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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B69722 it is the complementary color #4968DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B69722. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B69722 shade: #BB971D, #CCA930, #DDBB43, #EECD56 and #FFDF69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B69722. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B69722 shade: #B69722, #A5850F, #947300, #836100 and #724F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B69722 shade: #B59621, #B56E21, #B54621 and #B52121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B69722 shade: #B59621, #ACB521, #84B521, #5CB521 and #35B521

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B69722 shade matches the following richer shades: #B59621 and #C6A010

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B69722 shade: #B59621, #A48C33, #928244, #817855 and #706E67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B69722 shade: #B54621, #B56E21, #B59521, #AEB521 and #86B521

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B69722 shade: #6F5C14, #92791B, #B59621, #D8B328 and #DEBF4B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B69722 shade: #B69722, #24B521 and #5A21B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B69722 shade: #B69722, #21B595 and #9521B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B69722 shade: #B69722, #24B521, #2141B5 and #B321B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B69722 shade: #B69722, #21B54B, #2141B5 and #B5218B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 81 / 29

HEX #B69722

RGB 182 151 34

HSL 47.43, 0.69%, 0.42%

LAB 63.5, 0.18, 60.5

 

Complementary color

CMYK 67 / 53 / 0 / 13

HEX #4968DD

RGB 73 104 221

HSL 227.43, 0.69%, 0.58%

LAB 47.67, 26.61, -63.25

 

CMYK 0 / 19 / 84 / 27

HEX #BB971D

RGB 187 151 29

HSL 46.33, 0.73%, 0.42%

LAB 63.99, 2.27, 62.59

 

CMYK 0 / 17 / 76 / 20

HEX #CCA930

RGB 204 169 48

HSL 46.54, 0.62%, 0.49%

LAB 70.47, 0.78, 62.94

 

CMYK 0 / 15 / 70 / 13

HEX #DDBB43

RGB 221 187 67

HSL 46.75, 0.69%, 0.56%

LAB 76.87, -0.48, 62.52

 

CMYK 0 / 14 / 64 / 7

HEX #EECD56

RGB 238 205 86

HSL 46.97, 0.82%, 0.64%

LAB 83.18, -1.55, 61.71

 

CMYK 0 / 13 / 59 / 0

HEX #FFDF69

RGB 255 223 105

HSL 47.2, 1%, 0.71%

LAB 89.42, -2.48, 60.69

 

CMYK 0 / 17 / 81 / 29

HEX #B69722

RGB 182 151 34

HSL 47.43, 0.69%, 0.42%

LAB 63.5, 0.18, 60.5

 

CMYK 0 / 19 / 91 / 35

HEX #A5850F

RGB 165 133 15

HSL 47.2, 0.83%, 0.35%

LAB 56.89, 1.81, 59.32

 

CMYK 0 / 22 / 100 / 42

HEX #947300

RGB 148 115 0

HSL 46.62, 1%, 0.29%

LAB 50.17, 3.75, 56.37

 

CMYK 0 / 26 / 100 / 49

HEX #836100

RGB 131 97 0

HSL 44.43, 1%, 0.26%

LAB 43.32, 6.04, 50.74

 

CMYK 0 / 31 / 100 / 55

HEX #724F00

RGB 114 79 0

HSL 41.58, 1%, 0.22%

LAB 36.31, 8.48, 44.99

 

CMYK 0 / 17 / 82 / 29

HEX #B59621

RGB 181 150 33

HSL 47.43, 0.69%, 0.42%

LAB 63.13, 0.24, 60.44

 

CMYK 0 / 39 / 82 / 29

HEX #B56E21

RGB 181 110 33

HSL 31.22, 0.69%, 0.42%

LAB 53.04, 22.36, 51.48

 

CMYK 0 / 61 / 82 / 29

HEX #B54621

RGB 181 70 33

HSL 15, 0.69%, 0.42%

LAB 44.68, 43.2, 43.76

 

CMYK 0 / 82 / 82 / 29

HEX #B52121

RGB 181 33 33

HSL 0, 0.69%, 0.42%

LAB 39.62, 57.05, 38.9

 

CMYK 0 / 17 / 82 / 29

HEX #B59621

RGB 181 150 33

HSL 47.43, 0.69%, 0.42%

LAB 63.13, 0.24, 60.44

 

CMYK 5 / 0 / 82 / 29

HEX #ACB521

RGB 172 181 33

HSL 63.65, 0.69%, 0.42%

LAB 70.82, -19.95, 66.81

 

CMYK 27 / 0 / 82 / 29

HEX #84B521

RGB 132 181 33

HSL 79.86, 0.69%, 0.42%

LAB 68.07, -36.48, 63.33

 

CMYK 49 / 0 / 82 / 29

HEX #5CB521

RGB 92 181 33

HSL 96.08, 0.69%, 0.42%

LAB 66.08, -50.53, 60.8

 

CMYK 71 / 0 / 82 / 29

HEX #35B521

RGB 53 181 33

HSL 111.89, 0.69%, 0.42%

LAB 64.89, -60.14, 59.27

 

CMYK 0 / 17 / 82 / 29

HEX #B59621

RGB 181 150 33

HSL 47.43, 0.69%, 0.42%

LAB 63.13, 0.24, 60.44

 

CMYK 0 / 19 / 92 / 22

HEX #C6A010

RGB 198 160 16

HSL 47.47, 0.85%, 0.42%

LAB 67.42, 2.06, 68.69

 

CMYK 0 / 17 / 82 / 29

HEX #B59621

RGB 181 150 33

HSL 47.43, 0.69%, 0.42%

LAB 63.13, 0.24, 60.44

 

