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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B68B5E it is the complementary color #4974A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B68B5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B68B5E shade: #BB8B59, #CC9D6C, #DDAF7F, #EEC192 and #FFD3A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B68B5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B68B5E shade: #B68B5E, #A5794B, #946738, #835525 and #724312

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B68B5E shade: #B68A5D, #B6725D and #B65D5D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B68B5E shade: #B68A5D, #B6A25D, #B1B65D, #99B65D and #81B65D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B68B5E shade matches the following richer shades: #B68A5D, #C98B4A, #DC8B37 and #EF8C24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B68B5E shade: #B68A5D, #A38A70, #908983, #7D8996 and #6A88A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B68B5E shade: #B65D60, #B6715D, #B6895D, #B6A15D and #B3B65D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B68B5E shade: #85613B, #A17648, #B68A5D, #C39F79 and #CFB396

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B68B5E shade: #B68B5E, #77B65D and #665DB6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B68B5E shade: #B68B5E, #5DB689 and #895DB6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B68B5E shade: #B68B5E, #77B65D, #5D89B6 and #9B5DB6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B68B5E shade: #B68B5E, #5DB65D, #5D89B6 and #B65DB6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 48 / 29

HEX #B68B5E

RGB 182 139 94

HSL 30.68, 0.38%, 0.54%

LAB 60.97, 10.7, 30.3

 

Complementary color

CMYK 55 / 28 / 0 / 37

HEX #4974A1

RGB 73 116 161

HSL 210.68, 0.38%, 0.46%

LAB 47.6, -1.4, -28.75

 

CMYK 0 / 26 / 52 / 27

HEX #BB8B59

RGB 187 139 89

HSL 30.61, 0.42%, 0.54%

LAB 61.44, 12.33, 33.71

 

CMYK 0 / 23 / 47 / 20

HEX #CC9D6C

RGB 204 157 108

HSL 30.63, 0.48%, 0.61%

LAB 68.05, 11.38, 32.29

 

CMYK 0 / 21 / 43 / 13

HEX #DDAF7F

RGB 221 175 127

HSL 30.64, 0.58%, 0.68%

LAB 74.55, 10.56, 30.97

 

CMYK 0 / 19 / 39 / 7

HEX #EEC192

RGB 238 193 146

HSL 30.65, 0.73%, 0.75%

LAB 80.96, 9.85, 29.74

 

CMYK 0 / 17 / 35 / 0

HEX #FFD3A5

RGB 255 211 165

HSL 30.67, 1%, 0.82%

LAB 87.27, 9.22, 28.58

 

CMYK 0 / 24 / 48 / 29

HEX #B68B5E

RGB 182 139 94

HSL 30.68, 0.38%, 0.54%

LAB 60.97, 10.7, 30.3

 

CMYK 0 / 27 / 55 / 35

HEX #A5794B

RGB 165 121 75

HSL 30.67, 0.38%, 0.47%

LAB 54.22, 11.7, 31.77

 

CMYK 0 / 30 / 62 / 42

HEX #946738

RGB 148 103 56

HSL 30.65, 0.45%, 0.4%

LAB 47.34, 12.91, 33.33

 

CMYK 0 / 35 / 72 / 49

HEX #835525

RGB 131 85 37

HSL 30.64, 0.56%, 0.33%

LAB 40.34, 14.4, 34.91

 

CMYK 0 / 41 / 84 / 55

HEX #724312

RGB 114 67 18

HSL 30.63, 0.73%, 0.26%

LAB 33.21, 16.25, 36.18

 

CMYK 0 / 24 / 49 / 29

HEX #B68A5D

RGB 182 138 93

HSL 30.34, 0.38%, 0.54%

LAB 60.7, 11.15, 30.5

 

CMYK 0 / 37 / 49 / 29

HEX #B6725D

RGB 182 114 93

HSL 14.16, 0.38%, 0.54%

LAB 54.83, 24.51, 22.86

 

