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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B683CC it is the complementary color #497C33. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B683CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B683CC shade: #BB83C7, #CC95DA, #DDA7ED, #EEB9FF and #FFCBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B683CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B683CC shade: #B683CC, #A571B9, #945FA6, #834D93 and #723B80

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B683CC shade: #B784CD, #CA84CD, #CD84BB, #CD84A8 and #CD8494

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B683CC shade: #B784CD, #A384CD, #8F84CD and #8484CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B683CC shade matches the following richer shades: #B784CD, #BC76DB, #C268E9 and #C75AF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B683CC shade: #B784CD, #B192BF, #ACA0B1, #A6AEA3 and #A0BC95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B683CC shade: #8F84CD, #A284CD, #B684CD, #C984CD and #CD84BD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B683CC shade: #944AB4, #A667C1, #B784CD, #C8A1D9 and #D9BEE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B683CC shade: #B683CC, #CD848C and #84CD99

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B683CC shade: #B683CC, #CDB684 and #84CDB6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B683CC shade: #B683CC, #CD848C, #9BCD84 and #84CDC4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B683CC shade: #B683CC, #CD9184, #9BCD84 and #84BFCD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 36 / 0 / 20

HEX #B683CC

RGB 182 131 204

HSL 281.92, 0.42%, 0.66%

LAB 62.12, 32.63, -30.2

 

Complementary color

CMYK 41 / 0 / 59 / 51

HEX #497C33

RGB 73 124 51

HSL 101.92, 0.42%, 0.34%

LAB 47.07, -31.53, 34.02

 

CMYK 6 / 34 / 0 / 22

HEX #BB83C7

RGB 187 131 199

HSL 289.41, 0.38%, 0.65%

LAB 62.44, 33.18, -26.84

 

CMYK 6 / 32 / 0 / 15

HEX #CC95DA

RGB 204 149 218

HSL 287.83, 0.48%, 0.72%

LAB 69.04, 32.48, -27.13

 

CMYK 7 / 30 / 0 / 7

HEX #DDA7ED

RGB 221 167 237

HSL 286.29, 0.66%, 0.79%

LAB 75.53, 31.82, -27.42

 

CMYK 7 / 27 / 0 / 0

HEX #EEB9FF

RGB 238 185 255

HSL 285.43, 1%, 0.86%

LAB 81.89, 31.01, -27.23

 

CMYK 0 / 20 / 0 / 0

HEX #FFCBFF

RGB 255 203 255

HSL 300, 1%, 0.9%

LAB 87.58, 26.9, -18.44

 

CMYK 11 / 36 / 0 / 20

HEX #B683CC

RGB 182 131 204

HSL 281.92, 0.42%, 0.66%

LAB 62.12, 32.63, -30.2

 

CMYK 11 / 39 / 0 / 27

HEX #A571B9

RGB 165 113 185

HSL 283.33, 0.34%, 0.58%

LAB 55.39, 33.38, -29.97

 

CMYK 11 / 43 / 0 / 35

HEX #945FA6

RGB 148 95 166

HSL 284.79, 0.29%, 0.51%

LAB 48.55, 34.18, -29.74

 

CMYK 11 / 48 / 0 / 42

HEX #834D93

RGB 131 77 147

HSL 286.29, 0.31%, 0.44%

LAB 41.59, 35, -29.46

 

CMYK 11 / 54 / 0 / 50

HEX #723B80

RGB 114 59 128

HSL 287.83, 0.37%, 0.37%

LAB 34.53, 35.8, -29.1

 

CMYK 11 / 36 / 0 / 20

HEX #B784CD

RGB 183 132 205

HSL 281.92, 0.42%, 0.66%

LAB 62.49, 32.59, -30.17

 

CMYK 1 / 36 / 0 / 20

HEX #CA84CD

RGB 202 132 205

HSL 297.53, 0.42%, 0.66%

LAB 64.54, 38.55, -26.84

 