CMYK 0 / 15 / 69 / 36

HEX #A48C33

RGB 164 140 51

HSL 47.26, 0.53%, 0.42%

LAB 58.87, -1.14, 49.01

 

CMYK 0 / 11 / 53 / 43

HEX #928244

RGB 146 130 68

HSL 47.69, 0.36%, 0.42%

LAB 54.55, -2.39, 35.46

 

CMYK 0 / 7 / 34 / 49

HEX #817855

RGB 129 120 85

HSL 47.73, 0.21%, 0.42%

LAB 50.4, -2.25, 20.5

 

CMYK 0 / 2 / 8 / 56

HEX #706E67

RGB 112 110 103

HSL 46.67, 0.04%, 0.42%

LAB 46.41, -0.6, 4.17

 

CMYK 0 / 61 / 82 / 29

HEX #B54621

RGB 181 70 33

HSL 15, 0.69%, 0.42%

LAB 44.68, 43.2, 43.76

 

CMYK 0 / 39 / 82 / 29

HEX #B56E21

RGB 181 110 33

HSL 31.22, 0.69%, 0.42%

LAB 53.04, 22.36, 51.48

 

CMYK 0 / 18 / 82 / 29

HEX #B59521

RGB 181 149 33

HSL 47.03, 0.69%, 0.42%

LAB 62.87, 0.78, 60.21

 

CMYK 4 / 0 / 82 / 29

HEX #AEB521

RGB 174 181 33

HSL 62.84, 0.69%, 0.42%

LAB 70.98, -19.09, 67

 

CMYK 26 / 0 / 82 / 29

HEX #86B521

RGB 134 181 33

HSL 79.05, 0.69%, 0.42%

LAB 68.19, -35.7, 63.48

 

CMYK 0 / 17 / 82 / 56

HEX #6F5C14

RGB 111 92 20

HSL 47.47, 0.69%, 0.26%

LAB 39.72, -0.2, 41.21

 

CMYK 0 / 17 / 82 / 43

HEX #92791B

RGB 146 121 27

HSL 47.39, 0.69%, 0.34%

LAB 51.68, 0.04, 50.91

 

CMYK 0 / 17 / 82 / 29

HEX #B59621

RGB 181 150 33

HSL 47.43, 0.69%, 0.42%

LAB 63.13, 0.24, 60.44

 

CMYK 0 / 17 / 81 / 15

HEX #D8B328

RGB 216 179 40

HSL 47.39, 0.69%, 0.5%

LAB 74.18, 0.46, 69.3

 

CMYK 0 / 14 / 66 / 13

HEX #DEBF4B

RGB 222 191 75

HSL 47.35, 0.69%, 0.58%

LAB 78.05, -1.7, 60.48

 

CMYK 0 / 17 / 81 / 29

HEX #B69722

RGB 182 151 34

HSL 47.43, 0.69%, 0.42%

LAB 63.5, 0.18, 60.5

 

CMYK 80 / 0 / 82 / 29

HEX #24B521

RGB 36 181 33

HSL 118.78, 0.69%, 0.42%

LAB 64.59, -62.78, 58.88

 

CMYK 50 / 82 / 0 / 29

HEX #5A21B5

RGB 90 33 181

HSL 263.11, 0.69%, 0.42%

LAB 30.87, 56.24, -67.38

 

CMYK 0 / 17 / 81 / 29

HEX #B69722

RGB 182 151 34

HSL 47.43, 0.69%, 0.42%

LAB 63.5, 0.18, 60.5

 

CMYK 82 / 0 / 18 / 29

HEX #21B595

RGB 33 181 149

HSL 167.03, 0.69%, 0.42%

LAB 66.17, -44.52, 5.84

 

CMYK 18 / 82 / 0 / 29

HEX #9521B5

RGB 149 33 181

HSL 287.03, 0.69%, 0.42%

LAB 39.26, 65.39, -53.34

 

CMYK 0 / 17 / 81 / 29

HEX #B69722

RGB 182 151 34

HSL 47.43, 0.69%, 0.42%

LAB 63.5, 0.18, 60.5

 

CMYK 80 / 0 / 82 / 29

HEX #24B521

RGB 36 181 33

HSL 118.78, 0.69%, 0.42%

LAB 64.59, -62.78, 58.88

 

CMYK 82 / 64 / 0 / 29

HEX #2141B5

RGB 33 65 181

HSL 227.03, 0.69%, 0.42%

LAB 32.79, 32.31, -64.39

 

CMYK 1 / 82 / 0 / 29

HEX #B321B5

RGB 179 33 181

HSL 299.19, 0.69%, 0.42%

LAB 44.24, 70.93, -45.08

 

CMYK 0 / 17 / 81 / 29

HEX #B69722

RGB 182 151 34

HSL 47.43, 0.69%, 0.42%

LAB 63.5, 0.18, 60.5

 

CMYK 82 / 0 / 59 / 29

HEX #21B54B

RGB 33 181 75

HSL 137.03, 0.69%, 0.42%

LAB 64.87, -59.21, 42.94

 

CMYK 82 / 64 / 0 / 29

HEX #2141B5

RGB 33 65 181

HSL 227.03, 0.69%, 0.42%

LAB 32.79, 32.31, -64.39

 

CMYK 0 / 82 / 23 / 29

HEX #B5218B

RGB 181 33 139

HSL 317.03, 0.69%, 0.42%

LAB 42.42, 65.34, -22.73

 

Description

Color code: HEX #B69722 | qconv.com Color code: HEX #B69722 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 151 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 151 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 81 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 81% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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