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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6D540 it is the complementary color #492ABF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6D540. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6D540 shade: #BBD53B, #CCE74E, #DDF961, #EEFF74 and #FFFF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6D540. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6D540 shade: #B6D540, #A5C32D, #94B11A, #839F07 and #728D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6D540 shade: #B6D53F, #D5CC3F, #D5A33F, #D57B3F and #D5523F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6D540 shade: #B6D53F, #8DD53F, #65D53F, #3FD541 and #3FD56A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6D540 shade matches the following richer shades: #B6D53F, #C1E82C and #CCFB19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6D540 shade: #B6D53F, #AAC252, #9FAF65, #949C78 and #89898B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6D540 shade: #D5A33F, #D5CB3F, #B7D53F, #8FD53F and #67D53F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6D540 shade: #849E23, #A1C02A, #B6D53F, #C2DC60 and #CFE482

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6D540 shade: #B6D540, #3FD57B and #B73FD5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6D540 shade: #B6D540, #3FB7D5 and #D53FB7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6D540 shade: #B6D540, #3FD57B, #5D3FD5 and #D53F99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6D540 shade: #B6D540, #3FD5A8, #5D3FD5 and #D53F6C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 70 / 16

HEX #B6D540

RGB 182 213 64

HSL 72.48, 0.64%, 0.54%

LAB 80.69, -29.92, 66.46

 

Complementary color

CMYK 62 / 78 / 0 / 25

HEX #492ABF

RGB 73 42 191

HSL 252.48, 0.64%, 0.46%

LAB 31.43, 53.06, -72.45

 

CMYK 12 / 0 / 72 / 16

HEX #BBD53B

RGB 187 213 59

HSL 70.13, 0.65%, 0.53%

LAB 81, -28.18, 68.64

 

CMYK 12 / 0 / 66 / 9

HEX #CCE74E

RGB 204 231 78

HSL 70.59, 0.76%, 0.61%

LAB 87.26, -28.8, 68.41

 

CMYK 11 / 0 / 61 / 2

HEX #DDF961

RGB 221 249 97

HSL 71.05, 0.93%, 0.68%

LAB 93.44, -29.31, 67.8

 

CMYK 7 / 0 / 55 / 0

HEX #EEFF74

RGB 238 255 116

HSL 67.34, 1%, 0.73%

LAB 96.39, -24.12, 63.39

 

CMYK 0 / 0 / 47 / 0

HEX #FFFF87

RGB 255 255 135

HSL 60, 1%, 0.76%

LAB 97.84, -15.94, 56.87

 

CMYK 15 / 0 / 70 / 16

HEX #B6D540

RGB 182 213 64

HSL 72.48, 0.64%, 0.54%

LAB 80.69, -29.92, 66.46

 

CMYK 15 / 0 / 77 / 24

HEX #A5C32D

RGB 165 195 45

HSL 72, 0.63%, 0.47%

LAB 74.33, -29.25, 66.34

 

CMYK 16 / 0 / 85 / 31

HEX #94B11A

RGB 148 177 26

HSL 71.52, 0.74%, 0.4%

LAB 67.88, -28.4, 65.3

 

CMYK 18 / 0 / 96 / 38

HEX #839F07

RGB 131 159 7

HSL 71.05, 0.92%, 0.33%

LAB 61.34, -27.31, 62.83

 

CMYK 19 / 0 / 100 / 45

HEX #728D00

RGB 114 141 0

HSL 71.49, 1%, 0.28%

LAB 54.69, -25.96, 58.28

 

CMYK 15 / 0 / 70 / 16

HEX #B6D53F

RGB 182 213 63

HSL 72.4, 0.64%, 0.54%

LAB 80.68, -29.98, 66.81

 

CMYK 0 / 4 / 70 / 16

HEX #D5CC3F

RGB 213 204 63

HSL 56.4, 0.64%, 0.54%

LAB 80.57, -12.79, 67.49

 

