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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B685DB it is the complementary color #497A24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B685DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B685DB shade: #BB85D6, #CC97E9, #DDA9FC, #EEBBFF and #FFCDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B685DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B685DB shade: #B685DB, #A573C8, #9461B5, #834FA2 and #723D8F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B685DB shade: #B685DB, #CD85DB, #DB85D1, #DB85BA and #DB85A3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B685DB shade: #B685DB, #9F85DB, #8885DB and #8585DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B685DB shade matches the following richer shades: #B685DB, #B878E7 and #B96CF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B685DB shade: #B685DB, #B492CE, #B29FC1, #B1ACB4 and #AFB8A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B685DB shade: #8885DB, #9F85DB, #B685DB, #CC85DB and #DB85D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B685DB shade: #9046C8, #A365D1, #B685DB, #C9A5E4 and #DCC5EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B685DB shade: #B685DB, #DB8599 and #85DB93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B685DB shade: #B685DB, #DBB685 and #85DBB6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B685DB shade: #B685DB, #DB8599, #AADB85 and #85DBC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B685DB shade: #B685DB, #DB8B85, #AADB85 and #85D5DB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 39 / 0 / 14

HEX #B685DB

RGB 182 133 219

HSL 274.19, 0.54%, 0.69%

LAB 63.21, 34.74, -36.89

 

Complementary color

CMYK 40 / 0 / 70 / 52

HEX #497A24

RGB 73 122 36

HSL 94.19, 0.54%, 0.31%

LAB 46.26, -32.13, 40.17

 

CMYK 13 / 38 / 0 / 16

HEX #BB85D6

RGB 187 133 214

HSL 280, 0.5%, 0.68%

LAB 63.5, 35.16, -33.6

 

CMYK 12 / 35 / 0 / 9

HEX #CC97E9

RGB 204 151 233

HSL 278.78, 0.65%, 0.75%

LAB 70.07, 34.43, -33.79

 

CMYK 12 / 33 / 0 / 1

HEX #DDA9FC

RGB 221 169 252

HSL 277.59, 0.93%, 0.83%

LAB 76.54, 33.75, -33.97

 

CMYK 7 / 27 / 0 / 0

HEX #EEBBFF

RGB 238 187 255

HSL 285, 1%, 0.87%

LAB 82.35, 29.94, -26.53

 

CMYK 0 / 20 / 0 / 0

HEX #FFCDFF

RGB 255 205 255

HSL 300, 1%, 0.9%

LAB 88.04, 25.84, -17.75

 

CMYK 17 / 39 / 0 / 14

HEX #B685DB

RGB 182 133 219

HSL 274.19, 0.54%, 0.69%

LAB 63.21, 34.74, -36.89

 

CMYK 18 / 43 / 0 / 22

HEX #A573C8

RGB 165 115 200

HSL 275.29, 0.44%, 0.62%

LAB 56.52, 35.53, -36.79

 

CMYK 18 / 46 / 0 / 29

HEX #9461B5

RGB 148 97 181

HSL 276.43, 0.36%, 0.55%

LAB 49.72, 36.37, -36.68

 

CMYK 19 / 51 / 0 / 36

HEX #834FA2

RGB 131 79 162

HSL 277.59, 0.34%, 0.47%

LAB 42.8, 37.23, -36.54

 

CMYK 20 / 57 / 0 / 44

HEX #723D8F

RGB 114 61 143

HSL 278.78, 0.4%, 0.4%

LAB 35.79, 38.08, -36.35

 

CMYK 17 / 39 / 0 / 14

HEX #B685DB

RGB 182 133 219

HSL 274.19, 0.54%, 0.69%

LAB 63.21, 34.74, -36.89

 

CMYK 6 / 39 / 0 / 14

HEX #CD85DB

RGB 205 133 219

HSL 290.23, 0.54%, 0.69%

LAB 65.65, 41.63, -32.91

 

