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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B67D64 it is the complementary color #49829B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B67D64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B67D64 shade: #BB7D5F, #CC8F72, #DDA185, #EEB398 and #FFC5AB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B67D64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B67D64 shade: #B67D64, #A56B51, #94593E, #83472B and #723518

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B67D64 shade: #B67C63, #B66663 and #B66363

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B67D64 shade: #B67C63, #B69263, #B6A963, #ACB663 and #96B663

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B67D64 shade matches the following richer shades: #B67C63, #C87550, #DB6E3E and #ED662B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B67D64 shade: #B67C63, #A38376, #908B88, #7E929B and #6B99AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B67D64 shade: #B66376, #B66663, #B67C63, #B69263 and #B6A863

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B67D64 shade: #87553F, #A3674D, #B67C63, #C3947F and #D0AB9B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B67D64 shade: #B67D64, #8CB663 and #636BB6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B67D64 shade: #B67D64, #63B67C and #7C63B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B67D64 shade: #B67D64, #8CB663, #639DB6 and #8C63B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B67D64 shade: #B67D64, #73B663, #639DB6 and #A563B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 45 / 29

HEX #B67D64

RGB 182 125 100

HSL 18.29, 0.36%, 0.55%

LAB 57.59, 19.12, 22.54

 

Complementary color

CMYK 53 / 16 / 0 / 39

HEX #49829B

RGB 73 130 155

HSL 198.29, 0.36%, 0.45%

LAB 51.55, -11.42, -19.14

 

CMYK 0 / 33 / 49 / 27

HEX #BB7D5F

RGB 187 125 95

HSL 19.57, 0.4%, 0.55%

LAB 58.09, 20.66, 26.13

 

CMYK 0 / 30 / 44 / 20

HEX #CC8F72

RGB 204 143 114

HSL 19.33, 0.47%, 0.62%

LAB 64.72, 19.63, 24.67

 

CMYK 0 / 27 / 40 / 13

HEX #DDA185

RGB 221 161 133

HSL 19.09, 0.56%, 0.69%

LAB 71.25, 18.73, 23.35

 

CMYK 0 / 25 / 36 / 7

HEX #EEB398

RGB 238 179 152

HSL 18.84, 0.72%, 0.76%

LAB 77.69, 17.94, 22.13

 

CMYK 0 / 23 / 33 / 0

HEX #FFC5AB

RGB 255 197 171

HSL 18.57, 1%, 0.84%

LAB 84.03, 17.22, 21.01

 

CMYK 0 / 31 / 45 / 29

HEX #B67D64

RGB 182 125 100

HSL 18.29, 0.36%, 0.55%

LAB 57.59, 19.12, 22.54

 

CMYK 0 / 35 / 51 / 35

HEX #A56B51

RGB 165 107 81

HSL 18.57, 0.34%, 0.48%

LAB 50.81, 20.21, 24.07

 

CMYK 0 / 40 / 58 / 42

HEX #94593E

RGB 148 89 62

HSL 18.84, 0.41%, 0.41%

LAB 43.93, 21.48, 25.8

 

CMYK 0 / 46 / 67 / 49

HEX #83472B

RGB 131 71 43

HSL 19.09, 0.51%, 0.34%

LAB 36.94, 22.98, 27.78

 

CMYK 0 / 54 / 79 / 55

HEX #723518

RGB 114 53 24

HSL 19.33, 0.65%, 0.27%

LAB 29.89, 24.73, 29.95

 

CMYK 0 / 32 / 46 / 29

HEX #B67C63

RGB 182 124 99

HSL 18.07, 0.36%, 0.55%

LAB 57.33, 19.57, 22.76

 

CMYK 0 / 44 / 46 / 29

HEX #B66663

RGB 182 102 99

HSL 2.17, 0.36%, 0.55%

LAB 52.23, 31.71, 15.87

 

