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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6B018 it is the complementary color #494FE7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6B018. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6B018 shade: #BBB013, #CCC226, #DDD439, #EEE64C and #FFF85F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6B018. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6B018 shade: #B6B018, #A59E05, #948C00, #837A00 and #726800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6B018 shade: #B5AF17, #B58417, #B55A17, #B52F17 and #B51717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6B018 shade: #B5AF17, #90B517, #66B517, #3BB517 and #17B51E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6B018 shade matches the following richer shades: #B5AF17 and #C5BE07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6B018 shade: #B5AF17, #A49F28, #949038, #838149 and #737259

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6B018 shade: #B55917, #B58317, #B5AD17, #93B517 and #69B517

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6B018 shade: #6C680E, #908B13, #B5AF17, #D9D21C and #E5DF39

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6B018 shade: #B6B018, #17B52F and #6E17B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6B018 shade: #B6B018, #17B5AD and #AD17B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6B018 shade: #B6B018, #17B52F, #171FB5 and #B5179D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6B018 shade: #B6B018, #17B55E, #171FB5 and #B5176E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 87 / 29

HEX #B6B018

RGB 182 176 24

HSL 57.72, 0.77%, 0.4%

LAB 70.22, -13.31, 68.74

 

Complementary color

CMYK 68 / 66 / 0 / 9

HEX #494FE7

RGB 73 79 231

HSL 237.72, 0.77%, 0.6%

LAB 42.43, 45.39, -77.46

 

CMYK 0 / 6 / 90 / 27

HEX #BBB013

RGB 187 176 19

HSL 56.07, 0.82%, 0.4%

LAB 70.64, -11.22, 70.21

 

CMYK 0 / 5 / 81 / 20

HEX #CCC226

RGB 204 194 38

HSL 56.39, 0.69%, 0.47%

LAB 77.02, -12.56, 71.86

 

CMYK 0 / 4 / 74 / 13

HEX #DDD439

RGB 221 212 57

HSL 56.71, 0.71%, 0.55%

LAB 83.31, -13.7, 72.41

 

CMYK 0 / 3 / 68 / 7

HEX #EEE64C

RGB 238 230 76

HSL 57.04, 0.83%, 0.62%

LAB 89.53, -14.67, 72.28

 

CMYK 0 / 3 / 63 / 0

HEX #FFF85F

RGB 255 248 95

HSL 57.38, 1%, 0.69%

LAB 95.67, -15.5, 71.73

 

CMYK 0 / 3 / 87 / 29

HEX #B6B018

RGB 182 176 24

HSL 57.72, 0.77%, 0.4%

LAB 70.22, -13.31, 68.74

 

CMYK 0 / 4 / 97 / 35

HEX #A59E05

RGB 165 158 5

HSL 57.38, 0.94%, 0.33%

LAB 63.72, -11.86, 66.09

 

CMYK 0 / 5 / 100 / 42

HEX #948C00

RGB 148 140 0

HSL 56.76, 1%, 0.29%

LAB 57.13, -10.12, 61.31

 

CMYK 0 / 7 / 100 / 49

HEX #837A00

RGB 131 122 0

HSL 55.88, 1%, 0.26%

LAB 50.39, -8.25, 55.72

 

CMYK 0 / 9 / 100 / 55

HEX #726800

RGB 114 104 0

HSL 54.74, 1%, 0.22%

LAB 43.47, -6.3, 49.99

 

CMYK 0 / 3 / 87 / 29

HEX #B5AF17

RGB 181 175 23

HSL 57.72, 0.77%, 0.4%

LAB 69.86, -13.26, 68.62

 

CMYK 0 / 27 / 87 / 29

HEX #B58417

RGB 181 132 23

HSL 41.39, 0.77%, 0.4%

LAB 58.4, 9.84, 59.36

 

CMYK 0 / 50 / 87 / 29

HEX #B55A17

RGB 181 90 23

HSL 25.44, 0.77%, 0.4%

LAB 48.51, 32.92, 51.32

 

CMYK 0 / 74 / 87 / 29

HEX #B52F17

RGB 181 47 23

HSL 9.11, 0.77%, 0.4%

LAB 41.09, 52.45, 45.26

 

CMYK 0 / 87 / 87 / 29

HEX #B51717

RGB 181 23 23

HSL 0, 0.77%, 0.4%

LAB 38.72, 59.11, 43.32

 

CMYK 0 / 3 / 87 / 29

HEX #B5AF17

RGB 181 175 23

HSL 57.72, 0.77%, 0.4%

LAB 69.86, -13.26, 68.62

 

CMYK 20 / 0 / 87 / 29

HEX #90B517

RGB 144 181 23

HSL 74.05, 0.77%, 0.4%

LAB 68.78, -32.02, 66.59

 

CMYK 44 / 0 / 87 / 29

HEX #66B517

RGB 102 181 23

HSL 90, 0.77%, 0.4%

LAB 66.47, -47.74, 63.71

 

CMYK 67 / 0 / 87 / 29

HEX #3BB517

RGB 59 181 23

HSL 106.33, 0.77%, 0.4%

LAB 64.99, -59.44, 61.85

 

CMYK 87 / 0 / 83 / 29

HEX #17B51E

RGB 23 181 30

HSL 122.66, 0.77%, 0.4%

LAB 64.42, -64.32, 59.47

 

CMYK 0 / 3 / 87 / 29

HEX #B5AF17

RGB 181 175 23

HSL 57.72, 0.77%, 0.4%

LAB 69.86, -13.26, 68.62

 

CMYK 0 / 4 / 96 / 23

HEX #C5BE07

RGB 197 190 7

HSL 57.79, 0.93%, 0.4%

LAB 75.27, -14.16, 75.68

 

