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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6D466 it is the complementary color #492B99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6D466. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6D466 shade: #BBD461, #CCE674, #DDF887, #EEFF9A and #FFFFAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6D466. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6D466 shade: #B6D466, #A5C253, #94B040, #839E2D and #728C1A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6D466 shade: #B7D468, #D4D468, #D4B768, #D49A68 and #D47D68

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6D466 shade: #B7D468, #9AD468, #7CD468, #68D471 and #68D48E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6D466 shade matches the following richer shades: #B7D468, #BEE458 and #C5F448

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6D466 shade: #B7D468, #B0C578, #A9B587, #A1A597 and #9A96A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6D466 shade: #D4B768, #D4D468, #B7D468, #9AD468 and #7ED468

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6D466 shade: #93B633, #A7CB48, #B7D468, #C6DD88 and #D6E7A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6D466 shade: #B6D466, #68D49A and #C668D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6D466 shade: #B6D466, #68B7D4 and #D468B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6D466 shade: #B6D466, #68D49A, #8568D4 and #D468A2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6D466 shade: #B6D466, #68D4BB, #8568D4 and #D46881

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 52 / 17

HEX #B6D466

RGB 182 212 102

HSL 76.36, 0.56%, 0.62%

LAB 80.73, -26.59, 50.54

 

Complementary color

CMYK 52 / 72 / 0 / 40

HEX #492B99

RGB 73 43 153

HSL 256.36, 0.56%, 0.38%

LAB 27.96, 41.4, -55.34

 

CMYK 12 / 0 / 54 / 17

HEX #BBD461

RGB 187 212 97

HSL 73.04, 0.57%, 0.61%

LAB 81.02, -25.09, 53.27

 

CMYK 11 / 0 / 50 / 10

HEX #CCE674

RGB 204 230 116

HSL 73.68, 0.7%, 0.68%

LAB 87.34, -25.37, 52.21

 

CMYK 11 / 0 / 46 / 3

HEX #DDF887

RGB 221 248 135

HSL 74.34, 0.89%, 0.75%

LAB 93.56, -25.59, 51.1

 

CMYK 7 / 0 / 40 / 0

HEX #EEFF9A

RGB 238 255 154

HSL 70.1, 1%, 0.8%

LAB 96.83, -20.54, 46.36

 

CMYK 0 / 0 / 32 / 0

HEX #FFFFAD

RGB 255 255 173

HSL 60, 1%, 0.84%

LAB 98.35, -12.04, 39.27

 

CMYK 14 / 0 / 52 / 17

HEX #B6D466

RGB 182 212 102

HSL 76.36, 0.56%, 0.62%

LAB 80.73, -26.59, 50.54

 

CMYK 15 / 0 / 57 / 24

HEX #A5C253

RGB 165 194 83

HSL 75.68, 0.48%, 0.54%

LAB 74.32, -26.32, 51.57

 

CMYK 16 / 0 / 64 / 31

HEX #94B040

RGB 148 176 64

HSL 75, 0.47%, 0.47%

LAB 67.81, -25.96, 52.44

 

CMYK 17 / 0 / 72 / 38

HEX #839E2D

RGB 131 158 45

HSL 74.34, 0.56%, 0.4%

LAB 61.19, -25.45, 52.94

 

CMYK 19 / 0 / 81 / 45

HEX #728C1A

RGB 114 140 26

HSL 73.68, 0.69%, 0.33%

LAB 54.46, -24.75, 52.68

 

CMYK 14 / 0 / 51 / 17

HEX #B7D468

RGB 183 212 104

HSL 76.11, 0.56%, 0.62%

LAB 80.82, -26.01, 49.72

 

CMYK 0 / 0 / 51 / 17

HEX #D4D468

RGB 212 212 104

HSL 60, 0.56%, 0.62%

LAB 82.96, -14.5, 52.77

 

CMYK 0 / 14 / 51 / 17

HEX #D4B768

RGB 212 183 104

HSL 43.89, 0.56%, 0.62%

LAB 75.37, 0.4, 43.7

 