CMYK 0 / 49 / 49 / 29

HEX #B65D5D

RGB 182 93 93

HSL 0, 0.38%, 0.54%

LAB 50.17, 35.9, 16.6

 

CMYK 0 / 24 / 49 / 29

HEX #B68A5D

RGB 182 138 93

HSL 30.34, 0.38%, 0.54%

LAB 60.7, 11.15, 30.5

 

CMYK 0 / 11 / 49 / 29

HEX #B6A25D

RGB 182 162 93

HSL 46.52, 0.38%, 0.54%

LAB 66.96, -1.99, 38.35

 

CMYK 3 / 0 / 49 / 29

HEX #B1B65D

RGB 177 182 93

HSL 63.37, 0.38%, 0.54%

LAB 71.96, -14.58, 44.32

 

CMYK 16 / 0 / 49 / 29

HEX #99B65D

RGB 153 182 93

HSL 79.55, 0.38%, 0.54%

LAB 70.19, -24.25, 41.77

 

CMYK 29 / 0 / 49 / 29

HEX #81B65D

RGB 129 182 93

HSL 95.73, 0.38%, 0.54%

LAB 68.69, -33.31, 39.59

 

CMYK 0 / 24 / 49 / 29

HEX #B68A5D

RGB 182 138 93

HSL 30.34, 0.38%, 0.54%

LAB 60.7, 11.15, 30.5

 

CMYK 0 / 31 / 63 / 21

HEX #C98B4A

RGB 201 139 74

HSL 30.71, 0.54%, 0.54%

LAB 62.82, 17.1, 43.57

 

CMYK 0 / 37 / 75 / 14

HEX #DC8B37

RGB 220 139 55

HSL 30.55, 0.7%, 0.54%

LAB 64.93, 24.1, 55.45

 

CMYK 0 / 41 / 85 / 6

HEX #EF8C24

RGB 239 140 36

HSL 30.74, 0.86%, 0.54%

LAB 67.45, 30.83, 65.84

 

CMYK 0 / 24 / 49 / 29

HEX #B68A5D

RGB 182 138 93

HSL 30.34, 0.38%, 0.54%

LAB 60.7, 11.15, 30.5

 

CMYK 0 / 15 / 31 / 36

HEX #A38A70

RGB 163 138 112

HSL 30.59, 0.22%, 0.54%

LAB 59.1, 5.46, 17.45

 

CMYK 0 / 5 / 9 / 44

HEX #908983

RGB 144 137 131

HSL 27.69, 0.06%, 0.54%

LAB 57.52, 1.5, 4.14

 

CMYK 17 / 9 / 0 / 41

HEX #7D8996

RGB 125 137 150

HSL 211.2, 0.11%, 0.54%

LAB 56.54, -1.5, -8.41

 

CMYK 37 / 20 / 0 / 34

HEX #6A88A9

RGB 106 136 169

HSL 211.43, 0.27%, 0.54%

LAB 55.62, -2.14, -20.85

 

CMYK 0 / 49 / 47 / 29

HEX #B65D60

RGB 182 93 96

HSL 357.98, 0.38%, 0.54%

LAB 50.24, 36.2, 14.91

 

CMYK 0 / 38 / 49 / 29

HEX #B6715D

RGB 182 113 93

HSL 13.48, 0.38%, 0.54%

LAB 54.6, 25.07, 22.55

 

CMYK 0 / 25 / 49 / 29

HEX #B6895D

RGB 182 137 93

HSL 29.66, 0.38%, 0.54%

LAB 60.45, 11.71, 30.18

 

CMYK 0 / 12 / 49 / 29

HEX #B6A15D

RGB 182 161 93

HSL 45.84, 0.38%, 0.54%

LAB 66.69, -1.45, 38.02

 

CMYK 2 / 0 / 49 / 29

HEX #B3B65D

RGB 179 182 93

HSL 62.02, 0.38%, 0.54%

LAB 72.11, -13.76, 44.54

 

