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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6D351 it is the complementary color #492CAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6D351. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6D351 shade: #BBD34C, #CCE55F, #DDF772, #EEFF85 and #FFFF98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6D351. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6D351 shade: #B6D351, #A5C13E, #94AF2B, #839D18 and #728B05

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6D351 shade: #B6D350, #D3CD50, #D3AA50, #D38650 and #D36350

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6D351 shade: #B6D350, #92D350, #6FD350, #50D354 and #50D377

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6D351 shade matches the following richer shades: #B6D350, #C0E53E and #C9F72C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6D351 shade: #B6D350, #ACC161, #A2B073, #989E85 and #8E8C97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6D351 shade: #D3A950, #D3CD50, #B7D350, #94D350 and #70D350

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6D351 shade: #8BA72A, #A6C832, #B6D350, #C4DB71 and #D1E492

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6D351 shade: #B6D351, #50D386 and #BB50D3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6D351 shade: #B6D351, #50B7D3 and #D350B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6D351 shade: #B6D351, #50D386, #6C50D3 and #D3509C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6D351 shade: #B6D351, #50D3AE, #6C50D3 and #D35075

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 62 / 17

HEX #B6D351

RGB 182 211 81

HSL 73.38, 0.6%, 0.57%

LAB 80.25, -27.88, 59.35

 

Complementary color

CMYK 58 / 75 / 0 / 32

HEX #492CAE

RGB 73 44 174

HSL 253.38, 0.6%, 0.43%

LAB 30.09, 47.1, -64.55

 

CMYK 11 / 0 / 64 / 17

HEX #BBD34C

RGB 187 211 76

HSL 70.67, 0.61%, 0.56%

LAB 80.56, -26.23, 61.84

 

CMYK 11 / 0 / 59 / 10

HEX #CCE55F

RGB 204 229 95

HSL 71.19, 0.72%, 0.64%

LAB 86.85, -26.7, 61.08

 

CMYK 11 / 0 / 54 / 3

HEX #DDF772

RGB 221 247 114

HSL 71.73, 0.89%, 0.71%

LAB 93.06, -27.07, 60.14

 

CMYK 7 / 0 / 48 / 0

HEX #EEFF85

RGB 238 255 133

HSL 68.36, 1%, 0.76%

LAB 96.57, -22.66, 55.97

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF98

RGB 255 255 152

HSL 60, 1%, 0.8%

LAB 98.05, -14.33, 49.12

 

CMYK 14 / 0 / 62 / 17

HEX #B6D351

RGB 182 211 81

HSL 73.38, 0.6%, 0.57%

LAB 80.25, -27.88, 59.35

 

CMYK 15 / 0 / 68 / 24

HEX #A5C13E

RGB 165 193 62

HSL 72.82, 0.51%, 0.5%

LAB 73.86, -27.4, 59.95

 

CMYK 15 / 0 / 75 / 31

HEX #94AF2B

RGB 148 175 43

HSL 72.27, 0.61%, 0.43%

LAB 67.37, -26.76, 60.06

 

CMYK 17 / 0 / 85 / 38

HEX #839D18

RGB 131 157 24

HSL 71.73, 0.73%, 0.35%

LAB 60.79, -25.94, 59.25

 

CMYK 18 / 0 / 96 / 45

HEX #728B05

RGB 114 139 5

HSL 71.19, 0.93%, 0.28%

LAB 54.08, -24.87, 56.96

 

CMYK 14 / 0 / 62 / 17

HEX #B6D350

RGB 182 211 80

HSL 73.28, 0.6%, 0.57%

LAB 80.24, -27.95, 59.76

 

CMYK 0 / 3 / 62 / 17

HEX #D3CD50

RGB 211 205 80

HSL 57.25, 0.6%, 0.57%

LAB 80.79, -13.18, 60.99

 

CMYK 0 / 19 / 62 / 17

HEX #D3AA50

RGB 211 170 80

HSL 41.22, 0.6%, 0.57%

LAB 71.68, 4.99, 51.01

 

