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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B664BC it is the complementary color #499B43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B664BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B664BC shade: #BB64B7, #CC76CA, #DD88DD, #EE9AF0 and #FFACFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B664BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B664BC shade: #B664BC, #A552A9, #944096, #832E83 and #721C70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B664BC shade: #B662BC, #BC62AA, #BC6291, #BC6279 and #BC6262

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B664BC shade: #B662BC, #9D62BC, #8562BC, #6D62BC and #6262BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B664BC shade matches the following richer shades: #B662BC, #C550CE, #D53EE0 and #E52BF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B664BC shade: #B662BC, #A674AA, #968697, #879885 and #77AB73

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B664BC shade: #8462BC, #9C62BC, #B462BC, #BC62AB and #BC6293

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B664BC shade: #893D8E, #A449AB, #B662BC, #C37FC8 and #D19CD4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B664BC shade: #B664BC, #BC6C62 and #62BC90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B664BC shade: #B664BC, #BCB462 and #62BCB4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B664BC shade: #B664BC, #BC6C62, #69BC62 and #62B1BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B664BC shade: #B664BC, #BC8762, #69BC62 and #6296BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 47 / 0 / 26

HEX #B664BC

RGB 182 100 188

HSL 295.91, 0.4%, 0.56%

LAB 54.75, 46.19, -32.54

 

Complementary color

CMYK 53 / 0 / 57 / 39

HEX #499B43

RGB 73 155 67

HSL 115.91, 0.4%, 0.44%

LAB 57.33, -43.02, 38.13

 

CMYK 0 / 47 / 2 / 27

HEX #BB64B7

RGB 187 100 183

HSL 302.76, 0.39%, 0.56%

LAB 55.17, 46.75, -28.96

 

CMYK 0 / 42 / 1 / 20

HEX #CC76CA

RGB 204 118 202

HSL 301.4, 0.46%, 0.63%

LAB 61.7, 46.03, -29.5

 

CMYK 0 / 38 / 0 / 13

HEX #DD88DD

RGB 221 136 221

HSL 300, 0.56%, 0.7%

LAB 68.17, 45.29, -29.97

 

CMYK 1 / 36 / 0 / 6

HEX #EE9AF0

RGB 238 154 240

HSL 298.6, 0.74%, 0.77%

LAB 74.56, 44.56, -30.39

 

CMYK 0 / 33 / 0 / 0

HEX #FFACFF

RGB 255 172 255

HSL 300, 1%, 0.84%

LAB 80.73, 43.12, -28.85

 

CMYK 3 / 47 / 0 / 26

HEX #B664BC

RGB 182 100 188

HSL 295.91, 0.4%, 0.56%

LAB 54.75, 46.19, -32.54

 

CMYK 2 / 51 / 0 / 34

HEX #A552A9

RGB 165 82 169

HSL 297.24, 0.35%, 0.49%

LAB 48.13, 46.87, -32

 

CMYK 1 / 57 / 0 / 41

HEX #944096

RGB 148 64 150

HSL 298.6, 0.4%, 0.42%

LAB 41.48, 47.41, -31.29

 

CMYK 0 / 65 / 0 / 49

HEX #832E83

RGB 131 46 131

HSL 300, 0.48%, 0.35%

LAB 34.84, 47.63, -30.3

 

CMYK 0 / 75 / 2 / 55

HEX #721C70

RGB 114 28 112

HSL 301.4, 0.61%, 0.28%

LAB 28.32, 47.18, -28.82

 

CMYK 3 / 48 / 0 / 26

HEX #B662BC

RGB 182 98 188

HSL 296, 0.4%, 0.56%

LAB 54.36, 47.23, -33.16

 

CMYK 0 / 48 / 10 / 26

HEX #BC62AA

RGB 188 98 170

HSL 312, 0.4%, 0.56%

LAB 54.37, 45.81, -22.66

 

CMYK 0 / 48 / 23 / 26

HEX #BC6291

RGB 188 98 145

HSL 328.67, 0.4%, 0.56%

LAB 53.46, 41.85, -9.42

 

