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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B69EDD it is the complementary color #496122. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B69EDD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B69EDD shade: #BB9ED8, #CCB0EB, #DDC2FE, #EED4FF and #FFE6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B69EDD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B69EDD shade: #B69EDD, #A58CCA, #947AB7, #8368A4 and #725691

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B69EDD shade: #B59DDD, #C69DDD, #D79DDD, #DD9DD0 and #DD9DBF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B69EDD shade: #B59DDD, #A49DDD and #9D9DDD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B69EDD shade matches the following richer shades: #B59DDD, #B392E7, #B087F2 and #AD7DFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B69EDD shade: #B59DDD, #B8A8D2, #BAB2C7, #BDBDBC and #BFC8B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B69EDD shade: #9DA7DD, #A39DDD, #B49DDD, #C59DDD and #D69DDD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B69EDD shade: #8760C7, #9E7ED2, #B59DDD, #CCBBE7 and #E3DAF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B69EDD shade: #B69EDD, #DD9DB8 and #9FDD9D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B69EDD shade: #B69EDD, #DDB49D and #9DDDB4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B69EDD shade: #B69EDD, #DD9DB8, #C5DD9D and #9DDDC1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B69EDD shade: #B69EDD, #DD9DA5, #C5DD9D and #9DDDD4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 29 / 0 / 13

HEX #B69EDD

RGB 182 158 221

HSL 262.86, 0.48%, 0.74%

LAB 69.2, 21.22, -28.71

 

Complementary color

CMYK 25 / 0 / 65 / 62

HEX #496122

RGB 73 97 34

HSL 82.86, 0.48%, 0.26%

LAB 37.99, -20.06, 32.18

 

CMYK 13 / 27 / 0 / 15

HEX #BB9ED8

RGB 187 158 216

HSL 270, 0.43%, 0.73%

LAB 69.45, 21.7, -25.53

 

CMYK 13 / 25 / 0 / 8

HEX #CCB0EB

RGB 204 176 235

HSL 268.47, 0.6%, 0.81%

LAB 76, 21.17, -25.76

 

CMYK 13 / 24 / 0 / 0

HEX #DDC2FE

RGB 221 194 254

HSL 267, 0.97%, 0.88%

LAB 82.44, 20.68, -25.99

 

CMYK 7 / 17 / 0 / 0

HEX #EED4FF

RGB 238 212 255

HSL 276.28, 1%, 0.92%

LAB 88.2, 16.67, -17.65

 

CMYK 0 / 10 / 0 / 0

HEX #FFE6FF

RGB 255 230 255

HSL 300, 1%, 0.95%

LAB 93.91, 12.79, -8.97

 

CMYK 18 / 29 / 0 / 13

HEX #B69EDD

RGB 182 158 221

HSL 262.86, 0.48%, 0.74%

LAB 69.2, 21.22, -28.71

 

CMYK 18 / 31 / 0 / 21

HEX #A58CCA

RGB 165 140 202

HSL 264.19, 0.37%, 0.67%

LAB 62.52, 21.8, -28.57

 

CMYK 19 / 33 / 0 / 28

HEX #947AB7

RGB 148 122 183

HSL 265.57, 0.3%, 0.6%

LAB 55.72, 22.44, -28.46

 

CMYK 20 / 37 / 0 / 36

HEX #8368A4

RGB 131 104 164

HSL 267, 0.25%, 0.53%

LAB 48.77, 23.15, -28.37

 

CMYK 21 / 41 / 0 / 43

HEX #725691

RGB 114 86 145

HSL 268.47, 0.26%, 0.45%

LAB 41.65, 23.95, -28.3

 

CMYK 18 / 29 / 0 / 13

HEX #B59DDD

RGB 181 157 221

HSL 262.5, 0.48%, 0.74%

LAB 68.87, 21.47, -29.23

 

CMYK 10 / 29 / 0 / 13

HEX #C69DDD

RGB 198 157 221

HSL 278.44, 0.48%, 0.74%

LAB 70.41, 26.79, -26.72

 

