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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6519A it is the complementary color #49AE65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6519A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6519A shade: #BB5195, #CC63A8, #DD75BB, #EE87CE and #FF99E1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6519A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6519A shade: #B6519A, #A53F87, #942D74, #831B61 and #72094E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6519A shade: #B7529B, #B75280, #B75265 and #B75252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6519A shade: #B7529B, #B752B6, #9C52B7, #8152B7 and #6652B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6519A shade matches the following richer shades: #B7529B, #CB3FA4, #DE2BAD and #F217B5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6519A shade: #B7529B, #A36692, #8F7A89, #7B8E80 and #68A278

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6519A shade: #9C52B7, #B752B7, #B7529C, #B75281 and #B75266

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6519A shade: #81366C, #9E4284, #B7529B, #C370AC and #CF8DBD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6519A shade: #B6519A, #B78152 and #52B7A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6519A shade: #B6519A, #9CB752 and #529CB7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6519A shade: #B6519A, #B78152, #52B76D and #5288B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6519A shade: #B6519A, #B79F52, #52B76D and #526AB7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 15 / 29

HEX #B6519A

RGB 182 81 154

HSL 316.63, 0.41%, 0.52%

LAB 49.69, 49.8, -20.53

 

Complementary color

CMYK 58 / 0 / 42 / 32

HEX #49AE65

RGB 73 174 101

HSL 136.63, 0.41%, 0.48%

LAB 63.86, -45.67, 28.86

 

CMYK 0 / 57 / 20 / 27

HEX #BB5195

RGB 187 81 149

HSL 321.51, 0.44%, 0.53%

LAB 50.24, 50.55, -16.66

 

CMYK 0 / 51 / 18 / 20

HEX #CC63A8

RGB 204 99 168

HSL 320.57, 0.51%, 0.59%

LAB 56.67, 49.96, -17.79

 

CMYK 0 / 47 / 15 / 13

HEX #DD75BB

RGB 221 117 187

HSL 319.62, 0.6%, 0.66%

LAB 63.08, 49.27, -18.72

 

CMYK 0 / 43 / 13 / 7

HEX #EE87CE

RGB 238 135 206

HSL 318.64, 0.75%, 0.73%

LAB 69.44, 48.53, -19.52

 

CMYK 0 / 40 / 12 / 0

HEX #FF99E1

RGB 255 153 225

HSL 317.65, 1%, 0.8%

LAB 75.75, 47.79, -20.23

 

CMYK 0 / 55 / 15 / 29

HEX #B6519A

RGB 182 81 154

HSL 316.63, 0.41%, 0.52%

LAB 49.69, 49.8, -20.53

 

CMYK 0 / 62 / 18 / 35

HEX #A53F87

RGB 165 63 135

HSL 317.65, 0.45%, 0.45%

LAB 43.22, 50.2, -19.29

 

CMYK 0 / 70 / 22 / 42

HEX #942D74

RGB 148 45 116

HSL 318.64, 0.53%, 0.38%

LAB 36.81, 50.2, -17.66

 

CMYK 0 / 79 / 26 / 49

HEX #831B61

RGB 131 27 97

HSL 319.62, 0.66%, 0.31%

LAB 30.57, 49.45, -15.4

 

CMYK 0 / 92 / 32 / 55

HEX #72094E

RGB 114 9 78

HSL 320.57, 0.85%, 0.24%

LAB 24.71, 47.34, -12.15

 

CMYK 0 / 55 / 15 / 28

HEX #B7529B

RGB 183 82 155

HSL 316.63, 0.41%, 0.52%

LAB 50.06, 49.77, -20.55

 

CMYK 0 / 55 / 30 / 28

HEX #B75280

RGB 183 82 128

HSL 332.67, 0.41%, 0.52%

LAB 49.08, 45.88, -5.92

 

CMYK 0 / 55 / 45 / 28

HEX #B75265

RGB 183 82 101

HSL 348.71, 0.41%, 0.52%

LAB 48.31, 42.7, 9.25

 

