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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B699233F it is the complementary color #4966DC3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B699233F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B699233F shade: #BB991E3F, #CCAB313F, #DDBD443F, #EECF573F and #FFE16A3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B699233F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B699233F shade: #B699233F, #A587103F, #9475003F, #8363003F and #7251003F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B699233F shade: #B89B23, #B87323, #B84A23 and #B82323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B699233F shade: #B89B23, #ADB823, #85B823, #5DB823 and #35B823

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B699233F shade matches the following richer shades: #B89B23 and #CAA611

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B699233F shade: #B89B23, #A69035, #958547, #837B58 and #71706A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B699233F shade: #B84B23, #B87323, #B89A23, #AEB823 and #87B823

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B699233F shade: #736116, #967E1C, #B89B23, #D7B62D and #DEC250

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B699233F shade: #B69923, #23B823 and #5F23B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B699233F shade: #B69923, #23B89A and #9A23B8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B699233F shade: #B69923, #23B823, #2341B8 and #B823B8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B699233F shade: #B69923, #23B850, #2341B8 and #B8238B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 20 / 7

HEX #B699233F

RGBA 182 153 35 0.25

HSLA 48.16, 0.68%, 0.43%, 0.25

LABA 64.04, -0.87, 60.65, 0.25

 

Complementary color

CMYK 17 / 13 / 0 / 3

HEX #4966DC3F

RGBA 73 102 220 0.25

HSLA 228.16, 0.68%, 0.57%, 0.25

LABA 47.09, 27.52, -63.63, 0.25

 

CMYK 0 / 5 / 21 / 7

HEX #BB991E3F

RGBA 187 153 30 0.25

HSLA 47.01, 0.72%, 0.43%, 0.25

LABA 64.52, 1.21, 62.76, 0.25

 

CMYK 0 / 4 / 19 / 5

HEX #CCAB313F

RGBA 204 171 49 0.25

HSLA 47.23, 0.61%, 0.5%, 0.25

LABA 71, -0.24, 63.07, 0.25

 

CMYK 0 / 4 / 17 / 3

HEX #DDBD443F

RGBA 221 189 68 0.25

HSLA 47.45, 0.69%, 0.57%, 0.25

LABA 77.39, -1.47, 62.65, 0.25

 

CMYK 0 / 3 / 16 / 2

HEX #EECF573F

RGBA 238 207 87 0.25

HSLA 47.68, 0.82%, 0.64%, 0.25

LABA 83.7, -2.51, 61.83, 0.25

 

CMYK 0 / 3 / 15 / 0

HEX #FFE16A3F

RGBA 255 225 106 0.25

HSLA 47.92, 1%, 0.71%, 0.25

LABA 89.93, -3.42, 60.82, 0.25

 

CMYK 0 / 4 / 20 / 7

HEX #B699233F

RGBA 182 153 35 0.25

HSLA 48.16, 0.68%, 0.43%, 0.25

LABA 64.04, -0.87, 60.65, 0.25

 

CMYK 0 / 5 / 23 / 9

HEX #A587103F

RGBA 165 135 16 0.25

HSLA 47.92, 0.82%, 0.35%, 0.25

LABA 57.43, 0.73, 59.53, 0.25

 

CMYK 0 / 5 / 25 / 10

HEX #9475003F

RGBA 148 117 0 0.25

HSLA 47.43, 1%, 0.29%, 0.25

LABA 50.71, 2.61, 56.75, 0.25

 

CMYK 0 / 6 / 25 / 12

HEX #8363003F

RGBA 131 99 0 0.25

HSLA 45.34, 1%, 0.26%, 0.25

LABA 43.87, 4.87, 51.12, 0.25

 

CMYK 0 / 7 / 25 / 14

HEX #7251003F

RGBA 114 81 0 0.25

HSLA 42.63, 1%, 0.22%, 0.25

LABA 36.86, 7.27, 45.36, 0.25

 

