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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6B5D2 it is the complementary color #494A2D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6B5D2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6B5D2 shade: #BBB5CD, #CCC7E0, #DDD9F3, #EEEBFF and #FFFDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6B5D2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6B5D2 shade: #B6B5D2, #A5A3BF, #9491AC, #837F99 and #726D86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6B5D2 shade: #B7B6D2, #BEB6D2, #C6B6D2, #CEB6D2 and #D2B6CF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6B5D2 shade: #B7B6D2 and #B6B6D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6B5D2 shade matches the following richer shades: #B7B6D2, #AEACDB, #A5A3E5, #9C99EE and #9390F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6B5D2 shade: #B7B6D2, #C0BFC8, #C8C9BF, #D1D2B5 and #DADCAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6B5D2 shade: #B6C4D2, #B6BCD2, #B7B6D2, #BEB6D2 and #C6B6D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6B5D2 shade: #8483B3, #9E9CC2, #B7B6D2, #D0CFE2 and #E9E9F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6B5D2 shade: #B6B5D2, #D2B6CB and #C0D2B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6B5D2 shade: #B6B5D2, #D2B7B6 and #B6D2B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6B5D2 shade: #B6B5D2, #D2B6CB, #D1D2B6 and #B6D2BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6B5D2 shade: #B6B5D2, #D2B6C3, #D1D2B6 and #B6D2C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 14 / 0 / 18

HEX #B6B5D2

RGB 182 181 210

HSL 242.07, 0.24%, 0.77%

LAB 74.6, 6.12, -14.47

 

Complementary color

CMYK 1 / 0 / 39 / 71

HEX #494A2D

RGB 73 74 45

HSL 62.07, 0.24%, 0.23%

LAB 30.65, -5.7, 17.21

 

CMYK 9 / 12 / 0 / 20

HEX #BBB5CD

RGB 187 181 205

HSL 255, 0.19%, 0.76%

LAB 74.84, 6.73, -11.35

 

CMYK 9 / 11 / 0 / 12

HEX #CCC7E0

RGB 204 199 224

HSL 252, 0.29%, 0.83%

LAB 81.33, 6.47, -11.78

 

CMYK 9 / 11 / 0 / 5

HEX #DDD9F3

RGB 221 217 243

HSL 249.23, 0.52%, 0.9%

LAB 87.71, 6.23, -12.2

 

CMYK 7 / 8 / 0 / 0

HEX #EEEBFF

RGB 238 235 255

HSL 249, 1%, 0.96%

LAB 93.8, 4.66, -9.28

 

CMYK 0 / 1 / 0 / 0

HEX #FFFDFF

RGB 255 253 255

HSL 300, 1%, 1%

LAB 99.51, 1.01, -0.73

 

CMYK 13 / 14 / 0 / 18

HEX #B6B5D2

RGB 182 181 210

HSL 242.07, 0.24%, 0.77%

LAB 74.6, 6.12, -14.47

 

CMYK 14 / 15 / 0 / 25

HEX #A5A3BF

RGB 165 163 191

HSL 244.29, 0.18%, 0.69%

LAB 67.99, 6.39, -14.1

 

CMYK 14 / 16 / 0 / 33

HEX #9491AC

RGB 148 145 172

HSL 246.67, 0.14%, 0.62%

LAB 61.24, 6.67, -13.74

 

CMYK 14 / 17 / 0 / 40

HEX #837F99

RGB 131 127 153

HSL 249.23, 0.11%, 0.55%

LAB 54.35, 6.99, -13.39

 

CMYK 15 / 19 / 0 / 47

HEX #726D86

RGB 114 109 134

HSL 252, 0.1%, 0.48%

LAB 47.28, 7.34, -13.05

 

CMYK 13 / 13 / 0 / 18

HEX #B7B6D2

RGB 183 182 210

HSL 242.14, 0.24%, 0.77%

LAB 74.94, 5.9, -13.96

 

CMYK 10 / 13 / 0 / 18

HEX #BEB6D2

RGB 190 182 210

HSL 257.14, 0.24%, 0.77%

LAB 75.49, 8.2, -13.07

 

