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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6BDF83F it is the complementary color #4942073F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6BDF83F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6BDF83F shade: #BBBDF33F, #CCCFFF3F, #DDE1FF3F, #EEF3FF3F and #FFFFFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6BDF83F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6BDF83F shade: #B6BDF83F, #A5ABE53F, #9499D23F, #8387BF3F and #7275AC3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6BDF83F shade: #B4BCF8, #BFB4F8, #D2B4F8, #E4B4F8 and #F6B4F8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6BDF83F shade: #B4BCF8 and #B4B4F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6BDF83F shade matches the following richer shades: #B4BCF8 and #AEB6FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6BDF83F shade: #B4BCF8, #BBC1F1, #C2C6EB, #C8CBE4 and #CFD0DE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6BDF83F shade: #B4E0F8, #B4CEF8, #B4BCF8, #BEB4F8 and #D1B4F8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6BDF83F shade: #6977F1, #8F99F5, #B4BCF8, #DADEFC and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6BDF83F shade: #B6BDF8, #F8B4F2 and #D7F8B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6BDF83F shade: #B6BDF8, #F8B4BC and #BCF8B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6BDF83F shade: #B6BDF8, #F8B4F2, #F8F0B4 and #B4F8BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6BDF83F shade: #B6BDF8, #F8B4DE, #F8F0B4 and #B4F8CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 6 / 0 / 1

HEX #B6BDF83F

RGBA 182 189 248 0.25

HSLA 233.64, 0.83%, 0.84%, 0.25

LABA 77.94, 10.29, -29.93, 0.25

 

Complementary color

CMYK 0 / 2 / 23 / 18

HEX #4942073F

RGBA 73 66 7 0.25

HSLA 53.64, 0.83%, 0.16%, 0.25

LABA 27.65, -4.18, 33.66, 0.25

 

CMYK 6 / 6 / 0 / 1

HEX #BBBDF33F

RGBA 187 189 243 0.25

HSLA 237.86, 0.7%, 0.84%, 0.25

LABA 78.13, 10.6, -26.93, 0.25

 

CMYK 5 / 5 / 0 / 0

HEX #CCCFFF3F

RGBA 204 207 255 0.25

HSLA 236.47, 1%, 0.9%, 0.25

LABA 84.32, 8.7, -23.78, 0.25

 

CMYK 3 / 3 / 0 / 0

HEX #DDE1FF3F

RGBA 221 225 255 0.25

HSLA 232.94, 1%, 0.93%, 0.25

LABA 90.06, 4.44, -14.99, 0.25

 

CMYK 2 / 1 / 0 / 0

HEX #EEF3FF3F

RGBA 238 243 255 0.25

HSLA 222.35, 1%, 0.97%, 0.25

LABA 95.79, 0.56, -6.34, 0.25

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF3F

RGBA 255 255 255 0.25

HSLA 0, 0%, 1%, 0.25

LABA 100, 0.01, -0.01, 0.25

 

CMYK 7 / 6 / 0 / 1

HEX #B6BDF83F

RGBA 182 189 248 0.25

HSLA 233.64, 0.83%, 0.84%, 0.25

LABA 77.94, 10.29, -29.93, 0.25

 

CMYK 7 / 6 / 0 / 3

HEX #A5ABE53F

RGBA 165 171 229 0.25

HSLA 234.38, 0.55%, 0.77%, 0.25

LABA 71.41, 10.69, -29.81, 0.25

 

CMYK 7 / 7 / 0 / 4

HEX #9499D23F

RGBA 148 153 210 0.25

HSLA 235.16, 0.41%, 0.7%, 0.25

LABA 64.75, 11.13, -29.72, 0.25

 

CMYK 8 / 7 / 0 / 6

HEX #8387BF3F

RGBA 131 135 191 0.25

HSLA 236, 0.32%, 0.63%, 0.25

LABA 57.96, 11.64, -29.66, 0.25

 