CMYK 0 / 36 / 62 / 17

HEX #D38650

RGB 211 134 80

HSL 24.73, 0.6%, 0.57%

LAB 62.91, 24.42, 40.9

 

CMYK 0 / 53 / 62 / 17

HEX #D36350

RGB 211 99 80

HSL 8.7, 0.6%, 0.57%

LAB 55.43, 42.72, 31.83

 

CMYK 14 / 0 / 62 / 17

HEX #B6D350

RGB 182 211 80

HSL 73.28, 0.6%, 0.57%

LAB 80.24, -27.95, 59.76

 

CMYK 31 / 0 / 62 / 17

HEX #92D350

RGB 146 211 80

HSL 89.77, 0.6%, 0.57%

LAB 78.04, -41.59, 56.72

 

CMYK 47 / 0 / 62 / 17

HEX #6FD350

RGB 111 211 80

HSL 105.8, 0.6%, 0.57%

LAB 76.4, -53.02, 54.45

 

CMYK 62 / 0 / 60 / 17

HEX #50D354

RGB 80 211 84

HSL 121.83, 0.6%, 0.57%

LAB 75.41, -60.52, 51.31

 

CMYK 62 / 0 / 44 / 17

HEX #50D377

RGB 80 211 119

HSL 137.86, 0.6%, 0.57%

LAB 75.84, -55.68, 35.14

 

CMYK 14 / 0 / 62 / 17

HEX #B6D350

RGB 182 211 80

HSL 73.28, 0.6%, 0.57%

LAB 80.24, -27.95, 59.76

 

CMYK 16 / 0 / 73 / 10

HEX #C0E53E

RGB 192 229 62

HSL 73.29, 0.76%, 0.57%

LAB 85.8, -33.5, 72.38

 

CMYK 19 / 0 / 82 / 3

HEX #C9F72C

RGB 201 247 44

HSL 73.6, 0.93%, 0.57%

LAB 91.29, -38.84, 82.59

 

CMYK 14 / 0 / 62 / 17

HEX #B6D350

RGB 182 211 80

HSL 73.28, 0.6%, 0.57%

LAB 80.24, -27.95, 59.76

 

CMYK 11 / 0 / 50 / 24

HEX #ACC161

RGB 172 193 97

HSL 73.13, 0.44%, 0.57%

LAB 74.68, -21.75, 45.55

 

CMYK 8 / 0 / 35 / 31

HEX #A2B073

RGB 162 176 115

HSL 73.77, 0.28%, 0.57%

LAB 69.45, -15.05, 29.67

 

CMYK 4 / 0 / 16 / 38

HEX #989E85

RGB 152 158 133

HSL 74.4, 0.11%, 0.57%

LAB 64.02, -6.72, 12.35

 

CMYK 6 / 7 / 0 / 41

HEX #8E8C97

RGB 142 140 151

HSL 250.91, 0.05%, 0.57%

LAB 58.73, 2.94, -5.58

 

CMYK 0 / 20 / 62 / 17

HEX #D3A950

RGB 211 169 80

HSL 40.76, 0.6%, 0.57%

LAB 71.42, 5.53, 50.72

 

CMYK 0 / 3 / 62 / 17

HEX #D3CD50

RGB 211 205 80

HSL 57.25, 0.6%, 0.57%

LAB 80.79, -13.18, 60.99

 

CMYK 13 / 0 / 62 / 17

HEX #B7D350

RGB 183 211 80

HSL 72.82, 0.6%, 0.57%

LAB 80.31, -27.56, 59.85

 

CMYK 30 / 0 / 62 / 17

HEX #94D350

RGB 148 211 80

HSL 88.85, 0.6%, 0.57%

LAB 78.15, -40.88, 56.87

 

CMYK 47 / 0 / 62 / 17

HEX #70D350

RGB 112 211 80

HSL 105.34, 0.6%, 0.57%

LAB 76.44, -52.73, 54.5

 

