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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B66B2A it is the complementary color #4994D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B66B2A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B66B2A shade: #BB6B25, #CC7D38, #DD8F4B, #EEA15E and #FFB371

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B66B2A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B66B2A shade: #B66B2A, #A55917, #944704, #833500 and #722300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B66B2A shade: #B76B2A, #B7452A and #B72A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B66B2A shade: #B76B2A, #B7912A, #B6B72A, #90B72A and #6AB72A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B66B2A shade matches the following richer shades: #B76B2A, #C96A17 and #DB6905

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B66B2A shade: #B76B2A, #A56C3C, #936E4E, #806F60 and #6E7072

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B66B2A shade: #B72A35, #B7432A, #B7692A, #B78F2A and #B7B52A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B66B2A shade: #74441A, #955722, #B76B2A, #D27F38 and #D99559

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B66B2A shade: #B66B2A, #5BB72A and #312AB7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B66B2A shade: #B66B2A, #2AB769 and #692AB7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B66B2A shade: #B66B2A, #5BB72A, #2A77B7 and #852AB7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B66B2A shade: #B66B2A, #31B72A, #2A77B7 and #B02AB7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 77 / 29

HEX #B66B2A

RGB 182 107 42

HSL 27.86, 0.63%, 0.44%

LAB 52.54, 24.79, 47.25

 

Complementary color

CMYK 66 / 31 / 0 / 16

HEX #4994D5

RGB 73 148 213

HSL 207.86, 0.63%, 0.56%

LAB 59.34, -2.92, -40.13

 

CMYK 0 / 43 / 80 / 27

HEX #BB6B25

RGB 187 107 37

HSL 28, 0.67%, 0.44%

LAB 53.18, 26.73, 50.29

 

CMYK 0 / 39 / 73 / 20

HEX #CC7D38

RGB 204 125 56

HSL 27.97, 0.59%, 0.51%

LAB 59.7, 24.95, 49.01

 

CMYK 0 / 35 / 66 / 13

HEX #DD8F4B

RGB 221 143 75

HSL 27.95, 0.68%, 0.58%

LAB 66.16, 23.4, 47.5

 

CMYK 0 / 32 / 61 / 7

HEX #EEA15E

RGB 238 161 94

HSL 27.92, 0.81%, 0.65%

LAB 72.54, 22.04, 45.95

 

CMYK 0 / 30 / 56 / 0

HEX #FFB371

RGB 255 179 113

HSL 27.89, 1%, 0.72%

LAB 78.86, 20.83, 44.45

 

CMYK 0 / 41 / 77 / 29

HEX #B66B2A

RGB 182 107 42

HSL 27.86, 0.63%, 0.44%

LAB 52.54, 24.79, 47.25

 

CMYK 0 / 46 / 86 / 35

HEX #A55917

RGB 165 89 23

HSL 27.89, 0.76%, 0.37%

LAB 45.91, 26.73, 48.2

 

CMYK 0 / 52 / 97 / 42

HEX #944704

RGB 148 71 4

HSL 27.92, 0.95%, 0.3%

LAB 39.26, 28.9, 48

 

CMYK 0 / 60 / 100 / 49

HEX #833500

RGB 131 53 0

HSL 24.27, 1%, 0.26%

LAB 32.64, 31.28, 43.94

 

CMYK 0 / 69 / 100 / 55

HEX #722300

RGB 114 35 0

HSL 18.42, 1%, 0.22%

LAB 26.1, 33.39, 37.48

 

CMYK 0 / 42 / 77 / 28

HEX #B76B2A

RGB 183 107 42

HSL 27.66, 0.63%, 0.44%

LAB 52.67, 25.22, 47.42

 

CMYK 0 / 62 / 77 / 28

HEX #B7452A

RGB 183 69 42

HSL 11.49, 0.63%, 0.44%

LAB 44.93, 44.72, 39.55

 

CMYK 0 / 77 / 77 / 28

HEX #B72A2A

RGB 183 42 42

HSL 0, 0.63%, 0.44%

LAB 41.04, 55.32, 35.43

 

CMYK 0 / 42 / 77 / 28

HEX #B76B2A

RGB 183 107 42

HSL 27.66, 0.63%, 0.44%

LAB 52.67, 25.22, 47.42

 

CMYK 0 / 21 / 77 / 28

HEX #B7912A

RGB 183 145 42

HSL 43.83, 0.63%, 0.44%

LAB 62.07, 4.19, 56.48

 

CMYK 1 / 0 / 77 / 28

HEX #B6B72A

RGB 182 183 42

HSL 60.43, 0.63%, 0.44%

LAB 72.21, -16.33, 65.79

 

CMYK 21 / 0 / 77 / 28

HEX #90B72A

RGB 144 183 42

HSL 76.6, 0.63%, 0.44%

LAB 69.44, -32.25, 62.23

 

CMYK 42 / 0 / 77 / 28

HEX #6AB72A

RGB 106 183 42

HSL 92.77, 0.63%, 0.44%

LAB 67.35, -46.36, 59.51

 

CMYK 0 / 42 / 77 / 28

HEX #B76B2A

RGB 183 107 42

HSL 27.66, 0.63%, 0.44%

LAB 52.67, 25.22, 47.42

 

CMYK 0 / 47 / 89 / 21

HEX #C96A17

RGB 201 106 23

HSL 27.98, 0.79%, 0.44%

LAB 54.85, 32.73, 57.62

 

CMYK 0 / 52 / 98 / 14

HEX #DB6905

RGB 219 105 5

HSL 28.04, 0.96%, 0.44%

LAB 57.24, 40.24, 64.59

 

CMYK 0 / 42 / 77 / 28

HEX #B76B2A

RGB 183 107 42

HSL 27.66, 0.63%, 0.44%

LAB 52.67, 25.22, 47.42

 

