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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6701ACE it is the complementary color #498FE5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6701ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6701ACE shade: #BB7015CE, #CC8228CE, #DD943BCE, #EEA64ECE and #FFB861CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6701ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6701ACE shade: #B6701ACE, #A55E07CE, #944C00CE, #833A00CE and #722800CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6701ACE shade: #B7711A, #B7461A, #B71C1A and #B71A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6701ACE shade: #B7711A, #B79B1A, #A9B71A, #7EB71A and #54B71A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6701ACE shade matches the following richer shades: #B7711A and #C87209

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6701ACE shade: #B7711A, #A66F2B, #956D3C, #846B4D and #736A5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6701ACE shade: #B71D1A, #B7471A, #B7701A, #B79A1A and #AAB71A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6701ACE shade: #6F4410, #935A15, #B7711A, #DB871F and #E49A40

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6701ACE shade: #B6701A, #41B71A and #321AB7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6701ACE shade: #B6701A, #1AB770 and #701AB7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6701ACE shade: #B6701A, #41B71A, #1A61B7 and #901AB7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6701ACE shade: #B6701A, #1AB722, #1A61B7 and #B71AAF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 69 / 23

HEX #B6701ACE

RGBA 182 112 26 0.81

HSLA 33.08, 0.75%, 0.41%, 0.81

LABA 53.61, 21.48, 54.56, 0.81

 

Complementary color

CMYK 55 / 30 / 0 / 8

HEX #498FE5CE

RGBA 73 143 229 0.81

HSLA 213.08, 0.75%, 0.59%, 0.81

LABA 58.71, 5.48, -50.05, 0.81

 

CMYK 0 / 32 / 72 / 22

HEX #BB7015CE

RGBA 187 112 21 0.81

HSLA 32.89, 0.8%, 0.41%, 0.81

LABA 54.25, 23.54, 56.9, 0.81

 

CMYK 0 / 29 / 65 / 16

HEX #CC8228CE

RGBA 204 130 40 0.81

HSLA 32.93, 0.67%, 0.48%, 0.81

LABA 60.74, 21.58, 56.88, 0.81

 

CMYK 0 / 27 / 59 / 11

HEX #DD943BCE

RGBA 221 148 59 0.81

HSLA 32.96, 0.7%, 0.55%, 0.81

LABA 67.18, 19.87, 56.02, 0.81

 

CMYK 0 / 25 / 54 / 5

HEX #EEA64ECE

RGBA 238 166 78 0.81

HSLA 33, 0.82%, 0.62%, 0.81

LABA 73.55, 18.38, 54.81, 0.81

 

CMYK 0 / 23 / 50 / 0

HEX #FFB861CE

RGBA 255 184 97 0.81

HSLA 33.04, 1%, 0.69%, 0.81

LABA 79.84, 17.08, 53.47, 0.81

 

CMYK 0 / 31 / 69 / 23

HEX #B6701ACE

RGBA 182 112 26 0.81

HSLA 33.08, 0.75%, 0.41%, 0.81

LABA 53.61, 21.48, 54.56, 0.81

 

CMYK 0 / 35 / 78 / 29

HEX #A55E07CE

RGBA 165 94 7 0.81

HSLA 33.04, 0.92%, 0.34%, 0.81

LABA 47, 23.63, 53.64, 0.81

 

CMYK 0 / 39 / 81 / 34

HEX #944C00CE

RGBA 148 76 0 0.81

HSLA 30.81, 1%, 0.29%, 0.81

LABA 40.35, 26.08, 49.94, 0.81

 

CMYK 0 / 45 / 81 / 39

HEX #833A00CE

RGBA 131 58 0 0.81

HSLA 26.56, 1%, 0.26%, 0.81

LABA 33.67, 28.62, 44.57, 0.81

 

CMYK 0 / 53 / 81 / 45

HEX #722800CE

RGBA 114 40 0 0.81

HSLA 21.05, 1%, 0.22%, 0.81

LABA 27, 30.97, 38.3, 0.81

 

