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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6AF1B it is the complementary color #4950E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6AF1B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6AF1B shade: #BBAF16, #CCC129, #DDD33C, #EEE54F and #FFF762

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6AF1B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6AF1B shade: #B6AF1B, #A59D08, #948B00, #837900 and #726700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6AF1B shade: #B6AF1B, #B6851B, #B65B1B, #B6321B and #B61B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6AF1B shade: #B6AF1B, #93B61B, #69B61B, #40B61B and #1BB620

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6AF1B shade matches the following richer shades: #B6AF1B and #C7BE0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6AF1B shade: #B6AF1B, #A5A02C, #94903D, #83814E and #72715F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6AF1B shade: #B65C1B, #B6851B, #B6AE1B, #94B61B and #6BB61B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6AF1B shade: #6E6A10, #928C16, #B6AF1B, #DAD121 and #E3DB41

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6AF1B shade: #B6AF1B, #1BB632 and #701BB6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6AF1B shade: #B6AF1B, #1BB6AE and #AE1BB6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6AF1B shade: #B6AF1B, #1BB632, #1B23B6 and #B61B9F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6AF1B shade: #B6AF1B, #1BB661, #1B23B6 and #B61B70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 85 / 29

HEX #B6AF1B

RGB 182 175 27

HSL 57.29, 0.74%, 0.41%

LAB 69.95, -12.73, 67.87

 

Complementary color

CMYK 68 / 65 / 0 / 11

HEX #4950E4

RGB 73 80 228

HSL 237.29, 0.74%, 0.59%

LAB 42.39, 43.81, -75.82

 

CMYK 0 / 6 / 88 / 27

HEX #BBAF16

RGB 187 175 22

HSL 55.64, 0.79%, 0.41%

LAB 70.37, -10.64, 69.45

 

CMYK 0 / 5 / 80 / 20

HEX #CCC129

RGB 204 193 41

HSL 55.95, 0.67%, 0.48%

LAB 76.76, -11.96, 70.83

 

CMYK 0 / 5 / 73 / 13

HEX #DDD33C

RGB 221 211 60

HSL 56.27, 0.7%, 0.55%

LAB 83.07, -13.07, 71.18

 

CMYK 0 / 4 / 67 / 7

HEX #EEE54F

RGB 238 229 79

HSL 56.6, 0.82%, 0.62%

LAB 89.29, -14.02, 70.92

 

CMYK 0 / 3 / 62 / 0

HEX #FFF762

RGB 255 247 98

HSL 56.94, 1%, 0.69%

LAB 95.44, -14.83, 70.28

 

CMYK 0 / 4 / 85 / 29

HEX #B6AF1B

RGB 182 175 27

HSL 57.29, 0.74%, 0.41%

LAB 69.95, -12.73, 67.87

 

CMYK 0 / 5 / 95 / 35

HEX #A59D08

RGB 165 157 8

HSL 56.94, 0.91%, 0.34%

LAB 63.45, -11.29, 65.48

 

CMYK 0 / 6 / 100 / 42

HEX #948B00

RGB 148 139 0

HSL 56.35, 1%, 0.29%

LAB 56.84, -9.58, 61.11

 

CMYK 0 / 8 / 100 / 49

HEX #837900

RGB 131 121 0

HSL 55.42, 1%, 0.26%

LAB 50.1, -7.69, 55.52

 

CMYK 0 / 10 / 100 / 55

HEX #726700

RGB 114 103 0

HSL 54.21, 1%, 0.22%

LAB 43.18, -5.72, 49.78

 

CMYK 0 / 4 / 85 / 29

HEX #B6AF1B

RGB 182 175 27

HSL 57.29, 0.74%, 0.41%

LAB 69.95, -12.73, 67.87

 

CMYK 0 / 27 / 85 / 29

HEX #B6851B

RGB 182 133 27

HSL 41.03, 0.74%, 0.41%

LAB 58.79, 9.84, 58.59

 

