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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B653FE it is the complementary color #49AC01. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B653FE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B653FE shade: #BB53F9, #CC65FF, #DD77FF, #EE89FF and #FF9BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B653FE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B653FE shade: #B653FE, #A541EB, #942FD8, #831DC5 and #720BB2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B653FE shade: #B652FE, #E452FE, #FE52EA, #FE52BC and #FE528D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B653FE shade: #B652FE, #8852FE, #5952FE and #5252FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B653FE shade matches the following richer shades: #B652FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B653FE shade: #B652FE, #B460F0, #B16FE2, #AF7DD4 and #AD8BC6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B653FE shade: #5852FE, #8652FE, #B452FE, #E252FE and #FE52ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B653FE shade: #9301FD, #A429FE, #B652FE, #C77CFE and #D9A5FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B653FE shade: #B653FE, #FE527B and #52FE6F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B653FE shade: #B653FE, #FEB452 and #52FEB4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B653FE shade: #B653FE, #FE527B, #9DFE52 and #52FED6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B653FE shade: #B653FE, #FE5E52, #9DFE52 and #52F3FE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 67 / 0 / 0

HEX #B653FE

RGB 182 83 254

HSL 274.74, 0.99%, 0.66%

LAB 55.37, 67.93, -68.82

 

Complementary color

CMYK 58 / 0 / 99 / 33

HEX #49AC01

RGB 73 172 1

HSL 94.74, 0.99%, 0.34%

LAB 62.44, -53.64, 63.27

 

CMYK 25 / 67 / 0 / 2

HEX #BB53F9

RGB 187 83 249

HSL 277.59, 0.93%, 0.65%

LAB 55.68, 67.88, -65.52

 

CMYK 20 / 60 / 0 / 0

HEX #CC65FF

RGB 204 101 255

HSL 280.13, 1%, 0.7%

LAB 61.1, 64.74, -60.01

 

CMYK 13 / 53 / 0 / 0

HEX #DD77FF

RGB 221 119 255

HSL 285, 1%, 0.73%

LAB 66.36, 60.32, -51.53

 

CMYK 7 / 46 / 0 / 0

HEX #EE89FF

RGB 238 137 255

HSL 291.36, 1%, 0.77%

LAB 71.75, 55.99, -42.91

 

CMYK 0 / 39 / 0 / 0

HEX #FF9BFF

RGB 255 155 255

HSL 300, 1%, 0.8%

LAB 77.23, 51.82, -34.23

 

CMYK 28 / 67 / 0 / 0

HEX #B653FE

RGB 182 83 254

HSL 274.74, 0.99%, 0.66%

LAB 55.37, 67.93, -68.82

 

CMYK 30 / 72 / 0 / 8

HEX #A541EB

RGB 165 65 235

HSL 275.29, 0.81%, 0.59%

LAB 49.23, 68.14, -68.25

 

CMYK 31 / 78 / 0 / 15

HEX #942FD8

RGB 148 47 216

HSL 275.86, 0.68%, 0.52%

LAB 43.19, 67.86, -67.36

 

CMYK 34 / 85 / 0 / 23

HEX #831DC5

RGB 131 29 197

HSL 276.43, 0.74%, 0.44%

LAB 37.36, 66.77, -65.97

 

CMYK 36 / 94 / 0 / 30

HEX #720BB2

RGB 114 11 178

HSL 277.01, 0.88%, 0.37%

LAB 31.88, 64.4, -63.82

 

CMYK 28 / 68 / 0 / 0

HEX #B652FE

RGB 182 82 254

HSL 274.88, 0.99%, 0.66%

LAB 55.21, 68.37, -69.08

 

CMYK 10 / 68 / 0 / 0

HEX #E452FE

RGB 228 82 254

HSL 290.93, 0.99%, 0.66%

LAB 61.38, 77.75, -58.83

 

CMYK 0 / 68 / 8 / 0

HEX #FE52EA

RGB 254 82 234

HSL 306.98, 0.99%, 0.66%

LAB 64.2, 80.22, -43.04

 

CMYK 0 / 68 / 26 / 0

HEX #FE52BC

RGB 254 82 188

HSL 323.02, 0.99%, 0.66%

LAB 62.28, 74.03, -20.06

 

CMYK 0 / 68 / 44 / 0

HEX #FE528D

RGB 254 82 141

HSL 339.42, 0.99%, 0.66%

LAB 60.81, 69.03, 4.89

 

CMYK 28 / 68 / 0 / 0

HEX #B652FE

RGB 182 82 254

HSL 274.88, 0.99%, 0.66%

LAB 55.21, 68.37, -69.08

 

CMYK 46 / 68 / 0 / 0

HEX #8852FE

RGB 136 82 254

HSL 258.84, 0.99%, 0.66%

LAB 50.01, 59.88, -77.76

 

CMYK 65 / 68 / 0 / 0

HEX #5952FE

RGB 89 82 254

HSL 242.44, 0.99%, 0.66%

LAB 46.06, 52.97, -84.38

 

CMYK 68 / 68 / 0 / 0

HEX #5252FE

RGB 82 82 254

HSL 240, 0.99%, 0.66%

LAB 45.61, 52.15, -85.13

 

CMYK 28 / 68 / 0 / 0

HEX #B652FE

RGB 182 82 254

HSL 274.88, 0.99%, 0.66%

LAB 55.21, 68.37, -69.08

 

CMYK 28 / 68 / 0 / 0

HEX #B652FE

RGB 182 82 254

HSL 274.88, 0.99%, 0.66%

LAB 55.21, 68.37, -69.08

 

