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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6CC0C it is the complementary color #4933F3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6CC0C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6CC0C shade: #BBCC07, #CCDE1A, #DDF02D, #EEFF40 and #FFFF53

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6CC0C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6CC0C shade: #B6CC0C, #A5BA00, #94A800, #839600 and #728400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6CC0C shade: #B5CA0C, #CAAD0C, #CA790C, #CA460C and #CA130C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6CC0C shade: #B5CA0C, #81CA0C, #4ECA0C, #1ACA0C and #0CCA31

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6CC0C shade matches the following richer shades: #B5CA0C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6CC0C shade: #B5CA0C, #A7B91D, #9AA82E, #8C9640 and #7F8551

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6CC0C shade: #CA780C, #CAAB0C, #B7CA0C, #85CA0C and #52CA0C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6CC0C shade: #6F7C07, #92A30A, #B5CA0C, #D7F10E and #DEF335

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6CC0C shade: #B6CC0C, #0CCA45 and #910CCA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6CC0C shade: #B6CC0C, #0CB7CA and #CA0CB7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6CC0C shade: #B6CC0C, #0CCA45, #1F0CCA and #CA0C91

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6CC0C shade: #B6CC0C, #0CCA7E, #1F0CCA and #CA0C58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 94 / 20

HEX #B6CC0C

RGB 182 204 12

HSL 66.88, 0.89%, 0.42%

LAB 77.97, -27.39, 76.7

 

Complementary color

CMYK 70 / 79 / 0 / 5

HEX #4933F3

RGB 73 51 243

HSL 246.88, 0.89%, 0.58%

LAB 38.3, 63.9, -91.05

 

CMYK 8 / 0 / 97 / 20

HEX #BBCC07

RGB 187 204 7

HSL 65.18, 0.93%, 0.41%

LAB 78.33, -25.36, 77.63

 

CMYK 8 / 0 / 88 / 13

HEX #CCDE1A

RGB 204 222 26

HSL 65.51, 0.79%, 0.49%

LAB 84.56, -26.61, 80.65

 

CMYK 8 / 0 / 81 / 6

HEX #DDF02D

RGB 221 240 45

HSL 65.85, 0.87%, 0.56%

LAB 90.73, -27.67, 82.4

 

CMYK 7 / 0 / 75 / 0

HEX #EEFF40

RGB 238 255 64

HSL 65.34, 1%, 0.63%

LAB 96.02, -27.19, 82.49

 

CMYK 0 / 0 / 67 / 0

HEX #FFFF53

RGB 255 255 83

HSL 60, 1%, 0.66%

LAB 97.39, -19.52, 78.02

 

CMYK 11 / 0 / 94 / 20

HEX #B6CC0C

RGB 182 204 12

HSL 66.88, 0.89%, 0.42%

LAB 77.97, -27.39, 76.7

 

CMYK 11 / 0 / 100 / 27

HEX #A5BA00

RGB 165 186 0

HSL 66.77, 1%, 0.36%

LAB 71.63, -26.04, 72.61

 

CMYK 12 / 0 / 100 / 34

HEX #94A800

RGB 148 168 0

HSL 67.14, 1%, 0.33%

LAB 65.2, -24.54, 67.26

 

CMYK 13 / 0 / 100 / 41

HEX #839600

RGB 131 150 0

HSL 67.6, 1%, 0.29%

LAB 58.64, -23, 61.8

 

CMYK 14 / 0 / 100 / 48

HEX #728400

RGB 114 132 0

HSL 68.18, 1%, 0.26%

LAB 51.93, -21.45, 56.21

 

CMYK 10 / 0 / 94 / 21

HEX #B5CA0C

RGB 181 202 12

HSL 66.63, 0.89%, 0.42%

LAB 77.34, -26.86, 76.19

 

CMYK 0 / 14 / 94 / 21

HEX #CAAD0C

RGB 202 173 12

HSL 50.84, 0.89%, 0.42%

LAB 71.19, -3.13, 72.29

 

