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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6D69F it is the complementary color #492960. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6D69F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6D69F shade: #BBD69A, #CCE8AD, #DDFAC0, #EEFFD3 and #FFFFE6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6D69F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6D69F shade: #B6D69F, #A5C48C, #94B279, #83A066 and #728E53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6D69F shade: #B6D69F, #C4D69F, #D3D69F, #D6C99F and #D6BA9F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6D69F shade: #B6D69F, #A7D69F, #9FD6A5, #9FD6B4 and #9FD6C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6D69F shade matches the following richer shades: #B6D69F, #B4E193, #B2EC88 and #B0F77D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6D69F shade: #B6D69F, #B7CBAA, #B9BFB5, #BBB4C0 and #BDA9CB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6D69F shade: #D4D69F, #C5D69F, #B6D69F, #A8D69F and #9FD6A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6D69F shade: #8ABD65, #A0C982, #B6D69F, #CCE2BB and #E2EED8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6D69F shade: #B6D69F, #9FD6C9 and #D69FCD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6D69F shade: #B6D69F, #9FB6D6 and #D69FB6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6D69F shade: #B6D69F, #9FD6C9, #BE9FD6 and #D69FAB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6D69F shade: #B6D69F, #9FD2D6, #BE9FD6 and #D6A29F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 26 / 16

HEX #B6D69F

RGB 182 214 159

HSL 94.91, 0.4%, 0.73%

LAB 82.13, -20.44, 23.75

 

Complementary color

CMYK 24 / 57 / 0 / 62

HEX #492960

RGB 73 41 96

HSL 274.91, 0.4%, 0.27%

LAB 23.16, 26.37, -27.05

 

CMYK 13 / 0 / 28 / 16

HEX #BBD69A

RGB 187 214 154

HSL 87, 0.42%, 0.72%

LAB 82.37, -19.4, 26.74

 

CMYK 12 / 0 / 25 / 9

HEX #CCE8AD

RGB 204 232 173

HSL 88.47, 0.56%, 0.79%

LAB 88.72, -19.37, 25.73

 

CMYK 12 / 0 / 23 / 2

HEX #DDFAC0

RGB 221 250 192

HSL 90, 0.85%, 0.87%

LAB 94.97, -19.35, 24.77

 

CMYK 7 / 0 / 17 / 0

HEX #EEFFD3

RGB 238 255 211

HSL 83.18, 1%, 0.91%

LAB 97.79, -13, 19.18

 

CMYK 0 / 0 / 10 / 0

HEX #FFFFE6

RGB 255 255 230

HSL 60, 1%, 0.95%

LAB 99.41, -4.17, 11.95

 

CMYK 15 / 0 / 26 / 16

HEX #B6D69F

RGB 182 214 159

HSL 94.91, 0.4%, 0.73%

LAB 82.13, -20.44, 23.75

 

CMYK 16 / 0 / 29 / 23

HEX #A5C48C

RGB 165 196 140

HSL 93.21, 0.32%, 0.66%

LAB 75.68, -20.52, 24.78

 

CMYK 17 / 0 / 32 / 30

HEX #94B279

RGB 148 178 121

HSL 91.58, 0.27%, 0.59%

LAB 69.12, -20.59, 25.87

 

CMYK 18 / 0 / 36 / 37

HEX #83A066

RGB 131 160 102

HSL 90, 0.23%, 0.51%

LAB 62.45, -20.66, 27.02

 

CMYK 20 / 0 / 42 / 44

HEX #728E53

RGB 114 142 83

HSL 88.47, 0.26%, 0.44%

LAB 55.63, -20.71, 28.23

 

CMYK 15 / 0 / 26 / 16

HEX #B6D69F

RGB 182 214 159

HSL 94.91, 0.4%, 0.73%

LAB 82.13, -20.44, 23.75

 

CMYK 8 / 0 / 26 / 16

HEX #C4D69F

RGB 196 214 159

HSL 79.64, 0.4%, 0.73%

LAB 83.09, -15.39, 25.22

 

