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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B695D3 it is the complementary color #496A2C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B695D3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B695D3 shade: #BB95CE, #CCA7E1, #DDB9F4, #EECBFF and #FFDDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B695D3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B695D3 shade: #B695D3, #A583C0, #9471AD, #835F9A and #724D87

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B695D3 shade: #B797D3, #C797D3, #D397CF, #D397BF and #D397AE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B695D3 shade: #B797D3, #A797D3 and #9797D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B695D3 shade matches the following richer shades: #B797D3, #B88BDF, #B97FEB and #B973F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B695D3 shade: #B797D3, #B6A3C7, #B5AFBB, #B5BBAF and #B4C7A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B695D3 shade: #9798D3, #A697D3, #B697D3, #C697D3 and #D397D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B695D3 shade: #8F5DBB, #A37AC7, #B797D3, #CBB4E0 and #DFD1EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B695D3 shade: #B695D3, #D397A8 and #97D39E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B695D3 shade: #B695D3, #D3B697 and #97D3B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B695D3 shade: #B695D3, #D397A8, #B4D397 and #97D3C2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B695D3 shade: #B695D3, #D39897, #B4D397 and #97D2D3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 29 / 0 / 17

HEX #B695D3

RGB 182 149 211

HSL 271.94, 0.41%, 0.71%

LAB 66.63, 24.06, -27.14

 

Complementary color

CMYK 31 / 0 / 58 / 58

HEX #496A2C

RGB 73 106 44

HSL 91.94, 0.41%, 0.29%

LAB 41.07, -23.65, 30.6

 

CMYK 9 / 28 / 0 / 19

HEX #BB95CE

RGB 187 149 206

HSL 280, 0.37%, 0.7%

LAB 66.91, 24.61, -23.89

 

CMYK 9 / 26 / 0 / 12

HEX #CCA7E1

RGB 204 167 225

HSL 278.28, 0.49%, 0.77%

LAB 73.49, 24.03, -24.16

 

CMYK 9 / 24 / 0 / 4

HEX #DDB9F4

RGB 221 185 244

HSL 276.61, 0.73%, 0.84%

LAB 79.96, 23.49, -24.43

 

CMYK 7 / 20 / 0 / 0

HEX #EECBFF

RGB 238 203 255

HSL 280.38, 1%, 0.9%

LAB 86.06, 21.43, -20.88

 

CMYK 0 / 13 / 0 / 0

HEX #FFDDFF

RGB 255 221 255

HSL 300, 1%, 0.93%

LAB 91.77, 17.47, -12.16

 

CMYK 14 / 29 / 0 / 17

HEX #B695D3

RGB 182 149 211

HSL 271.94, 0.41%, 0.71%

LAB 66.63, 24.06, -27.14

 

CMYK 14 / 32 / 0 / 25

HEX #A583C0

RGB 165 131 192

HSL 273.44, 0.33%, 0.63%

LAB 59.92, 24.69, -26.95

 

CMYK 14 / 35 / 0 / 32

HEX #9471AD

RGB 148 113 173

HSL 275, 0.27%, 0.56%

LAB 53.08, 25.38, -26.78

 

CMYK 15 / 38 / 0 / 40

HEX #835F9A

RGB 131 95 154

HSL 276.61, 0.24%, 0.49%

LAB 46.1, 26.13, -26.61

 

CMYK 16 / 43 / 0 / 47

HEX #724D87

RGB 114 77 135

HSL 278.28, 0.27%, 0.42%

LAB 38.96, 26.96, -26.46

 

CMYK 13 / 28 / 0 / 17

HEX #B797D3

RGB 183 151 211

HSL 272, 0.41%, 0.71%

LAB 67.2, 23.26, -26.25

 

CMYK 6 / 28 / 0 / 17

HEX #C797D3

RGB 199 151 211

HSL 288, 0.41%, 0.71%

LAB 68.74, 28.39, -23.77

 