CMYK 0 / 16 / 81 / 28

HEX #B89B23

RGB 184 155 35

HSL 48.32, 0.68%, 0.43%

LAB 64.77, -1.05, 61.37

 

CMYK 0 / 38 / 81 / 28

HEX #B87323

RGB 184 115 35

HSL 32.21, 0.68%, 0.43%

LAB 54.63, 20.97, 52.29

 

CMYK 0 / 60 / 81 / 28

HEX #B84A23

RGB 184 74 35

HSL 15.7, 0.68%, 0.43%

LAB 45.92, 42.5, 44.16

 

CMYK 0 / 81 / 81 / 28

HEX #B82323

RGB 184 35 35

HSL 0, 0.68%, 0.43%

LAB 40.43, 57.44, 38.81

 

CMYK 0 / 16 / 81 / 28

HEX #B89B23

RGB 184 155 35

HSL 48.32, 0.68%, 0.43%

LAB 64.77, -1.05, 61.37

 

CMYK 6 / 0 / 81 / 28

HEX #ADB823

RGB 173 184 35

HSL 64.43, 0.68%, 0.43%

LAB 71.75, -20.95, 67.12

 

CMYK 28 / 0 / 81 / 28

HEX #85B823

RGB 133 184 35

HSL 80.54, 0.68%, 0.43%

LAB 69.03, -37.36, 63.67

 

CMYK 49 / 0 / 81 / 28

HEX #5DB823

RGB 93 184 35

HSL 96.64, 0.68%, 0.43%

LAB 67.07, -51.28, 61.16

 

CMYK 71 / 0 / 81 / 28

HEX #35B823

RGB 53 184 35

HSL 112.75, 0.68%, 0.43%

LAB 65.87, -61, 59.62

 

CMYK 0 / 16 / 81 / 28

HEX #B89B23

RGB 184 155 35

HSL 48.32, 0.68%, 0.43%

LAB 64.77, -1.05, 61.37

 

CMYK 0 / 18 / 92 / 21

HEX #CAA611

RGB 202 166 17

HSL 48.32, 0.84%, 0.43%

LAB 69.38, 0.65, 70.18

 

CMYK 0 / 16 / 81 / 28

HEX #B89B23

RGB 184 155 35

HSL 48.32, 0.68%, 0.43%

LAB 64.77, -1.05, 61.37

 

CMYK 0 / 13 / 68 / 35

HEX #A69035

RGB 166 144 53

HSL 48.32, 0.52%, 0.43%

LAB 60.17, -2.32, 49.54

 

CMYK 0 / 11 / 52 / 42

HEX #958547

RGB 149 133 71

HSL 47.69, 0.35%, 0.43%

LAB 55.7, -2.45, 35.35

 

CMYK 0 / 6 / 33 / 49

HEX #837B58

RGB 131 123 88

HSL 48.84, 0.2%, 0.43%

LAB 51.49, -2.7, 20.28

 

CMYK 0 / 1 / 6 / 56

HEX #71706A

RGB 113 112 106

HSL 51.43, 0.03%, 0.43%

LAB 47.16, -0.8, 3.46

 

CMYK 0 / 59 / 81 / 28

HEX #B84B23

RGB 184 75 35

HSL 16.11, 0.68%, 0.43%

LAB 46.1, 42.02, 44.33

 

CMYK 0 / 38 / 81 / 28

HEX #B87323

RGB 184 115 35

HSL 32.21, 0.68%, 0.43%

LAB 54.63, 20.97, 52.29

 

CMYK 0 / 16 / 81 / 28

HEX #B89A23

RGB 184 154 35

HSL 47.92, 0.68%, 0.43%

LAB 64.5, -0.52, 61.14

 

CMYK 5 / 0 / 81 / 28

HEX #AEB823

RGB 174 184 35

HSL 64.03, 0.68%, 0.43%

LAB 71.83, -20.52, 67.21

 