CMYK 0 / 46 / 46 / 29

HEX #B66363

RGB 182 99 99

HSL 0, 0.36%, 0.55%

LAB 51.58, 33.32, 14.97

 

CMYK 0 / 32 / 46 / 29

HEX #B67C63

RGB 182 124 99

HSL 18.07, 0.36%, 0.55%

LAB 57.33, 19.57, 22.76

 

CMYK 0 / 20 / 46 / 29

HEX #B69263

RGB 182 146 99

HSL 33.98, 0.36%, 0.55%

LAB 62.85, 7.33, 29.99

 

CMYK 0 / 7 / 46 / 29

HEX #B6A963

RGB 182 169 99

HSL 50.6, 0.36%, 0.55%

LAB 68.91, -5.14, 37.68

 

CMYK 5 / 0 / 46 / 29

HEX #ACB663

RGB 172 182 99

HSL 67.23, 0.36%, 0.55%

LAB 71.64, -16.02, 40.87

 

CMYK 18 / 0 / 46 / 29

HEX #96B663

RGB 150 182 99

HSL 83.13, 0.36%, 0.55%

LAB 70.06, -24.74, 38.57

 

CMYK 0 / 32 / 46 / 29

HEX #B67C63

RGB 182 124 99

HSL 18.07, 0.36%, 0.55%

LAB 57.33, 19.57, 22.76

 

CMYK 0 / 42 / 60 / 22

HEX #C87550

RGB 200 117 80

HSL 18.5, 0.52%, 0.55%

LAB 57.64, 29.08, 34.21

 

CMYK 0 / 50 / 72 / 14

HEX #DB6E3E

RGB 219 110 62

HSL 18.34, 0.69%, 0.55%

LAB 58.56, 39.22, 45.48

 

CMYK 0 / 57 / 82 / 7

HEX #ED662B

RGB 237 102 43

HSL 18.25, 0.84%, 0.55%

LAB 59.6, 49.18, 56.35

 

CMYK 0 / 32 / 46 / 29

HEX #B67C63

RGB 182 124 99

HSL 18.07, 0.36%, 0.55%

LAB 57.33, 19.57, 22.76

 

CMYK 0 / 20 / 28 / 36

HEX #A38376

RGB 163 131 118

HSL 17.33, 0.2%, 0.55%

LAB 57.39, 10.26, 11.66

 

CMYK 0 / 3 / 6 / 44

HEX #908B88

RGB 144 139 136

HSL 22.5, 0.03%, 0.55%

LAB 58.2, 1.29, 2.25

 

CMYK 19 / 6 / 0 / 39

HEX #7E929B

RGB 126 146 155

HSL 198.62, 0.13%, 0.55%

LAB 59.31, -5.09, -7.15

 

CMYK 38 / 12 / 0 / 32

HEX #6B99AD

RGB 107 153 173

HSL 198.18, 0.29%, 0.55%

LAB 60.72, -10.32, -15.37

 

CMYK 0 / 46 / 35 / 29

HEX #B66376

RGB 182 99 118

HSL 346.27, 0.36%, 0.55%

LAB 52.04, 35.52, 4.36

 

CMYK 0 / 44 / 46 / 29

HEX #B66663

RGB 182 102 99

HSL 2.17, 0.36%, 0.55%

LAB 52.23, 31.71, 15.87

 

CMYK 0 / 32 / 46 / 29

HEX #B67C63

RGB 182 124 99

HSL 18.07, 0.36%, 0.55%

LAB 57.33, 19.57, 22.76

 

CMYK 0 / 20 / 46 / 29

HEX #B69263

RGB 182 146 99

HSL 33.98, 0.36%, 0.55%

LAB 62.85, 7.33, 29.99

 

CMYK 0 / 8 / 46 / 29

HEX #B6A863

RGB 182 168 99

HSL 49.88, 0.36%, 0.55%

LAB 68.64, -4.61, 37.34

 

