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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6E047 it is the complementary color #491FB8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6E047. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6E047 shade: #BBE042, #CCF255, #DDFF68, #EEFF7B and #FFFF8E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6E047. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6E047 shade: #B6E047, #A5CE34, #94BC21, #83AA0E and #729800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6E047 shade: #B6E048, #DFE048, #E0B848, #E08F48 and #E06648

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6E047 shade: #B6E048, #8DE048, #64E048, #48E055 and #48E07E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6E047 shade matches the following richer shades: #B6E048 and #BEF137

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6E047 shade: #B6E048, #AECF59, #A7BD6B, #9FAC7C and #979B8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6E047 shade: #E0B748, #E0E048, #B7E048, #8FE048 and #66E048

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6E047 shade: #8DB61F, #A8DA25, #B6E048, #C4E66B and #D2EC8E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6E047 shade: #B6E047, #48E08F and #CC48E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6E047 shade: #B6E047, #48B7E0 and #E048B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6E047 shade: #B6E047, #48E08F, #7048E0 and #E04899

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6E047 shade: #B6E047, #48E0BC, #7048E0 and #E0486B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 68 / 12

HEX #B6E047

RGB 182 224 71

HSL 76.47, 0.71%, 0.58%

LAB 83.82, -34.61, 67.05

 

Complementary color

CMYK 60 / 83 / 0 / 28

HEX #491FB8

RGB 73 31 184

HSL 256.47, 0.71%, 0.42%

LAB 29.05, 55.88, -72.24

 

CMYK 17 / 0 / 71 / 12

HEX #BBE042

RGB 187 224 66

HSL 74.05, 0.72%, 0.57%

LAB 84.11, -32.95, 69.25

 

CMYK 16 / 0 / 65 / 5

HEX #CCF255

RGB 204 242 85

HSL 74.52, 0.86%, 0.64%

LAB 90.32, -33.47, 68.9

 

CMYK 13 / 0 / 59 / 0

HEX #DDFF68

RGB 221 255 104

HSL 73.51, 1%, 0.7%

LAB 95.12, -31.58, 66.75

 

CMYK 7 / 0 / 52 / 0

HEX #EEFF7B

RGB 238 255 123

HSL 67.73, 1%, 0.74%

LAB 96.46, -23.55, 60.38

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8E

RGB 255 255 142

HSL 60, 1%, 0.78%

LAB 97.93, -15.3, 53.71

 

CMYK 19 / 0 / 68 / 12

HEX #B6E047

RGB 182 224 71

HSL 76.47, 0.71%, 0.58%

LAB 83.82, -34.61, 67.05

 

CMYK 20 / 0 / 75 / 19

HEX #A5CE34

RGB 165 206 52

HSL 75.97, 0.61%, 0.51%

LAB 77.51, -34.06, 67.11

 

CMYK 21 / 0 / 82 / 26

HEX #94BC21

RGB 148 188 33

HSL 75.48, 0.7%, 0.43%

LAB 71.13, -33.34, 66.41

 

CMYK 23 / 0 / 92 / 33

HEX #83AA0E

RGB 131 170 14

HSL 75, 0.85%, 0.36%

LAB 64.65, -32.41, 64.47

 

CMYK 25 / 0 / 100 / 40

HEX #729800

RGB 114 152 0

HSL 75, 1%, 0.3%

LAB 58.07, -31.24, 60.85

 

CMYK 19 / 0 / 68 / 12

HEX #B6E048

RGB 182 224 72

HSL 76.58, 0.71%, 0.58%

LAB 83.82, -34.55, 66.68

 

CMYK 0 / 0 / 68 / 12

HEX #DFE048

RGB 223 224 72

HSL 60.39, 0.71%, 0.58%

LAB 86.73, -18.1, 70.57

 

CMYK 0 / 18 / 68 / 12

HEX #E0B848

RGB 224 184 72

HSL 44.21, 0.71%, 0.58%

LAB 76.43, 2.64, 60.11

 

CMYK 0 / 36 / 68 / 12

HEX #E08F48

RGB 224 143 72

HSL 28.03, 0.71%, 0.58%

LAB 66.49, 24.47, 49.44

 

CMYK 0 / 54 / 68 / 12

HEX #E06648

RGB 224 102 72

HSL 11.84, 0.71%, 0.58%

LAB 57.86, 45.59, 39.65

 

CMYK 19 / 0 / 68 / 12

HEX #B6E048

RGB 182 224 72

HSL 76.58, 0.71%, 0.58%

LAB 83.82, -34.55, 66.68

 

CMYK 37 / 0 / 68 / 12

HEX #8DE048

RGB 141 224 72

HSL 92.76, 0.71%, 0.58%

LAB 81.53, -49.46, 63.6

 

CMYK 55 / 0 / 68 / 12

HEX #64E048

RGB 100 224 72

HSL 108.95, 0.71%, 0.58%

LAB 79.89, -61.61, 61.37

 

CMYK 68 / 0 / 62 / 12

HEX #48E055

RGB 72 224 85

HSL 125.13, 0.71%, 0.58%

LAB 79.24, -66.46, 55.17

 

CMYK 68 / 0 / 44 / 12

HEX #48E07E

RGB 72 224 126

HSL 141.32, 0.71%, 0.58%

LAB 79.72, -60.85, 36.6

 

CMYK 19 / 0 / 68 / 12

HEX #B6E048

RGB 182 224 72

HSL 76.58, 0.71%, 0.58%

LAB 83.82, -34.55, 66.68

 

CMYK 21 / 0 / 77 / 5

HEX #BEF137

RGB 190 241 55

HSL 76.45, 0.87%, 0.58%

LAB 88.99, -40, 77.46

 