CMYK 0 / 38 / 86 / 28

HEX #B7711A

RGB 183 113 26

HSL 33.25, 0.75%, 0.41%

LAB 53.98, 21.36, 54.92

 

CMYK 0 / 62 / 86 / 28

HEX #B7461A

RGB 183 70 26

HSL 16.82, 0.75%, 0.41%

LAB 44.97, 43.74, 47.34

 

CMYK 0 / 85 / 86 / 28

HEX #B71C1A

RGB 183 28 26

HSL 0.76, 0.75%, 0.41%

LAB 39.53, 58.67, 42.68

 

CMYK 0 / 86 / 86 / 28

HEX #B71A1A

RGB 183 26 26

HSL 0, 0.75%, 0.41%

LAB 39.38, 59.11, 42.54

 

CMYK 0 / 38 / 86 / 28

HEX #B7711A

RGB 183 113 26

HSL 33.25, 0.75%, 0.41%

LAB 53.98, 21.36, 54.92

 

CMYK 0 / 15 / 86 / 28

HEX #B79B1A

RGB 183 155 26

HSL 49.3, 0.75%, 0.41%

LAB 64.63, -1.77, 63.76

 

CMYK 8 / 0 / 86 / 28

HEX #A9B71A

RGB 169 183 26

HSL 65.35, 0.75%, 0.41%

LAB 71.13, -22.43, 68.63

 

CMYK 31 / 0 / 86 / 28

HEX #7EB71A

RGB 126 183 26

HSL 81.78, 0.75%, 0.41%

LAB 68.3, -39.93, 65.11

 

CMYK 54 / 0 / 86 / 28

HEX #54B71A

RGB 84 183 26

HSL 97.83, 0.75%, 0.41%

LAB 66.39, -53.92, 62.71

 

CMYK 0 / 38 / 86 / 28

HEX #B7711A

RGB 183 113 26

HSL 33.25, 0.75%, 0.41%

LAB 53.98, 21.36, 54.92

 

CMYK 0 / 43 / 96 / 22

HEX #C87209

RGB 200 114 9

HSL 32.98, 0.91%, 0.41%

LAB 56.42, 27.84, 62.01

 

CMYK 0 / 38 / 86 / 28

HEX #B7711A

RGB 183 113 26

HSL 33.25, 0.75%, 0.41%

LAB 53.98, 21.36, 54.92

 

CMYK 0 / 33 / 74 / 35

HEX #A66F2B

RGB 166 111 43

HSL 33.17, 0.59%, 0.41%

LAB 51.44, 15.59, 45.01

 

CMYK 0 / 27 / 60 / 42

HEX #956D3C

RGB 149 109 60

HSL 33.03, 0.43%, 0.41%

LAB 49.07, 10.21, 33.24

 

CMYK 0 / 19 / 42 / 48

HEX #846B4D

RGB 132 107 77

HSL 32.73, 0.26%, 0.41%

LAB 46.92, 5.53, 20.55

 

CMYK 0 / 8 / 18 / 55

HEX #736A5E

RGB 115 106 94

HSL 34.29, 0.1%, 0.41%

LAB 45.31, 1.34, 8.01

 

CMYK 0 / 84 / 86 / 28

HEX #B71D1A

RGB 183 29 26

HSL 1.15, 0.75%, 0.41%

LAB 39.62, 58.44, 42.75

 

CMYK 0 / 61 / 86 / 28

HEX #B7471A

RGB 183 71 26

HSL 17.2, 0.75%, 0.41%

LAB 45.15, 43.27, 47.49

 

CMYK 0 / 39 / 86 / 28

HEX #B7701A

RGB 183 112 26

HSL 32.87, 0.75%, 0.41%

LAB 53.74, 21.92, 54.73

 

CMYK 0 / 16 / 86 / 28

HEX #B79A1A

RGB 183 154 26

HSL 48.92, 0.75%, 0.41%

LAB 64.37, -1.23, 63.54

 

