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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6D457 it is the complementary color #492BA8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6D457. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6D457 shade: #BBD452, #CCE665, #DDF878, #EEFF8B and #FFFF9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6D457. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6D457 shade: #B6D457, #A5C244, #94B031, #839E1E and #728C0B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6D457 shade: #B7D459, #D4D059, #D4AF59, #D48E59 and #D46D59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6D457 shade: #B7D459, #95D459, #74D459, #59D45F and #59D480

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6D457 shade matches the following richer shades: #B7D459, #BFE548 and #C8F637

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6D457 shade: #B7D459, #AEC36A, #A5B27B, #9CA18C and #93909C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6D457 shade: #D4AF59, #D4D059, #B7D459, #96D459 and #76D459

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6D457 shade: #8FAE2D, #A8CC38, #B7D459, #C5DD7A and #D3E59A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6D457 shade: #B6D457, #59D48E and #C059D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6D457 shade: #B6D457, #59B7D4 and #D459B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6D457 shade: #B6D457, #59D48E, #7659D4 and #D4599F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6D457 shade: #B6D457, #59D4B3, #7659D4 and #D4597A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 59 / 17

HEX #B6D457

RGB 182 212 87

HSL 74.4, 0.59%, 0.59%

LAB 80.58, -27.9, 57.14

 

Complementary color

CMYK 57 / 74 / 0 / 34

HEX #492BA8

RGB 73 43 168

HSL 254.4, 0.59%, 0.41%

LAB 29.34, 45.84, -62.19

 

CMYK 12 / 0 / 61 / 17

HEX #BBD452

RGB 187 212 82

HSL 71.54, 0.6%, 0.58%

LAB 80.88, -26.29, 59.71

 

CMYK 11 / 0 / 56 / 10

HEX #CCE665

RGB 204 230 101

HSL 72.09, 0.72%, 0.65%

LAB 87.18, -26.7, 58.84

 

CMYK 11 / 0 / 52 / 3

HEX #DDF878

RGB 221 248 120

HSL 72.66, 0.9%, 0.72%

LAB 93.39, -27.02, 57.83

 

CMYK 7 / 0 / 45 / 0

HEX #EEFF8B

RGB 238 255 139

HSL 68.79, 1%, 0.77%

LAB 96.64, -22.09, 53.26

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9E

RGB 255 255 158

HSL 60, 1%, 0.81%

LAB 98.13, -13.71, 46.33

 

CMYK 14 / 0 / 59 / 17

HEX #B6D457

RGB 182 212 87

HSL 74.4, 0.59%, 0.59%

LAB 80.58, -27.9, 57.14

 

CMYK 15 / 0 / 65 / 24

HEX #A5C244

RGB 165 194 68

HSL 73.81, 0.51%, 0.51%

LAB 74.19, -27.48, 57.91

 

CMYK 16 / 0 / 72 / 31

HEX #94B031

RGB 148 176 49

HSL 73.23, 0.56%, 0.44%

LAB 67.7, -26.93, 58.28

 

CMYK 17 / 0 / 81 / 38

HEX #839E1E

RGB 131 158 30

HSL 72.66, 0.68%, 0.37%

LAB 61.11, -26.21, 57.92

 

CMYK 19 / 0 / 92 / 45

HEX #728C0B

RGB 114 140 11

HSL 72.09, 0.85%, 0.3%

LAB 54.4, -25.23, 56.21

 

CMYK 14 / 0 / 58 / 17

HEX #B7D459

RGB 183 212 89

HSL 74.15, 0.59%, 0.59%

LAB 80.67, -27.34, 56.39

 

CMYK 0 / 2 / 58 / 17

HEX #D4D059

RGB 212 208 89

HSL 58.05, 0.59%, 0.59%

LAB 81.75, -13.67, 58.19

 

CMYK 0 / 17 / 58 / 17

HEX #D4AF59

RGB 212 175 89

HSL 41.95, 0.59%, 0.59%

LAB 73.14, 3.4, 48.42

 