CMYK 0 / 28 / 2 / 17

HEX #D397CF

RGB 211 151 207

HSL 304, 0.41%, 0.71%

LAB 69.82, 31.55, -19.8

 

CMYK 0 / 28 / 9 / 17

HEX #D397BF

RGB 211 151 191

HSL 320, 0.41%, 0.71%

LAB 69.29, 28.71, -11.72

 

CMYK 0 / 28 / 18 / 17

HEX #D397AE

RGB 211 151 174

HSL 337, 0.41%, 0.71%

LAB 68.78, 25.91, -3

 

CMYK 13 / 28 / 0 / 17

HEX #B797D3

RGB 183 151 211

HSL 272, 0.41%, 0.71%

LAB 67.2, 23.26, -26.25

 

CMYK 21 / 28 / 0 / 17

HEX #A797D3

RGB 167 151 211

HSL 256, 0.41%, 0.71%

LAB 65.79, 18.25, -28.55

 

CMYK 28 / 28 / 0 / 17

HEX #9797D3

RGB 151 151 211

HSL 240, 0.41%, 0.71%

LAB 64.5, 13.41, -30.65

 

CMYK 13 / 28 / 0 / 17

HEX #B797D3

RGB 183 151 211

HSL 272, 0.41%, 0.71%

LAB 67.2, 23.26, -26.25

 

CMYK 17 / 38 / 0 / 13

HEX #B88BDF

RGB 184 139 223

HSL 272.14, 0.57%, 0.71%

LAB 64.95, 32.88, -36.39

 

CMYK 21 / 46 / 0 / 8

HEX #B97FEB

RGB 185 127 235

HSL 272.22, 0.73%, 0.71%

LAB 62.92, 42.45, -46.21

 

CMYK 25 / 53 / 0 / 3

HEX #B973F7

RGB 185 115 247

HSL 271.82, 0.89%, 0.71%

LAB 61.04, 51.56, -55.83

 

CMYK 13 / 28 / 0 / 17

HEX #B797D3

RGB 183 151 211

HSL 272, 0.41%, 0.71%

LAB 67.2, 23.26, -26.25

 

CMYK 9 / 18 / 0 / 22

HEX #B6A3C7

RGB 182 163 199

HSL 271.67, 0.24%, 0.71%

LAB 69.66, 13.73, -15.88

 

CMYK 3 / 6 / 0 / 27

HEX #B5AFBB

RGB 181 175 187

HSL 270, 0.08%, 0.71%

LAB 72.28, 4.39, -5.36

 

CMYK 3 / 0 / 6 / 27

HEX #B5BBAF

RGB 181 187 175

HSL 90, 0.08%, 0.71%

LAB 75.11, -4.3, 5.34

 

CMYK 10 / 0 / 18 / 22

HEX #B4C7A4

RGB 180 199 164

HSL 92.57, 0.24%, 0.71%

LAB 78.01, -12.81, 15.38

 

CMYK 28 / 28 / 0 / 17

HEX #9798D3

RGB 151 152 211

HSL 239, 0.41%, 0.71%

LAB 64.75, 12.84, -30.25

 

CMYK 21 / 28 / 0 / 17

HEX #A697D3

RGB 166 151 211

HSL 255, 0.41%, 0.71%

LAB 65.7, 17.94, -28.68

 

CMYK 14 / 28 / 0 / 17

HEX #B697D3

RGB 182 151 211

HSL 271, 0.41%, 0.71%

LAB 67.11, 22.94, -26.4

 

CMYK 6 / 28 / 0 / 17

HEX #C697D3

RGB 198 151 211

HSL 287, 0.41%, 0.71%

LAB 68.64, 28.07, -23.93

 

CMYK 0 / 28 / 1 / 17

HEX #D397D0

RGB 211 151 208

HSL 303, 0.41%, 0.71%

LAB 69.85, 31.74, -20.3

 