CMYK 6 / 13 / 0 / 18

HEX #C6B6D2

RGB 198 182 210

HSL 274.29, 0.24%, 0.77%

LAB 76.14, 10.86, -12.03

 

CMYK 2 / 13 / 0 / 18

HEX #CEB6D2

RGB 206 182 210

HSL 291.43, 0.24%, 0.77%

LAB 76.82, 13.56, -10.94

 

CMYK 0 / 13 / 1 / 18

HEX #D2B6CF

RGB 210 182 207

HSL 306.43, 0.24%, 0.77%

LAB 77.08, 14.36, -8.89

 

CMYK 13 / 13 / 0 / 18

HEX #B7B6D2

RGB 183 182 210

HSL 242.14, 0.24%, 0.77%

LAB 74.94, 5.9, -13.96

 

CMYK 13 / 13 / 0 / 18

HEX #B6B6D2

RGB 182 182 210

HSL 240, 0.24%, 0.77%

LAB 74.86, 5.57, -14.08

 

CMYK 13 / 13 / 0 / 18

HEX #B7B6D2

RGB 183 182 210

HSL 242.14, 0.24%, 0.77%

LAB 74.94, 5.9, -13.96

 

CMYK 21 / 21 / 0 / 14

HEX #AEACDB

RGB 174 172 219

HSL 242.55, 0.39%, 0.77%

LAB 71.97, 10.49, -23.42

 

CMYK 28 / 29 / 0 / 10

HEX #A5A3E5

RGB 165 163 229

HSL 241.82, 0.56%, 0.77%

LAB 69.36, 15.17, -32.97

 

CMYK 34 / 36 / 0 / 7

HEX #9C99EE

RGB 156 153 238

HSL 242.12, 0.71%, 0.77%

LAB 66.54, 20.59, -42.36

 

CMYK 41 / 42 / 0 / 3

HEX #9390F8

RGB 147 144 248

HSL 241.73, 0.88%, 0.77%

LAB 64.1, 26.12, -51.73

 

CMYK 13 / 13 / 0 / 18

HEX #B7B6D2

RGB 183 182 210

HSL 242.14, 0.24%, 0.77%

LAB 74.94, 5.9, -13.96

 

CMYK 4 / 5 / 0 / 22

HEX #C0BFC8

RGB 192 191 200

HSL 246.67, 0.08%, 0.77%

LAB 77.66, 2.04, -4.4

 

CMYK 0 / 0 / 5 / 21

HEX #C8C9BF

RGB 200 201 191

HSL 66, 0.08%, 0.77%

LAB 80.64, -2.14, 4.86

 

CMYK 0 / 0 / 14 / 18

HEX #D1D2B5

RGB 209 210 181

HSL 62.07, 0.24%, 0.77%

LAB 83.43, -5.28, 14.28

 

CMYK 1 / 0 / 22 / 14

HEX #DADCAC

RGB 218 220 172

HSL 62.5, 0.41%, 0.77%

LAB 86.54, -8.46, 23.43

 

CMYK 13 / 7 / 0 / 18

HEX #B6C4D2

RGB 182 196 210

HSL 210, 0.24%, 0.77%

LAB 78.51, -1.95, -8.63

 

CMYK 13 / 10 / 0 / 18

HEX #B6BCD2

RGB 182 188 210

HSL 227.14, 0.24%, 0.77%

LAB 76.41, 2.33, -11.75

 

CMYK 13 / 13 / 0 / 18

HEX #B7B6D2

RGB 183 182 210

HSL 242.14, 0.24%, 0.77%

LAB 74.94, 5.9, -13.96

 

CMYK 10 / 13 / 0 / 18

HEX #BEB6D2

RGB 190 182 210

HSL 257.14, 0.24%, 0.77%

LAB 75.49, 8.2, -13.07

 

CMYK 6 / 13 / 0 / 18

HEX #C6B6D2

RGB 198 182 210

HSL 274.29, 0.24%, 0.77%

LAB 76.14, 10.86, -12.03

 