CMYK 27 / 0 / 81 / 28

HEX #87B823

RGB 135 184 35

HSL 79.73, 0.68%, 0.43%

LAB 69.15, -36.58, 63.82

 

CMYK 0 / 16 / 81 / 55

HEX #736116

RGB 115 97 22

HSL 48.39, 0.68%, 0.27%

LAB 41.61, -1.11, 42.35

 

CMYK 0 / 16 / 81 / 41

HEX #967E1C

RGB 150 126 28

HSL 48.2, 0.69%, 0.35%

LAB 53.48, -0.87, 52.33

 

CMYK 0 / 16 / 81 / 28

HEX #B89B23

RGB 184 155 35

HSL 48.32, 0.68%, 0.43%

LAB 64.77, -1.05, 61.37

 

CMYK 0 / 15 / 79 / 16

HEX #D7B62D

RGB 215 182 45

HSL 48.35, 0.68%, 0.51%

LAB 74.88, -1.39, 68.36

 

CMYK 0 / 13 / 64 / 13

HEX #DEC250

RGB 222 194 80

HSL 48.17, 0.68%, 0.59%

LAB 78.86, -2.96, 59.21

 

CMYK 0 / 16 / 81 / 29

HEX #B69923

RGB 182 153 35

HSL 48.16, 0.68%, 0.43%

LAB 64.04, -0.87, 60.65

 

CMYK 81 / 0 / 81 / 28

HEX #23B823

RGB 35 184 35

HSL 120, 0.68%, 0.43%

LAB 65.56, -63.7, 59.21

 

CMYK 48 / 81 / 0 / 28

HEX #5F23B8

RGB 95 35 184

HSL 264.16, 0.68%, 0.43%

LAB 32.02, 56.88, -67.25

 

CMYK 0 / 16 / 81 / 29

HEX #B69923

RGB 182 153 35

HSL 48.16, 0.68%, 0.43%

LAB 64.04, -0.87, 60.65

 

CMYK 81 / 0 / 16 / 28

HEX #23B89A

RGB 35 184 154

HSL 167.92, 0.68%, 0.43%

LAB 67.26, -44.3, 4.66

 

CMYK 16 / 81 / 0 / 28

HEX #9A23B8

RGB 154 35 184

HSL 287.92, 0.68%, 0.43%

LAB 40.46, 66.29, -53.14

 

CMYK 0 / 16 / 81 / 29

HEX #B69923

RGB 182 153 35

HSL 48.16, 0.68%, 0.43%

LAB 64.04, -0.87, 60.65

 

CMYK 81 / 0 / 81 / 28

HEX #23B823

RGB 35 184 35

HSL 120, 0.68%, 0.43%

LAB 65.56, -63.7, 59.21

 

CMYK 81 / 65 / 0 / 28

HEX #2341B8

RGB 35 65 184

HSL 227.92, 0.68%, 0.43%

LAB 33.13, 33.61, -65.6

 

CMYK 0 / 81 / 0 / 28

HEX #B823B8

RGB 184 35 184

HSL 300, 0.68%, 0.43%

LAB 45.43, 71.89, -44.89

 

CMYK 0 / 16 / 81 / 29

HEX #B69923

RGB 182 153 35

HSL 48.16, 0.68%, 0.43%

LAB 64.04, -0.87, 60.65

 

CMYK 81 / 0 / 57 / 28

HEX #23B850

RGB 35 184 80

HSL 138.12, 0.68%, 0.43%

LAB 65.92, -59.3, 41.83

 

CMYK 81 / 65 / 0 / 28

HEX #2341B8

RGB 35 65 184

HSL 227.92, 0.68%, 0.43%

LAB 33.13, 33.61, -65.6

 

CMYK 0 / 81 / 24 / 28

HEX #B8238B

RGB 184 35 139

HSL 318.12, 0.68%, 0.43%

LAB 43.15, 65.54, -21.57

 

Description

Color code: HEX #B699233F | qconv.com Color code: HEX #B699233F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 153 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 153 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 20 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 20% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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