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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6C142 it is the complementary color #493EBD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6C142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6C142 shade: #BBC13D, #CCD350, #DDE563, #EEF776 and #FFFF89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6C142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6C142 shade: #B6C142, #A5AF2F, #949D1C, #838B09 and #727900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6C142 shade: #B7C242, #C2AA42, #C28842, #C26642 and #C24342

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6C142 shade: #B7C242, #94C242, #72C242, #50C242 and #42C257

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6C142 shade matches the following richer shades: #B7C242, #C7D62E, #D8EA1A and #E9FE06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6C142 shade: #B7C242, #A6AE57, #95996B, #85857F and #747193

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6C142 shade: #C28842, #C2AA42, #B7C242, #95C242 and #73C242

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6C142 shade: #7E862C, #9CA536, #B7C242, #C3CC61 and #CFD681

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6C142 shade: #B6C142, #42C266 and #9942C2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6C142 shade: #B6C142, #42B7C2 and #C242B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6C142 shade: #B6C142, #42C266, #4D42C2 and #C2429E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6C142 shade: #B6C142, #42C28D, #4D42C2 and #C24277

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 66 / 24

HEX #B6C142

RGB 182 193 66

HSL 65.2, 0.51%, 0.51%

LAB 75.13, -20.15, 60.07

 

Complementary color

CMYK 61 / 67 / 0 / 26

HEX #493EBD

RGB 73 62 189

HSL 245.2, 0.51%, 0.49%

LAB 35.07, 41.72, -65.28

 

CMYK 3 / 0 / 68 / 24

HEX #BBC13D

RGB 187 193 61

HSL 62.73, 0.52%, 0.5%

LAB 75.48, -18.34, 62.5

 

CMYK 3 / 0 / 62 / 17

HEX #CCD350

RGB 204 211 80

HSL 63.21, 0.6%, 0.57%

LAB 81.84, -19.06, 61.94

 

CMYK 3 / 0 / 57 / 10

HEX #DDE563

RGB 221 229 99

HSL 63.69, 0.71%, 0.64%

LAB 88.12, -19.65, 61.11

 

CMYK 4 / 0 / 52 / 3

HEX #EEF776

RGB 238 247 118

HSL 64.19, 0.89%, 0.72%

LAB 94.32, -20.15, 60.12

 

CMYK 0 / 0 / 46 / 0

HEX #FFFF89

RGB 255 255 137

HSL 60, 1%, 0.77%

LAB 97.87, -15.76, 55.97

 

CMYK 6 / 0 / 66 / 24

HEX #B6C142

RGB 182 193 66

HSL 65.2, 0.51%, 0.51%

LAB 75.13, -20.15, 60.07

 

CMYK 6 / 0 / 73 / 31

HEX #A5AF2F

RGB 165 175 47

HSL 64.69, 0.58%, 0.44%

LAB 68.65, -19.38, 60.35

 

CMYK 6 / 0 / 82 / 38

HEX #949D1C

RGB 148 157 28

HSL 64.19, 0.7%, 0.36%

LAB 62.08, -18.42, 59.82

 

CMYK 6 / 0 / 94 / 45

HEX #838B09

RGB 131 139 9

HSL 63.69, 0.88%, 0.29%

LAB 55.39, -17.21, 57.87

 

CMYK 6 / 0 / 100 / 53

HEX #727900

RGB 114 121 0

HSL 63.47, 1%, 0.24%

LAB 48.58, -15.7, 53.72

 

CMYK 6 / 0 / 66 / 24

HEX #B7C242

RGB 183 194 66

HSL 65.16, 0.51%, 0.51%

LAB 75.48, -20.23, 60.46

 

CMYK 0 / 12 / 66 / 24

HEX #C2AA42

RGB 194 170 66

HSL 48.75, 0.51%, 0.51%

LAB 69.9, -3.21, 54.93

 

CMYK 0 / 30 / 66 / 24

HEX #C28842

RGB 194 136 66

HSL 32.81, 0.51%, 0.51%

LAB 61.2, 15.23, 45.48

 

