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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6B615 it is the complementary color #4949EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6B615. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6B615 shade: #BBB610, #CCC823, #DDDA36, #EEEC49 and #FFFE5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6B615. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6B615 shade: #B6B615, #A5A402, #949200, #838000 and #726E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6B615 shade: #B7B715, #B78B15, #B76015, #B73415 and #B71515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6B615 shade: #B7B715, #8BB715, #60B715, #34B715 and #15B722

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6B615 shade matches the following richer shades: #B7B715 and #C7C705

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6B615 shade: #B7B715, #A6A626, #969636, #858547 and #757557

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6B615 shade: #B76115, #B78C15, #B7B715, #8CB715 and #61B715

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6B615 shade: #6D6D0D, #929211, #B7B715, #DCDC1A and #E8E837

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6B615 shade: #B6B615, #15B736 and #7615B7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6B615 shade: #B6B615, #15B7B7 and #B715B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6B615 shade: #B6B615, #15B736, #1515B7 and #B71596

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6B615 shade: #B6B615, #15B766, #1515B7 and #B71566

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 88 / 29

HEX #B6B615

RGB 182 182 21

HSL 60, 0.79%, 0.4%

LAB 71.86, -16.44, 70.64

 

Complementary color

CMYK 69 / 69 / 0 / 8

HEX #4949EA

RGB 73 73 234

HSL 240, 0.79%, 0.6%

LAB 41.41, 49.85, -80.83

 

CMYK 0 / 3 / 91 / 27

HEX #BBB610

RGB 187 182 16

HSL 58.25, 0.84%, 0.4%

LAB 72.27, -14.35, 71.96

 

CMYK 0 / 2 / 83 / 20

HEX #CCC823

RGB 204 200 35

HSL 58.58, 0.71%, 0.47%

LAB 78.62, -15.67, 73.97

 

CMYK 0 / 1 / 76 / 13

HEX #DDDA36

RGB 221 218 54

HSL 58.92, 0.71%, 0.54%

LAB 84.88, -16.79, 74.81

 

CMYK 0 / 1 / 69 / 7

HEX #EEEC49

RGB 238 236 73

HSL 59.27, 0.83%, 0.61%

LAB 91.08, -17.75, 74.88

 

CMYK 0 / 0 / 64 / 0

HEX #FFFE5C

RGB 255 254 92

HSL 59.63, 1%, 0.68%

LAB 97.19, -18.56, 74.49

 

CMYK 0 / 0 / 88 / 29

HEX #B6B615

RGB 182 182 21

HSL 60, 0.79%, 0.4%

LAB 71.86, -16.44, 70.64

 

CMYK 0 / 1 / 99 / 35

HEX #A5A402

RGB 165 164 2

HSL 59.63, 0.98%, 0.33%

LAB 65.4, -15.02, 67.74

 

CMYK 0 / 1 / 100 / 42

HEX #949200

RGB 148 146 0

HSL 59.19, 1%, 0.29%

LAB 58.84, -13.32, 62.56

 

CMYK 0 / 2 / 100 / 49

HEX #838000

RGB 131 128 0

HSL 58.63, 1%, 0.26%

LAB 52.13, -11.53, 56.99

 

CMYK 0 / 4 / 100 / 55

HEX #726E00

RGB 114 110 0

HSL 57.89, 1%, 0.22%

LAB 45.26, -9.68, 51.29

 

CMYK 0 / 0 / 89 / 28

HEX #B7B715

RGB 183 183 21

HSL 60, 0.79%, 0.4%

LAB 72.22, -16.51, 70.96

 

CMYK 0 / 24 / 89 / 28

HEX #B78B15

RGB 183 139 21

HSL 43.7, 0.79%, 0.4%

LAB 60.42, 6.83, 61.57

 

CMYK 0 / 48 / 89 / 28

HEX #B76015

RGB 183 96 21

HSL 27.78, 0.79%, 0.4%

LAB 50.08, 30.52, 53.39

 

CMYK 0 / 72 / 89 / 28

HEX #B73415

RGB 183 52 21

HSL 11.48, 0.79%, 0.4%

LAB 42.12, 51.24, 47.12

 

CMYK 0 / 89 / 89 / 28

HEX #B71515

RGB 183 21 21

HSL 0, 0.79%, 0.4%

LAB 39, 60, 44.68

 