CMYK 8 / 8 / 0 / 8

HEX #7275AC3F

RGBA 114 117 172 0.25

HSLA 236.9, 0.26%, 0.56%, 0.25

LABA 51.01, 12.21, -29.65, 0.25

 

CMYK 27 / 24 / 0 / 3

HEX #B4BCF8

RGB 180 188 248

HSL 232.94, 0.83%, 0.84%

LAB 77.55, 10.25, -30.55

 

CMYK 23 / 27 / 0 / 3

HEX #BFB4F8

RGB 191 180 248

HSL 249.71, 0.83%, 0.84%

LAB 76.37, 17.87, -32.29

 

CMYK 15 / 27 / 0 / 3

HEX #D2B4F8

RGB 210 180 248

HSL 266.47, 0.83%, 0.84%

LAB 77.95, 23.6, -29.74

 

CMYK 8 / 27 / 0 / 3

HEX #E4B4F8

RGB 228 180 248

HSL 282.35, 0.83%, 0.84%

LAB 79.56, 29.18, -27.12

 

CMYK 1 / 27 / 0 / 3

HEX #F6B4F8

RGB 246 180 248

HSL 298.24, 0.83%, 0.84%

LAB 81.3, 34.86, -24.32

 

CMYK 27 / 24 / 0 / 3

HEX #B4BCF8

RGB 180 188 248

HSL 232.94, 0.83%, 0.84%

LAB 77.55, 10.25, -30.55

 

CMYK 27 / 27 / 0 / 3

HEX #B4B4F8

RGB 180 180 248

HSL 240, 0.83%, 0.84%

LAB 75.53, 14.65, -33.67

 

CMYK 27 / 24 / 0 / 3

HEX #B4BCF8

RGB 180 188 248

HSL 232.94, 0.83%, 0.84%

LAB 77.55, 10.25, -30.55

 

CMYK 32 / 29 / 0 / 0

HEX #AEB6FF

RGB 174 182 255

HSL 234.07, 1%, 0.84%

LAB 75.87, 13.56, -36.94

 

CMYK 27 / 24 / 0 / 3

HEX #B4BCF8

RGB 180 188 248

HSL 232.94, 0.83%, 0.84%

LAB 77.55, 10.25, -30.55

 

CMYK 22 / 20 / 0 / 5

HEX #BBC1F1

RGB 187 193 241

HSL 233.33, 0.66%, 0.84%

LAB 79.07, 7.97, -24.42

 

CMYK 17 / 16 / 0 / 8

HEX #C2C6EB

RGB 194 198 235

HSL 234.15, 0.51%, 0.84%

LAB 80.66, 6.09, -18.75

 

CMYK 12 / 11 / 0 / 11

HEX #C8CBE4

RGB 200 203 228

HSL 233.57, 0.34%, 0.84%

LAB 82.16, 3.85, -12.7

 

CMYK 7 / 6 / 0 / 13

HEX #CFD0DE

RGB 207 208 222

HSL 236, 0.19%, 0.84%

LAB 83.78, 2.3, -7.03

 

CMYK 27 / 10 / 0 / 3

HEX #B4E0F8

RGB 180 224 248

HSL 201.18, 0.83%, 0.84%

LAB 86.89, -8.9, -16.34

 

CMYK 27 / 17 / 0 / 3

HEX #B4CEF8

RGB 180 206 248

HSL 217.06, 0.83%, 0.84%

LAB 82.18, 0.53, -23.48

 

CMYK 27 / 24 / 0 / 3

HEX #B4BCF8

RGB 180 188 248

HSL 232.94, 0.83%, 0.84%

LAB 77.55, 10.25, -30.55

 

CMYK 23 / 27 / 0 / 3

HEX #BEB4F8

RGB 190 180 248

HSL 248.82, 0.83%, 0.84%

LAB 76.29, 17.57, -32.42

 