CMYK 3 / 29 / 0 / 13

HEX #D79DDD

RGB 215 157 221

HSL 294.38, 0.48%, 0.74%

LAB 72.08, 32.22, -24.02

 

CMYK 0 / 29 / 6 / 13

HEX #DD9DD0

RGB 221 157 208

HSL 312.19, 0.48%, 0.74%

LAB 72.26, 31.81, -16.55

 

CMYK 0 / 29 / 14 / 13

HEX #DD9DBF

RGB 221 157 191

HSL 328.13, 0.48%, 0.74%

LAB 71.72, 28.93, -7.97

 

CMYK 18 / 29 / 0 / 13

HEX #B59DDD

RGB 181 157 221

HSL 262.5, 0.48%, 0.74%

LAB 68.87, 21.47, -29.23

 

CMYK 26 / 29 / 0 / 13

HEX #A49DDD

RGB 164 157 221

HSL 246.56, 0.48%, 0.74%

LAB 67.45, 16.31, -31.54

 

CMYK 29 / 29 / 0 / 13

HEX #9D9DDD

RGB 157 157 221

HSL 240, 0.48%, 0.74%

LAB 66.9, 14.25, -32.43

 

CMYK 18 / 29 / 0 / 13

HEX #B59DDD

RGB 181 157 221

HSL 262.5, 0.48%, 0.74%

LAB 68.87, 21.47, -29.23

 

CMYK 23 / 37 / 0 / 9

HEX #B392E7

RGB 179 146 231

HSL 263.29, 0.64%, 0.74%

LAB 66.45, 29.31, -38.5

 

CMYK 27 / 44 / 0 / 5

HEX #B087F2

RGB 176 135 242

HSL 262.99, 0.8%, 0.74%

LAB 64.14, 37.22, -48.22

 

CMYK 32 / 51 / 0 / 1

HEX #AD7DFD

RGB 173 125 253

HSL 262.5, 0.97%, 0.74%

LAB 62.21, 44.64, -57.35

 

CMYK 18 / 29 / 0 / 13

HEX #B59DDD

RGB 181 157 221

HSL 262.5, 0.48%, 0.74%

LAB 68.87, 21.47, -29.23

 

CMYK 12 / 20 / 0 / 18

HEX #B8A8D2

RGB 184 168 210

HSL 262.86, 0.32%, 0.74%

LAB 71.45, 13.91, -19.21

 

CMYK 7 / 11 / 0 / 22

HEX #BAB2C7

RGB 186 178 199

HSL 262.86, 0.16%, 0.74%

LAB 73.81, 6.82, -9.62

 

CMYK 0 / 0 / 1 / 26

HEX #BDBDBC

RGB 189 189 188

HSL 60, 0.01%, 0.74%

LAB 76.58, -0.18, 0.5

 

CMYK 5 / 0 / 11 / 22

HEX #BFC8B2

RGB 191 200 178

HSL 84.55, 0.17%, 0.74%

LAB 79.39, -7.04, 9.94

 

CMYK 29 / 24 / 0 / 13

HEX #9DA7DD

RGB 157 167 221

HSL 230.63, 0.48%, 0.74%

LAB 69.49, 8.61, -28.43

 

CMYK 26 / 29 / 0 / 13

HEX #A39DDD

RGB 163 157 221

HSL 245.63, 0.48%, 0.74%

LAB 67.37, 16.01, -31.67

 

CMYK 19 / 29 / 0 / 13

HEX #B49DDD

RGB 180 157 221

HSL 261.56, 0.48%, 0.74%

LAB 68.78, 21.16, -29.37

 

CMYK 11 / 29 / 0 / 13

HEX #C59DDD

RGB 197 157 221

HSL 277.5, 0.48%, 0.74%

LAB 70.32, 26.48, -26.87

 

CMYK 3 / 29 / 0 / 13

HEX #D69DDD

RGB 214 157 221

HSL 293.44, 0.48%, 0.74%

LAB 71.98, 31.9, -24.18

 

