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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6D357 it is the complementary color #492CA8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6D357. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6D357 shade: #BBD352, #CCE565, #DDF778, #EEFF8B and #FFFF9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6D357. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6D357 shade: #B6D357, #A5C144, #94AF31, #839D1E and #728B0B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6D357 shade: #B5D256, #D2CE56, #D2AC56, #D28B56 and #D26956

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6D357 shade: #B5D256, #93D256, #72D256, #56D25B and #56D27D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6D357 shade matches the following richer shades: #B5D256, #BEE344 and #C7F533

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6D357 shade: #B5D256, #ACC167, #A3AF78, #999E8A and #908D9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6D357 shade: #D2AD56, #D2CE56, #B5D256, #94D256 and #73D256

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6D357 shade: #8CA82D, #A7C935, #B5D256, #C3DB76 and #D1E397

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6D357 shade: #B6D357, #56D28C and #BD56D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6D357 shade: #B6D357, #56B5D2 and #D256B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6D357 shade: #B6D357, #56D28C, #7356D2 and #D2569C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6D357 shade: #B6D357, #56D2B1, #7356D2 and #D25677

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 59 / 17

HEX #B6D357

RGB 182 211 87

HSL 74.03, 0.58%, 0.58%

LAB 80.3, -27.42, 56.83

 

Complementary color

CMYK 57 / 74 / 0 / 34

HEX #492CA8

RGB 73 44 168

HSL 254.03, 0.58%, 0.42%

LAB 29.53, 45.32, -61.88

 

CMYK 11 / 0 / 61 / 17

HEX #BBD352

RGB 187 211 82

HSL 71.16, 0.59%, 0.57%

LAB 80.61, -25.81, 59.41

 

CMYK 11 / 0 / 56 / 10

HEX #CCE565

RGB 204 229 101

HSL 71.72, 0.71%, 0.65%

LAB 86.91, -26.22, 58.53

 

CMYK 11 / 0 / 51 / 3

HEX #DDF778

RGB 221 247 120

HSL 72.28, 0.89%, 0.72%

LAB 93.12, -26.55, 57.52

 

CMYK 7 / 0 / 45 / 0

HEX #EEFF8B

RGB 238 255 139

HSL 68.79, 1%, 0.77%

LAB 96.64, -22.09, 53.26

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9E

RGB 255 255 158

HSL 60, 1%, 0.81%

LAB 98.13, -13.71, 46.33

 

CMYK 14 / 0 / 59 / 17

HEX #B6D357

RGB 182 211 87

HSL 74.03, 0.58%, 0.58%

LAB 80.3, -27.42, 56.83

 

CMYK 15 / 0 / 65 / 24

HEX #A5C144

RGB 165 193 68

HSL 73.44, 0.5%, 0.51%

LAB 73.91, -27, 57.61

 

CMYK 15 / 0 / 72 / 31

HEX #94AF31

RGB 148 175 49

HSL 72.86, 0.56%, 0.44%

LAB 67.41, -26.45, 58

 

CMYK 17 / 0 / 81 / 38

HEX #839D1E

RGB 131 157 30

HSL 72.28, 0.68%, 0.37%

LAB 60.81, -25.72, 57.65

 

CMYK 18 / 0 / 92 / 45

HEX #728B0B

RGB 114 139 11

HSL 71.72, 0.85%, 0.29%

LAB 54.1, -24.74, 55.96

 

CMYK 14 / 0 / 59 / 18

HEX #B5D256

RGB 181 210 86

HSL 74.03, 0.58%, 0.58%

LAB 79.95, -27.42, 56.85

 

CMYK 0 / 2 / 59 / 18

HEX #D2CE56

RGB 210 206 86

HSL 58.06, 0.58%, 0.58%

LAB 81.02, -13.7, 58.66

 

CMYK 0 / 18 / 59 / 18

HEX #D2AC56

RGB 210 172 86

HSL 41.61, 0.58%, 0.58%

LAB 72.15, 3.92, 48.67

 