CMYK 16 / 27 / 0 / 3

HEX #D1B4F8

RGB 209 180 248

HSL 265.59, 0.83%, 0.84%

LAB 77.86, 23.29, -29.88

 

CMYK 56 / 51 / 0 / 5

HEX #6977F1

RGB 105 119 241

HSL 233.82, 0.83%, 0.68%

LAB 54.6, 29.55, -63.2

 

CMYK 42 / 38 / 0 / 4

HEX #8F99F5

RGB 143 153 245

HSL 234.12, 0.84%, 0.76%

LAB 65.92, 19.1, -47.24

 

CMYK 27 / 24 / 0 / 3

HEX #B4BCF8

RGB 180 188 248

HSL 232.94, 0.83%, 0.84%

LAB 77.55, 10.25, -30.55

 

CMYK 13 / 12 / 0 / 1

HEX #DADEFC

RGB 218 222 252

HSL 232.94, 0.85%, 0.92%

LAB 89.01, 4.46, -15.02

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 27 / 24 / 0 / 3

HEX #B6BDF8

RGB 182 189 248

HSL 233.64, 0.83%, 0.84%

LAB 77.94, 10.29, -29.93

 

CMYK 0 / 27 / 2 / 3

HEX #F8B4F2

RGB 248 180 242

HSL 305.29, 0.83%, 0.84%

LAB 81.3, 34.42, -21.08

 

CMYK 13 / 0 / 27 / 3

HEX #D7F8B4

RGB 215 248 180

HSL 89.12, 0.83%, 0.84%

LAB 93.83, -22.24, 29.23

 

CMYK 27 / 24 / 0 / 3

HEX #B6BDF8

RGB 182 189 248

HSL 233.64, 0.83%, 0.84%

LAB 77.94, 10.29, -29.93

 

CMYK 0 / 27 / 24 / 3

HEX #F8B4BC

RGB 248 180 188

HSL 352.94, 0.83%, 0.84%

LAB 79.74, 25.8, 5.75

 

CMYK 24 / 0 / 27 / 3

HEX #BCF8B4

RGB 188 248 180

HSL 112.94, 0.83%, 0.84%

LAB 92.19, -31.42, 26.72

 

CMYK 27 / 24 / 0 / 3

HEX #B6BDF8

RGB 182 189 248

HSL 233.64, 0.83%, 0.84%

LAB 77.94, 10.29, -29.93

 

CMYK 0 / 27 / 2 / 3

HEX #F8B4F2

RGB 248 180 242

HSL 305.29, 0.83%, 0.84%

LAB 81.3, 34.42, -21.08

 

CMYK 0 / 3 / 27 / 3

HEX #F8F0B4

RGB 248 240 180

HSL 52.94, 0.83%, 0.84%

LAB 94.13, -6.36, 30.04

 

CMYK 27 / 0 / 25 / 3

HEX #B4F8BA

RGB 180 248 186

HSL 125.29, 0.83%, 0.84%

LAB 91.86, -33.02, 23.15

 

CMYK 27 / 24 / 0 / 3

HEX #B6BDF8

RGB 182 189 248

HSL 233.64, 0.83%, 0.84%

LAB 77.94, 10.29, -29.93

 

CMYK 0 / 27 / 10 / 3

HEX #F8B4DE

RGB 248 180 222

HSL 322.94, 0.83%, 0.84%

LAB 80.67, 30.99, -11.27

 

CMYK 0 / 3 / 27 / 3

HEX #F8F0B4

RGB 248 240 180

HSL 52.94, 0.83%, 0.84%

LAB 94.13, -6.36, 30.04

 

CMYK 27 / 0 / 17 / 3

HEX #B4F8CE

RGB 180 248 206

HSL 142.94, 0.83%, 0.84%

LAB 92.26, -29.48, 13.44

 

Description

Color code: HEX #B6BDF83F | qconv.com Color code: HEX #B6BDF83F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 189 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 189 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 6 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 6% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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