CMYK 0 / 33 / 58 / 17

HEX #D48E59

RGB 212 142 89

HSL 25.85, 0.59%, 0.59%

LAB 65.01, 21.16, 38.76

 

CMYK 0 / 49 / 58 / 17

HEX #D46D59

RGB 212 109 89

HSL 9.76, 0.59%, 0.59%

LAB 57.71, 38.69, 29.65

 

CMYK 14 / 0 / 58 / 17

HEX #B7D459

RGB 183 212 89

HSL 74.15, 0.59%, 0.59%

LAB 80.67, -27.34, 56.39

 

CMYK 30 / 0 / 58 / 17

HEX #95D459

RGB 149 212 89

HSL 90.73, 0.59%, 0.59%

LAB 78.58, -40.16, 53.45

 

CMYK 45 / 0 / 58 / 17

HEX #74D459

RGB 116 212 89

HSL 106.83, 0.59%, 0.59%

LAB 76.99, -51.02, 51.22

 

CMYK 58 / 0 / 55 / 17

HEX #59D45F

RGB 89 212 95

HSL 122.93, 0.59%, 0.59%

LAB 76.09, -57.54, 47.18

 

CMYK 58 / 0 / 40 / 17

HEX #59D480

RGB 89 212 128

HSL 139.02, 0.59%, 0.59%

LAB 76.54, -52.64, 31.53

 

CMYK 14 / 0 / 58 / 17

HEX #B7D459

RGB 183 212 89

HSL 74.15, 0.59%, 0.59%

LAB 80.67, -27.34, 56.39

 

CMYK 17 / 0 / 69 / 10

HEX #BFE548

RGB 191 229 72

HSL 74.52, 0.75%, 0.59%

LAB 85.8, -33.35, 68.87

 

CMYK 19 / 0 / 78 / 4

HEX #C8F637

RGB 200 246 55

HSL 74.45, 0.91%, 0.59%

LAB 90.99, -38.38, 79.52

 

CMYK 14 / 0 / 58 / 17

HEX #B7D459

RGB 183 212 89

HSL 74.15, 0.59%, 0.59%

LAB 80.67, -27.34, 56.39

 

CMYK 11 / 0 / 46 / 24

HEX #AEC36A

RGB 174 195 106

HSL 74.16, 0.43%, 0.59%

LAB 75.49, -21.02, 42.16

 

CMYK 7 / 0 / 31 / 30

HEX #A5B27B

RGB 165 178 123

HSL 74.18, 0.26%, 0.59%

LAB 70.36, -13.84, 26.67

 

CMYK 3 / 0 / 13 / 37

HEX #9CA18C

RGB 156 161 140

HSL 74.29, 0.1%, 0.59%

LAB 65.32, -5.64, 10.33

 

CMYK 6 / 8 / 0 / 39

HEX #93909C

RGB 147 144 156

HSL 255, 0.06%, 0.59%

LAB 60.38, 3.48, -5.94

 

CMYK 0 / 17 / 58 / 17

HEX #D4AF59

RGB 212 175 89

HSL 41.95, 0.59%, 0.59%

LAB 73.14, 3.4, 48.42

 

CMYK 0 / 2 / 58 / 17

HEX #D4D059

RGB 212 208 89

HSL 58.05, 0.59%, 0.59%

LAB 81.75, -13.67, 58.19

 

CMYK 14 / 0 / 58 / 17

HEX #B7D459

RGB 183 212 89

HSL 74.15, 0.59%, 0.59%

LAB 80.67, -27.34, 56.39

 

CMYK 29 / 0 / 58 / 17

HEX #96D459

RGB 150 212 89

HSL 90.24, 0.59%, 0.59%

LAB 78.63, -39.8, 53.53

 

CMYK 44 / 0 / 58 / 17

HEX #76D459

RGB 118 212 89

HSL 105.85, 0.59%, 0.59%

LAB 77.08, -50.42, 51.34

 