CMYK 1 / 0 / 26 / 16

HEX #D3D69F

RGB 211 214 159

HSL 63.27, 0.4%, 0.73%

LAB 84.2, -9.82, 26.9

 

CMYK 0 / 6 / 26 / 16

HEX #D6C99F

RGB 214 201 159

HSL 45.82, 0.4%, 0.73%

LAB 81.06, -2, 22.66

 

CMYK 0 / 13 / 26 / 16

HEX #D6BA9F

RGB 214 186 159

HSL 29.45, 0.4%, 0.73%

LAB 77.23, 5.89, 17.38

 

CMYK 15 / 0 / 26 / 16

HEX #B6D69F

RGB 182 214 159

HSL 94.91, 0.4%, 0.73%

LAB 82.13, -20.44, 23.75

 

CMYK 22 / 0 / 26 / 16

HEX #A7D69F

RGB 167 214 159

HSL 111.27, 0.4%, 0.73%

LAB 81.19, -25.67, 22.31

 

CMYK 26 / 0 / 23 / 16

HEX #9FD6A5

RGB 159 214 165

HSL 126.55, 0.4%, 0.73%

LAB 80.84, -27.32, 18.6

 

CMYK 26 / 0 / 16 / 16

HEX #9FD6B4

RGB 159 214 180

HSL 142.91, 0.4%, 0.73%

LAB 81.16, -24.57, 11.12

 

CMYK 26 / 0 / 9 / 16

HEX #9FD6C3

RGB 159 214 195

HSL 159.27, 0.4%, 0.73%

LAB 81.51, -21.61, 3.65

 

CMYK 15 / 0 / 26 / 16

HEX #B6D69F

RGB 182 214 159

HSL 94.91, 0.4%, 0.73%

LAB 82.13, -20.44, 23.75

 

CMYK 20 / 0 / 35 / 12

HEX #B4E193

RGB 180 225 147

HSL 94.62, 0.57%, 0.73%

LAB 84.82, -28.24, 33.53

 

CMYK 25 / 0 / 42 / 7

HEX #B2EC88

RGB 178 236 136

HSL 94.8, 0.72%, 0.73%

LAB 87.6, -35.52, 42.59

 

CMYK 29 / 0 / 49 / 3

HEX #B0F77D

RGB 176 247 125

HSL 94.92, 0.88%, 0.73%

LAB 90.43, -42.42, 51.34

 

CMYK 15 / 0 / 26 / 16

HEX #B6D69F

RGB 182 214 159

HSL 94.91, 0.4%, 0.73%

LAB 82.13, -20.44, 23.75

 

CMYK 10 / 0 / 16 / 20

HEX #B7CBAA

RGB 183 203 170

HSL 96.36, 0.24%, 0.73%

LAB 79.43, -12.79, 14.21

 

CMYK 3 / 0 / 5 / 25

HEX #B9BFB5

RGB 185 191 181

HSL 96, 0.07%, 0.73%

LAB 76.63, -3.92, 4.31

 

CMYK 3 / 6 / 0 / 25

HEX #BBB4C0

RGB 187 180 192

HSL 275, 0.09%, 0.73%

LAB 74.2, 4.71, -5.2

 

CMYK 7 / 17 / 0 / 20

HEX #BDA9CB

RGB 189 169 203

HSL 275.29, 0.25%, 0.73%

LAB 71.9, 13.56, -14.65

 

CMYK 1 / 0 / 26 / 16

HEX #D4D69F

RGB 212 214 159

HSL 62.18, 0.4%, 0.73%

LAB 84.27, -9.45, 27.02

 

CMYK 8 / 0 / 26 / 16

HEX #C5D69F

RGB 197 214 159

HSL 78.55, 0.4%, 0.73%

LAB 83.16, -15.02, 25.32

 

CMYK 15 / 0 / 26 / 16

HEX #B6D69F

RGB 182 214 159

HSL 94.91, 0.4%, 0.73%

LAB 82.13, -20.44, 23.75

 

CMYK 21 / 0 / 26 / 16

HEX #A8D69F

RGB 168 214 159

HSL 110.18, 0.4%, 0.73%

LAB 81.25, -25.33, 22.4

 