CMYK 0 / 27 / 56 / 48

HEX #85613B

RGB 133 97 59

HSL 30.81, 0.39%, 0.38%

LAB 44.02, 9.91, 27.23

 

CMYK 0 / 27 / 55 / 37

HEX #A17648

RGB 161 118 72

HSL 31.01, 0.38%, 0.46%

LAB 52.95, 11.39, 31.74

 

CMYK 0 / 24 / 49 / 29

HEX #B68A5D

RGB 182 138 93

HSL 30.34, 0.38%, 0.54%

LAB 60.7, 11.15, 30.5

 

CMYK 0 / 18 / 38 / 24

HEX #C39F79

RGB 195 159 121

HSL 30.81, 0.38%, 0.62%

LAB 67.86, 8.03, 24.85

 

CMYK 0 / 14 / 28 / 19

HEX #CFB396

RGB 207 179 150

HSL 30.53, 0.37%, 0.7%

LAB 74.64, 5.7, 18.54

 

CMYK 0 / 24 / 48 / 29

HEX #B68B5E

RGB 182 139 94

HSL 30.68, 0.38%, 0.54%

LAB 60.97, 10.7, 30.3

 

CMYK 35 / 0 / 49 / 29

HEX #77B65D

RGB 119 182 93

HSL 102.47, 0.38%, 0.54%

LAB 68.14, -36.83, 38.8

 

CMYK 44 / 49 / 0 / 29

HEX #665DB6

RGB 102 93 182

HSL 246.07, 0.38%, 0.54%

LAB 44.28, 26.45, -46.17

 

CMYK 0 / 24 / 48 / 29

HEX #B68B5E

RGB 182 139 94

HSL 30.68, 0.38%, 0.54%

LAB 60.97, 10.7, 30.3

 

CMYK 49 / 0 / 25 / 29

HEX #5DB689

RGB 93 182 137

HSL 149.66, 0.38%, 0.54%

LAB 67.72, -37.29, 14.83

 

CMYK 25 / 49 / 0 / 29

HEX #895DB6

RGB 137 93 182

HSL 269.66, 0.38%, 0.54%

LAB 47.66, 35.72, -40.59

 

CMYK 0 / 24 / 48 / 29

HEX #B68B5E

RGB 182 139 94

HSL 30.68, 0.38%, 0.54%

LAB 60.97, 10.7, 30.3

 

CMYK 35 / 0 / 49 / 29

HEX #77B65D

RGB 119 182 93

HSL 102.47, 0.38%, 0.54%

LAB 68.14, -36.83, 38.8

 

CMYK 49 / 25 / 0 / 29

HEX #5D89B6

RGB 93 137 182

HSL 210.34, 0.38%, 0.54%

LAB 55.68, -2.42, -28.26

 

CMYK 15 / 49 / 0 / 29

HEX #9B5DB6

RGB 155 93 182

HSL 281.8, 0.38%, 0.54%

LAB 49.71, 40.83, -37.22

 

CMYK 0 / 24 / 48 / 29

HEX #B68B5E

RGB 182 139 94

HSL 30.68, 0.38%, 0.54%

LAB 60.97, 10.7, 30.3

 

CMYK 49 / 0 / 49 / 29

HEX #5DB65D

RGB 93 182 93

HSL 120, 0.38%, 0.54%

LAB 66.96, -45.01, 37.07

 

CMYK 49 / 25 / 0 / 29

HEX #5D89B6

RGB 93 137 182

HSL 210.34, 0.38%, 0.54%

LAB 55.68, -2.42, -28.26

 

CMYK 0 / 49 / 0 / 29

HEX #B65DB6

RGB 182 93 182

HSL 300, 0.38%, 0.54%

LAB 53.11, 48.65, -31.63

 

Description

Color code: HEX #B68B5E | qconv.com Color code: HEX #B68B5E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 139 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 139 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 48 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 48% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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