CMYK 0 / 3 / 87 / 29

HEX #B5AF17

RGB 181 175 23

HSL 57.72, 0.77%, 0.4%

LAB 69.86, -13.26, 68.62

 

CMYK 0 / 3 / 76 / 36

HEX #A49F28

RGB 164 159 40

HSL 57.58, 0.61%, 0.4%

LAB 64.03, -11.92, 58.38

 

CMYK 0 / 3 / 62 / 42

HEX #949038

RGB 148 144 56

HSL 57.39, 0.45%, 0.4%

LAB 58.53, -10.15, 45.96

 

CMYK 0 / 2 / 44 / 49

HEX #838149

RGB 131 129 73

HSL 57.93, 0.28%, 0.4%

LAB 52.96, -7.92, 30.54

 

CMYK 0 / 1 / 23 / 55

HEX #737259

RGB 115 114 89

HSL 57.69, 0.13%, 0.4%

LAB 47.5, -4.15, 14.04

 

CMYK 0 / 51 / 87 / 29

HEX #B55917

RGB 181 89 23

HSL 25.06, 0.77%, 0.4%

LAB 48.3, 33.45, 51.15

 

CMYK 0 / 28 / 87 / 29

HEX #B58317

RGB 181 131 23

HSL 41.01, 0.77%, 0.4%

LAB 58.15, 10.4, 59.15

 

CMYK 0 / 4 / 87 / 29

HEX #B5AD17

RGB 181 173 23

HSL 56.96, 0.77%, 0.4%

LAB 69.31, -12.23, 68.17

 

CMYK 19 / 0 / 87 / 29

HEX #93B517

RGB 147 181 23

HSL 72.91, 0.77%, 0.4%

LAB 68.98, -30.8, 66.83

 

CMYK 42 / 0 / 87 / 29

HEX #69B517

RGB 105 181 23

HSL 88.86, 0.77%, 0.4%

LAB 66.61, -46.74, 63.88

 

CMYK 0 / 4 / 87 / 58

HEX #6C680E

RGB 108 104 14

HSL 57.45, 0.77%, 0.24%

LAB 42.94, -8.84, 45.89

 

CMYK 0 / 3 / 87 / 44

HEX #908B13

RGB 144 139 19

HSL 57.6, 0.77%, 0.32%

LAB 56.53, -11.06, 57.28

 

CMYK 0 / 3 / 87 / 29

HEX #B5AF17

RGB 181 175 23

HSL 57.72, 0.77%, 0.4%

LAB 69.86, -13.26, 68.62

 

CMYK 0 / 3 / 87 / 15

HEX #D9D21C

RGB 217 210 28

HSL 57.78, 0.77%, 0.48%

LAB 82.34, -15.28, 78.94

 

CMYK 0 / 3 / 75 / 10

HEX #E5DF39

RGB 229 223 57

HSL 57.91, 0.77%, 0.56%

LAB 86.86, -15.8, 75.93

 

CMYK 0 / 3 / 87 / 29

HEX #B6B018

RGB 182 176 24

HSL 57.72, 0.77%, 0.4%

LAB 70.22, -13.31, 68.74

 

CMYK 87 / 0 / 74 / 29

HEX #17B52F

RGB 23 181 47

HSL 129.11, 0.77%, 0.4%

LAB 64.51, -63.18, 54.26

 

CMYK 39 / 87 / 0 / 29

HEX #6E17B5

RGB 110 23 181

HSL 273.04, 0.77%, 0.4%

LAB 32.4, 62.04, -64.78

 

CMYK 0 / 3 / 87 / 29

HEX #B6B018

RGB 182 176 24

HSL 57.72, 0.77%, 0.4%

LAB 70.22, -13.31, 68.74

 

CMYK 87 / 0 / 4 / 29

HEX #17B5AD

RGB 23 181 173

HSL 176.96, 0.77%, 0.4%

LAB 66.71, -38.64, -6.64

 

CMYK 4 / 87 / 0 / 29

HEX #AD17B5

RGB 173 23 181

HSL 296.96, 0.77%, 0.4%

LAB 42.51, 71.87, -47.91

 

CMYK 0 / 3 / 87 / 29

HEX #B6B018

RGB 182 176 24

HSL 57.72, 0.77%, 0.4%

LAB 70.22, -13.31, 68.74

 

CMYK 87 / 0 / 74 / 29

HEX #17B52F

RGB 23 181 47

HSL 129.11, 0.77%, 0.4%

LAB 64.51, -63.18, 54.26

 

CMYK 87 / 83 / 0 / 29

HEX #171FB5

RGB 23 31 181

HSL 236.96, 0.77%, 0.4%

LAB 25.25, 51.62, -76.85

 

CMYK 0 / 87 / 13 / 29

HEX #B5179D

RGB 181 23 157

HSL 309.11, 0.77%, 0.4%

LAB 42.57, 69.81, -33.42

 

CMYK 0 / 3 / 87 / 29

HEX #B6B018

RGB 182 176 24

HSL 57.72, 0.77%, 0.4%

LAB 70.22, -13.31, 68.74

 

CMYK 87 / 0 / 48 / 29

HEX #17B55E

RGB 23 181 94

HSL 146.96, 0.77%, 0.4%

LAB 64.99, -57.28, 33.74

 

CMYK 87 / 83 / 0 / 29

HEX #171FB5

RGB 23 31 181

HSL 236.96, 0.77%, 0.4%

LAB 25.25, 51.62, -76.85

 

CMYK 0 / 87 / 39 / 29

HEX #B5176E

RGB 181 23 110

HSL 326.96, 0.77%, 0.4%

LAB 40.51, 64.23, -7.7

 

Description

Color code: HEX #B6B018 | qconv.com Color code: HEX #B6B018 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 176 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 176 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 87 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 87% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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