CMYK 0 / 39 / 5 / 14

HEX #DB85D1

RGB 219 133 209

HSL 306.98, 0.54%, 0.69%

LAB 66.85, 44.09, -25.35

 

CMYK 0 / 39 / 15 / 14

HEX #DB85BA

RGB 219 133 186

HSL 323.02, 0.54%, 0.69%

LAB 66.04, 40.24, -13.7

 

CMYK 0 / 39 / 26 / 14

HEX #DB85A3

RGB 219 133 163

HSL 339.07, 0.54%, 0.69%

LAB 65.34, 36.8, -1.76

 

CMYK 17 / 39 / 0 / 14

HEX #B685DB

RGB 182 133 219

HSL 274.19, 0.54%, 0.69%

LAB 63.21, 34.74, -36.89

 

CMYK 27 / 39 / 0 / 14

HEX #9F85DB

RGB 159 133 219

HSL 258.14, 0.54%, 0.69%

LAB 61.01, 28.04, -40.49

 

CMYK 38 / 39 / 0 / 14

HEX #8885DB

RGB 136 133 219

HSL 242.09, 0.54%, 0.69%

LAB 59.09, 21.72, -43.64

 

CMYK 39 / 39 / 0 / 14

HEX #8585DB

RGB 133 133 219

HSL 240, 0.54%, 0.69%

LAB 58.86, 20.94, -44.02

 

CMYK 17 / 39 / 0 / 14

HEX #B685DB

RGB 182 133 219

HSL 274.19, 0.54%, 0.69%

LAB 63.21, 34.74, -36.89

 

CMYK 20 / 48 / 0 / 9

HEX #B878E7

RGB 184 120 231

HSL 274.59, 0.7%, 0.69%

LAB 61.13, 45.06, -46.83

 

CMYK 24 / 56 / 0 / 4

HEX #B96CF4

RGB 185 108 244

HSL 273.97, 0.86%, 0.69%

LAB 59.5, 54.5, -56.63

 

CMYK 17 / 39 / 0 / 14

HEX #B685DB

RGB 182 133 219

HSL 274.19, 0.54%, 0.69%

LAB 63.21, 34.74, -36.89

 

CMYK 13 / 29 / 0 / 19

HEX #B492CE

RGB 180 146 206

HSL 274, 0.38%, 0.69%

LAB 65.53, 24.03, -26.07

 

CMYK 8 / 18 / 0 / 24

HEX #B29FC1

RGB 178 159 193

HSL 273.53, 0.22%, 0.69%

LAB 68.1, 13.38, -14.93

 

CMYK 2 / 4 / 0 / 29

HEX #B1ACB4

RGB 177 172 180

HSL 277.5, 0.05%, 0.69%

LAB 70.97, 3.28, -3.47

 

CMYK 5 / 0 / 9 / 28

HEX #AFB8A7

RGB 175 184 167

HSL 91.76, 0.11%, 0.69%

LAB 73.67, -6.27, 7.55

 

CMYK 38 / 39 / 0 / 14

HEX #8885DB

RGB 136 133 219

HSL 242.09, 0.54%, 0.69%

LAB 59.09, 21.72, -43.64

 

CMYK 27 / 39 / 0 / 14

HEX #9F85DB

RGB 159 133 219

HSL 258.14, 0.54%, 0.69%

LAB 61.01, 28.04, -40.49

 

CMYK 17 / 39 / 0 / 14

HEX #B685DB

RGB 182 133 219

HSL 274.19, 0.54%, 0.69%

LAB 63.21, 34.74, -36.89

 

CMYK 7 / 39 / 0 / 14

HEX #CC85DB

RGB 204 133 219

HSL 289.53, 0.54%, 0.69%

LAB 65.54, 41.33, -33.09

 

CMYK 0 / 39 / 4 / 14

HEX #DB85D2

RGB 219 133 210

HSL 306.28, 0.54%, 0.69%

LAB 66.89, 44.26, -25.85

 