CMYK 0 / 48 / 36 / 26

HEX #BC6279

RGB 188 98 121

HSL 344.67, 0.4%, 0.56%

LAB 52.74, 38.6, 3.7

 

CMYK 0 / 48 / 48 / 26

HEX #BC6262

RGB 188 98 98

HSL 0, 0.4%, 0.56%

LAB 52.18, 36.04, 16.53

 

CMYK 3 / 48 / 0 / 26

HEX #B662BC

RGB 182 98 188

HSL 296, 0.4%, 0.56%

LAB 54.36, 47.23, -33.16

 

CMYK 16 / 48 / 0 / 26

HEX #9D62BC

RGB 157 98 188

HSL 279.33, 0.4%, 0.56%

LAB 51.31, 39.98, -38.16

 

CMYK 29 / 48 / 0 / 26

HEX #8562BC

RGB 133 98 188

HSL 263.33, 0.4%, 0.56%

LAB 48.7, 33.22, -42.44

 

CMYK 42 / 48 / 0 / 26

HEX #6D62BC

RGB 109 98 188

HSL 247.33, 0.4%, 0.56%

LAB 46.47, 26.9, -46.13

 

CMYK 48 / 48 / 0 / 26

HEX #6262BC

RGB 98 98 188

HSL 240, 0.4%, 0.56%

LAB 45.58, 24.23, -47.6

 

CMYK 3 / 48 / 0 / 26

HEX #B662BC

RGB 182 98 188

HSL 296, 0.4%, 0.56%

LAB 54.36, 47.23, -33.16

 

CMYK 4 / 61 / 0 / 19

HEX #C550CE

RGB 197 80 206

HSL 295.71, 0.56%, 0.56%

LAB 54.09, 63.07, -43.75

 

CMYK 5 / 72 / 0 / 12

HEX #D53EE0

RGB 213 62 224

HSL 295.93, 0.72%, 0.56%

LAB 55.04, 76.47, -52.32

 

CMYK 5 / 82 / 0 / 5

HEX #E52BF2

RGB 229 43 242

HSL 296.08, 0.88%, 0.56%

LAB 56.88, 87.35, -59.37

 

CMYK 3 / 48 / 0 / 26

HEX #B662BC

RGB 182 98 188

HSL 296, 0.4%, 0.56%

LAB 54.36, 47.23, -33.16

 

CMYK 2 / 32 / 0 / 33

HEX #A674AA

RGB 166 116 170

HSL 295.56, 0.24%, 0.56%

LAB 55.58, 28.93, -21.03

 

CMYK 1 / 11 / 0 / 41

HEX #968697

RGB 150 134 151

HSL 296.47, 0.08%, 0.56%

LAB 57.82, 9.24, -6.86

 

CMYK 11 / 0 / 13 / 40

HEX #879885

RGB 135 152 133

HSL 113.68, 0.08%, 0.56%

LAB 61.05, -9.81, 7.96

 

CMYK 30 / 0 / 33 / 33

HEX #77AB73

RGB 119 171 115

HSL 115.71, 0.25%, 0.56%

LAB 65.19, -28.46, 23.51

 

CMYK 30 / 48 / 0 / 26

HEX #8462BC

RGB 132 98 188

HSL 262.67, 0.4%, 0.56%

LAB 48.6, 32.95, -42.61

 

CMYK 17 / 48 / 0 / 26

HEX #9C62BC

RGB 156 98 188

HSL 278.67, 0.4%, 0.56%

LAB 51.19, 39.69, -38.35

 

CMYK 4 / 48 / 0 / 26

HEX #B462BC

RGB 180 98 188

HSL 294.67, 0.4%, 0.56%

LAB 54.1, 46.64, -33.58

 

CMYK 0 / 48 / 9 / 26

HEX #BC62AB

RGB 188 98 171

HSL 311.33, 0.4%, 0.56%

LAB 54.41, 45.98, -23.18

 