CMYK 25 / 60 / 0 / 6

HEX #B460F0

RGB 180 96 240

HSL 275, 0.83%, 0.66%

LAB 56.45, 58.43, -59.32

 

CMYK 22 / 51 / 0 / 11

HEX #B16FE2

RGB 177 111 226

HSL 274.43, 0.66%, 0.66%

LAB 58.23, 46.89, -48.67

 

CMYK 17 / 41 / 0 / 17

HEX #AF7DD4

RGB 175 125 212

HSL 274.48, 0.5%, 0.66%

LAB 60.37, 35.57, -37.46

 

CMYK 13 / 30 / 0 / 22

HEX #AD8BC6

RGB 173 139 198

HSL 274.58, 0.34%, 0.66%

LAB 62.87, 24.02, -25.74

 

CMYK 65 / 68 / 0 / 0

HEX #5852FE

RGB 88 82 254

HSL 242.09, 0.99%, 0.66%

LAB 46, 52.84, -84.49

 

CMYK 47 / 68 / 0 / 0

HEX #8652FE

RGB 134 82 254

HSL 258.14, 0.99%, 0.66%

LAB 49.81, 59.55, -78.1

 

CMYK 29 / 68 / 0 / 0

HEX #B452FE

RGB 180 82 254

HSL 274.19, 0.99%, 0.66%

LAB 54.96, 67.97, -69.49

 

CMYK 11 / 68 / 0 / 0

HEX #E252FE

RGB 226 82 254

HSL 290.23, 0.99%, 0.66%

LAB 61.1, 77.33, -59.3

 

CMYK 0 / 68 / 7 / 0

HEX #FE52ED

RGB 254 82 237

HSL 305.93, 0.99%, 0.66%

LAB 64.34, 80.66, -44.49

 

CMYK 42 / 100 / 0 / 1

HEX #9301FD

RGB 147 1 253

HSL 274.76, 0.99%, 0.5%

LAB 43.24, 84.24, -88.26

 

CMYK 35 / 84 / 0 / 0

HEX #A429FE

RGB 164 41 254

HSL 274.65, 0.99%, 0.58%

LAB 47.8, 79.93, -81.24

 

CMYK 28 / 68 / 0 / 0

HEX #B652FE

RGB 182 82 254

HSL 274.88, 0.99%, 0.66%

LAB 55.21, 68.37, -69.08

 

CMYK 22 / 51 / 0 / 0

HEX #C77CFE

RGB 199 124 254

HSL 274.62, 0.98%, 0.74%

LAB 64.73, 51.97, -53.71

 

CMYK 15 / 35 / 0 / 0

HEX #D9A5FF

RGB 217 165 255

HSL 274.67, 1%, 0.82%

LAB 75.38, 35.33, -37.42

 

CMYK 28 / 67 / 0 / 0

HEX #B653FE

RGB 182 83 254

HSL 274.74, 0.99%, 0.66%

LAB 55.37, 67.93, -68.82

 

CMYK 0 / 68 / 52 / 0

HEX #FE527B

RGB 254 82 123

HSL 345.7, 0.99%, 0.66%

LAB 60.37, 67.51, 14.77

 

CMYK 68 / 0 / 56 / 0

HEX #52FE6F

RGB 82 254 111

HSL 130.12, 0.99%, 0.66%

LAB 88.84, -71.69, 54.97

 

CMYK 28 / 67 / 0 / 0

HEX #B653FE

RGB 182 83 254

HSL 274.74, 0.99%, 0.66%

LAB 55.37, 67.93, -68.82

 

CMYK 0 / 29 / 68 / 0

HEX #FEB452

RGB 254 180 82

HSL 34.19, 0.99%, 0.66%

LAB 78.65, 17.87, 59.05

 

CMYK 68 / 0 / 29 / 0

HEX #52FEB4

RGB 82 254 180

HSL 154.19, 0.99%, 0.66%

LAB 89.85, -60.4, 22.87

 

CMYK 28 / 67 / 0 / 0

HEX #B653FE

RGB 182 83 254

HSL 274.74, 0.99%, 0.66%

LAB 55.37, 67.93, -68.82

 

CMYK 0 / 68 / 52 / 0

HEX #FE527B

RGB 254 82 123

HSL 345.7, 0.99%, 0.66%

LAB 60.37, 67.51, 14.77

 

CMYK 38 / 0 / 68 / 0

HEX #9DFE52

RGB 157 254 82

HSL 93.84, 0.99%, 0.66%

LAB 91.08, -55.6, 70.02

 

CMYK 68 / 0 / 16 / 0

HEX #52FED6

RGB 82 254 214

HSL 166.05, 0.99%, 0.66%

LAB 90.57, -52.88, 6.41

 

CMYK 28 / 67 / 0 / 0

HEX #B653FE

RGB 182 83 254

HSL 274.74, 0.99%, 0.66%

LAB 55.37, 67.93, -68.82

 

CMYK 0 / 63 / 68 / 0

HEX #FE5E52

RGB 254 94 82

HSL 4.19, 0.99%, 0.66%

LAB 61.38, 60.15, 39.52

 

CMYK 38 / 0 / 68 / 0

HEX #9DFE52

RGB 157 254 82

HSL 93.84, 0.99%, 0.66%

LAB 91.08, -55.6, 70.02

 

CMYK 68 / 4 / 0 / 0

HEX #52F3FE

RGB 82 243 254

HSL 183.84, 0.99%, 0.66%

LAB 88.47, -37.68, -17.5

 

Description

Color code: HEX #B653FE | qconv.com Color code: HEX #B653FE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 83 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 83 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 67 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 67% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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