CMYK 28 / 65 / 0 / 22

HEX #9046C8

RGB 144 70 200

HSL 274.15, 0.54%, 0.53%

LAB 44.91, 53.99, -55.38

 

CMYK 22 / 52 / 0 / 18

HEX #A365D1

RGB 163 101 209

HSL 274.44, 0.54%, 0.61%

LAB 53.7, 44.71, -46.35

 

CMYK 17 / 39 / 0 / 14

HEX #B685DB

RGB 182 133 219

HSL 274.19, 0.54%, 0.69%

LAB 63.21, 34.74, -36.89

 

CMYK 12 / 28 / 0 / 11

HEX #C9A5E4

RGB 201 165 228

HSL 274.29, 0.54%, 0.77%

LAB 72.85, 24.79, -26.8

 

CMYK 8 / 17 / 0 / 7

HEX #DCC5EE

RGB 220 197 238

HSL 273.66, 0.55%, 0.85%

LAB 82.55, 15.53, -17.3

 

CMYK 17 / 39 / 0 / 14

HEX #B685DB

RGB 182 133 219

HSL 274.19, 0.54%, 0.69%

LAB 63.21, 34.74, -36.89

 

CMYK 0 / 39 / 30 / 14

HEX #DB8599

RGB 219 133 153

HSL 346.05, 0.54%, 0.69%

LAB 65.07, 35.44, 3.5

 

CMYK 39 / 0 / 33 / 14

HEX #85DB93

RGB 133 219 147

HSL 129.77, 0.54%, 0.69%

LAB 80.6, -40.85, 27.46

 

CMYK 17 / 39 / 0 / 14

HEX #B685DB

RGB 182 133 219

HSL 274.19, 0.54%, 0.69%

LAB 63.21, 34.74, -36.89

 

CMYK 0 / 17 / 39 / 14

HEX #DBB685

RGB 219 182 133

HSL 34.19, 0.54%, 0.69%

LAB 76.2, 6.69, 29.93

 

CMYK 39 / 0 / 17 / 14

HEX #85DBB6

RGB 133 219 182

HSL 154.19, 0.54%, 0.69%

LAB 81.31, -34.26, 10.09

 

CMYK 17 / 39 / 0 / 14

HEX #B685DB

RGB 182 133 219

HSL 274.19, 0.54%, 0.69%

LAB 63.21, 34.74, -36.89

 

CMYK 0 / 39 / 30 / 14

HEX #DB8599

RGB 219 133 153

HSL 346.05, 0.54%, 0.69%

LAB 65.07, 35.44, 3.5

 

CMYK 22 / 0 / 39 / 14

HEX #AADB85

RGB 170 219 133

HSL 94.19, 0.54%, 0.69%

LAB 82.33, -30.85, 37.23

 

CMYK 39 / 0 / 9 / 14

HEX #85DBC7

RGB 133 219 199

HSL 166.05, 0.54%, 0.69%

LAB 81.71, -30.58, 1.66

 

CMYK 17 / 39 / 0 / 14

HEX #B685DB

RGB 182 133 219

HSL 274.19, 0.54%, 0.69%

LAB 63.21, 34.74, -36.89

 

CMYK 0 / 37 / 39 / 14

HEX #DB8B85

RGB 219 139 133

HSL 4.19, 0.54%, 0.69%

LAB 65.92, 29.78, 16

 

CMYK 22 / 0 / 39 / 14

HEX #AADB85

RGB 170 219 133

HSL 94.19, 0.54%, 0.69%

LAB 82.33, -30.85, 37.23

 

CMYK 39 / 3 / 0 / 14

HEX #85D5DB

RGB 133 213 219

HSL 184.19, 0.54%, 0.69%

LAB 80.57, -22.95, -10.7

 

Description

Color code: HEX #B685DB | qconv.com Color code: HEX #B685DB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 133 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 133 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 39 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 39% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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