CMYK 0 / 27 / 51 / 17

HEX #D49A68

RGB 212 154 104

HSL 27.78, 0.56%, 0.62%

LAB 68.1, 15.92, 34.67

 

CMYK 0 / 41 / 51 / 17

HEX #D47D68

RGB 212 125 104

HSL 11.67, 0.56%, 0.62%

LAB 61.36, 31.57, 25.96

 

CMYK 14 / 0 / 51 / 17

HEX #B7D468

RGB 183 212 104

HSL 76.11, 0.56%, 0.62%

LAB 80.82, -26.01, 49.72

 

CMYK 27 / 0 / 51 / 17

HEX #9AD468

RGB 154 212 104

HSL 92.22, 0.56%, 0.62%

LAB 79.02, -36.84, 47.12

 

CMYK 42 / 0 / 51 / 17

HEX #7CD468

RGB 124 212 104

HSL 108.89, 0.56%, 0.62%

LAB 77.5, -46.86, 44.94

 

CMYK 51 / 0 / 47 / 17

HEX #68D471

RGB 104 212 113

HSL 125, 0.56%, 0.62%

LAB 76.81, -51.38, 39.53

 

CMYK 51 / 0 / 33 / 17

HEX #68D48E

RGB 104 212 142

HSL 141.11, 0.56%, 0.62%

LAB 77.27, -46.62, 25.36

 

CMYK 14 / 0 / 51 / 17

HEX #B7D468

RGB 183 212 104

HSL 76.11, 0.56%, 0.62%

LAB 80.82, -26.01, 49.72

 

CMYK 17 / 0 / 61 / 11

HEX #BEE458

RGB 190 228 88

HSL 76.29, 0.72%, 0.62%

LAB 85.57, -32.21, 62.36

 

CMYK 19 / 0 / 70 / 4

HEX #C5F448

RGB 197 244 72

HSL 76.4, 0.89%, 0.62%

LAB 90.34, -37.84, 73.54

 

CMYK 14 / 0 / 51 / 17

HEX #B7D468

RGB 183 212 104

HSL 76.11, 0.56%, 0.62%

LAB 80.82, -26.01, 49.72

 

CMYK 11 / 0 / 39 / 23

HEX #B0C578

RGB 176 197 120

HSL 76.36, 0.4%, 0.62%

LAB 76.39, -19.63, 36.26

 

CMYK 7 / 0 / 25 / 29

HEX #A9B587

RGB 169 181 135

HSL 75.65, 0.24%, 0.62%

LAB 71.71, -12.14, 22.1

 

CMYK 2 / 0 / 8 / 35

HEX #A1A597

RGB 161 165 151

HSL 77.14, 0.07%, 0.62%

LAB 67.07, -4.02, 6.76

 

CMYK 8 / 10 / 0 / 35

HEX #9A96A7

RGB 154 150 167

HSL 254.12, 0.09%, 0.62%

LAB 62.9, 4.83, -8.37

 

CMYK 0 / 14 / 51 / 17

HEX #D4B768

RGB 212 183 104

HSL 43.89, 0.56%, 0.62%

LAB 75.37, 0.4, 43.7

 

CMYK 0 / 0 / 51 / 17

HEX #D4D468

RGB 212 212 104

HSL 60, 0.56%, 0.62%

LAB 82.96, -14.5, 52.77

 

CMYK 14 / 0 / 51 / 17

HEX #B7D468

RGB 183 212 104

HSL 76.11, 0.56%, 0.62%

LAB 80.82, -26.01, 49.72

 

CMYK 27 / 0 / 51 / 17

HEX #9AD468

RGB 154 212 104

HSL 92.22, 0.56%, 0.62%

LAB 79.02, -36.84, 47.12

 

CMYK 41 / 0 / 51 / 17

HEX #7ED468

RGB 126 212 104

HSL 107.78, 0.56%, 0.62%

LAB 77.59, -46.24, 45.07

 