CMYK 0 / 40 / 94 / 21

HEX #CA790C

RGB 202 121 12

HSL 34.42, 0.89%, 0.42%

LAB 58.28, 24.96, 62.89

 

CMYK 0 / 65 / 94 / 21

HEX #CA460C

RGB 202 70 12

HSL 18.32, 0.89%, 0.42%

LAB 48.21, 50.32, 56.08

 

CMYK 0 / 91 / 94 / 21

HEX #CA130C

RGB 202 19 12

HSL 2.21, 0.89%, 0.42%

LAB 42.84, 65.28, 52.79

 

CMYK 10 / 0 / 94 / 21

HEX #B5CA0C

RGB 181 202 12

HSL 66.63, 0.89%, 0.42%

LAB 77.34, -26.86, 76.19

 

CMYK 36 / 0 / 94 / 21

HEX #81CA0C

RGB 129 202 12

HSL 83.05, 0.89%, 0.42%

LAB 74.15, -47.23, 72.32

 

CMYK 61 / 0 / 94 / 21

HEX #4ECA0C

RGB 78 202 12

HSL 99.16, 0.89%, 0.42%

LAB 72.15, -62.5, 69.87

 

CMYK 87 / 0 / 94 / 21

HEX #1ACA0C

RGB 26 202 12

HSL 115.58, 0.89%, 0.42%

LAB 71.21, -70.7, 68.7

 

CMYK 94 / 0 / 76 / 21

HEX #0CCA31

RGB 12 202 49

HSL 131.68, 0.89%, 0.42%

LAB 71.24, -69.86, 60.28

 

CMYK 10 / 0 / 94 / 21

HEX #B5CA0C

RGB 181 202 12

HSL 66.63, 0.89%, 0.42%

LAB 77.34, -26.86, 76.19

 

CMYK 10 / 0 / 94 / 21

HEX #B5CA0C

RGB 181 202 12

HSL 66.63, 0.89%, 0.42%

LAB 77.34, -26.86, 76.19

 

CMYK 10 / 0 / 84 / 27

HEX #A7B91D

RGB 167 185 29

HSL 66.92, 0.73%, 0.42%

LAB 71.56, -24.19, 68.26

 

CMYK 8 / 0 / 73 / 34

HEX #9AA82E

RGB 154 168 46

HSL 66.89, 0.57%, 0.42%

LAB 65.81, -20.62, 57.67

 

CMYK 7 / 0 / 57 / 41

HEX #8C9640

RGB 140 150 64

HSL 66.98, 0.4%, 0.42%

LAB 59.67, -16.19, 43.3

 

CMYK 5 / 0 / 39 / 48

HEX #7F8551

RGB 127 133 81

HSL 66.92, 0.24%, 0.42%

LAB 53.9, -10.88, 27.3

 

CMYK 0 / 41 / 94 / 21

HEX #CA780C

RGB 202 120 12

HSL 34.11, 0.89%, 0.42%

LAB 58.05, 25.5, 62.73

 

CMYK 0 / 15 / 94 / 21

HEX #CAAB0C

RGB 202 171 12

HSL 50.21, 0.89%, 0.42%

LAB 70.67, -2.07, 71.9

 

CMYK 9 / 0 / 94 / 21

HEX #B7CA0C

RGB 183 202 12

HSL 66, 0.89%, 0.42%

LAB 77.48, -26.02, 76.36

 

CMYK 34 / 0 / 94 / 21

HEX #85CA0C

RGB 133 202 12

HSL 81.79, 0.89%, 0.42%

LAB 74.35, -45.79, 72.57

 

CMYK 59 / 0 / 94 / 21

HEX #52CA0C

RGB 82 202 12

HSL 97.89, 0.89%, 0.42%

LAB 72.27, -61.54, 70.01

 