CMYK 0 / 36 / 9 / 20

HEX #CD84BB

RGB 205 132 187

HSL 314.79, 0.42%, 0.66%

LAB 64.22, 36.27, -17.18

 

CMYK 0 / 36 / 18 / 20

HEX #CD84A8

RGB 205 132 168

HSL 330.41, 0.42%, 0.66%

LAB 63.6, 33.14, -7.36

 

CMYK 0 / 36 / 28 / 20

HEX #CD8494

RGB 205 132 148

HSL 346.85, 0.42%, 0.66%

LAB 63.03, 30.19, 3.18

 

CMYK 11 / 36 / 0 / 20

HEX #B784CD

RGB 183 132 205

HSL 281.92, 0.42%, 0.66%

LAB 62.49, 32.59, -30.17

 

CMYK 20 / 36 / 0 / 20

HEX #A384CD

RGB 163 132 205

HSL 265.48, 0.42%, 0.66%

LAB 60.51, 26.44, -33.39

 

CMYK 30 / 36 / 0 / 20

HEX #8F84CD

RGB 143 132 205

HSL 249.04, 0.42%, 0.66%

LAB 58.74, 20.52, -36.29

 

CMYK 36 / 36 / 0 / 20

HEX #8484CD

RGB 132 132 205

HSL 240, 0.42%, 0.66%

LAB 57.86, 17.41, -37.73

 

CMYK 11 / 36 / 0 / 20

HEX #B784CD

RGB 183 132 205

HSL 281.92, 0.42%, 0.66%

LAB 62.49, 32.59, -30.17

 

CMYK 14 / 46 / 0 / 14

HEX #BC76DB

RGB 188 118 219

HSL 281.58, 0.58%, 0.66%

LAB 60.57, 44.66, -40.97

 

CMYK 17 / 55 / 0 / 9

HEX #C268E9

RGB 194 104 233

HSL 281.86, 0.75%, 0.66%

LAB 59.21, 56.38, -50.91

 

CMYK 19 / 64 / 0 / 3

HEX #C75AF7

RGB 199 90 247

HSL 281.66, 0.91%, 0.66%

LAB 58.2, 66.96, -60.27

 

CMYK 11 / 36 / 0 / 20

HEX #B784CD

RGB 183 132 205

HSL 281.92, 0.42%, 0.66%

LAB 62.49, 32.59, -30.17

 

CMYK 7 / 24 / 0 / 25

HEX #B192BF

RGB 177 146 191

HSL 281.33, 0.26%, 0.66%

LAB 64.7, 19.91, -18.98

 

CMYK 3 / 10 / 0 / 31

HEX #ACA0B1

RGB 172 160 177

HSL 282.35, 0.1%, 0.66%

LAB 67.34, 7.55, -7.22

 

CMYK 5 / 0 / 6 / 32

HEX #A6AEA3

RGB 166 174 163

HSL 103.64, 0.06%, 0.66%

LAB 70.19, -4.89, 4.66

 

CMYK 15 / 0 / 21 / 26

HEX #A0BC95

RGB 160 188 149

HSL 103.08, 0.23%, 0.66%

LAB 73.29, -16.84, 16.64

 

CMYK 30 / 36 / 0 / 20

HEX #8F84CD

RGB 143 132 205

HSL 249.04, 0.42%, 0.66%

LAB 58.74, 20.52, -36.29

 

CMYK 21 / 36 / 0 / 20

HEX #A284CD

RGB 162 132 205

HSL 264.66, 0.42%, 0.66%

LAB 60.42, 26.14, -33.54

 

CMYK 11 / 36 / 0 / 20

HEX #B684CD

RGB 182 132 205

HSL 281.1, 0.42%, 0.66%

LAB 62.39, 32.28, -30.34

 

CMYK 2 / 36 / 0 / 20

HEX #C984CD

RGB 201 132 205

HSL 296.71, 0.42%, 0.66%

LAB 64.43, 38.24, -27.02

 