CMYK 19 / 0 / 72 / 29

HEX #93B633

RGB 147 182 51

HSL 76.03, 0.56%, 0.46%

LAB 69.4, -30.1, 59.2

 

CMYK 18 / 0 / 65 / 20

HEX #A7CB48

RGB 167 203 72

HSL 76.49, 0.56%, 0.54%

LAB 76.92, -30.68, 59.2

 

CMYK 14 / 0 / 51 / 17

HEX #B7D468

RGB 183 212 104

HSL 76.11, 0.56%, 0.62%

LAB 80.82, -26.01, 49.72

 

CMYK 10 / 0 / 38 / 13

HEX #C6DD88

RGB 198 221 136

HSL 76.24, 0.56%, 0.7%

LAB 84.74, -21.16, 39.2

 

CMYK 7 / 0 / 27 / 9

HEX #D6E7A8

RGB 214 231 168

HSL 76.19, 0.57%, 0.78%

LAB 89.05, -16, 28.87

 

CMYK 14 / 0 / 52 / 17

HEX #B6D466

RGB 182 212 102

HSL 76.36, 0.56%, 0.62%

LAB 80.73, -26.59, 50.54

 

CMYK 51 / 0 / 27 / 17

HEX #68D49A

RGB 104 212 154

HSL 147.78, 0.56%, 0.62%

LAB 77.5, -44.33, 19.37

 

CMYK 7 / 51 / 0 / 17

HEX #C668D4

RGB 198 104 212

HSL 292.22, 0.56%, 0.62%

LAB 58.66, 53.27, -39.96

 

CMYK 14 / 0 / 52 / 17

HEX #B6D466

RGB 182 212 102

HSL 76.36, 0.56%, 0.62%

LAB 80.73, -26.59, 50.54

 

CMYK 51 / 14 / 0 / 17

HEX #68B7D4

RGB 104 183 212

HSL 196.11, 0.56%, 0.62%

LAB 70.57, -16.38, -22.11

 

CMYK 0 / 51 / 14 / 17

HEX #D468B7

RGB 212 104 183

HSL 316.11, 0.56%, 0.62%

LAB 59.27, 52.29, -22.37

 

CMYK 14 / 0 / 52 / 17

HEX #B6D466

RGB 182 212 102

HSL 76.36, 0.56%, 0.62%

LAB 80.73, -26.59, 50.54

 

CMYK 51 / 0 / 27 / 17

HEX #68D49A

RGB 104 212 154

HSL 147.78, 0.56%, 0.62%

LAB 77.5, -44.33, 19.37

 

CMYK 37 / 51 / 0 / 17

HEX #8568D4

RGB 133 104 212

HSL 256.11, 0.56%, 0.62%

LAB 51.43, 36.03, -51.87

 

CMYK 0 / 51 / 24 / 17

HEX #D468A2

RGB 212 104 162

HSL 327.78, 0.56%, 0.62%

LAB 58.51, 49.16, -11.42

 

CMYK 14 / 0 / 52 / 17

HEX #B6D466

RGB 182 212 102

HSL 76.36, 0.56%, 0.62%

LAB 80.73, -26.59, 50.54

 

CMYK 51 / 0 / 12 / 17

HEX #68D4BB

RGB 104 212 187

HSL 166.11, 0.56%, 0.62%

LAB 78.24, -37.14, 2.86

 

CMYK 37 / 51 / 0 / 17

HEX #8568D4

RGB 133 104 212

HSL 256.11, 0.56%, 0.62%

LAB 51.43, 36.03, -51.87

 

CMYK 0 / 51 / 39 / 17

HEX #D46881

RGB 212 104 129

HSL 346.11, 0.56%, 0.62%

LAB 57.54, 44.98, 6.34

 

Description

Color code: HEX #B6D466 | qconv.com Color code: HEX #B6D466 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 212 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 212 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 52 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 52% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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