CMYK 26 / 27 / 0 / 30

HEX #8483B3

RGB 132 131 179

HSL 241.25, 0.24%, 0.61%

LAB 56.48, 11.2, -25.1

 

CMYK 19 / 20 / 0 / 24

HEX #9E9CC2

RGB 158 156 194

HSL 243.16, 0.24%, 0.69%

LAB 65.7, 8.68, -19.28

 

CMYK 13 / 13 / 0 / 18

HEX #B7B6D2

RGB 183 182 210

HSL 242.14, 0.24%, 0.77%

LAB 74.94, 5.9, -13.96

 

CMYK 8 / 8 / 0 / 11

HEX #D0CFE2

RGB 208 207 226

HSL 243.16, 0.25%, 0.85%

LAB 83.72, 3.93, -9.25

 

CMYK 3 / 3 / 0 / 5

HEX #E9E9F1

RGB 233 233 241

HSL 240, 0.22%, 0.93%

LAB 92.55, 1.45, -3.88

 

CMYK 13 / 14 / 0 / 18

HEX #B6B5D2

RGB 182 181 210

HSL 242.07, 0.24%, 0.77%

LAB 74.6, 6.12, -14.47

 

CMYK 0 / 13 / 3 / 18

HEX #D2B6CB

RGB 210 182 203

HSL 315, 0.24%, 0.77%

LAB 76.96, 13.63, -6.89

 

CMYK 9 / 0 / 13 / 18

HEX #C0D2B6

RGB 192 210 182

HSL 98.57, 0.24%, 0.77%

LAB 82.2, -11.16, 11.83

 

CMYK 13 / 14 / 0 / 18

HEX #B6B5D2

RGB 182 181 210

HSL 242.07, 0.24%, 0.77%

LAB 74.6, 6.12, -14.47

 

CMYK 0 / 13 / 13 / 18

HEX #D2B7B6

RGB 210 183 182

HSL 2.14, 0.24%, 0.77%

LAB 76.65, 9.48, 4.06

 

CMYK 13 / 0 / 13 / 18

HEX #B6D2B7

RGB 182 210 183

HSL 122.14, 0.24%, 0.77%

LAB 81.54, -14.45, 10.26

 

CMYK 13 / 14 / 0 / 18

HEX #B6B5D2

RGB 182 181 210

HSL 242.07, 0.24%, 0.77%

LAB 74.6, 6.12, -14.47

 

CMYK 0 / 13 / 3 / 18

HEX #D2B6CB

RGB 210 182 203

HSL 315, 0.24%, 0.77%

LAB 76.96, 13.63, -6.89

 

CMYK 0 / 0 / 13 / 18

HEX #D1D2B6

RGB 209 210 182

HSL 62.14, 0.24%, 0.77%

LAB 83.46, -5.12, 13.78

 

CMYK 13 / 0 / 10 / 18

HEX #B6D2BC

RGB 182 210 188

HSL 132.86, 0.24%, 0.77%

LAB 81.66, -13.54, 7.77

 

CMYK 13 / 14 / 0 / 18

HEX #B6B5D2

RGB 182 181 210

HSL 242.07, 0.24%, 0.77%

LAB 74.6, 6.12, -14.47

 

CMYK 0 / 13 / 7 / 18

HEX #D2B6C3

RGB 210 182 195

HSL 332.14, 0.24%, 0.77%

LAB 76.74, 12.22, -2.87

 

CMYK 0 / 0 / 13 / 18

HEX #D1D2B6

RGB 209 210 182

HSL 62.14, 0.24%, 0.77%

LAB 83.46, -5.12, 13.78

 

CMYK 13 / 0 / 6 / 18

HEX #B6D2C5

RGB 182 210 197

HSL 152.14, 0.24%, 0.77%

LAB 81.88, -11.85, 3.29

 

Description

Color code: HEX #B6B5D2 | qconv.com Color code: HEX #B6B5D2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 181 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 181 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 14 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 14% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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