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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6EA5E it is the complementary color #4915A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6EA5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6EA5E shade: #BBEA59, #CCFC6C, #DDFF7F, #EEFF92 and #FFFFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6EA5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6EA5E shade: #B6EA5E, #A5D84B, #94C638, #83B425 and #72A212

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6EA5E shade: #B5EA5D, #DBEA5D, #EAD25D, #EAAC5D and #EA865D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6EA5E shade: #B5EA5D, #8FEA5D, #69EA5D, #5DEA76 and #5DEA9C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6EA5E shade matches the following richer shades: #B5EA5D and #B9F94E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6EA5E shade: #B5EA5D, #B2DB6B, #AECC7A, #AABD89 and #A6AE98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6EA5E shade: #EAD25D, #DCEA5D, #B6EA5D, #90EA5D and #6BEA5D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6EA5E shade: #92D81C, #A5E538, #B5EA5D, #C6EF81 and #D6F3A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6EA5E shade: #B6EA5E, #5DEAAD and #E55DEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6EA5E shade: #B6EA5E, #5DB6EA and #EA5DB6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6EA5E shade: #B6EA5E, #5DEAAD, #905DEA and #EA5D9A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6EA5E shade: #B6EA5E, #5DEAD7, #905DEA and #EA5D6F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 60 / 8

HEX #B6EA5E

RGB 182 234 94

HSL 82.29, 0.77%, 0.64%

LAB 86.8, -37.51, 61.05

 

Complementary color

CMYK 55 / 87 / 0 / 37

HEX #4915A1

RGB 73 21 161

HSL 262.29, 0.77%, 0.36%

LAB 25.34, 53.44, -64.54

 

CMYK 20 / 0 / 62 / 8

HEX #BBEA59

RGB 187 234 89

HSL 79.45, 0.78%, 0.63%

LAB 87.06, -36.03, 63.51

 

CMYK 19 / 0 / 57 / 1

HEX #CCFC6C

RGB 204 252 108

HSL 80, 0.96%, 0.71%

LAB 93.25, -36.3, 62.68

 

CMYK 13 / 0 / 50 / 0

HEX #DDFF7F

RGB 221 255 127

HSL 75.94, 1%, 0.75%

LAB 95.34, -29.65, 56.96

 

CMYK 7 / 0 / 43 / 0

HEX #EEFF92

RGB 238 255 146

HSL 69.36, 1%, 0.79%

LAB 96.73, -21.39, 50.06

 

CMYK 0 / 0 / 35 / 0

HEX #FFFFA5

RGB 255 255 165

HSL 60, 1%, 0.82%

LAB 98.23, -12.95, 43.05

 

CMYK 22 / 0 / 60 / 8

HEX #B6EA5E

RGB 182 234 94

HSL 82.29, 0.77%, 0.64%

LAB 86.8, -37.51, 61.05

 

CMYK 24 / 0 / 65 / 15

HEX #A5D84B

RGB 165 216 75

HSL 81.7, 0.64%, 0.57%

LAB 80.53, -37.22, 61.77

 

CMYK 25 / 0 / 72 / 22

HEX #94C638

RGB 148 198 56

HSL 81.13, 0.56%, 0.5%

LAB 74.17, -36.82, 62.14

 

CMYK 27 / 0 / 79 / 29

HEX #83B425

RGB 131 180 37

HSL 80.56, 0.66%, 0.43%

LAB 67.73, -36.25, 61.87

 

CMYK 30 / 0 / 89 / 36

HEX #72A212

RGB 114 162 18

HSL 80, 0.8%, 0.35%

LAB 61.19, -35.46, 60.49

 

CMYK 23 / 0 / 60 / 8

HEX #B5EA5D

RGB 181 234 93

HSL 82.55, 0.77%, 0.64%

LAB 86.73, -37.96, 61.38

 

CMYK 6 / 0 / 60 / 8

HEX #DBEA5D

RGB 219 234 93

HSL 66.38, 0.77%, 0.64%

LAB 89.25, -23.29, 64.86

 

