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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6DB7F it is the complementary color #492480. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6DB7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6DB7F shade: #BBDB7A, #CCED8D, #DDFFA0, #EEFFB3 and #FFFFC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6DB7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6DB7F shade: #B6DB7F, #A5C96C, #94B759, #83A546 and #729333

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6DB7F shade: #B6DB80, #CFDB80, #DBCF80, #DBB680 and #DB9D80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6DB7F shade: #B6DB80, #9EDB80, #85DB80, #80DB93 and #80DBAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6DB7F shade matches the following richer shades: #B6DB80, #B9E873 and #BCF665

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6DB7F shade: #B6DB80, #B4CE8D, #B1C19A, #AFB3A7 and #ACA6B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6DB7F shade: #DBCF80, #CFDB80, #B7DB80, #9EDB80 and #86DB80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6DB7F shade: #92C93F, #A4D260, #B6DB80, #C9E4A0 and #DBEDC0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6DB7F shade: #B6DB7F, #80DBB7 and #DB80DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6DB7F shade: #B6DB7F, #80B7DB and #DB80B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6DB7F shade: #B6DB7F, #80DBB7, #A480DB and #DB80A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6DB7F shade: #B6DB7F, #80DBD2, #A480DB and #DB8089

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 42 / 14

HEX #B6DB7F

RGB 182 219 127

HSL 84.13, 0.56%, 0.68%

LAB 82.99, -27.25, 41.23

 

Complementary color

CMYK 43 / 72 / 0 / 50

HEX #492480

RGB 73 36 128

HSL 264.13, 0.56%, 0.32%

LAB 24.44, 37.98, -45.57

 

CMYK 15 / 0 / 44 / 14

HEX #BBDB7A

RGB 187 219 122

HSL 79.79, 0.57%, 0.67%

LAB 83.25, -25.96, 44.09

 

CMYK 14 / 0 / 41 / 7

HEX #CCED8D

RGB 204 237 141

HSL 80.63, 0.73%, 0.74%

LAB 89.55, -26.04, 42.95

 

CMYK 13 / 0 / 37 / 0

HEX #DDFFA0

RGB 221 255 160

HSL 81.47, 1%, 0.81%

LAB 95.76, -26.09, 41.83

 

CMYK 7 / 0 / 30 / 0

HEX #EEFFB3

RGB 238 255 179

HSL 73.42, 1%, 0.85%

LAB 97.21, -17.55, 34.55

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC6

RGB 255 255 198

HSL 60, 1%, 0.89%

LAB 98.77, -8.88, 27.33

 

CMYK 17 / 0 / 42 / 14

HEX #B6DB7F

RGB 182 219 127

HSL 84.13, 0.56%, 0.68%

LAB 82.99, -27.25, 41.23

 

CMYK 18 / 0 / 46 / 21

HEX #A5C96C

RGB 165 201 108

HSL 83.23, 0.46%, 0.61%

LAB 76.59, -27.2, 42.38

 

CMYK 19 / 0 / 51 / 28

HEX #94B759

RGB 148 183 89

HSL 82.34, 0.39%, 0.53%

LAB 70.09, -27.11, 43.54

 

CMYK 21 / 0 / 58 / 35

HEX #83A546

RGB 131 165 70

HSL 81.47, 0.4%, 0.46%

LAB 63.49, -26.95, 44.63

 

CMYK 22 / 0 / 65 / 42

HEX #729333

RGB 114 147 51

HSL 80.63, 0.48%, 0.39%

LAB 56.77, -26.67, 45.53

 

CMYK 17 / 0 / 42 / 14

HEX #B6DB80

RGB 182 219 128

HSL 84.4, 0.56%, 0.68%

LAB 83, -27.13, 40.75

 

CMYK 5 / 0 / 42 / 14

HEX #CFDB80

RGB 207 219 128

HSL 67.91, 0.56%, 0.68%

LAB 84.73, -17.64, 43.3

 