CMYK 0 / 23 / 70 / 16

HEX #D5A33F

RGB 213 163 63

HSL 40, 0.64%, 0.54%

LAB 69.96, 8.58, 56.87

 

CMYK 0 / 42 / 70 / 16

HEX #D57B3F

RGB 213 123 63

HSL 24, 0.64%, 0.54%

LAB 60.49, 30.11, 46.84

 

CMYK 0 / 62 / 70 / 16

HEX #D5523F

RGB 213 82 63

HSL 7.6, 0.64%, 0.54%

LAB 52.44, 50.47, 37.83

 

CMYK 15 / 0 / 70 / 16

HEX #B6D53F

RGB 182 213 63

HSL 72.4, 0.64%, 0.54%

LAB 80.68, -29.98, 66.81

 

CMYK 34 / 0 / 70 / 16

HEX #8DD53F

RGB 141 213 63

HSL 88.8, 0.64%, 0.54%

LAB 78.23, -45.51, 63.56

 

CMYK 53 / 0 / 70 / 16

HEX #65D53F

RGB 101 213 63

HSL 104.8, 0.64%, 0.54%

LAB 76.51, -58.08, 61.24

 

CMYK 70 / 0 / 69 / 16

HEX #3FD541

RGB 63 213 65

HSL 120.8, 0.64%, 0.54%

LAB 75.47, -66.4, 59.09

 

CMYK 70 / 0 / 50 / 16

HEX #3FD56A

RGB 63 213 106

HSL 137.2, 0.64%, 0.54%

LAB 75.88, -61.57, 41.54

 

CMYK 15 / 0 / 70 / 16

HEX #B6D53F

RGB 182 213 63

HSL 72.4, 0.64%, 0.54%

LAB 80.68, -29.98, 66.81

 

CMYK 17 / 0 / 81 / 9

HEX #C1E82C

RGB 193 232 44

HSL 72.45, 0.8%, 0.54%

LAB 86.62, -35.22, 78.34

 

CMYK 19 / 0 / 90 / 2

HEX #CCFB19

RGB 204 251 25

HSL 72.48, 0.97%, 0.54%

LAB 92.53, -39.91, 87.18

 

CMYK 15 / 0 / 70 / 16

HEX #B6D53F

RGB 182 213 63

HSL 72.4, 0.64%, 0.54%

LAB 80.68, -29.98, 66.81

 

CMYK 12 / 0 / 58 / 24

HEX #AAC252

RGB 170 194 82

HSL 72.86, 0.48%, 0.54%

LAB 74.66, -24.41, 52.5

 

CMYK 9 / 0 / 42 / 31

HEX #9FAF65

RGB 159 175 101

HSL 72.97, 0.32%, 0.54%

LAB 68.73, -17.46, 36.02

 

CMYK 5 / 0 / 23 / 39

HEX #949C78

RGB 148 156 120

HSL 73.33, 0.15%, 0.54%

LAB 62.87, -9.28, 17.94

 

CMYK 1 / 1 / 0 / 45

HEX #89898B

RGB 137 137 139

HSL 240, 0.01%, 0.54%

LAB 57.15, 0.4, -1.07

 

CMYK 0 / 23 / 70 / 16

HEX #D5A33F

RGB 213 163 63

HSL 40, 0.64%, 0.54%

LAB 69.96, 8.58, 56.87

 

CMYK 0 / 5 / 70 / 16

HEX #D5CB3F

RGB 213 203 63

HSL 56, 0.64%, 0.54%

LAB 80.3, -12.29, 67.23

 

CMYK 14 / 0 / 70 / 16

HEX #B7D53F

RGB 183 213 63

HSL 72, 0.64%, 0.54%

LAB 80.75, -29.58, 66.9

 

CMYK 33 / 0 / 70 / 16

HEX #8FD53F

RGB 143 213 63

HSL 88, 0.64%, 0.54%

LAB 78.34, -44.8, 63.7

 