CMYK 0 / 10 / 60 / 8

HEX #EAD25D

RGB 234 210 93

HSL 49.79, 0.77%, 0.64%

LAB 84.16, -5.32, 59.62

 

CMYK 0 / 26 / 60 / 8

HEX #EAAC5D

RGB 234 172 93

HSL 33.62, 0.77%, 0.64%

LAB 74.69, 14.49, 48.86

 

CMYK 0 / 43 / 60 / 8

HEX #EA865D

RGB 234 134 93

HSL 17.45, 0.77%, 0.64%

LAB 66.01, 34.57, 38.48

 

CMYK 23 / 0 / 60 / 8

HEX #B5EA5D

RGB 181 234 93

HSL 82.55, 0.77%, 0.64%

LAB 86.73, -37.96, 61.38

 

CMYK 39 / 0 / 60 / 8

HEX #8FEA5D

RGB 143 234 93

HSL 98.72, 0.77%, 0.64%

LAB 84.73, -51.15, 58.59

 

CMYK 55 / 0 / 60 / 8

HEX #69EA5D

RGB 105 234 93

HSL 114.89, 0.77%, 0.64%

LAB 83.25, -61.99, 56.52

 

CMYK 60 / 0 / 50 / 8

HEX #5DEA76

RGB 93 234 118

HSL 130.64, 0.77%, 0.64%

LAB 83.17, -61.69, 44.96

 

CMYK 60 / 0 / 33 / 8

HEX #5DEA9C

RGB 93 234 156

HSL 146.81, 0.77%, 0.64%

LAB 83.74, -55.43, 26.82

 

CMYK 23 / 0 / 60 / 8

HEX #B5EA5D

RGB 181 234 93

HSL 82.55, 0.77%, 0.64%

LAB 86.73, -37.96, 61.38

 

CMYK 26 / 0 / 69 / 2

HEX #B9F94E

RGB 185 249 78

HSL 82.46, 0.93%, 0.64%

LAB 91.06, -44.16, 71.91

 

CMYK 23 / 0 / 60 / 8

HEX #B5EA5D

RGB 181 234 93

HSL 82.55, 0.77%, 0.64%

LAB 86.73, -37.96, 61.38

 

CMYK 19 / 0 / 51 / 14

HEX #B2DB6B

RGB 178 219 107

HSL 81.96, 0.61%, 0.64%

LAB 82.48, -30.94, 50.2

 

CMYK 15 / 0 / 40 / 20

HEX #AECC7A

RGB 174 204 122

HSL 81.95, 0.45%, 0.64%

LAB 78.22, -23.6, 37.56

 

CMYK 10 / 0 / 28 / 26

HEX #AABD89

RGB 170 189 137

HSL 81.92, 0.28%, 0.64%

LAB 74.03, -15.59, 24.19

 

CMYK 5 / 0 / 13 / 32

HEX #A6AE98

RGB 166 174 152

HSL 81.82, 0.12%, 0.64%

LAB 69.93, -6.85, 10.33

 

CMYK 0 / 10 / 60 / 8

HEX #EAD25D

RGB 234 210 93

HSL 49.79, 0.77%, 0.64%

LAB 84.16, -5.32, 59.62

 

CMYK 6 / 0 / 60 / 8

HEX #DCEA5D

RGB 220 234 93

HSL 65.96, 0.77%, 0.64%

LAB 89.32, -22.9, 64.96

 

CMYK 22 / 0 / 60 / 8

HEX #B6EA5D

RGB 182 234 93

HSL 82.13, 0.77%, 0.64%

LAB 86.79, -37.59, 61.46

 

CMYK 38 / 0 / 60 / 8

HEX #90EA5D

RGB 144 234 93

HSL 98.3, 0.77%, 0.64%

LAB 84.77, -50.83, 58.66

 

CMYK 54 / 0 / 60 / 8

HEX #6BEA5D

RGB 107 234 93

HSL 114.04, 0.77%, 0.64%

LAB 83.32, -61.49, 56.61

 

