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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6538C it is the complementary color #49AC73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6538C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6538C shade: #BB5387, #CC659A, #DD77AD, #EE89C0 and #FF9BD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6538C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6538C shade: #B6538C, #A54179, #942F66, #831D53 and #720B40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6538C shade: #B6548C, #B65472, #B65457 and #B65454

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6538C shade: #B6548C, #B654A6, #AA54B6, #9054B6 and #7554B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6538C shade matches the following richer shades: #B6548C, #C9408F, #DD2C92 and #F11895

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6538C shade: #B6548C, #A26789, #8E7B86, #7A8F83 and #66A380

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6538C shade: #AA54B6, #B654A7, #B6548D, #B65473 and #B65459

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6538C shade: #803761, #9D4377, #B6548C, #C2719F and #CE8DB3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6538C shade: #B6538C, #B69054 and #54B4B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6538C shade: #B6538C, #8DB654 and #548DB6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6538C shade: #B6538C, #B69054, #54B67C and #5479B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6538C shade: #B6538C, #B6AD54, #54B67C and #545CB6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 23 / 29

HEX #B6538C

RGB 182 83 140

HSL 325.45, 0.4%, 0.52%

LAB 49.53, 46.72, -12.46

 

Complementary color

CMYK 58 / 0 / 33 / 33

HEX #49AC73

RGB 73 172 115

HSL 145.45, 0.4%, 0.48%

LAB 63.47, -42.25, 20.85

 

CMYK 0 / 56 / 28 / 27

HEX #BB5387

RGB 187 83 135

HSL 330, 0.43%, 0.53%

LAB 50.1, 47.63, -8.54

 

CMYK 0 / 50 / 25 / 20

HEX #CC659A

RGB 204 101 154

HSL 329.13, 0.5%, 0.6%

LAB 56.56, 46.93, -9.82

 

CMYK 0 / 46 / 22 / 13

HEX #DD77AD

RGB 221 119 173

HSL 328.24, 0.6%, 0.67%

LAB 63, 46.16, -10.89

 

CMYK 0 / 42 / 19 / 7

HEX #EE89C0

RGB 238 137 192

HSL 327.33, 0.75%, 0.74%

LAB 69.38, 45.38, -11.82

 

CMYK 0 / 39 / 17 / 0

HEX #FF9BD3

RGB 255 155 211

HSL 326.4, 1%, 0.8%

LAB 75.7, 44.61, -12.64

 

CMYK 0 / 54 / 23 / 29

HEX #B6538C

RGB 182 83 140

HSL 325.45, 0.4%, 0.52%

LAB 49.53, 46.72, -12.46

 

CMYK 0 / 61 / 27 / 35

HEX #A54179

RGB 165 65 121

HSL 326.4, 0.43%, 0.45%

LAB 43, 47.26, -11.06

 

CMYK 0 / 68 / 31 / 42

HEX #942F66

RGB 148 47 102

HSL 327.33, 0.52%, 0.38%

LAB 36.53, 47.48, -9.25

 

CMYK 0 / 78 / 37 / 49

HEX #831D53

RGB 131 29 83

HSL 328.24, 0.64%, 0.31%

LAB 30.23, 47.04, -6.79

 

CMYK 0 / 90 / 44 / 55

HEX #720B40

RGB 114 11 64

HSL 329.13, 0.82%, 0.25%

LAB 24.28, 45.36, -3.29

 

CMYK 0 / 54 / 23 / 29

HEX #B6548C

RGB 182 84 140

HSL 325.71, 0.4%, 0.52%

LAB 49.71, 46.23, -12.18

 

CMYK 0 / 54 / 37 / 29

HEX #B65472

RGB 182 84 114

HSL 341.63, 0.4%, 0.52%

LAB 48.88, 42.8, 2.2

 

CMYK 0 / 54 / 52 / 29

HEX #B65457

RGB 182 84 87

HSL 358.16, 0.4%, 0.52%

LAB 48.23, 39.99, 17.54

 

