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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B686CC it is the complementary color #497933. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B686CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B686CC shade: #BB86C7, #CC98DA, #DDAAED, #EEBCFF and #FFCEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B686CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B686CC shade: #B686CC, #A574B9, #9462A6, #835093 and #723E80

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B686CC shade: #B585CC, #C985CC, #CC85BC, #CC85A9 and #CC8596

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B686CC shade: #B585CC, #A285CC, #8F85CC and #8585CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B686CC shade matches the following richer shades: #B585CC, #BB77DA, #C069E8 and #C55BF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B686CC shade: #B585CC, #B093BE, #ABA1B0, #A6AFA2 and #A1BD94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B686CC shade: #8F85CC, #A285CC, #B585CC, #C885CC and #CC85BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B686CC shade: #924BB3, #A468C0, #B585CC, #C7A2D8 and #D8BFE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B686CC shade: #B686CC, #CC858D and #85CC99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B686CC shade: #B686CC, #CCB585 and #85CCB5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B686CC shade: #B686CC, #CC858D, #9BCC85 and #85CCC4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B686CC shade: #B686CC, #CC9285, #9BCC85 and #85BFCC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 34 / 0 / 20

HEX #B686CC

RGB 182 134 204

HSL 281.14, 0.41%, 0.66%

LAB 62.81, 30.96, -29.13

 

Complementary color

CMYK 40 / 0 / 58 / 53

HEX #497933

RGB 73 121 51

HSL 101.14, 0.41%, 0.34%

LAB 46.08, -30.13, 32.87

 

CMYK 6 / 33 / 0 / 22

HEX #BB86C7

RGB 187 134 199

HSL 288.92, 0.37%, 0.65%

LAB 63.13, 31.52, -25.78

 

CMYK 6 / 30 / 0 / 15

HEX #CC98DA

RGB 204 152 218

HSL 287.27, 0.47%, 0.73%

LAB 69.72, 30.84, -26.08

 

CMYK 7 / 28 / 0 / 7

HEX #DDAAED

RGB 221 170 237

HSL 285.67, 0.65%, 0.8%

LAB 76.21, 30.2, -26.37

 

CMYK 7 / 26 / 0 / 0

HEX #EEBCFF

RGB 238 188 255

HSL 284.78, 1%, 0.87%

LAB 82.57, 29.41, -26.18

 

CMYK 0 / 19 / 0 / 0

HEX #FFCEFF

RGB 255 206 255

HSL 300, 1%, 0.9%

LAB 88.27, 25.32, -17.41

 

CMYK 11 / 34 / 0 / 20

HEX #B686CC

RGB 182 134 204

HSL 281.14, 0.41%, 0.66%

LAB 62.81, 30.96, -29.13

 

CMYK 11 / 37 / 0 / 27

HEX #A574B9

RGB 165 116 185

HSL 282.61, 0.33%, 0.59%

LAB 56.08, 31.69, -28.91

 

CMYK 11 / 41 / 0 / 35

HEX #9462A6

RGB 148 98 166

HSL 284.12, 0.28%, 0.52%

LAB 49.23, 32.48, -28.68

 

CMYK 11 / 46 / 0 / 42

HEX #835093

RGB 131 80 147

HSL 285.67, 0.3%, 0.45%

LAB 42.26, 33.3, -28.42

 

CMYK 11 / 52 / 0 / 50

HEX #723E80

RGB 114 62 128

HSL 287.27, 0.35%, 0.37%

LAB 35.17, 34.13, -28.1

 

CMYK 11 / 35 / 0 / 20

HEX #B585CC

RGB 181 133 204

HSL 280.56, 0.41%, 0.66%

LAB 62.47, 31.2, -29.65

 

CMYK 1 / 35 / 0 / 20

HEX #C985CC

RGB 201 133 204

HSL 297.46, 0.41%, 0.66%

LAB 64.61, 37.51, -26.18

 

