0.68%

LAB 89.8, -23.74, 58.08

 

CMYK 22 / 0 / 53 / 7

HEX #B7EC6E

RGB 183 236 110

HSL 85.24, 0.77%, 0.68%

LAB 87.57, -36.62, 54.92

 

CMYK 36 / 0 / 53 / 7

HEX #96EC6E

RGB 150 236 110

HSL 100.95, 0.77%, 0.68%

LAB 85.81, -48.01, 52.4

 

CMYK 51 / 0 / 53 / 7

HEX #74EC6E

RGB 116 236 110

HSL 117.14, 0.77%, 0.68%

LAB 84.4, -58.01, 50.37

 

CMYK 36 / 0 / 84 / 11

HEX #91E225

RGB 145 226 37

HSL 85.71, 0.77%, 0.52%

LAB 82.13, -50.79, 75.01

 

CMYK 29 / 0 / 68 / 9

HEX #A4E74A

RGB 164 231 74

HSL 85.61, 0.77%, 0.6%

LAB 84.76, -44.26, 66.56

 

CMYK 23 / 0 / 53 / 7

HEX #B6EC6E

RGB 182 236 110

HSL 85.71, 0.77%, 0.68%

LAB 87.52, -36.98, 54.84

 

CMYK 17 / 0 / 39 / 6

HEX #C8F093

RGB 200 240 147

HSL 85.81, 0.76%, 0.76%

LAB 90.19, -28.2, 40.76

 

CMYK 11 / 0 / 25 / 4

HEX #DBF5B7

RGB 219 245 183

HSL 85.16, 0.76%, 0.84%

LAB 93.36, -18.94, 27.11

 

CMYK 23 / 0 / 53 / 7

HEX #B6EC6E

RGB 182 236 110

HSL 85.71, 0.77%, 0.68%

LAB 87.52, -36.98, 54.84

 

CMYK 53 / 0 / 20 / 7

HEX #6EECBC

RGB 110 236 188

HSL 157.14, 0.77%, 0.68%

LAB 85.47, -46.23, 12.73

 

CMYK 0 / 53 / 1 / 7

HEX #EC6EEA

RGB 236 110 234

HSL 300.95, 0.77%, 0.68%

LAB 65.69, 64.59, -40.88

 

CMYK 23 / 0 / 53 / 7

HEX #B6EC6E

RGB 182 236 110

HSL 85.71, 0.77%, 0.68%

LAB 87.52, -36.98, 54.84

 

CMYK 53 / 22 / 0 / 7

HEX #6EB7EC

RGB 110 183 236

HSL 205.24, 0.77%, 0.68%

LAB 71.72, -8.12, -33.4

 

CMYK 0 / 53 / 22 / 7

HEX #EC6EB7

RGB 236 110 183

HSL 325.24, 0.77%, 0.68%

LAB 63.68, 56.71, -15.36

 

CMYK 23 / 0 / 53 / 7

HEX #B6EC6E

RGB 182 236 110

HSL 85.71, 0.77%, 0.68%

LAB 87.52, -36.98, 54.84

 

CMYK 53 / 0 / 20 / 7

HEX #6EECBC

RGB 110 236 188

HSL 157.14, 0.77%, 0.68%

LAB 85.47, -46.23, 12.73

 

CMYK 31 / 53 / 0 / 7

HEX #A26EEC

RGB 162 110 236

HSL 264.76, 0.77%, 0.68%

LAB 56.97, 45.96, -56.37

 

CMYK 0 / 53 / 33 / 7

HEX #EC6E9E

RGB 236 110 158

HSL 337.14, 0.77%, 0.68%

LAB 62.89, 53.49, -2.25

 

CMYK 23 / 0 / 53 / 7

HEX #B6EC6E

RGB 182 236 110

HSL 85.71, 0.77%, 0.68%

LAB 87.52, -36.98, 54.84

 

CMYK 53 / 0 / 5 / 7

HEX #6EECE1

RGB 110 236 225

HSL 174.76, 0.77%, 0.68%

LAB 86.38, -37.61, -5.35

 

CMYK 31 / 53 / 0 / 7

HEX #A26EEC

RGB 162 110 236

HSL 264.76, 0.77%, 0.68%

LAB 56.97, 45.96, -56.37

 

CMYK 0 / 53 / 49 / 7

HEX #EC6E79

RGB 236 110 121

HSL 354.76, 0.77%, 0.68%

LAB 61.97, 49.6, 17.69

 

Description

Color code: HEX #B6EC6E | qconv.com Color code: HEX #B6EC6E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 236 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 236 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 53 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 53% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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