CMYK 18 / 0 / 74 / 32

HEX #8FAE2D

RGB 143 174 45

HSL 74.42, 0.59%, 0.43%

LAB 66.75, -28.25, 58.66

 

CMYK 18 / 0 / 73 / 20

HEX #A8CC38

RGB 168 204 56

HSL 74.59, 0.59%, 0.51%

LAB 77.16, -31.74, 65.5

 

CMYK 14 / 0 / 58 / 17

HEX #B7D459

RGB 183 212 89

HSL 74.15, 0.59%, 0.59%

LAB 80.67, -27.34, 56.39

 

CMYK 11 / 0 / 45 / 13

HEX #C5DD7A

RGB 197 221 122

HSL 74.55, 0.59%, 0.67%

LAB 84.48, -23.12, 45.76

 

CMYK 8 / 0 / 33 / 10

HEX #D3E59A

RGB 211 229 154

HSL 74.4, 0.59%, 0.75%

LAB 88.07, -17.98, 34.65

 

CMYK 14 / 0 / 59 / 17

HEX #B6D457

RGB 182 212 87

HSL 74.4, 0.59%, 0.59%

LAB 80.58, -27.9, 57.14

 

CMYK 58 / 0 / 33 / 17

HEX #59D48E

RGB 89 212 142

HSL 145.85, 0.59%, 0.59%

LAB 76.78, -50.1, 24.61

 

CMYK 9 / 58 / 0 / 17

HEX #C059D4

RGB 192 89 212

HSL 290.24, 0.59%, 0.59%

LAB 55.18, 58.91, -45.49

 

CMYK 14 / 0 / 59 / 17

HEX #B6D457

RGB 182 212 87

HSL 74.4, 0.59%, 0.59%

LAB 80.58, -27.9, 57.14

 

CMYK 58 / 14 / 0 / 17

HEX #59B7D4

RGB 89 183 212

HSL 194.15, 0.59%, 0.59%

LAB 70, -19.48, -23.03

 

CMYK 0 / 58 / 14 / 17

HEX #D459B7

RGB 212 89 183

HSL 314.15, 0.59%, 0.59%

LAB 56.64, 59.28, -26.4

 

CMYK 14 / 0 / 59 / 17

HEX #B6D457

RGB 182 212 87

HSL 74.4, 0.59%, 0.59%

LAB 80.58, -27.9, 57.14

 

CMYK 58 / 0 / 33 / 17

HEX #59D48E

RGB 89 212 142

HSL 145.85, 0.59%, 0.59%

LAB 76.78, -50.1, 24.61

 

CMYK 44 / 58 / 0 / 17

HEX #7659D4

RGB 118 89 212

HSL 254.15, 0.59%, 0.59%

LAB 46.64, 41.23, -59.63

 

CMYK 0 / 58 / 25 / 17

HEX #D4599F

RGB 212 89 159

HSL 325.85, 0.59%, 0.59%

LAB 55.73, 55.84, -13.87

 

CMYK 14 / 0 / 59 / 17

HEX #B6D457

RGB 182 212 87

HSL 74.4, 0.59%, 0.59%

LAB 80.58, -27.9, 57.14

 

CMYK 58 / 0 / 16 / 17

HEX #59D4B3

RGB 89 212 179

HSL 163.9, 0.59%, 0.59%

LAB 77.56, -42.18, 6.1

 

CMYK 44 / 58 / 0 / 17

HEX #7659D4

RGB 118 89 212

HSL 254.15, 0.59%, 0.59%

LAB 46.64, 41.23, -59.63

 

CMYK 0 / 58 / 42 / 17

HEX #D4597A

RGB 212 89 122

HSL 343.9, 0.59%, 0.59%

LAB 54.6, 51.44, 6.25

 

Description

Color code: HEX #B6D457 | qconv.com Color code: HEX #B6D457 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 212 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 212 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 59 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 59% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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