CMYK 7 / 0 / 86 / 28

HEX #AAB71A

RGB 170 183 26

HSL 64.97, 0.75%, 0.41%

LAB 71.21, -22.01, 68.73

 

CMYK 0 / 39 / 86 / 56

HEX #6F4410

RGB 111 68 16

HSL 32.84, 0.75%, 0.25%

LAB 33.03, 14.14, 36.71

 

CMYK 0 / 39 / 86 / 42

HEX #935A15

RGB 147 90 21

HSL 32.86, 0.75%, 0.33%

LAB 43.61, 18.13, 45.97

 

CMYK 0 / 38 / 86 / 28

HEX #B7711A

RGB 183 113 26

HSL 33.25, 0.75%, 0.41%

LAB 53.98, 21.36, 54.92

 

CMYK 0 / 38 / 86 / 14

HEX #DB871F

RGB 219 135 31

HSL 33.19, 0.75%, 0.49%

LAB 63.74, 25.02, 63.3

 

CMYK 0 / 32 / 72 / 11

HEX #E49A40

RGB 228 154 64

HSL 32.93, 0.75%, 0.57%

LAB 69.45, 19.85, 56.43

 

CMYK 0 / 38 / 86 / 29

HEX #B6701A

RGB 182 112 26

HSL 33.08, 0.75%, 0.41%

LAB 53.61, 21.48, 54.56

 

CMYK 64 / 0 / 86 / 28

HEX #41B71A

RGB 65 183 26

HSL 105.1, 0.75%, 0.41%

LAB 65.8, -58.7, 61.96

 

CMYK 73 / 86 / 0 / 28

HEX #321AB7

RGB 50 26 183

HSL 249.17, 0.75%, 0.41%

LAB 26.26, 55.69, -76.32

 

CMYK 0 / 38 / 86 / 29

HEX #B6701A

RGB 182 112 26

HSL 33.08, 0.75%, 0.41%

LAB 53.61, 21.48, 54.56

 

CMYK 86 / 0 / 39 / 28

HEX #1AB770

RGB 26 183 112

HSL 152.87, 0.75%, 0.41%

LAB 65.95, -54.43, 25.62

 

CMYK 39 / 86 / 0 / 28

HEX #701AB7

RGB 112 26 183

HSL 272.87, 0.75%, 0.41%

LAB 33.14, 61.94, -64.74

 

CMYK 0 / 38 / 86 / 29

HEX #B6701A

RGB 182 112 26

HSL 33.08, 0.75%, 0.41%

LAB 53.61, 21.48, 54.56

 

CMYK 64 / 0 / 86 / 28

HEX #41B71A

RGB 65 183 26

HSL 105.1, 0.75%, 0.41%

LAB 65.8, -58.7, 61.96

 

CMYK 86 / 47 / 0 / 28

HEX #1A61B7

RGB 26 97 183

HSL 212.87, 0.75%, 0.41%

LAB 41.51, 11.34, -51.4

 

CMYK 21 / 86 / 0 / 28

HEX #901AB7

RGB 144 26 183

HSL 285.1, 0.75%, 0.41%

LAB 38, 66.7, -56.61

 

CMYK 0 / 38 / 86 / 29

HEX #B6701A

RGB 182 112 26

HSL 33.08, 0.75%, 0.41%

LAB 53.61, 21.48, 54.56

 

CMYK 86 / 0 / 81 / 28

HEX #1AB722

RGB 26 183 34

HSL 123.06, 0.75%, 0.41%

LAB 65.12, -64.42, 59.05

 

CMYK 86 / 47 / 0 / 28

HEX #1A61B7

RGB 26 97 183

HSL 212.87, 0.75%, 0.41%

LAB 41.51, 11.34, -51.4

 

CMYK 0 / 86 / 4 / 28

HEX #B71AAF

RGB 183 26 175

HSL 303.06, 0.75%, 0.41%

LAB 44.09, 72.23, -41.73

 

Description

Color code: HEX #B6701ACE | qconv.com Color code: HEX #B6701ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 112 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 112 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 69 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 69% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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