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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6AEFF3F it is the complementary color #4951003F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6AEFF3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6AEFF3F shade: #BBAEFA3F, #CCC0FF3F, #DDD2FF3F, #EEE4FF3F and #FFF6FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6AEFF3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6AEFF3F shade: #B6AEFF3F, #A59CEC3F, #948AD93F, #8378C63F and #7266B33F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6AEFF3F shade: #B5ADFF, #CBADFF, #E1ADFF, #F7ADFF and #FFADF1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6AEFF3F shade: #B5ADFF and #ADADFF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6AEFF3F shade matches the following richer shades: #B5ADFF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6AEFF3F shade: #B5ADFF, #BBB4F8, #C0BBF2, #C5C1EB and #CBC8E5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6AEFF3F shade: #ADD2FF, #ADBCFF, #B4ADFF, #CAADFF and #E0ADFF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6AEFF3F shade: #6B5BFF, #9084FF, #B5ADFF, #DBD7FF and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6AEFF3F shade: #B6AEFF, #FFADE8 and #C7FFAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6AEFF3F shade: #B6AEFF, #FFB4AD and #ADFFB4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6AEFF3F shade: #B6AEFF, #FFADE8, #F8FFAD and #ADFFC5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6AEFF3F shade: #B6AEFF, #FFADCF, #F8FFAD and #ADFFDD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 8 / 0 / 0

HEX #B6AEFF3F

RGBA 182 174 255 0.25

HSLA 245.93, 1%, 0.84%, 0.25

LABA 74.47, 20.24, -39.07, 0.25

 

Complementary color

CMYK 2 / 0 / 25 / 17

HEX #4951003F

RGBA 73 81 0 0.25

HSLA 65.93, 1%, 0.16%, 0.25

LABA 32.48, -13.38, 40.23, 0.25

 

CMYK 6 / 8 / 0 / 0

HEX #BBAEFA3F

RGBA 187 174 250 0.25

HSLA 250.26, 0.88%, 0.83%, 0.25

LABA 74.66, 20.47, -36.05, 0.25

 

CMYK 5 / 6 / 0 / 0

HEX #CCC0FF3F

RGBA 204 192 255 0.25

HSLA 251.43, 1%, 0.88%, 0.25

LABA 80.6, 16.77, -29.45, 0.25

 

CMYK 3 / 4 / 0 / 0

HEX #DDD2FF3F

RGBA 221 210 255 0.25

HSLA 254.67, 1%, 0.91%, 0.25

LABA 86.35, 12.34, -20.58, 0.25

 

CMYK 2 / 3 / 0 / 0

HEX #EEE4FF3F

RGBA 238 228 255 0.25

HSLA 262.22, 1%, 0.95%, 0.25

LABA 92.08, 8.29, -11.84, 0.25

 

CMYK 0 / 1 / 0 / 0

HEX #FFF6FF3F

RGBA 255 246 255 0.25

HSLA 300, 1%, 0.98%, 0.25

LABA 97.79, 4.57, -3.25, 0.25

 

CMYK 7 / 8 / 0 / 0

HEX #B6AEFF3F

RGBA 182 174 255 0.25

HSLA 245.93, 1%, 0.84%, 0.25

LABA 74.47, 20.24, -39.07, 0.25

 

CMYK 8 / 8 / 0 / 2

HEX #A59CEC3F

RGBA 165 156 236 0.25

HSLA 246.75, 0.68%, 0.77%, 0.25

LABA 67.9, 20.86, -39.08, 0.25

 

CMYK 8 / 9 / 0 / 4

HEX #948AD93F

RGBA 148 138 217 0.25

HSLA 247.59, 0.51%, 0.7%, 0.25

LABA 61.21, 21.55, -39.13, 0.25

 

CMYK 8 / 10 / 0 / 6

HEX #8378C63F

RGBA 131 120 198 0.25

HSLA 248.46, 0.41%, 0.62%, 0.25

LABA 54.38, 22.33, -39.23, 0.25

 

CMYK 9 / 11 / 0 / 7

HEX #7266B33F

RGBA 114 102 179 0.25

HSLA 249.35, 0.34%, 0.55%, 0.25

LABA 47.41, 23.22, -39.38, 0.25

 

CMYK 29 / 32 / 0 / 0

HEX #B5ADFF

RGB 181 173 255

HSL 245.85, 1%, 0.84%

LAB 74.15, 20.51, -39.58

 

CMYK 20 / 32 / 0 / 0

HEX #CBADFF

RGB 203 173 255

HSL 261.95, 1%, 0.84%

LAB 75.95, 26.85, -36.64

 

CMYK 12 / 32 / 0 / 0

HEX #E1ADFF

RGB 225 173 255

HSL 278.05, 1%, 0.84%

LAB 77.94, 33.42, -33.39

 

CMYK 3 / 32 / 0 / 0

HEX #F7ADFF

RGB 247 173 255

HSL 294.15, 1%, 0.84%

LAB 80.11, 40.14, -29.87

 

CMYK 0 / 32 / 5 / 0

HEX #FFADF1

RGB 255 173 241

HSL 310.24, 1%, 0.84%

LAB 80.46, 40.15, -21.75

 

CMYK 29 / 32 / 0 / 0

HEX #B5ADFF

RGB 181 173 255

HSL 245.85, 1%, 0.84%

LAB 74.15, 20.51, -39.58

 

CMYK 32 / 32 / 0 / 0

HEX #ADADFF

RGB 173 173 255

HSL 240, 1%, 0.84%

LAB 73.54, 18.29, -40.57

 

CMYK 29 / 32 / 0 / 0

HEX #B5ADFF

RGB 181 173 255

HSL 245.85, 1%, 0.84%

LAB 74.15, 20.51, -39.58

 