CMYK 0 / 47 / 66 / 24

HEX #C26642

RGB 194 102 66

HSL 16.88, 0.51%, 0.51%

LAB 53.35, 33.71, 36.49

 

CMYK 0 / 65 / 66 / 24

HEX #C24342

RGB 194 67 66

HSL 0.47, 0.51%, 0.51%

LAB 46.81, 50.63, 28.6

 

CMYK 6 / 0 / 66 / 24

HEX #B7C242

RGB 183 194 66

HSL 65.16, 0.51%, 0.51%

LAB 75.48, -20.23, 60.46

 

CMYK 24 / 0 / 66 / 24

HEX #94C242

RGB 148 194 66

HSL 81.56, 0.51%, 0.51%

LAB 73.07, -34.33, 57.2

 

CMYK 41 / 0 / 66 / 24

HEX #72C242

RGB 114 194 66

HSL 97.5, 0.51%, 0.51%

LAB 71.25, -46.53, 54.72

 

CMYK 59 / 0 / 66 / 24

HEX #50C242

RGB 80 194 66

HSL 113.44, 0.51%, 0.51%

LAB 69.95, -56.3, 52.94

 

CMYK 66 / 0 / 55 / 24

HEX #42C257

RGB 66 194 87

HSL 129.84, 0.51%, 0.51%

LAB 69.77, -56.98, 43.25

 

CMYK 6 / 0 / 66 / 24

HEX #B7C242

RGB 183 194 66

HSL 65.16, 0.51%, 0.51%

LAB 75.48, -20.23, 60.46

 

CMYK 7 / 0 / 79 / 16

HEX #C7D62E

RGB 199 214 46

HSL 65.36, 0.67%, 0.51%

LAB 82.07, -24.3, 73.97

 

CMYK 8 / 0 / 89 / 8

HEX #D8EA1A

RGB 216 234 26

HSL 65.19, 0.83%, 0.51%

LAB 88.69, -27.35, 84.31

 

CMYK 8 / 0 / 98 / 0

HEX #E9FE06

RGB 233 254 6

HSL 65.08, 0.99%, 0.51%

LAB 95.25, -30, 91.94

 

CMYK 6 / 0 / 66 / 24

HEX #B7C242

RGB 183 194 66

HSL 65.16, 0.51%, 0.51%

LAB 75.48, -20.23, 60.46

 

CMYK 5 / 0 / 50 / 32

HEX #A6AE57

RGB 166 174 87

HSL 65.52, 0.35%, 0.51%

LAB 68.8, -15.58, 43.28

 

CMYK 3 / 0 / 30 / 40

HEX #95996B

RGB 149 153 107

HSL 65.22, 0.18%, 0.51%

LAB 61.86, -9.19, 23.76

 

CMYK 0 / 0 / 5 / 48

HEX #85857F

RGB 133 133 127

HSL 60, 0.02%, 0.51%

LAB 55.37, -1.16, 3.22

 

CMYK 21 / 23 / 0 / 42

HEX #747193

RGB 116 113 147

HSL 245.29, 0.14%, 0.51%

LAB 49.04, 8.74, -18.05

 

CMYK 0 / 30 / 66 / 24

HEX #C28842

RGB 194 136 66

HSL 32.81, 0.51%, 0.51%

LAB 61.2, 15.23, 45.48

 

CMYK 0 / 12 / 66 / 24

HEX #C2AA42

RGB 194 170 66

HSL 48.75, 0.51%, 0.51%

LAB 69.9, -3.21, 54.93

 

CMYK 6 / 0 / 66 / 24

HEX #B7C242

RGB 183 194 66

HSL 65.16, 0.51%, 0.51%

LAB 75.48, -20.23, 60.46

 

CMYK 23 / 0 / 66 / 24

HEX #95C242

RGB 149 194 66

HSL 81.09, 0.51%, 0.51%

LAB 73.13, -33.95, 57.29

 