CMYK 0 / 5 / 42 / 14

HEX #DBCF80

RGB 219 207 128

HSL 52.09, 0.56%, 0.68%

LAB 82.51, -6.89, 40.69

 

CMYK 0 / 17 / 42 / 14

HEX #DBB680

RGB 219 182 128

HSL 35.6, 0.56%, 0.68%

LAB 76.11, 6.14, 32.46

 

CMYK 0 / 28 / 42 / 14

HEX #DB9D80

RGB 219 157 128

HSL 19.12, 0.56%, 0.68%

LAB 69.99, 19.54, 24.33

 

CMYK 17 / 0 / 42 / 14

HEX #B6DB80

RGB 182 219 128

HSL 84.4, 0.56%, 0.68%

LAB 83, -27.13, 40.75

 

CMYK 28 / 0 / 42 / 14

HEX #9EDB80

RGB 158 219 128

HSL 100.22, 0.56%, 0.68%

LAB 81.56, -35.71, 38.62

 

CMYK 39 / 0 / 42 / 14

HEX #85DB80

RGB 133 219 128

HSL 116.7, 0.56%, 0.68%

LAB 80.3, -43.84, 36.74

 

CMYK 42 / 0 / 33 / 14

HEX #80DB93

RGB 128 219 147

HSL 132.53, 0.56%, 0.68%

LAB 80.38, -42.31, 27.12

 

CMYK 42 / 0 / 21 / 14

HEX #80DBAC

RGB 128 219 172

HSL 149.01, 0.56%, 0.68%

LAB 80.87, -37.66, 14.72

 

CMYK 17 / 0 / 42 / 14

HEX #B6DB80

RGB 182 219 128

HSL 84.4, 0.56%, 0.68%

LAB 83, -27.13, 40.75

 

CMYK 20 / 0 / 50 / 9

HEX #B9E873

RGB 185 232 115

HSL 84.1, 0.72%, 0.68%

LAB 86.64, -33.56, 51.54

 

CMYK 24 / 0 / 59 / 4

HEX #BCF665

RGB 188 246 101

HSL 84, 0.89%, 0.68%

LAB 90.57, -40.08, 62.39

 

CMYK 17 / 0 / 42 / 14

HEX #B6DB80

RGB 182 219 128

HSL 84.4, 0.56%, 0.68%

LAB 83, -27.13, 40.75

 

CMYK 13 / 0 / 32 / 19

HEX #B4CE8D

RGB 180 206 141

HSL 84, 0.4%, 0.68%

LAB 79.48, -19.85, 29.53

 

CMYK 8 / 0 / 20 / 24

HEX #B1C19A

RGB 177 193 154

HSL 84.62, 0.24%, 0.68%

LAB 75.96, -12.44, 17.84

 

CMYK 2 / 0 / 7 / 30

HEX #AFB3A7

RGB 175 179 167

HSL 80, 0.07%, 0.68%

LAB 72.32, -3.61, 5.63

 

CMYK 5 / 8 / 0 / 29

HEX #ACA6B5

RGB 172 166 181

HSL 264, 0.09%, 0.68%

LAB 69.03, 5.03, -6.94

 

CMYK 0 / 5 / 42 / 14

HEX #DBCF80

RGB 219 207 128

HSL 52.09, 0.56%, 0.68%

LAB 82.51, -6.89, 40.69

 

CMYK 5 / 0 / 42 / 14

HEX #CFDB80

RGB 207 219 128

HSL 67.91, 0.56%, 0.68%

LAB 84.73, -17.64, 43.3

 

CMYK 16 / 0 / 42 / 14

HEX #B7DB80

RGB 183 219 128

HSL 83.74, 0.56%, 0.68%

LAB 83.07, -26.76, 40.84

 

CMYK 28 / 0 / 42 / 14

HEX #9EDB80

RGB 158 219 128

HSL 100.22, 0.56%, 0.68%

LAB 81.56, -35.71, 38.62

 

CMYK 39 / 0 / 42 / 14

HEX #86DB80

RGB 134 219 128

HSL 116.04, 0.56%, 0.68%

LAB 80.34, -43.53, 36.81

 