CMYK 0 / 55 / 55 / 28

HEX #B75252

RGB 183 82 82

HSL 0, 0.41%, 0.52%

LAB 47.89, 40.93, 20.11

 

CMYK 0 / 55 / 15 / 28

HEX #B7529B

RGB 183 82 155

HSL 316.63, 0.41%, 0.52%

LAB 50.06, 49.77, -20.55

 

CMYK 0 / 55 / 1 / 28

HEX #B752B6

RGB 183 82 182

HSL 300.59, 0.41%, 0.52%

LAB 51.24, 54.29, -34.55

 

CMYK 15 / 55 / 0 / 28

HEX #9C52B7

RGB 156 82 183

HSL 283.96, 0.41%, 0.52%

LAB 47.65, 47.17, -41.04

 

CMYK 30 / 55 / 0 / 28

HEX #8152B7

RGB 129 82 183

HSL 267.92, 0.41%, 0.52%

LAB 44.41, 40.06, -46.4

 

CMYK 44 / 55 / 0 / 28

HEX #6652B7

RGB 102 82 183

HSL 251.88, 0.41%, 0.52%

LAB 41.66, 33.44, -50.96

 

CMYK 0 / 55 / 15 / 28

HEX #B7529B

RGB 183 82 155

HSL 316.63, 0.41%, 0.52%

LAB 50.06, 49.77, -20.55

 

CMYK 0 / 69 / 19 / 20

HEX #CB3FA4

RGB 203 63 164

HSL 316.71, 0.57%, 0.52%

LAB 50.61, 64.7, -24.76

 

CMYK 0 / 81 / 22 / 13

HEX #DE2BAD

RGB 222 43 173

HSL 316.42, 0.73%, 0.52%

LAB 52.15, 76.32, -27.42

 

CMYK 0 / 90 / 25 / 5

HEX #F217B5

RGB 242 23 181

HSL 316.71, 0.89%, 0.52%

LAB 54.89, 84.89, -27.55

 

CMYK 0 / 55 / 15 / 28

HEX #B7529B

RGB 183 82 155

HSL 316.63, 0.41%, 0.52%

LAB 50.06, 49.77, -20.55

 

CMYK 0 / 37 / 10 / 36

HEX #A36692

RGB 163 102 146

HSL 316.72, 0.25%, 0.52%

LAB 51.11, 31.27, -13.87

 

CMYK 0 / 15 / 4 / 44

HEX #8F7A89

RGB 143 122 137

HSL 317.14, 0.09%, 0.52%

LAB 53.56, 10.85, -5.14

 

CMYK 13 / 0 / 10 / 44

HEX #7B8E80

RGB 123 142 128

HSL 135.79, 0.08%, 0.52%

LAB 57.19, -9.69, 5.16

 

CMYK 36 / 0 / 26 / 36

HEX #68A278

RGB 104 162 120

HSL 136.55, 0.24%, 0.52%

LAB 61.77, -28.15, 15.98

 

CMYK 15 / 55 / 0 / 28

HEX #9C52B7

RGB 156 82 183

HSL 283.96, 0.41%, 0.52%

LAB 47.65, 47.17, -41.04

 

CMYK 0 / 55 / 0 / 28

HEX #B752B7

RGB 183 82 183

HSL 300, 0.41%, 0.52%

LAB 51.29, 54.47, -35.06

 

CMYK 0 / 55 / 15 / 28

HEX #B7529C

RGB 183 82 156

HSL 316.04, 0.41%, 0.52%

LAB 50.1, 49.93, -21.08

 

CMYK 0 / 55 / 30 / 28

HEX #B75281

RGB 183 82 129

HSL 332.08, 0.41%, 0.52%

LAB 49.11, 46.01, -6.47

 

CMYK 0 / 55 / 44 / 28

HEX #B75266

RGB 183 82 102

HSL 348.12, 0.41%, 0.52%

LAB 48.34, 42.81, 8.68

 