CMYK 0 / 37 / 53 / 47

HEX #87553F

RGB 135 85 63

HSL 18.33, 0.36%, 0.39%

LAB 41.23, 18.25, 21.41

 

CMYK 0 / 37 / 53 / 36

HEX #A3674D

RGB 163 103 77

HSL 18.14, 0.36%, 0.47%

LAB 49.52, 21.25, 24.65

 

CMYK 0 / 32 / 46 / 29

HEX #B67C63

RGB 182 124 99

HSL 18.07, 0.36%, 0.55%

LAB 57.33, 19.57, 22.76

 

CMYK 0 / 24 / 35 / 24

HEX #C3947F

RGB 195 148 127

HSL 18.53, 0.36%, 0.63%

LAB 65.21, 14.79, 17.95

 

CMYK 0 / 18 / 25 / 18

HEX #D0AB9B

RGB 208 171 155

HSL 18.11, 0.36%, 0.71%

LAB 72.83, 11.08, 13.3

 

CMYK 0 / 31 / 45 / 29

HEX #B67D64

RGB 182 125 100

HSL 18.29, 0.36%, 0.55%

LAB 57.59, 19.12, 22.54

 

CMYK 23 / 0 / 46 / 29

HEX #8CB663

RGB 140 182 99

HSL 90.36, 0.36%, 0.55%

LAB 69.42, -28.54, 37.63

 

CMYK 46 / 41 / 0 / 29

HEX #636BB6

RGB 99 107 182

HSL 234.22, 0.36%, 0.55%

LAB 47.68, 17.07, -40.77

 

CMYK 0 / 31 / 45 / 29

HEX #B67D64

RGB 182 125 100

HSL 18.29, 0.36%, 0.55%

LAB 57.59, 19.12, 22.54

 

CMYK 46 / 0 / 32 / 29

HEX #63B67C

RGB 99 182 124

HSL 138.07, 0.36%, 0.55%

LAB 67.7, -38.24, 21.88

 

CMYK 32 / 46 / 0 / 29

HEX #7C63B6

RGB 124 99 182

HSL 258.07, 0.36%, 0.55%

LAB 47.73, 28.59, -40.55

 

CMYK 0 / 31 / 45 / 29

HEX #B67D64

RGB 182 125 100

HSL 18.29, 0.36%, 0.55%

LAB 57.59, 19.12, 22.54

 

CMYK 23 / 0 / 46 / 29

HEX #8CB663

RGB 140 182 99

HSL 90.36, 0.36%, 0.55%

LAB 69.42, -28.54, 37.63

 

CMYK 46 / 14 / 0 / 29

HEX #639DB6

RGB 99 157 182

HSL 198.07, 0.36%, 0.55%

LAB 61.78, -12.16, -18.87

 

CMYK 23 / 46 / 0 / 29

HEX #8C63B6

RGB 140 99 182

HSL 269.64, 0.36%, 0.55%

LAB 49.35, 33.13, -37.9

 

CMYK 0 / 31 / 45 / 29

HEX #B67D64

RGB 182 125 100

HSL 18.29, 0.36%, 0.55%

LAB 57.59, 19.12, 22.54

 

CMYK 37 / 0 / 46 / 29

HEX #73B663

RGB 115 182 99

HSL 108.43, 0.36%, 0.55%

LAB 68.02, -37.38, 35.58

 

CMYK 46 / 14 / 0 / 29

HEX #639DB6

RGB 99 157 182

HSL 198.07, 0.36%, 0.55%

LAB 61.78, -12.16, -18.87

 

CMYK 9 / 46 / 0 / 29

HEX #A563B6

RGB 165 99 182

HSL 287.71, 0.36%, 0.55%

LAB 52.18, 40.5, -33.26

 

Description

Color code: HEX #B67D64 | qconv.com Color code: HEX #B67D64 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 125 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 125 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 45 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 45% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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