CMYK 27 / 0 / 69 / 21

HEX #92C93F

RGB 146 201 63

HSL 83.91, 0.56%, 0.52%

LAB 74.98, -38.48, 60.33

 

CMYK 22 / 0 / 54 / 18

HEX #A4D260

RGB 164 210 96

HSL 84.21, 0.56%, 0.6%

LAB 78.94, -33.09, 50.93

 

CMYK 17 / 0 / 42 / 14

HEX #B6DB80

RGB 182 219 128

HSL 84.4, 0.56%, 0.68%

LAB 83, -27.13, 40.75

 

CMYK 12 / 0 / 30 / 11

HEX #C9E4A0

RGB 201 228 160

HSL 83.82, 0.56%, 0.76%

LAB 87.21, -20.36, 30.33

 

CMYK 8 / 0 / 19 / 7

HEX #DBEDC0

RGB 219 237 192

HSL 84, 0.56%, 0.84%

LAB 91.43, -13.66, 19.84

 

CMYK 17 / 0 / 42 / 14

HEX #B6DB7F

RGB 182 219 127

HSL 84.13, 0.56%, 0.68%

LAB 82.99, -27.25, 41.23

 

CMYK 42 / 0 / 16 / 14

HEX #80DBB7

RGB 128 219 183

HSL 156.26, 0.56%, 0.68%

LAB 81.11, -35.4, 9.25

 

CMYK 0 / 42 / 0 / 14

HEX #DB80DB

RGB 219 128 219

HSL 300, 0.56%, 0.68%

LAB 66.22, 48.46, -31.89

 

CMYK 17 / 0 / 42 / 14

HEX #B6DB7F

RGB 182 219 127

HSL 84.13, 0.56%, 0.68%

LAB 82.99, -27.25, 41.23

 

CMYK 42 / 16 / 0 / 14

HEX #80B7DB

RGB 128 183 219

HSL 203.74, 0.56%, 0.68%

LAB 71.94, -8.71, -23.74

 

CMYK 0 / 42 / 16 / 14

HEX #DB80B7

RGB 219 128 183

HSL 323.74, 0.56%, 0.68%

LAB 64.9, 42.38, -13.73

 

CMYK 17 / 0 / 42 / 14

HEX #B6DB7F

RGB 182 219 127

HSL 84.13, 0.56%, 0.68%

LAB 82.99, -27.25, 41.23

 

CMYK 42 / 0 / 16 / 14

HEX #80DBB7

RGB 128 219 183

HSL 156.26, 0.56%, 0.68%

LAB 81.11, -35.4, 9.25

 

CMYK 25 / 42 / 0 / 14

HEX #A480DB

RGB 164 128 219

HSL 263.74, 0.56%, 0.68%

LAB 60.29, 32.31, -41.59

 

CMYK 0 / 42 / 25 / 14

HEX #DB80A4

RGB 219 128 164

HSL 336.26, 0.56%, 0.68%

LAB 64.31, 39.57, -3.85

 

CMYK 17 / 0 / 42 / 14

HEX #B6DB7F

RGB 182 219 127

HSL 84.13, 0.56%, 0.68%

LAB 82.99, -27.25, 41.23

 

CMYK 42 / 0 / 4 / 14

HEX #80DBD2

RGB 128 219 210

HSL 174.07, 0.56%, 0.68%

LAB 81.79, -29.31, -4.11

 

CMYK 25 / 42 / 0 / 14

HEX #A480DB

RGB 164 128 219

HSL 263.74, 0.56%, 0.68%

LAB 60.29, 32.31, -41.59

 

CMYK 0 / 42 / 37 / 14

HEX #DB8089

RGB 219 128 137

HSL 354.07, 0.56%, 0.68%

LAB 63.59, 36.09, 10.48

 

Description

Color code: HEX #B6DB7F | qconv.com Color code: HEX #B6DB7F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 219 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 219 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 42 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 42% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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