CMYK 52 / 0 / 70 / 16

HEX #67D53F

RGB 103 213 63

HSL 104, 0.64%, 0.54%

LAB 76.58, -57.53, 61.34

 

CMYK 16 / 0 / 78 / 38

HEX #849E23

RGB 132 158 35

HSL 72.68, 0.64%, 0.38%

LAB 61.2, -25.56, 56.5

 

CMYK 16 / 0 / 78 / 25

HEX #A1C02A

RGB 161 192 42

HSL 72.4, 0.64%, 0.46%

LAB 73.18, -29.59, 66.09

 

CMYK 15 / 0 / 70 / 16

HEX #B6D53F

RGB 182 213 63

HSL 72.4, 0.64%, 0.54%

LAB 80.68, -29.98, 66.81

 

CMYK 12 / 0 / 56 / 14

HEX #C2DC60

RGB 194 220 96

HSL 72.58, 0.64%, 0.62%

LAB 83.7, -26.26, 56.92

 

CMYK 9 / 0 / 43 / 11

HEX #CFE482

RGB 207 228 130

HSL 72.86, 0.64%, 0.7%

LAB 87.18, -21.83, 45.37

 

CMYK 15 / 0 / 70 / 16

HEX #B6D540

RGB 182 213 64

HSL 72.48, 0.64%, 0.54%

LAB 80.69, -29.92, 66.46

 

CMYK 70 / 0 / 42 / 16

HEX #3FD57B

RGB 63 213 123

HSL 144, 0.64%, 0.54%

LAB 76.12, -58.83, 33.4

 

CMYK 14 / 70 / 0 / 16

HEX #B73FD5

RGB 183 63 213

HSL 288, 0.64%, 0.54%

LAB 50.01, 68.02, -54.38

 

CMYK 15 / 0 / 70 / 16

HEX #B6D540

RGB 182 213 64

HSL 72.48, 0.64%, 0.54%

LAB 80.69, -29.92, 66.46

 

CMYK 70 / 14 / 0 / 16

HEX #3FB7D5

RGB 63 183 213

HSL 192, 0.64%, 0.54%

LAB 69.28, -23.42, -24.75

 

CMYK 0 / 70 / 14 / 16

HEX #D53FB7

RGB 213 63 183

HSL 312, 0.64%, 0.54%

LAB 53.08, 69.82, -31.92

 

CMYK 15 / 0 / 70 / 16

HEX #B6D540

RGB 182 213 64

HSL 72.48, 0.64%, 0.54%

LAB 80.69, -29.92, 66.46

 

CMYK 70 / 0 / 42 / 16

HEX #3FD57B

RGB 63 213 123

HSL 144, 0.64%, 0.54%

LAB 76.12, -58.83, 33.4

 

CMYK 56 / 70 / 0 / 16

HEX #5D3FD5

RGB 93 63 213

HSL 252, 0.64%, 0.54%

LAB 39.05, 51.46, -72.67

 

CMYK 0 / 70 / 28 / 16

HEX #D53F99

RGB 213 63 153

HSL 324, 0.64%, 0.54%

LAB 51.84, 65.87, -16.22

 

CMYK 15 / 0 / 70 / 16

HEX #B6D540

RGB 182 213 64

HSL 72.48, 0.64%, 0.54%

LAB 80.69, -29.92, 66.46

 

CMYK 70 / 0 / 21 / 16

HEX #3FD5A8

RGB 63 213 168

HSL 162, 0.64%, 0.54%

LAB 76.96, -49.6, 11.04

 

CMYK 56 / 70 / 0 / 16

HEX #5D3FD5

RGB 93 63 213

HSL 252, 0.64%, 0.54%

LAB 39.05, 51.46, -72.67

 

CMYK 0 / 70 / 49 / 16

HEX #D53F6C

RGB 213 63 108

HSL 342, 0.64%, 0.54%

LAB 50.43, 61.21, 8.71

 

Description

Color code: HEX #B6D540 | qconv.com Color code: HEX #B6D540 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 213 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 213 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 70 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 70% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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