CMYK 0 / 0 / 89 / 28

HEX #B7B715

RGB 183 183 21

HSL 60, 0.79%, 0.4%

LAB 72.22, -16.51, 70.96

 

CMYK 24 / 0 / 89 / 28

HEX #8BB715

RGB 139 183 21

HSL 76.3, 0.79%, 0.4%

LAB 69.05, -35.02, 67.07

 

CMYK 48 / 0 / 89 / 28

HEX #60B715

RGB 96 183 21

HSL 92.22, 0.79%, 0.4%

LAB 66.83, -50.53, 64.31

 

CMYK 72 / 0 / 89 / 28

HEX #34B715

RGB 52 183 21

HSL 108.52, 0.79%, 0.4%

LAB 65.48, -61.5, 62.62

 

CMYK 89 / 0 / 81 / 28

HEX #15B722

RGB 21 183 34

HSL 124.81, 0.79%, 0.4%

LAB 65.08, -64.84, 58.99

 

CMYK 0 / 0 / 89 / 28

HEX #B7B715

RGB 183 183 21

HSL 60, 0.79%, 0.4%

LAB 72.22, -16.51, 70.96

 

CMYK 0 / 0 / 97 / 22

HEX #C7C705

RGB 199 199 5

HSL 60, 0.95%, 0.4%

LAB 77.87, -17.83, 77.9

 

CMYK 0 / 0 / 89 / 28

HEX #B7B715

RGB 183 183 21

HSL 60, 0.79%, 0.4%

LAB 72.22, -16.51, 70.96

 

CMYK 0 / 0 / 77 / 35

HEX #A6A626

RGB 166 166 38

HSL 60, 0.63%, 0.4%

LAB 66.15, -14.76, 61.05

 

CMYK 0 / 0 / 64 / 41

HEX #969636

RGB 150 150 54

HSL 60, 0.47%, 0.4%

LAB 60.39, -12.6, 48.9

 

CMYK 0 / 0 / 47 / 48

HEX #858547

RGB 133 133 71

HSL 60, 0.3%, 0.4%

LAB 54.26, -9.46, 33.25

 

CMYK 0 / 0 / 26 / 54

HEX #757557

RGB 117 117 87

HSL 60, 0.15%, 0.4%

LAB 48.5, -5.34, 16.61

 

CMYK 0 / 47 / 89 / 28

HEX #B76115

RGB 183 97 21

HSL 28.15, 0.79%, 0.4%

LAB 50.3, 29.98, 53.56

 

CMYK 0 / 23 / 89 / 28

HEX #B78C15

RGB 183 140 21

HSL 44.07, 0.79%, 0.4%

LAB 60.67, 6.28, 61.78

 

CMYK 0 / 0 / 89 / 28

HEX #B7B715

RGB 183 183 21

HSL 60, 0.79%, 0.4%

LAB 72.22, -16.51, 70.96

 

CMYK 23 / 0 / 89 / 28

HEX #8CB715

RGB 140 183 21

HSL 75.93, 0.79%, 0.4%

LAB 69.11, -34.62, 67.14

 

CMYK 47 / 0 / 89 / 28

HEX #61B715

RGB 97 183 21

HSL 91.85, 0.79%, 0.4%

LAB 66.87, -50.22, 64.37

 

CMYK 0 / 0 / 88 / 57

HEX #6D6D0D

RGB 109 109 13

HSL 60, 0.79%, 0.24%

LAB 44.54, -11.19, 47.54

 

CMYK 0 / 0 / 88 / 43

HEX #929211

RGB 146 146 17

HSL 60, 0.79%, 0.32%

LAB 58.7, -13.92, 59.58

 

CMYK 0 / 0 / 89 / 28

HEX #B7B715

RGB 183 183 21

HSL 60, 0.79%, 0.4%

LAB 72.22, -16.51, 70.96

 

CMYK 0 / 0 / 88 / 14

HEX #DCDC1A

RGB 220 220 26

HSL 60, 0.79%, 0.48%

LAB 85.24, -18.98, 81.7

 

CMYK 0 / 0 / 76 / 9

HEX #E8E837

RGB 232 232 55

HSL 60, 0.79%, 0.56%

LAB 89.46, -19.03, 78.98

 

Description

Color code: HEX #B6B615 | qconv.com Color code: HEX #B6B615 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 182 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 182 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 88 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 88% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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