CMYK 0 / 50 / 85 / 29

HEX #B65B1B

RGB 182 91 27

HSL 24.77, 0.74%, 0.41%

LAB 48.89, 32.91, 50.22

 

CMYK 0 / 73 / 85 / 29

HEX #B6321B

RGB 182 50 27

HSL 8.9, 0.74%, 0.41%

LAB 41.7, 51.79, 43.99

 

CMYK 0 / 85 / 85 / 29

HEX #B61B1B

RGB 182 27 27

HSL 0, 0.74%, 0.41%

LAB 39.26, 58.64, 41.84

 

CMYK 0 / 4 / 85 / 29

HEX #B6AF1B

RGB 182 175 27

HSL 57.29, 0.74%, 0.41%

LAB 69.95, -12.73, 67.87

 

CMYK 19 / 0 / 85 / 29

HEX #93B61B

RGB 147 182 27

HSL 73.55, 0.74%, 0.41%

LAB 69.28, -31.15, 66.23

 

CMYK 42 / 0 / 85 / 29

HEX #69B61B

RGB 105 182 27

HSL 89.81, 0.74%, 0.41%

LAB 66.93, -47, 63.28

 

CMYK 65 / 0 / 85 / 29

HEX #40B61B

RGB 64 182 27

HSL 105.68, 0.74%, 0.41%

LAB 65.46, -58.54, 61.42

 

CMYK 85 / 0 / 82 / 29

HEX #1BB620

RGB 27 182 32

HSL 121.94, 0.74%, 0.41%

LAB 64.8, -64.14, 59.3

 

CMYK 0 / 4 / 85 / 29

HEX #B6AF1B

RGB 182 175 27

HSL 57.29, 0.74%, 0.41%

LAB 69.95, -12.73, 67.87

 

CMYK 0 / 5 / 95 / 22

HEX #C7BE0A

RGB 199 190 10

HSL 57.14, 0.9%, 0.41%

LAB 75.45, -13.26, 75.58

 

CMYK 0 / 4 / 85 / 29

HEX #B6AF1B

RGB 182 175 27

HSL 57.29, 0.74%, 0.41%

LAB 69.95, -12.73, 67.87

 

CMYK 0 / 3 / 73 / 35

HEX #A5A02C

RGB 165 160 44

HSL 57.52, 0.58%, 0.41%

LAB 64.42, -11.82, 57.37

 

CMYK 0 / 3 / 59 / 42

HEX #94903D

RGB 148 144 61

HSL 57.24, 0.42%, 0.41%

LAB 58.58, -9.77, 43.68

 

CMYK 0 / 2 / 40 / 49

HEX #83814E

RGB 131 129 78

HSL 57.74, 0.25%, 0.41%

LAB 53.03, -7.34, 27.9

 

CMYK 0 / 1 / 17 / 55

HEX #72715F

RGB 114 113 95

HSL 56.84, 0.09%, 0.41%

LAB 47.25, -2.99, 10.15

 

CMYK 0 / 49 / 85 / 29

HEX #B65C1B

RGB 182 92 27

HSL 25.16, 0.74%, 0.41%

LAB 49.1, 32.38, 50.4

 

CMYK 0 / 27 / 85 / 29

HEX #B6851B

RGB 182 133 27

HSL 41.03, 0.74%, 0.41%

LAB 58.79, 9.84, 58.59

 

CMYK 0 / 4 / 85 / 29

HEX #B6AE1B

RGB 182 174 27

HSL 56.9, 0.74%, 0.41%

LAB 69.68, -12.21, 67.64

 

CMYK 19 / 0 / 85 / 29

HEX #94B61B

RGB 148 182 27

HSL 73.16, 0.74%, 0.41%

LAB 69.35, -30.74, 66.32

 

CMYK 41 / 0 / 85 / 29

HEX #6BB61B

RGB 107 182 27

HSL 89.03, 0.74%, 0.41%

LAB 67.02, -46.32, 63.4

 