CMYK 0 / 58 / 16 / 49

HEX #81366C

RGB 129 54 108

HSL 316.8, 0.41%, 0.36%

LAB 34.78, 39.26, -16.01

 

CMYK 0 / 58 / 16 / 38

HEX #9E4284

RGB 158 66 132

HSL 316.96, 0.41%, 0.44%

LAB 42.51, 46.26, -18.65

 

CMYK 0 / 55 / 15 / 28

HEX #B7529B

RGB 183 82 155

HSL 316.63, 0.41%, 0.52%

LAB 50.06, 49.77, -20.55

 

CMYK 0 / 43 / 12 / 24

HEX #C370AC

RGB 195 112 172

HSL 316.63, 0.41%, 0.6%

LAB 58.2, 41.1, -17.89

 

CMYK 0 / 32 / 9 / 19

HEX #CF8DBD

RGB 207 141 189

HSL 316.36, 0.41%, 0.68%

LAB 66.51, 32.43, -14.82

 

CMYK 0 / 55 / 15 / 29

HEX #B6519A

RGB 182 81 154

HSL 316.63, 0.41%, 0.52%

LAB 49.69, 49.8, -20.53

 

CMYK 0 / 30 / 55 / 28

HEX #B78152

RGB 183 129 82

HSL 27.92, 0.41%, 0.52%

LAB 58.39, 15.57, 33.59

 

CMYK 55 / 0 / 8 / 28

HEX #52B7A9

RGB 82 183 169

HSL 171.68, 0.41%, 0.52%

LAB 68.41, -32.82, -1.79

 

CMYK 0 / 55 / 15 / 29

HEX #B6519A

RGB 182 81 154

HSL 316.63, 0.41%, 0.52%

LAB 49.69, 49.8, -20.53

 

CMYK 15 / 0 / 55 / 28

HEX #9CB752

RGB 156 183 82

HSL 76.04, 0.41%, 0.52%

LAB 70.56, -24.65, 47.56

 

CMYK 55 / 15 / 0 / 28

HEX #529CB7

RGB 82 156 183

HSL 196.04, 0.41%, 0.52%

LAB 60.77, -15.26, -21.04

 

CMYK 0 / 55 / 15 / 29

HEX #B6519A

RGB 182 81 154

HSL 316.63, 0.41%, 0.52%

LAB 49.69, 49.8, -20.53

 

CMYK 0 / 30 / 55 / 28

HEX #B78152

RGB 183 129 82

HSL 27.92, 0.41%, 0.52%

LAB 58.39, 15.57, 33.59

 

CMYK 55 / 0 / 40 / 28

HEX #52B76D

RGB 82 183 109

HSL 136.04, 0.41%, 0.52%

LAB 67.1, -45.83, 28.94

 

CMYK 55 / 26 / 0 / 28

HEX #5288B7

RGB 82 136 183

HSL 207.92, 0.41%, 0.52%

LAB 54.89, -4.09, -30.11

 

CMYK 0 / 55 / 15 / 29

HEX #B6519A

RGB 182 81 154

HSL 316.63, 0.41%, 0.52%

LAB 49.69, 49.8, -20.53

 

CMYK 0 / 13 / 55 / 28

HEX #B79F52

RGB 183 159 82

HSL 45.74, 0.41%, 0.52%

LAB 66.12, -0.93, 42.93

 

CMYK 55 / 0 / 40 / 28

HEX #52B76D

RGB 82 183 109

HSL 136.04, 0.41%, 0.52%

LAB 67.1, -45.83, 28.94

 

CMYK 55 / 42 / 0 / 28

HEX #526AB7

RGB 82 106 183

HSL 225.74, 0.41%, 0.52%

LAB 46.34, 14, -43.55

 

Description

Color code: HEX #B6519A | qconv.com Color code: HEX #B6519A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 81 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 81 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 15 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 15% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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