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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6807C it is the complementary color #497F83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6807C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6807C shade: #BB8077, #CC928A, #DDA49D, #EEB6B0 and #FFC8C3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6807C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6807C shade: #B6807C, #A56E69, #945C56, #834A43 and #723830

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6807C shade: #B6807C and #B67C7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6807C shade: #B6807C, #B6907C, #B69F7C, #B6AF7C and #ADB67C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6807C shade matches the following richer shades: #B6807C, #C6726C, #D7645B, #E7564B and #F8473A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6807C shade: #B6807C, #A58F8D, #959D9D, #84ABAE and #74B9BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6807C shade: #B67C97, #B67C88, #B6807C, #B68F7C and #B69F7C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6807C shade: #8F5550, #A76762, #B6807C, #C49A97 and #D3B4B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6807C shade: #B6807C, #A6B67C and #7C8FB6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6807C shade: #B6807C, #7CB680 and #807CB6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6807C shade: #B6807C, #A6B67C, #7CB2B6 and #8C7CB6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6807C shade: #B6807C, #95B67C, #7CB2B6 and #9D7CB6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 32 / 29

HEX #B6807C

RGB 182 128 124

HSL 4.14, 0.28%, 0.6%

LAB 58.82, 20.35, 10.53

 

Complementary color

CMYK 44 / 3 / 0 / 49

HEX #497F83

RGB 73 127 131

HSL 184.14, 0.28%, 0.4%

LAB 49.78, -16.77, -7.79

 

CMYK 0 / 32 / 36 / 27

HEX #BB8077

RGB 187 128 119

HSL 7.94, 0.33%, 0.6%

LAB 59.28, 21.67, 14.12

 

CMYK 0 / 28 / 32 / 20

HEX #CC928A

RGB 204 146 138

HSL 7.27, 0.39%, 0.67%

LAB 65.93, 20.83, 12.95

 

CMYK 0 / 26 / 29 / 13

HEX #DDA49D

RGB 221 164 157

HSL 6.56, 0.48%, 0.74%

LAB 72.47, 20.09, 11.88

 

CMYK 0 / 24 / 26 / 7

HEX #EEB6B0

RGB 238 182 176

HSL 5.81, 0.65%, 0.81%

LAB 78.91, 19.42, 10.9

 

CMYK 0 / 22 / 24 / 0

HEX #FFC8C3

RGB 255 200 195

HSL 5, 1%, 0.88%

LAB 85.26, 18.81, 9.99

 

CMYK 0 / 30 / 32 / 29

HEX #B6807C

RGB 182 128 124

HSL 4.14, 0.28%, 0.6%

LAB 58.82, 20.35, 10.53

 

CMYK 0 / 33 / 36 / 35

HEX #A56E69

RGB 165 110 105

HSL 5, 0.25%, 0.53%

LAB 52.03, 21.22, 11.73

 

CMYK 0 / 38 / 42 / 42

HEX #945C56

RGB 148 92 86

HSL 5.81, 0.26%, 0.46%

LAB 45.11, 22.22, 13.09

 

CMYK 0 / 44 / 49 / 49

HEX #834A43

RGB 131 74 67

HSL 6.56, 0.32%, 0.39%

LAB 38.07, 23.37, 14.7

 

CMYK 0 / 51 / 58 / 55

HEX #723830

RGB 114 56 48

HSL 7.27, 0.41%, 0.32%

LAB 30.92, 24.68, 16.68

 

CMYK 0 / 30 / 32 / 29

HEX #B6807C

RGB 182 128 124

HSL 4.14, 0.28%, 0.6%

LAB 58.82, 20.35, 10.53

 

CMYK 0 / 32 / 32 / 29

HEX #B67C7C

RGB 182 124 124

HSL 0, 0.28%, 0.6%

LAB 57.86, 22.58, 9.17

 