CMYK 0 / 35 / 8 / 20

HEX #CC85BC

RGB 204 133 188

HSL 313.52, 0.41%, 0.66%

LAB 64.36, 35.57, -17.54

 

CMYK 0 / 35 / 17 / 20

HEX #CC85A9

RGB 204 133 169

HSL 329.58, 0.41%, 0.66%

LAB 63.74, 32.41, -7.73

 

CMYK 0 / 35 / 26 / 20

HEX #CC8596

RGB 204 133 150

HSL 345.63, 0.41%, 0.66%

LAB 63.19, 29.56, 2.26

 

CMYK 11 / 35 / 0 / 20

HEX #B585CC

RGB 181 133 204

HSL 280.56, 0.41%, 0.66%

LAB 62.47, 31.2, -29.65

 

CMYK 21 / 35 / 0 / 20

HEX #A285CC

RGB 162 133 204

HSL 264.51, 0.41%, 0.66%

LAB 60.62, 25.33, -32.67

 

CMYK 30 / 35 / 0 / 20

HEX #8F85CC

RGB 143 133 204

HSL 248.45, 0.41%, 0.66%

LAB 58.95, 19.68, -35.4

 

CMYK 35 / 35 / 0 / 20

HEX #8585CC

RGB 133 133 204

HSL 240, 0.41%, 0.66%

LAB 58.15, 16.83, -36.7

 

CMYK 11 / 35 / 0 / 20

HEX #B585CC

RGB 181 133 204

HSL 280.56, 0.41%, 0.66%

LAB 62.47, 31.2, -29.65

 

CMYK 14 / 45 / 0 / 15

HEX #BB77DA

RGB 187 119 218

HSL 281.21, 0.57%, 0.66%

LAB 60.62, 43.63, -40.34

 

CMYK 17 / 55 / 0 / 9

HEX #C069E8

RGB 192 105 232

HSL 281.1, 0.73%, 0.66%

LAB 59.1, 55.17, -50.54

 

CMYK 20 / 63 / 0 / 4

HEX #C55BF6

RGB 197 91 246

HSL 281.03, 0.9%, 0.66%

LAB 58.04, 65.88, -59.98

 

CMYK 11 / 35 / 0 / 20

HEX #B585CC

RGB 181 133 204

HSL 280.56, 0.41%, 0.66%

LAB 62.47, 31.2, -29.65

 

CMYK 7 / 23 / 0 / 25

HEX #B093BE

RGB 176 147 190

HSL 280.47, 0.25%, 0.66%

LAB 64.82, 18.81, -18.24

 

CMYK 3 / 9 / 0 / 31

HEX #ABA1B0

RGB 171 161 176

HSL 280, 0.09%, 0.66%

LAB 67.49, 6.45, -6.45

 

CMYK 5 / 0 / 7 / 31

HEX #A6AFA2

RGB 166 175 162

HSL 101.54, 0.08%, 0.66%

LAB 70.44, -5.61, 5.57

 

CMYK 15 / 0 / 22 / 26

HEX #A1BD94

RGB 161 189 148

HSL 100.98, 0.24%, 0.66%

LAB 73.62, -17.16, 17.64

 

CMYK 30 / 35 / 0 / 20

HEX #8F85CC

RGB 143 133 204

HSL 248.45, 0.41%, 0.66%

LAB 58.95, 19.68, -35.4

 

CMYK 21 / 35 / 0 / 20

HEX #A285CC

RGB 162 133 204

HSL 264.51, 0.41%, 0.66%

LAB 60.62, 25.33, -32.67

 

CMYK 11 / 35 / 0 / 20

HEX #B585CC

RGB 181 133 204

HSL 280.56, 0.41%, 0.66%

LAB 62.47, 31.2, -29.65

 

CMYK 2 / 35 / 0 / 20

HEX #C885CC

RGB 200 133 204

HSL 296.62, 0.41%, 0.66%

LAB 64.49, 37.19, -26.36

 

CMYK 0 / 35 / 8 / 20

HEX #CC85BC

RGB 204 133 188

HSL 313.52, 0.41%, 0.66%

LAB 64.36, 35.57, -17.54

 