CMYK 19 / 0 / 68 / 12

HEX #B6E048

RGB 182 224 72

HSL 76.58, 0.71%, 0.58%

LAB 83.82, -34.55, 66.68

 

CMYK 16 / 0 / 57 / 19

HEX #AECF59

RGB 174 207 89

HSL 76.78, 0.55%, 0.58%

LAB 78.66, -28.49, 53.96

 

CMYK 12 / 0 / 43 / 26

HEX #A7BD6B

RGB 167 189 107

HSL 76.1, 0.38%, 0.58%

LAB 73.33, -20.67, 38.86

 

CMYK 8 / 0 / 28 / 33

HEX #9FAC7C

RGB 159 172 124

HSL 76.25, 0.22%, 0.58%

LAB 68.26, -12.89, 23.23

 

CMYK 3 / 0 / 9 / 39

HEX #979B8D

RGB 151 155 141

HSL 77.14, 0.07%, 0.58%

LAB 63.3, -4.07, 6.84

HEX #979B8D

CMYK 0 / 18 / 68 / 12

HEX #E0B748

RGB 224 183 72

HSL 43.82, 0.71%, 0.58%

LAB 76.18, 3.16, 59.84

 

CMYK 0 / 0 / 68 / 12

HEX #E0E048

RGB 224 224 72

HSL 60, 0.71%, 0.58%

LAB 86.81, -17.69, 70.67

 

CMYK 18 / 0 / 68 / 12

HEX #B7E048

RGB 183 224 72

HSL 76.18, 0.71%, 0.58%

LAB 83.89, -34.16, 66.77

 

CMYK 36 / 0 / 68 / 12

HEX #8FE048

RGB 143 224 72

HSL 91.97, 0.71%, 0.58%

LAB 81.63, -48.79, 63.73

 

CMYK 54 / 0 / 68 / 12

HEX #66E048

RGB 102 224 72

HSL 108.16, 0.71%, 0.58%

LAB 79.96, -61.1, 61.46

 

CMYK 23 / 0 / 83 / 29

HEX #8DB61F

RGB 141 182 31

HSL 76.29, 0.71%, 0.42%

LAB 68.91, -33.45, 64.8

 

CMYK 23 / 0 / 83 / 15

HEX #A8DA25

RGB 168 218 37

HSL 76.57, 0.71%, 0.5%

LAB 81.07, -38.93, 74.58

 

CMYK 19 / 0 / 68 / 12

HEX #B6E048

RGB 182 224 72

HSL 76.58, 0.71%, 0.58%

LAB 83.82, -34.55, 66.68

 

CMYK 15 / 0 / 53 / 10

HEX #C4E66B

RGB 196 230 107

HSL 76.59, 0.71%, 0.66%

LAB 86.7, -29.27, 55.46

 

CMYK 11 / 0 / 40 / 7

HEX #D2EC8E

RGB 210 236 142

HSL 76.6, 0.71%, 0.74%

LAB 89.69, -23.22, 42.73

 

CMYK 19 / 0 / 68 / 12

HEX #B6E047

RGB 182 224 71

HSL 76.47, 0.71%, 0.58%

LAB 83.82, -34.61, 67.05

 

CMYK 68 / 0 / 36 / 12

HEX #48E08F

RGB 72 224 143

HSL 148.03, 0.71%, 0.58%

LAB 79.99, -57.84, 28.35

 

CMYK 9 / 68 / 0 / 12

HEX #CC48E0

RGB 204 72 224

HSL 292.11, 0.71%, 0.58%

LAB 54.92, 71.09, -52.6

 

CMYK 19 / 0 / 68 / 12

HEX #B6E047

RGB 182 224 71

HSL 76.47, 0.71%, 0.58%

LAB 83.82, -34.61, 67.05

 

CMYK 68 / 18 / 0 / 12

HEX #48B7E0

RGB 72 183 224

HSL 196.18, 0.71%, 0.58%

LAB 69.91, -18.68, -29.77

 

CMYK 0 / 68 / 18 / 12

HEX #E048B7

RGB 224 72 183

HSL 316.18, 0.71%, 0.58%

LAB 55.99, 69.35, -27.27

 

CMYK 19 / 0 / 68 / 12

HEX #B6E047

RGB 182 224 71

HSL 76.47, 0.71%, 0.58%

LAB 83.82, -34.61, 67.05

 

CMYK 68 / 0 / 36 / 12

HEX #48E08F

RGB 72 224 143

HSL 148.03, 0.71%, 0.58%

LAB 79.99, -57.84, 28.35

 

CMYK 50 / 68 / 0 / 12

HEX #7048E0

RGB 112 72 224

HSL 255.79, 0.71%, 0.58%

LAB 43.45, 52.84, -71.69

 

CMYK 0 / 68 / 32 / 12

HEX #E04899

RGB 224 72 153

HSL 328.03, 0.71%, 0.58%

LAB 54.85, 65.56, -11.5

 

CMYK 19 / 0 / 68 / 12

HEX #B6E047

RGB 182 224 71

HSL 76.47, 0.71%, 0.58%

LAB 83.82, -34.61, 67.05

 

CMYK 68 / 0 / 16 / 12

HEX #48E0BC

RGB 72 224 188

HSL 165.79, 0.71%, 0.58%

LAB 80.92, -48.1, 6.09

 

CMYK 50 / 68 / 0 / 12

HEX #7048E0

RGB 112 72 224

HSL 255.79, 0.71%, 0.58%

LAB 43.45, 52.84, -71.69

 

CMYK 0 / 68 / 52 / 12

HEX #E0486B

RGB 224 72 107

HSL 346.18, 0.71%, 0.58%

LAB 53.54, 61.06, 13.95

 

Description

Color code: HEX #B6E047 | qconv.com Color code: HEX #B6E047 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 224 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 224 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 68 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 68% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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