CMYK 0 / 36 / 8 / 20

HEX #CD84BD

RGB 205 132 189

HSL 313.15, 0.42%, 0.66%

LAB 64.29, 36.62, -18.2

 

CMYK 18 / 59 / 0 / 29

HEX #944AB4

RGB 148 74 180

HSL 281.89, 0.42%, 0.5%

LAB 44.93, 48.51, -43.68

 

CMYK 14 / 47 / 0 / 24

HEX #A667C1

RGB 166 103 193

HSL 282, 0.42%, 0.58%

LAB 53.66, 40.93, -37.26

 

CMYK 11 / 36 / 0 / 20

HEX #B784CD

RGB 183 132 205

HSL 281.92, 0.42%, 0.66%

LAB 62.49, 32.59, -30.17

 

CMYK 8 / 26 / 0 / 15

HEX #C8A1D9

RGB 200 161 217

HSL 281.79, 0.42%, 0.74%

LAB 71.4, 24.42, -22.99

 

CMYK 5 / 17 / 0 / 10

HEX #D9BEE5

RGB 217 190 229

HSL 281.54, 0.43%, 0.82%

LAB 80.31, 16.55, -15.87

 

CMYK 11 / 36 / 0 / 20

HEX #B683CC

RGB 182 131 204

HSL 281.92, 0.42%, 0.66%

LAB 62.12, 32.63, -30.2

 

CMYK 0 / 36 / 32 / 20

HEX #CD848C

RGB 205 132 140

HSL 353.42, 0.42%, 0.66%

LAB 62.82, 29.11, 7.44

 

CMYK 36 / 0 / 25 / 20

HEX #84CD99

RGB 132 205 153

HSL 137.26, 0.42%, 0.66%

LAB 76.6, -33.73, 18.84

 

CMYK 11 / 36 / 0 / 20

HEX #B683CC

RGB 182 131 204

HSL 281.92, 0.42%, 0.66%

LAB 62.12, 32.63, -30.2

 

CMYK 0 / 11 / 36 / 20

HEX #CDB684

RGB 205 182 132

HSL 41.1, 0.42%, 0.66%

LAB 74.89, 1, 28.49

 

CMYK 36 / 0 / 11 / 20

HEX #84CDB6

RGB 132 205 182

HSL 161.1, 0.42%, 0.66%

LAB 77.25, -27.89, 4.26

 

CMYK 11 / 36 / 0 / 20

HEX #B683CC

RGB 182 131 204

HSL 281.92, 0.42%, 0.66%

LAB 62.12, 32.63, -30.2

 

CMYK 0 / 36 / 32 / 20

HEX #CD848C

RGB 205 132 140

HSL 353.42, 0.42%, 0.66%

LAB 62.82, 29.11, 7.44

 

CMYK 24 / 0 / 36 / 20

HEX #9BCD84

RGB 155 205 132

HSL 101.1, 0.42%, 0.66%

LAB 77.46, -29.67, 31.22

 

CMYK 36 / 0 / 4 / 20

HEX #84CDC4

RGB 132 205 196

HSL 172.6, 0.42%, 0.66%

LAB 77.61, -24.75, -2.74

 

CMYK 11 / 36 / 0 / 20

HEX #B683CC

RGB 182 131 204

HSL 281.92, 0.42%, 0.66%

LAB 62.12, 32.63, -30.2

 

CMYK 0 / 29 / 36 / 20

HEX #CD9184

RGB 205 145 132

HSL 10.68, 0.42%, 0.66%

LAB 65.67, 21.01, 15.96

 

CMYK 24 / 0 / 36 / 20

HEX #9BCD84

RGB 155 205 132

HSL 101.1, 0.42%, 0.66%

LAB 77.46, -29.67, 31.22

 

CMYK 36 / 7 / 0 / 20

HEX #84BFCD

RGB 132 191 205

HSL 191.51, 0.42%, 0.66%

LAB 73.92, -15.5, -13.1

 

Description

Color code: HEX #B683CC | qconv.com Color code: HEX #B683CC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 131 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 131 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 36 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 36% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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