CMYK 0 / 34 / 59 / 18

HEX #D28B56

RGB 210 139 86

HSL 25.65, 0.58%, 0.58%

LAB 64.03, 21.73, 39.08

 

CMYK 0 / 50 / 59 / 18

HEX #D26956

RGB 210 105 86

HSL 9.19, 0.58%, 0.58%

LAB 56.56, 39.75, 29.83

 

CMYK 14 / 0 / 59 / 18

HEX #B5D256

RGB 181 210 86

HSL 74.03, 0.58%, 0.58%

LAB 79.95, -27.42, 56.85

 

CMYK 30 / 0 / 59 / 18

HEX #93D256

RGB 147 210 86

HSL 90.48, 0.58%, 0.58%

LAB 77.86, -40.26, 53.94

 

CMYK 46 / 0 / 59 / 18

HEX #72D256

RGB 114 210 86

HSL 106.45, 0.58%, 0.58%

LAB 76.28, -51.13, 51.72

 

CMYK 59 / 0 / 57 / 18

HEX #56D25B

RGB 86 210 91

HSL 122.42, 0.58%, 0.58%

LAB 75.34, -58, 48.12

 

CMYK 59 / 0 / 40 / 18

HEX #56D27D

RGB 86 210 125

HSL 138.87, 0.58%, 0.58%

LAB 75.79, -53.03, 32.07

 

CMYK 14 / 0 / 59 / 18

HEX #B5D256

RGB 181 210 86

HSL 74.03, 0.58%, 0.58%

LAB 79.95, -27.42, 56.85

 

CMYK 16 / 0 / 70 / 11

HEX #BEE344

RGB 190 227 68

HSL 73.96, 0.74%, 0.58%

LAB 85.15, -33.05, 69.65

 

CMYK 19 / 0 / 79 / 4

HEX #C7F533

RGB 199 245 51

HSL 74.23, 0.91%, 0.58%

LAB 90.64, -38.48, 80.26

 

CMYK 14 / 0 / 59 / 18

HEX #B5D256

RGB 181 210 86

HSL 74.03, 0.58%, 0.58%

LAB 79.95, -27.42, 56.85

 

CMYK 11 / 0 / 47 / 24

HEX #ACC167

RGB 172 193 103

HSL 74, 0.42%, 0.58%

LAB 74.76, -21.14, 42.7

 

CMYK 7 / 0 / 31 / 31

HEX #A3AF78

RGB 163 175 120

HSL 73.09, 0.26%, 0.58%

LAB 69.33, -13.47, 26.86

 

CMYK 3 / 0 / 13 / 38

HEX #999E8A

RGB 153 158 138

HSL 75, 0.09%, 0.58%

LAB 64.21, -5.49, 9.84

 

CMYK 7 / 9 / 0 / 39

HEX #908D9B

RGB 144 141 155

HSL 252.86, 0.07%, 0.58%

LAB 59.29, 3.91, -7.02

 

CMYK 0 / 18 / 59 / 18

HEX #D2AD56

RGB 210 173 86

HSL 42.1, 0.58%, 0.58%

LAB 72.4, 3.39, 48.96

 

CMYK 0 / 2 / 59 / 18

HEX #D2CE56

RGB 210 206 86

HSL 58.06, 0.58%, 0.58%

LAB 81.02, -13.7, 58.66

 

CMYK 14 / 0 / 59 / 18

HEX #B5D256

RGB 181 210 86

HSL 74.03, 0.58%, 0.58%

LAB 79.95, -27.42, 56.85

 

CMYK 30 / 0 / 59 / 18

HEX #94D256

RGB 148 210 86

HSL 90, 0.58%, 0.58%

LAB 77.91, -39.91, 54.01

 

CMYK 45 / 0 / 59 / 18

HEX #73D256

RGB 115 210 86

HSL 105.97, 0.58%, 0.58%

LAB 76.32, -50.84, 51.78

 