CMYK 0 / 30 / 32 / 29

HEX #B6807C

RGB 182 128 124

HSL 4.14, 0.28%, 0.6%

LAB 58.82, 20.35, 10.53

 

CMYK 0 / 21 / 32 / 29

HEX #B6907C

RGB 182 144 124

HSL 20.69, 0.28%, 0.6%

LAB 62.8, 11.42, 16.09

 

CMYK 0 / 13 / 32 / 29

HEX #B69F7C

RGB 182 159 124

HSL 36.21, 0.28%, 0.6%

LAB 66.67, 3.16, 21.4

 

CMYK 0 / 4 / 32 / 29

HEX #B6AF7C

RGB 182 175 124

HSL 52.76, 0.28%, 0.6%

LAB 70.91, -5.44, 27.1

 

CMYK 5 / 0 / 32 / 29

HEX #ADB67C

RGB 173 182 124

HSL 69.31, 0.28%, 0.6%

LAB 72.09, -12.66, 28.54

 

CMYK 0 / 30 / 32 / 29

HEX #B6807C

RGB 182 128 124

HSL 4.14, 0.28%, 0.6%

LAB 58.82, 20.35, 10.53

 

CMYK 0 / 42 / 45 / 22

HEX #C6726C

RGB 198 114 108

HSL 4, 0.44%, 0.6%

LAB 57.2, 32.39, 17.77

 

CMYK 0 / 53 / 58 / 16

HEX #D7645B

RGB 215 100 91

HSL 4.35, 0.61%, 0.6%

LAB 56.4, 44.48, 26.92

 

CMYK 0 / 63 / 68 / 9

HEX #E7564B

RGB 231 86 75

HSL 4.23, 0.76%, 0.6%

LAB 56.24, 55.51, 36.35

 

CMYK 0 / 71 / 77 / 3

HEX #F8473A

RGB 248 71 58

HSL 4.11, 0.93%, 0.6%

LAB 56.85, 66.01, 47.1

 

CMYK 0 / 30 / 32 / 29

HEX #B6807C

RGB 182 128 124

HSL 4.14, 0.28%, 0.6%

LAB 58.82, 20.35, 10.53

 

CMYK 0 / 13 / 15 / 35

HEX #A58F8D

RGB 165 143 141

HSL 5, 0.12%, 0.6%

LAB 61.28, 7.89, 4.09

 

CMYK 5 / 0 / 0 / 38

HEX #959D9D

RGB 149 157 157

HSL 180, 0.04%, 0.6%

LAB 64.11, -2.85, -1

 

CMYK 24 / 2 / 0 / 32

HEX #84ABAE

RGB 132 171 174

HSL 184.29, 0.21%, 0.6%

LAB 67.34, -12.42, -5.87

 

CMYK 39 / 3 / 0 / 25

HEX #74B9BE

RGB 116 185 190

HSL 184.05, 0.36%, 0.6%

LAB 70.96, -20.43, -9.41

 

CMYK 0 / 32 / 17 / 29

HEX #B67C97

RGB 182 124 151

HSL 332.07, 0.28%, 0.6%

LAB 58.6, 26.6, -5.35

 

CMYK 0 / 32 / 25 / 29

HEX #B67C88

RGB 182 124 136

HSL 347.59, 0.28%, 0.6%

LAB 58.17, 24.27, 2.68

 

CMYK 0 / 30 / 32 / 29

HEX #B6807C

RGB 182 128 124

HSL 4.14, 0.28%, 0.6%

LAB 58.82, 20.35, 10.53

 

CMYK 0 / 21 / 32 / 29

HEX #B68F7C

RGB 182 143 124

HSL 19.66, 0.28%, 0.6%

LAB 62.55, 11.98, 15.74

 

CMYK 0 / 13 / 32 / 29

HEX #B69F7C

RGB 182 159 124

HSL 36.21, 0.28%, 0.6%

LAB 66.67, 3.16, 21.4

 