CMYK 0 / 54 / 54 / 29

HEX #B65454

RGB 182 84 84

HSL 0, 0.4%, 0.52%

LAB 48.17, 39.72, 19.25

 

CMYK 0 / 54 / 23 / 29

HEX #B6548C

RGB 182 84 140

HSL 325.71, 0.4%, 0.52%

LAB 49.71, 46.23, -12.18

 

CMYK 0 / 54 / 9 / 29

HEX #B654A6

RGB 182 84 166

HSL 309.8, 0.4%, 0.52%

LAB 50.73, 50.29, -26.01

 

CMYK 7 / 54 / 0 / 29

HEX #AA54B6

RGB 170 84 182

HSL 292.65, 0.4%, 0.52%

LAB 49.81, 49.76, -36.92

 

CMYK 21 / 54 / 0 / 29

HEX #9054B6

RGB 144 84 182

HSL 276.73, 0.4%, 0.52%

LAB 46.51, 42.67, -42.36

 

CMYK 36 / 54 / 0 / 29

HEX #7554B6

RGB 117 84 182

HSL 260.2, 0.4%, 0.52%

LAB 43.51, 35.6, -47.32

 

CMYK 0 / 54 / 23 / 29

HEX #B6548C

RGB 182 84 140

HSL 325.71, 0.4%, 0.52%

LAB 49.71, 46.23, -12.18

 

CMYK 0 / 68 / 29 / 21

HEX #C9408F

RGB 201 64 143

HSL 325.4, 0.56%, 0.52%

LAB 49.58, 61.06, -13.88

 

CMYK 0 / 80 / 34 / 13

HEX #DD2C92

RGB 221 44 146

HSL 325.42, 0.72%, 0.52%

LAB 50.98, 72.76, -13.23

 

CMYK 0 / 90 / 38 / 5

HEX #F11895

RGB 241 24 149

HSL 325.44, 0.89%, 0.52%

LAB 53.52, 81.27, -10.82

 

CMYK 0 / 54 / 23 / 29

HEX #B6548C

RGB 182 84 140

HSL 325.71, 0.4%, 0.52%

LAB 49.71, 46.23, -12.18

 

CMYK 0 / 36 / 15 / 36

HEX #A26789

RGB 162 103 137

HSL 325.42, 0.24%, 0.52%

LAB 50.91, 28.8, -8.87

 

CMYK 0 / 13 / 6 / 44

HEX #8E7B86

RGB 142 123 134

HSL 325.26, 0.08%, 0.52%

LAB 53.64, 9.32, -3.28

 

CMYK 15 / 0 / 8 / 44

HEX #7A8F83

RGB 122 143 131

HSL 145.71, 0.09%, 0.52%

LAB 57.48, -10, 3.86

 

CMYK 37 / 0 / 21 / 36

HEX #66A380

RGB 102 163 128

HSL 145.57, 0.25%, 0.52%

LAB 62.15, -27.67, 12.04

 

CMYK 7 / 54 / 0 / 29

HEX #AA54B6

RGB 170 84 182

HSL 292.65, 0.4%, 0.52%

LAB 49.81, 49.76, -36.92

 

CMYK 0 / 54 / 8 / 29

HEX #B654A7

RGB 182 84 167

HSL 309.18, 0.4%, 0.52%

LAB 50.78, 50.46, -26.53

 

CMYK 0 / 54 / 23 / 29

HEX #B6548D

RGB 182 84 141

HSL 325.1, 0.4%, 0.52%

LAB 49.75, 46.38, -12.72

 

CMYK 0 / 54 / 37 / 29

HEX #B65473

RGB 182 84 115

HSL 341.02, 0.4%, 0.52%

LAB 48.91, 42.92, 1.64

 

CMYK 0 / 54 / 51 / 29

HEX #B65459

RGB 182 84 89

HSL 356.94, 0.4%, 0.52%

LAB 48.27, 40.17, 16.39

 