CMYK 0 / 35 / 64 / 35

HEX #A56C3C

RGB 165 108 60

HSL 27.43, 0.47%, 0.44%

LAB 50.75, 17.87, 35.7

 

CMYK 0 / 25 / 47 / 42

HEX #936E4E

RGB 147 110 78

HSL 27.83, 0.31%, 0.44%

LAB 49.38, 10.46, 23.51

 

CMYK 0 / 13 / 25 / 50

HEX #806F60

RGB 128 111 96

HSL 28.13, 0.14%, 0.44%

LAB 48.01, 4.13, 10.81

 

CMYK 4 / 2 / 0 / 55

HEX #6E7072

RGB 110 112 114

HSL 210, 0.02%, 0.44%

LAB 47.13, -0.34, -1.38

 

CMYK 0 / 77 / 71 / 28

HEX #B72A35

RGB 183 42 53

HSL 355.32, 0.63%, 0.44%

LAB 41.18, 55.78, 29.07

 

CMYK 0 / 63 / 77 / 28

HEX #B7432A

RGB 183 67 42

HSL 10.64, 0.63%, 0.44%

LAB 44.59, 45.63, 39.2

 

CMYK 0 / 43 / 77 / 28

HEX #B7692A

RGB 183 105 42

HSL 26.81, 0.63%, 0.44%

LAB 52.22, 26.31, 46.97

 

CMYK 0 / 22 / 77 / 28

HEX #B78F2A

RGB 183 143 42

HSL 42.98, 0.63%, 0.44%

LAB 61.55, 5.29, 55.99

 

CMYK 0 / 1 / 77 / 28

HEX #B7B52A

RGB 183 181 42

HSL 59.15, 0.63%, 0.44%

LAB 71.75, -14.88, 65.4

 

CMYK 0 / 41 / 78 / 55

HEX #74441A

RGB 116 68 26

HSL 28, 0.63%, 0.28%

LAB 33.82, 16.94, 33.06

 

CMYK 0 / 42 / 77 / 42

HEX #955722

RGB 149 87 34

HSL 27.65, 0.63%, 0.36%

LAB 43.24, 21.24, 40.19

 

CMYK 0 / 42 / 77 / 28

HEX #B76B2A

RGB 183 107 42

HSL 27.66, 0.63%, 0.44%

LAB 52.67, 25.22, 47.42

 

CMYK 0 / 40 / 73 / 18

HEX #D27F38

RGB 210 127 56

HSL 27.66, 0.63%, 0.52%

LAB 60.93, 26.39, 50.53

 

CMYK 0 / 31 / 59 / 15

HEX #D99559

RGB 217 149 89

HSL 28.13, 0.63%, 0.6%

LAB 67.25, 19.45, 41.6

 

CMYK 0 / 41 / 77 / 29

HEX #B66B2A

RGB 182 107 42

HSL 27.86, 0.63%, 0.44%

LAB 52.54, 24.79, 47.25

 

CMYK 50 / 0 / 77 / 28

HEX #5BB72A

RGB 91 183 42

HSL 99.15, 0.63%, 0.44%

LAB 66.72, -51.11, 58.68

 

CMYK 73 / 77 / 0 / 28

HEX #312AB7

RGB 49 42 183

HSL 242.98, 0.63%, 0.44%

LAB 28.72, 48.25, -72.26

 

CMYK 0 / 41 / 77 / 29

HEX #B66B2A

RGB 182 107 42

HSL 27.86, 0.63%, 0.44%

LAB 52.54, 24.79, 47.25

 

CMYK 77 / 0 / 43 / 28

HEX #2AB769

RGB 42 183 105

HSL 146.81, 0.63%, 0.44%

LAB 66.04, -54.08, 29.46

 

CMYK 43 / 77 / 0 / 28

HEX #692AB7

RGB 105 42 183

HSL 266.81, 0.63%, 0.44%

LAB 34.14, 55.26, -63.13

 

CMYK 0 / 41 / 77 / 29

HEX #B66B2A

RGB 182 107 42

HSL 27.86, 0.63%, 0.44%

LAB 52.54, 24.79, 47.25

 

CMYK 50 / 0 / 77 / 28

HEX #5BB72A

RGB 91 183 42

HSL 99.15, 0.63%, 0.44%

LAB 66.72, -51.11, 58.68

 

CMYK 77 / 35 / 0 / 28

HEX #2A77B7

RGB 42 119 183

HSL 207.23, 0.63%, 0.44%

LAB 48.39, -0.91, -40.4

 

CMYK 27 / 77 / 0 / 28

HEX #852AB7

RGB 133 42 183

HSL 278.72, 0.63%, 0.44%

LAB 37.95, 60.05, -56.76

 

CMYK 0 / 41 / 77 / 29

HEX #B66B2A

RGB 182 107 42

HSL 27.86, 0.63%, 0.44%

LAB 52.54, 24.79, 47.25

 

CMYK 73 / 0 / 77 / 28

HEX #31B72A

RGB 49 183 42

HSL 117.02, 0.63%, 0.44%

LAB 65.5, -60.93, 57.09

 

CMYK 77 / 35 / 0 / 28

HEX #2A77B7

RGB 42 119 183

HSL 207.23, 0.63%, 0.44%

LAB 48.39, -0.91, -40.4

 

CMYK 4 / 77 / 0 / 28

HEX #B02AB7

RGB 176 42 183

HSL 297.02, 0.63%, 0.44%

LAB 44.67, 68.32, -45.61

 

Description

Color code: HEX #B66B2A | qconv.com Color code: HEX #B66B2A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 107 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 107 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 77 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 77% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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