CMYK 17 / 0 / 73 / 34

HEX #8CA82D

RGB 140 168 45

HSL 73.66, 0.58%, 0.42%

LAB 64.78, -26.59, 56.68

 

CMYK 17 / 0 / 74 / 21

HEX #A7C935

RGB 167 201 53

HSL 73.78, 0.58%, 0.5%

LAB 76.22, -30.89, 65.59

 

CMYK 14 / 0 / 59 / 18

HEX #B5D256

RGB 181 210 86

HSL 74.03, 0.58%, 0.58%

LAB 79.95, -27.42, 56.85

 

CMYK 11 / 0 / 46 / 14

HEX #C3DB76

RGB 195 219 118

HSL 74.26, 0.58%, 0.66%

LAB 83.74, -23.34, 46.76

 

CMYK 8 / 0 / 33 / 11

HEX #D1E397

RGB 209 227 151

HSL 74.21, 0.58%, 0.74%

LAB 87.35, -18.12, 35.19

 

CMYK 14 / 0 / 59 / 17

HEX #B6D357

RGB 182 211 87

HSL 74.03, 0.58%, 0.58%

LAB 80.3, -27.42, 56.83

 

CMYK 59 / 0 / 33 / 18

HEX #56D28C

RGB 86 210 140

HSL 146.13, 0.58%, 0.58%

LAB 76.05, -50.31, 24.65

 

CMYK 10 / 59 / 0 / 18

HEX #BD56D2

RGB 189 86 210

HSL 289.84, 0.58%, 0.58%

LAB 54.16, 59.16, -46

 

CMYK 14 / 0 / 59 / 17

HEX #B6D357

RGB 182 211 87

HSL 74.03, 0.58%, 0.58%

LAB 80.3, -27.42, 56.83

 

CMYK 59 / 14 / 0 / 18

HEX #56B5D2

RGB 86 181 210

HSL 194.03, 0.58%, 0.58%

LAB 69.24, -19.6, -23.1

 

CMYK 0 / 59 / 14 / 18

HEX #D256B5

RGB 210 86 181

HSL 314.03, 0.58%, 0.58%

LAB 55.78, 59.74, -26.61

 

CMYK 14 / 0 / 59 / 17

HEX #B6D357

RGB 182 211 87

HSL 74.03, 0.58%, 0.58%

LAB 80.3, -27.42, 56.83

 

CMYK 59 / 0 / 33 / 18

HEX #56D28C

RGB 86 210 140

HSL 146.13, 0.58%, 0.58%

LAB 76.05, -50.31, 24.65

 

CMYK 45 / 59 / 0 / 18

HEX #7356D2

RGB 115 86 210

HSL 254.03, 0.58%, 0.58%

LAB 45.57, 41.75, -60.23

 

CMYK 0 / 59 / 26 / 18

HEX #D2569C

RGB 210 86 156

HSL 326.13, 0.58%, 0.58%

LAB 54.82, 56.19, -13.52

 

CMYK 14 / 0 / 59 / 17

HEX #B6D357

RGB 182 211 87

HSL 74.03, 0.58%, 0.58%

LAB 80.3, -27.42, 56.83

 

CMYK 59 / 0 / 16 / 18

HEX #56D2B1

RGB 86 210 177

HSL 164.03, 0.58%, 0.58%

LAB 76.83, -42.35, 6.11

 

CMYK 45 / 59 / 0 / 18

HEX #7356D2

RGB 115 86 210

HSL 254.03, 0.58%, 0.58%

LAB 45.57, 41.75, -60.23

 

CMYK 0 / 59 / 43 / 18

HEX #D25677

RGB 210 86 119

HSL 344.03, 0.58%, 0.58%

LAB 53.7, 51.85, 6.69

 

Description

Color code: HEX #B6D357 | qconv.com Color code: HEX #B6D357 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 211 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 211 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 59 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 59% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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