CMYK 10 / 0 / 94 / 51

HEX #6F7C07

RGB 111 124 7

HSL 66.67, 0.89%, 0.26%

LAB 49.27, -18.51, 52.72

 

CMYK 10 / 0 / 94 / 36

HEX #92A30A

RGB 146 163 10

HSL 66.67, 0.88%, 0.34%

LAB 63.61, -22.77, 64.66

 

CMYK 10 / 0 / 94 / 21

HEX #B5CA0C

RGB 181 202 12

HSL 66.63, 0.89%, 0.42%

LAB 77.34, -26.86, 76.19

 

CMYK 11 / 0 / 94 / 5

HEX #D7F10E

RGB 215 241 14

HSL 66.87, 0.89%, 0.5%

LAB 90.5, -31.19, 87.17

 

CMYK 9 / 0 / 78 / 5

HEX #DEF335

RGB 222 243 53

HSL 66.63, 0.89%, 0.58%

LAB 91.63, -28.41, 81.2

 

CMYK 11 / 0 / 94 / 20

HEX #B6CC0C

RGB 182 204 12

HSL 66.88, 0.89%, 0.42%

LAB 77.97, -27.39, 76.7

 

CMYK 94 / 0 / 66 / 21

HEX #0CCA45

RGB 12 202 69

HSL 138, 0.89%, 0.42%

LAB 71.38, -68.06, 52.93

 

CMYK 28 / 94 / 0 / 21

HEX #910CCA

RGB 145 12 202

HSL 282, 0.89%, 0.42%

LAB 38.81, 72.93, -66.44

 

CMYK 11 / 0 / 94 / 20

HEX #B6CC0C

RGB 182 204 12

HSL 66.88, 0.89%, 0.42%

LAB 77.97, -27.39, 76.7

 

CMYK 94 / 9 / 0 / 21

HEX #0CB7CA

RGB 12 183 202

HSL 186, 0.89%, 0.42%

LAB 68.17, -31.14, -20.45

 

CMYK 0 / 94 / 9 / 21

HEX #CA0CB7

RGB 202 12 183

HSL 306, 0.89%, 0.42%

LAB 47.29, 78.77, -41.17

 

CMYK 11 / 0 / 94 / 20

HEX #B6CC0C

RGB 182 204 12

HSL 66.88, 0.89%, 0.42%

LAB 77.97, -27.39, 76.7

 

CMYK 94 / 0 / 66 / 21

HEX #0CCA45

RGB 12 202 69

HSL 138, 0.89%, 0.42%

LAB 71.38, -68.06, 52.93

 

CMYK 85 / 94 / 0 / 21

HEX #1F0CCA

RGB 31 12 202

HSL 246, 0.89%, 0.42%

LAB 26.21, 64.33, -87.66

 

CMYK 0 / 94 / 28 / 21

HEX #CA0C91

RGB 202 12 145

HSL 318, 0.89%, 0.42%

LAB 45.45, 74.05, -21.39

 

CMYK 11 / 0 / 94 / 20

HEX #B6CC0C

RGB 182 204 12

HSL 66.88, 0.89%, 0.42%

LAB 77.97, -27.39, 76.7

 

CMYK 94 / 0 / 38 / 21

HEX #0CCA7E

RGB 12 202 126

HSL 156, 0.89%, 0.42%

LAB 72.11, -59.27, 26.46

 

CMYK 85 / 94 / 0 / 21

HEX #1F0CCA

RGB 31 12 202

HSL 246, 0.89%, 0.42%

LAB 26.21, 64.33, -87.66

 

CMYK 0 / 94 / 56 / 21

HEX #CA0C58

RGB 202 12 88

HSL 336, 0.89%, 0.42%

LAB 43.54, 68.96, 11.06

 

Description

Color code: HEX #B6CC0C | qconv.com Color code: HEX #B6CC0C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 204 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 204 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 94 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 94% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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