CMYK 0 / 41 / 44 / 44

HEX #8F5550

RGB 143 85 80

HSL 4.76, 0.28%, 0.44%

LAB 42.64, 23.47, 13.21

 

CMYK 0 / 38 / 41 / 35

HEX #A76762

RGB 167 103 98

HSL 4.35, 0.28%, 0.52%

LAB 50.45, 25.12, 13.69

 

CMYK 0 / 30 / 32 / 29

HEX #B6807C

RGB 182 128 124

HSL 4.14, 0.28%, 0.6%

LAB 58.82, 20.35, 10.53

 

CMYK 0 / 21 / 23 / 23

HEX #C49A97

RGB 196 154 151

HSL 4, 0.28%, 0.68%

LAB 67.34, 15.19, 7.56

 

CMYK 0 / 15 / 16 / 17

HEX #D3B4B1

RGB 211 180 177

HSL 5.29, 0.28%, 0.76%

LAB 75.86, 10.66, 5.66

 

CMYK 0 / 30 / 32 / 29

HEX #B6807C

RGB 182 128 124

HSL 4.14, 0.28%, 0.6%

LAB 58.82, 20.35, 10.53

 

CMYK 9 / 0 / 32 / 29

HEX #A6B67C

RGB 166 182 124

HSL 76.55, 0.28%, 0.6%

LAB 71.57, -15.37, 27.75

 

CMYK 32 / 21 / 0 / 29

HEX #7C8FB6

RGB 124 143 182

HSL 220.34, 0.28%, 0.6%

LAB 59.26, 2.58, -22.59

 

CMYK 0 / 30 / 32 / 29

HEX #B6807C

RGB 182 128 124

HSL 4.14, 0.28%, 0.6%

LAB 58.82, 20.35, 10.53

 

CMYK 32 / 0 / 30 / 29

HEX #7CB680

RGB 124 182 128

HSL 124.14, 0.28%, 0.6%

LAB 68.97, -29.88, 21.65

 

CMYK 30 / 32 / 0 / 29

HEX #807CB6

RGB 128 124 182

HSL 244.14, 0.28%, 0.6%

LAB 54.43, 14.86, -30.02

 

CMYK 0 / 30 / 32 / 29

HEX #B6807C

RGB 182 128 124

HSL 4.14, 0.28%, 0.6%

LAB 58.82, 20.35, 10.53

 

CMYK 9 / 0 / 32 / 29

HEX #A6B67C

RGB 166 182 124

HSL 76.55, 0.28%, 0.6%

LAB 71.57, -15.37, 27.75

 

CMYK 32 / 2 / 0 / 29

HEX #7CB2B6

RGB 124 178 182

HSL 184.14, 0.28%, 0.6%

LAB 69.11, -16.6, -7.71

 

CMYK 23 / 32 / 0 / 29

HEX #8C7CB6

RGB 140 124 182

HSL 256.55, 0.28%, 0.6%

LAB 55.45, 18.53, -28.36

 

CMYK 0 / 30 / 32 / 29

HEX #B6807C

RGB 182 128 124

HSL 4.14, 0.28%, 0.6%

LAB 58.82, 20.35, 10.53

 

CMYK 18 / 0 / 32 / 29

HEX #95B67C

RGB 149 182 124

HSL 94.14, 0.28%, 0.6%

LAB 70.39, -21.78, 25.96

 

CMYK 32 / 2 / 0 / 29

HEX #7CB2B6

RGB 124 178 182

HSL 184.14, 0.28%, 0.6%

LAB 69.11, -16.6, -7.71

 

CMYK 14 / 32 / 0 / 29

HEX #9D7CB6

RGB 157 124 182

HSL 274.14, 0.28%, 0.6%

LAB 57.04, 23.93, -25.78

 

Description

Color code: HEX #B6807C | qconv.com Color code: HEX #B6807C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 128 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 128 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 32 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 32% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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