CMYK 24 / 50 / 0 / 27

HEX #8F5DBB

RGB 143 93 187

HSL 271.91, 0.41%, 0.55%

LAB 48.58, 38.59, -41.99

 

CMYK 18 / 39 / 0 / 22

HEX #A37AC7

RGB 163 122 199

HSL 271.95, 0.41%, 0.63%

LAB 57.87, 30.76, -34.11

 

CMYK 13 / 28 / 0 / 17

HEX #B797D3

RGB 183 151 211

HSL 272, 0.41%, 0.71%

LAB 67.2, 23.26, -26.25

 

CMYK 9 / 20 / 0 / 12

HEX #CBB4E0

RGB 203 180 224

HSL 271.36, 0.42%, 0.79%

LAB 76.51, 16.4, -19.03

 

CMYK 6 / 11 / 0 / 7

HEX #DFD1EC

RGB 223 209 236

HSL 271.11, 0.42%, 0.87%

LAB 85.68, 9.74, -11.52

 

CMYK 14 / 29 / 0 / 17

HEX #B695D3

RGB 182 149 211

HSL 271.94, 0.41%, 0.71%

LAB 66.63, 24.06, -27.14

 

CMYK 0 / 28 / 20 / 17

HEX #D397A8

RGB 211 151 168

HSL 343, 0.41%, 0.71%

LAB 68.61, 24.98, 0.11

 

CMYK 28 / 0 / 25 / 17

HEX #97D39E

RGB 151 211 158

HSL 127, 0.41%, 0.71%

LAB 79.41, -29.71, 20.23

 

CMYK 14 / 29 / 0 / 17

HEX #B695D3

RGB 182 149 211

HSL 271.94, 0.41%, 0.71%

LAB 66.63, 24.06, -27.14

 

CMYK 0 / 14 / 28 / 17

HEX #D3B697

RGB 211 182 151

HSL 31, 0.41%, 0.71%

LAB 75.79, 5.78, 19.64

 

CMYK 28 / 0 / 14 / 17

HEX #97D3B6

RGB 151 211 182

HSL 151, 0.41%, 0.71%

LAB 79.92, -25.21, 8.23

 

CMYK 14 / 29 / 0 / 17

HEX #B695D3

RGB 182 149 211

HSL 271.94, 0.41%, 0.71%

LAB 66.63, 24.06, -27.14

 

CMYK 0 / 28 / 20 / 17

HEX #D397A8

RGB 211 151 168

HSL 343, 0.41%, 0.71%

LAB 68.61, 24.98, 0.11

 

CMYK 15 / 0 / 28 / 17

HEX #B4D397

RGB 180 211 151

HSL 91, 0.41%, 0.71%

LAB 81.03, -20.89, 26.41

 

CMYK 28 / 0 / 8 / 17

HEX #97D3C2

RGB 151 211 194

HSL 163, 0.41%, 0.71%

LAB 80.21, -22.74, 2.25

 

CMYK 14 / 29 / 0 / 17

HEX #B695D3

RGB 182 149 211

HSL 271.94, 0.41%, 0.71%

LAB 66.63, 24.06, -27.14

 

CMYK 0 / 28 / 28 / 17

HEX #D39897

RGB 211 152 151

HSL 1, 0.41%, 0.71%

LAB 68.42, 21.98, 9.31

 

CMYK 15 / 0 / 28 / 17

HEX #B4D397

RGB 180 211 151

HSL 91, 0.41%, 0.71%

LAB 81.03, -20.89, 26.41

 

CMYK 28 / 0 / 0 / 17

HEX #97D2D3

RGB 151 210 211

HSL 181, 0.41%, 0.71%

LAB 80.39, -18.5, -6.58

 

Description

Color code: HEX #B695D3 | qconv.com Color code: HEX #B695D3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 149 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 149 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 29 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 29% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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