CMYK 0 / 48 / 22 / 26

HEX #BC6293

RGB 188 98 147

HSL 327.33, 0.4%, 0.56%

LAB 53.53, 42.15, -10.5

 

CMYK 4 / 57 / 0 / 44

HEX #893D8E

RGB 137 61 142

HSL 296.3, 0.4%, 0.4%

LAB 38.91, 44.28, -30.58

 

CMYK 4 / 57 / 0 / 33

HEX #A449AB

RGB 164 73 171

HSL 295.71, 0.4%, 0.48%

LAB 46.44, 51.39, -35.84

 

CMYK 3 / 48 / 0 / 26

HEX #B662BC

RGB 182 98 188

HSL 296, 0.4%, 0.56%

LAB 54.36, 47.23, -33.16

 

CMYK 3 / 37 / 0 / 22

HEX #C37FC8

RGB 195 127 200

HSL 295.89, 0.4%, 0.64%

LAB 62.47, 38.1, -27.29

 

CMYK 1 / 26 / 0 / 17

HEX #D19CD4

RGB 209 156 212

HSL 296.79, 0.39%, 0.72%

LAB 70.93, 29.11, -20.88

 

CMYK 3 / 47 / 0 / 26

HEX #B664BC

RGB 182 100 188

HSL 295.91, 0.4%, 0.56%

LAB 54.75, 46.19, -32.54

 

CMYK 0 / 43 / 48 / 26

HEX #BC6C62

RGB 188 108 98

HSL 6.67, 0.4%, 0.56%

LAB 54.34, 30.7, 19.46

 

CMYK 48 / 0 / 23 / 26

HEX #62BC90

RGB 98 188 144

HSL 150.67, 0.4%, 0.56%

LAB 69.88, -37.26, 14.08

 

CMYK 3 / 47 / 0 / 26

HEX #B664BC

RGB 182 100 188

HSL 295.91, 0.4%, 0.56%

LAB 54.75, 46.19, -32.54

 

CMYK 0 / 4 / 48 / 26

HEX #BCB462

RGB 188 180 98

HSL 54.67, 0.4%, 0.56%

LAB 72.37, -8.53, 42.56

 

CMYK 48 / 0 / 4 / 26

HEX #62BCB4

RGB 98 188 180

HSL 174.67, 0.4%, 0.56%

LAB 70.77, -28.89, -4.29

 

CMYK 3 / 47 / 0 / 26

HEX #B664BC

RGB 182 100 188

HSL 295.91, 0.4%, 0.56%

LAB 54.75, 46.19, -32.54

 

CMYK 0 / 43 / 48 / 26

HEX #BC6C62

RGB 188 108 98

HSL 6.67, 0.4%, 0.56%

LAB 54.34, 30.7, 19.46

 

CMYK 44 / 0 / 48 / 26

HEX #69BC62

RGB 105 188 98

HSL 115.33, 0.4%, 0.56%

LAB 69.36, -43.32, 37.66

 

CMYK 48 / 6 / 0 / 26

HEX #62B1BC

RGB 98 177 188

HSL 187.33, 0.4%, 0.56%

LAB 67.78, -21.3, -13.15

 

CMYK 3 / 47 / 0 / 26

HEX #B664BC

RGB 182 100 188

HSL 295.91, 0.4%, 0.56%

LAB 54.75, 46.19, -32.54

 

CMYK 0 / 28 / 48 / 26

HEX #BC8762

RGB 188 135 98

HSL 24.67, 0.4%, 0.56%

LAB 60.69, 15.83, 27.87

 

CMYK 44 / 0 / 48 / 26

HEX #69BC62

RGB 105 188 98

HSL 115.33, 0.4%, 0.56%

LAB 69.36, -43.32, 37.66

 

CMYK 48 / 20 / 0 / 26

HEX #6296BC

RGB 98 150 188

HSL 205.33, 0.4%, 0.56%

LAB 59.93, -6.82, -25.09

 

Description

Color code: HEX #B664BC | qconv.com Color code: HEX #B664BC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 100 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 100 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 47 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 47% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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