CMYK 32 / 52 / 0 / 22

HEX #8760C7

RGB 135 96 199

HSL 262.72, 0.48%, 0.58%

LAB 49.06, 37.72, -48.21

 

CMYK 25 / 40 / 0 / 18

HEX #9E7ED2

RGB 158 126 210

HSL 262.86, 0.48%, 0.66%

LAB 58.83, 29.57, -38.87

 

CMYK 18 / 29 / 0 / 13

HEX #B59DDD

RGB 181 157 221

HSL 262.5, 0.48%, 0.74%

LAB 68.87, 21.47, -29.23

 

CMYK 12 / 19 / 0 / 9

HEX #CCBBE7

RGB 204 187 231

HSL 263.18, 0.48%, 0.82%

LAB 78.55, 14.35, -19.72

 

CMYK 6 / 10 / 0 / 5

HEX #E3DAF2

RGB 227 218 242

HSL 262.5, 0.48%, 0.9%

LAB 88.39, 7.46, -10.61

 

CMYK 18 / 29 / 0 / 13

HEX #B69EDD

RGB 182 158 221

HSL 262.86, 0.48%, 0.74%

LAB 69.2, 21.22, -28.71

 

CMYK 0 / 29 / 17 / 13

HEX #DD9DB8

RGB 221 157 184

HSL 334.69, 0.48%, 0.74%

LAB 71.52, 27.81, -4.4

 

CMYK 28 / 0 / 29 / 13

HEX #9FDD9D

RGB 159 221 157

HSL 118.13, 0.48%, 0.74%

LAB 82.66, -32, 25.28

 

CMYK 18 / 29 / 0 / 13

HEX #B69EDD

RGB 182 158 221

HSL 262.86, 0.48%, 0.74%

LAB 69.2, 21.22, -28.71

 

CMYK 0 / 19 / 29 / 13

HEX #DDB49D

RGB 221 180 157

HSL 21.56, 0.48%, 0.74%

LAB 76.34, 11.5, 17.32

 

CMYK 29 / 0 / 19 / 13

HEX #9DDDB4

RGB 157 221 180

HSL 141.56, 0.48%, 0.74%

LAB 83.01, -28.58, 13.72

 

CMYK 18 / 29 / 0 / 13

HEX #B69EDD

RGB 182 158 221

HSL 262.86, 0.48%, 0.74%

LAB 69.2, 21.22, -28.71

 

CMYK 0 / 29 / 17 / 13

HEX #DD9DB8

RGB 221 157 184

HSL 334.69, 0.48%, 0.74%

LAB 71.52, 27.81, -4.4

 

CMYK 11 / 0 / 29 / 13

HEX #C5DD9D

RGB 197 221 157

HSL 82.5, 0.48%, 0.74%

LAB 85.01, -18.79, 28.86

 

CMYK 29 / 0 / 13 / 13

HEX #9DDDC1

RGB 157 221 193

HSL 153.75, 0.48%, 0.74%

LAB 83.3, -26.05, 7.28

 

CMYK 18 / 29 / 0 / 13

HEX #B69EDD

RGB 182 158 221

HSL 262.86, 0.48%, 0.74%

LAB 69.2, 21.22, -28.71

 

CMYK 0 / 29 / 25 / 13

HEX #DD9DA5

RGB 221 157 165

HSL 352.5, 0.48%, 0.74%

LAB 71.01, 24.96, 5.39

 

CMYK 11 / 0 / 29 / 13

HEX #C5DD9D

RGB 197 221 157

HSL 82.5, 0.48%, 0.74%

LAB 85.01, -18.79, 28.86

 

CMYK 29 / 0 / 4 / 13

HEX #9DDDD4

RGB 157 221 212

HSL 171.56, 0.48%, 0.74%

LAB 83.78, -22.06, -2.09

 

Description

Color code: HEX #B69EDD | qconv.com Color code: HEX #B69EDD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 158 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 158 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 29 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 29% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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