CMYK 0 / 4 / 85 / 57

HEX #6E6A10

RGB 110 106 16

HSL 57.45, 0.75%, 0.25%

LAB 43.74, -8.94, 46.07

 

CMYK 0 / 4 / 85 / 43

HEX #928C16

RGB 146 140 22

HSL 57.1, 0.74%, 0.33%

LAB 57, -10.6, 57.01

 

CMYK 0 / 4 / 85 / 29

HEX #B6AF1B

RGB 182 175 27

HSL 57.29, 0.74%, 0.41%

LAB 69.95, -12.73, 67.87

 

CMYK 0 / 4 / 85 / 15

HEX #DAD121

RGB 218 209 33

HSL 57.08, 0.74%, 0.49%

LAB 82.17, -14.25, 77.84

 

CMYK 0 / 4 / 71 / 11

HEX #E3DB41

RGB 227 219 65

HSL 57.04, 0.74%, 0.57%

LAB 85.69, -14.32, 72.15

 

CMYK 0 / 4 / 85 / 29

HEX #B6AF1B

RGB 182 175 27

HSL 57.29, 0.74%, 0.41%

LAB 69.95, -12.73, 67.87

 

CMYK 85 / 0 / 73 / 29

HEX #1BB632

RGB 27 182 50

HSL 128.9, 0.74%, 0.41%

LAB 64.9, -62.87, 53.57

 

CMYK 38 / 85 / 0 / 29

HEX #701BB6

RGB 112 27 182

HSL 272.9, 0.74%, 0.41%

LAB 33.15, 61.43, -64.13

 

CMYK 0 / 4 / 85 / 29

HEX #B6AF1B

RGB 182 175 27

HSL 57.29, 0.74%, 0.41%

LAB 69.95, -12.73, 67.87

 

CMYK 85 / 0 / 4 / 29

HEX #1BB6AE

RGB 27 182 174

HSL 176.9, 0.74%, 0.41%

LAB 67.09, -38.54, -6.63

 

CMYK 4 / 85 / 0 / 29

HEX #AE1BB6

RGB 174 27 182

HSL 296.9, 0.74%, 0.41%

LAB 43, 71.46, -47.7

 

CMYK 0 / 4 / 85 / 29

HEX #B6AF1B

RGB 182 175 27

HSL 57.29, 0.74%, 0.41%

LAB 69.95, -12.73, 67.87

 

CMYK 85 / 0 / 73 / 29

HEX #1BB632

RGB 27 182 50

HSL 128.9, 0.74%, 0.41%

LAB 64.9, -62.87, 53.57

 

CMYK 85 / 81 / 0 / 29

HEX #1B23B6

RGB 27 35 182

HSL 236.9, 0.74%, 0.41%

LAB 26.19, 50.14, -75.88

 

CMYK 0 / 85 / 13 / 29

HEX #B61B9F

RGB 182 27 159

HSL 308.9, 0.74%, 0.41%

LAB 43.11, 69.54, -33.75

 

CMYK 0 / 4 / 85 / 29

HEX #B6AF1B

RGB 182 175 27

HSL 57.29, 0.74%, 0.41%

LAB 69.95, -12.73, 67.87

 

CMYK 85 / 0 / 47 / 29

HEX #1BB661

RGB 27 182 97

HSL 147.1, 0.74%, 0.41%

LAB 65.4, -56.78, 32.73

 

CMYK 85 / 81 / 0 / 29

HEX #1B23B6

RGB 27 35 182

HSL 236.9, 0.74%, 0.41%

LAB 26.19, 50.14, -75.88

 

CMYK 0 / 85 / 38 / 29

HEX #B61B70

RGB 182 27 112

HSL 327.1, 0.74%, 0.41%

LAB 41.05, 63.87, -8.12

 

Description

Color code: HEX #B6AF1B | qconv.com Color code: HEX #B6AF1B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 175 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 175 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 85 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 85% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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