CMYK 26 / 0 / 23 / 16

HEX #9FD6A4

RGB 159 214 164

HSL 125.45, 0.4%, 0.73%

LAB 80.82, -27.49, 19.1

 

CMYK 27 / 0 / 47 / 26

HEX #8ABD65

RGB 138 189 101

HSL 94.77, 0.4%, 0.57%

LAB 71.38, -32.35, 39.03

 

CMYK 20 / 0 / 35 / 21

HEX #A0C982

RGB 160 201 130

HSL 94.65, 0.4%, 0.65%

LAB 76.59, -26.26, 31.17

 

CMYK 15 / 0 / 26 / 16

HEX #B6D69F

RGB 182 214 159

HSL 94.91, 0.4%, 0.73%

LAB 82.13, -20.44, 23.75

 

CMYK 10 / 0 / 17 / 11

HEX #CCE2BB

RGB 204 226 187

HSL 93.85, 0.4%, 0.81%

LAB 87.4, -14.23, 16.64

 

CMYK 5 / 0 / 9 / 7

HEX #E2EED8

RGB 226 238 216

HSL 92.73, 0.39%, 0.89%

LAB 92.7, -7.85, 9.28

 

CMYK 15 / 0 / 26 / 16

HEX #B6D69F

RGB 182 214 159

HSL 94.91, 0.4%, 0.73%

LAB 82.13, -20.44, 23.75

 

CMYK 26 / 0 / 6 / 16

HEX #9FD6C9

RGB 159 214 201

HSL 165.82, 0.4%, 0.73%

LAB 81.66, -20.36, 0.68

 

CMYK 0 / 26 / 4 / 16

HEX #D69FCD

RGB 214 159 205

HSL 309.82, 0.4%, 0.73%

LAB 71.89, 27.85, -15.52

 

CMYK 15 / 0 / 26 / 16

HEX #B6D69F

RGB 182 214 159

HSL 94.91, 0.4%, 0.73%

LAB 82.13, -20.44, 23.75

 

CMYK 26 / 15 / 0 / 16

HEX #9FB6D6

RGB 159 182 214

HSL 214.91, 0.4%, 0.73%

LAB 73.34, -0.76, -18.71

 

CMYK 0 / 26 / 15 / 16

HEX #D69FB6

RGB 214 159 182

HSL 334.91, 0.4%, 0.73%

LAB 71.19, 23.92, -3.86

 

CMYK 15 / 0 / 26 / 16

HEX #B6D69F

RGB 182 214 159

HSL 94.91, 0.4%, 0.73%

LAB 82.13, -20.44, 23.75

 

CMYK 26 / 0 / 6 / 16

HEX #9FD6C9

RGB 159 214 201

HSL 165.82, 0.4%, 0.73%

LAB 81.66, -20.36, 0.68

 

CMYK 11 / 26 / 0 / 16

HEX #BE9FD6

RGB 190 159 214

HSL 273.82, 0.4%, 0.73%

LAB 69.89, 21.68, -23.73

 

CMYK 0 / 26 / 20 / 16

HEX #D69FAB

RGB 214 159 171

HSL 346.91, 0.4%, 0.73%

LAB 70.89, 22.19, 1.8

 

CMYK 15 / 0 / 26 / 16

HEX #B6D69F

RGB 182 214 159

HSL 94.91, 0.4%, 0.73%

LAB 82.13, -20.44, 23.75

 

CMYK 26 / 2 / 0 / 16

HEX #9FD2D6

RGB 159 210 214

HSL 184.36, 0.4%, 0.73%

LAB 80.92, -15.51, -7.36

 

CMYK 11 / 26 / 0 / 16

HEX #BE9FD6

RGB 190 159 214

HSL 273.82, 0.4%, 0.73%

LAB 69.89, 21.68, -23.73

 

CMYK 0 / 24 / 26 / 16

HEX #D6A29F

RGB 214 162 159

HSL 3.27, 0.4%, 0.73%

LAB 71.31, 18.8, 9.04

 

Description

Color code: HEX #B6D69F | qconv.com Color code: HEX #B6D69F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 214 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 214 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 26 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 26% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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