CMYK 18 / 58 / 0 / 30

HEX #924BB3

RGB 146 75 179

HSL 280.96, 0.41%, 0.5%

LAB 44.8, 47.27, -43.31

 

CMYK 15 / 46 / 0 / 25

HEX #A468C0

RGB 164 104 192

HSL 280.91, 0.41%, 0.58%

LAB 53.6, 39.58, -36.8

 

CMYK 11 / 35 / 0 / 20

HEX #B585CC

RGB 181 133 204

HSL 280.56, 0.41%, 0.66%

LAB 62.47, 31.2, -29.65

 

CMYK 8 / 25 / 0 / 15

HEX #C7A2D8

RGB 199 162 216

HSL 281.11, 0.41%, 0.74%

LAB 71.51, 23.34, -22.28

 

CMYK 5 / 16 / 0 / 11

HEX #D8BFE4

RGB 216 191 228

HSL 280.54, 0.41%, 0.82%

LAB 80.44, 15.49, -15.15

 

CMYK 11 / 34 / 0 / 20

HEX #B686CC

RGB 182 134 204

HSL 281.14, 0.41%, 0.66%

LAB 62.81, 30.96, -29.13

 

CMYK 0 / 35 / 31 / 20

HEX #CC858D

RGB 204 133 141

HSL 353.24, 0.41%, 0.66%

LAB 62.96, 28.32, 7.04

 

CMYK 35 / 0 / 25 / 20

HEX #85CC99

RGB 133 204 153

HSL 136.9, 0.41%, 0.66%

LAB 76.36, -32.96, 18.52

 

CMYK 11 / 34 / 0 / 20

HEX #B686CC

RGB 182 134 204

HSL 281.14, 0.41%, 0.66%

LAB 62.81, 30.96, -29.13

 

CMYK 0 / 11 / 35 / 20

HEX #CCB585

RGB 204 181 133

HSL 40.56, 0.41%, 0.66%

LAB 74.56, 1.25, 27.5

 

CMYK 35 / 0 / 11 / 20

HEX #85CCB5

RGB 133 204 181

HSL 160.56, 0.41%, 0.66%

LAB 76.99, -27.34, 4.42

 

CMYK 11 / 34 / 0 / 20

HEX #B686CC

RGB 182 134 204

HSL 281.14, 0.41%, 0.66%

LAB 62.81, 30.96, -29.13

 

CMYK 0 / 35 / 31 / 20

HEX #CC858D

RGB 204 133 141

HSL 353.24, 0.41%, 0.66%

LAB 62.96, 28.32, 7.04

 

CMYK 24 / 0 / 35 / 20

HEX #9BCC85

RGB 155 204 133

HSL 101.41, 0.41%, 0.66%

LAB 77.19, -29.04, 30.35

 

CMYK 35 / 0 / 4 / 20

HEX #85CCC4

RGB 133 204 196

HSL 173.24, 0.41%, 0.66%

LAB 77.38, -23.98, -3.09

 

CMYK 11 / 34 / 0 / 20

HEX #B686CC

RGB 182 134 204

HSL 281.14, 0.41%, 0.66%

LAB 62.81, 30.96, -29.13

 

CMYK 0 / 28 / 35 / 20

HEX #CC9285

RGB 204 146 133

HSL 10.99, 0.41%, 0.66%

LAB 65.82, 20.19, 15.59

 

CMYK 24 / 0 / 35 / 20

HEX #9BCC85

RGB 155 204 133

HSL 101.41, 0.41%, 0.66%

LAB 77.19, -29.04, 30.35

 

CMYK 35 / 6 / 0 / 20

HEX #85BFCC

RGB 133 191 204

HSL 190.99, 0.41%, 0.66%

LAB 73.94, -15.48, -12.52

 

Description

Color code: HEX #B686CC | qconv.com Color code: HEX #B686CC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 134 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 134 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 34 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 34% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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