CMYK 29 / 32 / 0 / 0

HEX #B5ADFF

RGB 181 173 255

HSL 245.85, 1%, 0.84%

LAB 74.15, 20.51, -39.58

 

CMYK 25 / 27 / 0 / 3

HEX #BBB4F8

RGB 187 180 248

HSL 246.18, 0.83%, 0.84%

LAB 76.06, 16.69, -32.8

 

CMYK 21 / 23 / 0 / 5

HEX #C0BBF2

RGB 192 187 242

HSL 245.45, 0.68%, 0.84%

LAB 77.97, 12.97, -26.61

 

CMYK 16 / 18 / 0 / 8

HEX #C5C1EB

RGB 197 193 235

HSL 245.71, 0.51%, 0.84%

LAB 79.62, 9.72, -20.3

 

CMYK 11 / 13 / 0 / 10

HEX #CBC8E5

RGB 203 200 229

HSL 246.21, 0.36%, 0.84%

LAB 81.65, 6.62, -13.97

 

CMYK 32 / 18 / 0 / 0

HEX #ADD2FF

RGB 173 210 255

HSL 212.93, 1%, 0.84%

LAB 83.02, -1.9, -25.95

 

CMYK 32 / 26 / 0 / 0

HEX #ADBCFF

RGB 173 188 255

HSL 229.02, 1%, 0.84%

LAB 77.32, 9.98, -34.7

 

CMYK 29 / 32 / 0 / 0

HEX #B4ADFF

RGB 180 173 255

HSL 245.12, 1%, 0.84%

LAB 74.07, 20.23, -39.71

 

CMYK 21 / 32 / 0 / 0

HEX #CAADFF

RGB 202 173 255

HSL 261.22, 1%, 0.84%

LAB 75.86, 26.55, -36.78

 

CMYK 12 / 32 / 0 / 0

HEX #E0ADFF

RGB 224 173 255

HSL 277.32, 1%, 0.84%

LAB 77.85, 33.12, -33.55

 

CMYK 58 / 64 / 0 / 0

HEX #6B5BFF

RGB 107 91 255

HSL 245.85, 1%, 0.68%

LAB 49.29, 50.71, -79.6

 

CMYK 44 / 48 / 0 / 0

HEX #9084FF

RGB 144 132 255

HSL 245.85, 1%, 0.76%

LAB 61.35, 34.29, -59.96

 

CMYK 29 / 32 / 0 / 0

HEX #B5ADFF

RGB 181 173 255

HSL 245.85, 1%, 0.84%

LAB 74.15, 20.51, -39.58

 

CMYK 14 / 16 / 0 / 0

HEX #DBD7FF

RGB 219 215 255

HSL 246, 1%, 0.92%

LAB 87.43, 9.06, -18.97

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 29 / 32 / 0 / 0

HEX #B6AEFF

RGB 182 174 255

HSL 245.93, 1%, 0.84%

LAB 74.47, 20.24, -39.07

 

CMYK 0 / 32 / 9 / 0

HEX #FFADE8

RGB 255 173 232

HSL 316.83, 1%, 0.84%

LAB 80.16, 38.64, -17.35

 

CMYK 22 / 0 / 32 / 0

HEX #C7FFAD

RGB 199 255 173

HSL 100.98, 1%, 0.84%

LAB 94.6, -32.06, 33.62

 

CMYK 29 / 32 / 0 / 0

HEX #B6AEFF

RGB 182 174 255

HSL 245.93, 1%, 0.84%

LAB 74.47, 20.24, -39.07

 

CMYK 0 / 29 / 32 / 0

HEX #FFB4AD

RGB 255 180 173

HSL 5.12, 1%, 0.84%

LAB 80.13, 26.38, 14.5

 

CMYK 32 / 0 / 29 / 0

HEX #ADFFB4

RGB 173 255 180

HSL 125.12, 1%, 0.84%

LAB 93.32, -39.37, 28.14

 

CMYK 29 / 32 / 0 / 0

HEX #B6AEFF

RGB 182 174 255

HSL 245.93, 1%, 0.84%

LAB 74.47, 20.24, -39.07

 

CMYK 0 / 32 / 9 / 0

HEX #FFADE8

RGB 255 173 232

HSL 316.83, 1%, 0.84%

LAB 80.16, 38.64, -17.35

 

CMYK 3 / 0 / 32 / 0

HEX #F8FFAD

RGB 248 255 173

HSL 65.12, 1%, 0.84%

LAB 97.83, -14.63, 38.49

 

CMYK 32 / 0 / 23 / 0

HEX #ADFFC5

RGB 173 255 197

HSL 137.56, 1%, 0.84%

LAB 93.64, -36.47, 19.95

 

CMYK 29 / 32 / 0 / 0

HEX #B6AEFF

RGB 182 174 255

HSL 245.93, 1%, 0.84%

LAB 74.47, 20.24, -39.07

 

CMYK 0 / 32 / 19 / 0

HEX #FFADCF

RGB 255 173 207

HSL 335.12, 1%, 0.84%

LAB 79.42, 34.7, -4.94

 

CMYK 3 / 0 / 32 / 0

HEX #F8FFAD

RGB 248 255 173

HSL 65.12, 1%, 0.84%

LAB 97.83, -14.63, 38.49

 

CMYK 32 / 0 / 13 / 0

HEX #ADFFDD

RGB 173 255 221

HSL 155.12, 1%, 0.84%

LAB 94.15, -31.93, 8.36

 

Description

Color code: HEX #B6AEFF3F | qconv.com Color code: HEX #B6AEFF3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 174 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 174 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 8 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 8% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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