CMYK 17 / 0 / 75 / 35

HEX #8BA72A

RGB 139 167 42

HSL 73.44, 0.6%, 0.41%

LAB 64.4, -26.68, 57.35

 

CMYK 17 / 0 / 75 / 22

HEX #A6C832

RGB 166 200 50

HSL 73.6, 0.6%, 0.49%

LAB 75.85, -30.97, 66.21

 

CMYK 14 / 0 / 62 / 17

HEX #B6D350

RGB 182 211 80

HSL 73.28, 0.6%, 0.57%

LAB 80.24, -27.95, 59.76

 

CMYK 11 / 0 / 48 / 14

HEX #C4DB71

RGB 196 219 113

HSL 73.02, 0.6%, 0.65%

LAB 83.75, -23.46, 49.18

 

CMYK 8 / 0 / 36 / 11

HEX #D1E492

RGB 209 228 146

HSL 73.9, 0.6%, 0.73%

LAB 87.54, -19.24, 37.96

 

CMYK 14 / 0 / 62 / 17

HEX #B6D351

RGB 182 211 81

HSL 73.38, 0.6%, 0.57%

LAB 80.25, -27.88, 59.35

 

CMYK 62 / 0 / 36 / 17

HEX #50D386

RGB 80 211 134

HSL 144.73, 0.6%, 0.57%

LAB 76.08, -53.07, 27.78

 

CMYK 11 / 62 / 0 / 17

HEX #BB50D3

RGB 187 80 211

HSL 289.01, 0.6%, 0.57%

LAB 52.96, 61.57, -48.5

 

CMYK 14 / 0 / 62 / 17

HEX #B6D351

RGB 182 211 81

HSL 73.38, 0.6%, 0.57%

LAB 80.25, -27.88, 59.35

 

CMYK 62 / 13 / 0 / 17

HEX #50B7D3

RGB 80 183 211

HSL 192.82, 0.6%, 0.57%

LAB 69.67, -21.41, -23.02

 

CMYK 0 / 62 / 13 / 17

HEX #D350B7

RGB 211 80 183

HSL 312.82, 0.6%, 0.57%

LAB 55.08, 62.88, -28.84

 

CMYK 14 / 0 / 62 / 17

HEX #B6D351

RGB 182 211 81

HSL 73.38, 0.6%, 0.57%

LAB 80.25, -27.88, 59.35

 

CMYK 62 / 0 / 36 / 17

HEX #50D386

RGB 80 211 134

HSL 144.73, 0.6%, 0.57%

LAB 76.08, -53.07, 27.78

 

CMYK 49 / 62 / 0 / 17

HEX #6C50D3

RGB 108 80 211

HSL 252.82, 0.6%, 0.57%

LAB 43.7, 44.05, -63.88

 

CMYK 0 / 62 / 26 / 17

HEX #D3509C

RGB 211 80 156

HSL 325.19, 0.6%, 0.57%

LAB 54.01, 59.09, -14.73

 

CMYK 14 / 0 / 62 / 17

HEX #B6D351

RGB 182 211 81

HSL 73.38, 0.6%, 0.57%

LAB 80.25, -27.88, 59.35

 

CMYK 62 / 0 / 18 / 17

HEX #50D3AE

RGB 80 211 174

HSL 163.05, 0.6%, 0.57%

LAB 76.89, -44.61, 7.78

 

CMYK 49 / 62 / 0 / 17

HEX #6C50D3

RGB 108 80 211

HSL 252.82, 0.6%, 0.57%

LAB 43.7, 44.05, -63.88

 

CMYK 0 / 62 / 45 / 17

HEX #D35075

RGB 211 80 117

HSL 343.05, 0.6%, 0.57%

LAB 52.81, 54.64, 6.63

 

Description

Color code: HEX #B6D351 | qconv.com Color code: HEX #B6D351 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 211 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 211 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 62 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 62% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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