CMYK 0 / 57 / 24 / 50

HEX #803761

RGB 128 55 97

HSL 325.48, 0.4%, 0.36%

LAB 34.36, 36.68, -9.67

 

CMYK 0 / 57 / 24 / 38

HEX #9D4377

RGB 157 67 119

HSL 325.33, 0.4%, 0.44%

LAB 42.02, 43.49, -11.44

 

CMYK 0 / 54 / 23 / 29

HEX #B6548C

RGB 182 84 140

HSL 325.71, 0.4%, 0.52%

LAB 49.71, 46.23, -12.18

 

CMYK 0 / 42 / 18 / 24

HEX #C2719F

RGB 194 113 159

HSL 325.93, 0.4%, 0.6%

LAB 57.83, 38.13, -10.96

 

CMYK 0 / 32 / 13 / 19

HEX #CE8DB3

RGB 206 141 179

HSL 324.92, 0.4%, 0.68%

LAB 66.08, 30.39, -9.86

 

CMYK 0 / 54 / 23 / 29

HEX #B6538C

RGB 182 83 140

HSL 325.45, 0.4%, 0.52%

LAB 49.53, 46.72, -12.46

 

CMYK 0 / 21 / 54 / 29

HEX #B69054

RGB 182 144 84

HSL 36.73, 0.4%, 0.52%

LAB 62.11, 6.99, 37.07

 

CMYK 54 / 1 / 0 / 29

HEX #54B4B6

RGB 84 180 182

HSL 181.22, 0.4%, 0.52%

LAB 67.95, -27.5, -9.63

 

CMYK 0 / 54 / 23 / 29

HEX #B6538C

RGB 182 83 140

HSL 325.45, 0.4%, 0.52%

LAB 49.53, 46.72, -12.46

 

CMYK 23 / 0 / 54 / 29

HEX #8DB654

RGB 141 182 84

HSL 85.1, 0.4%, 0.52%

LAB 69.3, -29.85, 44.89

 

CMYK 54 / 23 / 0 / 29

HEX #548DB6

RGB 84 141 182

HSL 205.1, 0.4%, 0.52%

LAB 56.4, -6.83, -27.19

 

CMYK 0 / 54 / 23 / 29

HEX #B6538C

RGB 182 83 140

HSL 325.45, 0.4%, 0.52%

LAB 49.53, 46.72, -12.46

 

CMYK 0 / 21 / 54 / 29

HEX #B69054

RGB 182 144 84

HSL 36.73, 0.4%, 0.52%

LAB 62.11, 6.99, 37.07

 

CMYK 54 / 0 / 32 / 29

HEX #54B67C

RGB 84 182 124

HSL 144.49, 0.4%, 0.52%

LAB 67.12, -42.16, 21

 

CMYK 54 / 34 / 0 / 29

HEX #5479B6

RGB 84 121 182

HSL 217.35, 0.4%, 0.52%

LAB 50.61, 4.9, -36.21

 

CMYK 0 / 54 / 23 / 29

HEX #B6538C

RGB 182 83 140

HSL 325.45, 0.4%, 0.52%

LAB 49.53, 46.72, -12.46

 

CMYK 0 / 5 / 54 / 29

HEX #B6AD54

RGB 182 173 84

HSL 54.49, 0.4%, 0.52%

LAB 69.8, -8.64, 46.25

 

CMYK 54 / 0 / 32 / 29

HEX #54B67C

RGB 84 182 124

HSL 144.49, 0.4%, 0.52%

LAB 67.12, -42.16, 21

 

CMYK 54 / 49 / 0 / 29

HEX #545CB6

RGB 84 92 182

HSL 235.1, 0.4%, 0.52%

LAB 42.64, 22.91, -48.87

 

Description

Color code: HEX #B6538C | qconv.com Color code: HEX #B6538C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 83 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 83 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 23 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 23% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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