CMYK 41 / 0 / 66 / 24

HEX #73C242

RGB 115 194 66

HSL 97.03, 0.51%, 0.51%

LAB 71.3, -46.2, 54.78

 

CMYK 6 / 0 / 67 / 47

HEX #7E862C

RGB 126 134 44

HSL 65.33, 0.51%, 0.35%

LAB 53.67, -15.41, 45.58

 

CMYK 5 / 0 / 67 / 35

HEX #9CA536

RGB 156 165 54

HSL 64.86, 0.51%, 0.43%

LAB 65.16, -17.79, 54

 

CMYK 6 / 0 / 66 / 24

HEX #B7C242

RGB 183 194 66

HSL 65.16, 0.51%, 0.51%

LAB 75.48, -20.23, 60.46

 

CMYK 4 / 0 / 52 / 20

HEX #C3CC61

RGB 195 204 97

HSL 65.05, 0.51%, 0.59%

LAB 79.41, -17.98, 51.56

 

CMYK 3 / 0 / 40 / 16

HEX #CFD681

RGB 207 214 129

HSL 64.94, 0.51%, 0.67%

LAB 83.41, -15.05, 41.14

 

CMYK 6 / 0 / 66 / 24

HEX #B6C142

RGB 182 193 66

HSL 65.2, 0.51%, 0.51%

LAB 75.13, -20.15, 60.07

 

CMYK 66 / 0 / 47 / 24

HEX #42C266

RGB 66 194 102

HSL 136.88, 0.51%, 0.51%

LAB 69.97, -54.79, 36.13

 

CMYK 21 / 66 / 0 / 24

HEX #9942C2

RGB 153 66 194

HSL 280.78, 0.51%, 0.51%

LAB 45.03, 56.54, -51.65

 

CMYK 6 / 0 / 66 / 24

HEX #B6C142

RGB 182 193 66

HSL 65.2, 0.51%, 0.51%

LAB 75.13, -20.15, 60.07

 

CMYK 66 / 6 / 0 / 24

HEX #42B7C2

RGB 66 183 194

HSL 185.16, 0.51%, 0.51%

LAB 68.69, -28.77, -15.19

 

CMYK 0 / 66 / 6 / 24

HEX #C242B7

RGB 194 66 183

HSL 305.16, 0.51%, 0.51%

LAB 50.43, 64.15, -36.29

 

CMYK 6 / 0 / 66 / 24

HEX #B6C142

RGB 182 193 66

HSL 65.2, 0.51%, 0.51%

LAB 75.13, -20.15, 60.07

 

CMYK 66 / 0 / 47 / 24

HEX #42C266

RGB 66 194 102

HSL 136.88, 0.51%, 0.51%

LAB 69.97, -54.79, 36.13

 

CMYK 60 / 66 / 0 / 24

HEX #4D42C2

RGB 77 66 194

HSL 245.16, 0.51%, 0.51%

LAB 36.69, 41.58, -65.56

 

CMYK 0 / 66 / 19 / 24

HEX #C2429E

RGB 194 66 158

HSL 316.88, 0.51%, 0.51%

LAB 49.29, 60.38, -23.36

 

CMYK 6 / 0 / 66 / 24

HEX #B6C142

RGB 182 193 66

HSL 65.2, 0.51%, 0.51%

LAB 75.13, -20.15, 60.07

 

CMYK 66 / 0 / 27 / 24

HEX #42C28D

RGB 66 194 141

HSL 155.16, 0.51%, 0.51%

LAB 70.64, -47.44, 16.61

 

CMYK 60 / 66 / 0 / 24

HEX #4D42C2

RGB 77 66 194

HSL 245.16, 0.51%, 0.51%

LAB 36.69, 41.58, -65.56

 

CMYK 0 / 66 / 39 / 24

HEX #C24277

RGB 194 66 119

HSL 335.16, 0.51%, 0.51%

LAB 47.88, 55.47, -2.07

 

Description

Color code: HEX #B6C142 | qconv.com Color code: HEX #B6C142 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 193 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 193 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 66 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 66% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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