CMYK 32 / 0 / 87 / 15

HEX #92D81C

RGB 146 216 28

HSL 82.34, 0.77%, 0.48%

LAB 79.22, -46.59, 74.41

 

CMYK 28 / 0 / 76 / 10

HEX #A5E538

RGB 165 229 56

HSL 82.2, 0.77%, 0.56%

LAB 84.13, -44.09, 72.12

 

CMYK 23 / 0 / 60 / 8

HEX #B5EA5D

RGB 181 234 93

HSL 82.55, 0.77%, 0.64%

LAB 86.73, -37.96, 61.38

 

CMYK 17 / 0 / 46 / 6

HEX #C6EF81

RGB 198 239 129

HSL 82.36, 0.77%, 0.72%

LAB 89.54, -30.55, 48.66

 

CMYK 12 / 0 / 32 / 5

HEX #D6F3A6

RGB 214 243 166

HSL 82.6, 0.76%, 0.8%

LAB 92.2, -22.13, 34.1

 

CMYK 22 / 0 / 60 / 8

HEX #B6EA5E

RGB 182 234 94

HSL 82.29, 0.77%, 0.64%

LAB 86.8, -37.51, 61.05

 

CMYK 60 / 0 / 26 / 8

HEX #5DEAAD

RGB 93 234 173

HSL 154.04, 0.77%, 0.64%

LAB 84.06, -52.05, 18.49

 

CMYK 2 / 60 / 0 / 8

HEX #E55DEA

RGB 229 93 234

HSL 297.87, 0.77%, 0.64%

LAB 62.02, 70.21, -46.72

 

CMYK 22 / 0 / 60 / 8

HEX #B6EA5E

RGB 182 234 94

HSL 82.29, 0.77%, 0.64%

LAB 86.8, -37.51, 61.05

 

CMYK 60 / 22 / 0 / 8

HEX #5DB6EA

RGB 93 182 234

HSL 202.13, 0.77%, 0.64%

LAB 70.68, -11.54, -33.98

 

CMYK 0 / 60 / 22 / 8

HEX #EA5DB6

RGB 234 93 182

HSL 322.13, 0.77%, 0.64%

LAB 60.51, 63.58, -19.61

 

CMYK 22 / 0 / 60 / 8

HEX #B6EA5E

RGB 182 234 94

HSL 82.29, 0.77%, 0.64%

LAB 86.8, -37.51, 61.05

 

CMYK 60 / 0 / 26 / 8

HEX #5DEAAD

RGB 93 234 173

HSL 154.04, 0.77%, 0.64%

LAB 84.06, -52.05, 18.49

 

CMYK 38 / 60 / 0 / 8

HEX #905DEA

RGB 144 93 234

HSL 261.7, 0.77%, 0.64%

LAB 51.49, 50.52, -64.14

 

CMYK 0 / 60 / 34 / 8

HEX #EA5D9A

RGB 234 93 154

HSL 334.04, 0.77%, 0.64%

LAB 59.58, 60.09, -4.86

 

CMYK 22 / 0 / 60 / 8

HEX #B6EA5E

RGB 182 234 94

HSL 82.29, 0.77%, 0.64%

LAB 86.8, -37.51, 61.05

 

CMYK 60 / 0 / 8 / 8

HEX #5DEAD7

RGB 93 234 215

HSL 171.91, 0.77%, 0.64%

LAB 85.04, -42.36, -2.12

 

CMYK 38 / 60 / 0 / 8

HEX #905DEA

RGB 144 93 234

HSL 261.7, 0.77%, 0.64%

LAB 51.49, 50.52, -64.14

 

CMYK 0 / 60 / 53 / 8

HEX #EA5D6F

RGB 234 93 111

HSL 352.34, 0.77%, 0.64%

LAB 58.48, 55.88, 18.64

 

Description

Color code: HEX #B6EA5E | qconv.com Color code: HEX #B6EA5E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 234 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 234 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 60 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 60% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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