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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B64D2C it is the complementary color #49B2D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B64D2C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B64D2C shade: #BB4D27, #CC5F3A, #DD714D, #EE8360 and #FF9573

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B64D2C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B64D2C shade: #B64D2C, #A53B19, #942906, #831700 and #720500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B64D2C shade: #B54C2C and #B52C2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B64D2C shade: #B54C2C, #B5712C, #B5962C, #AEB52C and #89B52C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B64D2C shade matches the following richer shades: #B54C2C, #C7431A and #D93A07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B64D2C shade: #B54C2C, #A2563E, #905F50, #7E6962 and #6C7274

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B64D2C shade: #B52C55, #B52C30, #B54C2C, #B5702C and #B5952C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B64D2C shade: #72301C, #933E24, #B54C2C, #CF5E3A and #D7795C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B64D2C shade: #B64D2C, #79B52C and #2C43B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B64D2C shade: #B64D2C, #2CB54C and #4C2CB5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B64D2C shade: #B64D2C, #79B52C, #2C95B5 and #672CB5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B64D2C shade: #B64D2C, #50B52C, #2C95B5 and #902CB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 76 / 29

HEX #B64D2C

RGB 182 77 44

HSL 14.35, 0.61%, 0.44%

LAB 46.22, 40.64, 39.81

 

Complementary color

CMYK 65 / 16 / 0 / 17

HEX #49B2D3

RGB 73 178 211

HSL 194.35, 0.61%, 0.56%

LAB 67.99, -20, -25.6

 

CMYK 0 / 59 / 79 / 27

HEX #BB4D27

RGB 187 77 39

HSL 15.41, 0.65%, 0.44%

LAB 47, 42.33, 43.42

 

CMYK 0 / 53 / 72 / 20

HEX #CC5F3A

RGB 204 95 58

HSL 15.21, 0.59%, 0.51%

LAB 53.31, 40.78, 41.12

 

CMYK 0 / 49 / 65 / 13

HEX #DD714D

RGB 221 113 77

HSL 15, 0.68%, 0.58%

LAB 59.63, 39.29, 38.93

 

CMYK 0 / 45 / 60 / 7

HEX #EE8360

RGB 238 131 96

HSL 14.79, 0.81%, 0.65%

LAB 65.95, 37.88, 36.92

 

CMYK 0 / 42 / 55 / 0

HEX #FF9573

RGB 255 149 115

HSL 14.57, 1%, 0.73%

LAB 72.22, 36.59, 35.09

 

CMYK 0 / 58 / 76 / 29

HEX #B64D2C

RGB 182 77 44

HSL 14.35, 0.61%, 0.44%

LAB 46.22, 40.64, 39.81

 

CMYK 0 / 64 / 85 / 35

HEX #A53B19

RGB 165 59 25

HSL 14.57, 0.74%, 0.37%

LAB 39.91, 42.13, 42.16

 

CMYK 0 / 72 / 96 / 42

HEX #942906

RGB 148 41 6

HSL 14.79, 0.92%, 0.3%

LAB 33.76, 43.37, 43.79

 

CMYK 0 / 82 / 100 / 49

HEX #831700

RGB 131 23 0

HSL 10.53, 1%, 0.26%

LAB 27.95, 43.96, 40.46

 

CMYK 0 / 96 / 100 / 55

HEX #720500

RGB 114 5 0

HSL 2.63, 1%, 0.22%

LAB 22.6, 43.12, 34.07

 

CMYK 0 / 58 / 76 / 29

HEX #B54C2C

RGB 181 76 44

HSL 14.01, 0.61%, 0.44%

LAB 45.87, 40.75, 39.38

 

CMYK 0 / 76 / 76 / 29

HEX #B52C2C

RGB 181 44 44

HSL 0, 0.61%, 0.44%

LAB 40.91, 54.13, 34.01

 

CMYK 0 / 58 / 76 / 29

HEX #B54C2C

RGB 181 76 44

HSL 14.01, 0.61%, 0.44%

LAB 45.87, 40.75, 39.38

 

CMYK 0 / 38 / 76 / 29

HEX #B5712C

RGB 181 113 44

HSL 30.22, 0.61%, 0.44%

LAB 53.83, 21.13, 47.58

 

CMYK 0 / 17 / 76 / 29

HEX #B5962C

RGB 181 150 44

HSL 46.42, 0.61%, 0.44%

LAB 63.19, 0.66, 56.72

 

CMYK 4 / 0 / 76 / 29

HEX #AEB52C

RGB 174 181 44

HSL 63.07, 0.61%, 0.44%

LAB 71.03, -18.68, 63.84

 

CMYK 24 / 0 / 76 / 29

HEX #89B52C

RGB 137 181 44

HSL 79.27, 0.61%, 0.44%

LAB 68.42, -34.01, 60.47

 

CMYK 0 / 58 / 76 / 29

HEX #B54C2C

RGB 181 76 44

HSL 14.01, 0.61%, 0.44%

LAB 45.87, 40.75, 39.38

 

CMYK 0 / 66 / 87 / 22

HEX #C7431A

RGB 199 67 26

HSL 14.22, 0.77%, 0.44%

LAB 47.28, 50.78, 50.39

 

CMYK 0 / 73 / 97 / 15

HEX #D93A07

RGB 217 58 7

HSL 14.57, 0.94%, 0.44%

LAB 49.24, 59.84, 59.32

 

CMYK 0 / 58 / 76 / 29

HEX #B54C2C

RGB 181 76 44

HSL 14.01, 0.61%, 0.44%

LAB 45.87, 40.75, 39.38

 

CMYK 0 / 47 / 62 / 36

HEX #A2563E

RGB 162 86 62

HSL 14.4, 0.45%, 0.44%

LAB 45.2, 29.06, 27.81

HEX #A2563E

CMYK 0 / 34 / 44 / 44

HEX #905F50

RGB 144 95 80

HSL 14.06, 0.29%, 0.44%

LAB 45.21, 18.1, 16.75

HEX #905F50

CMYK 0 / 17 / 22 / 51

HEX #7E6962

RGB 126 105 98

HSL 15, 0.13%, 0.44%

LAB 46.2, 7.15, 7.04

HEX #7E6962

CMYK 7 / 2 / 0 / 55

HEX #6C7274

RGB 108 114 116

HSL 195, 0.04%, 0.44%

LAB 47.6, -1.84, -1.9

HEX #6C7274

CMYK 0 / 76 / 53 / 29

HEX #B52C55

RGB 181 44 85

HSL 342.04, 0.61%, 0.44%

LAB 41.66, 56.57, 9.7

 

CMYK 0 / 76 / 73 / 29

HEX #B52C30

RGB 181 44 48

HSL 358.25, 0.61%, 0.44%

LAB 40.96, 54.3, 31.71

 

CMYK 0 / 58 / 76 / 29

HEX #B54C2C

RGB 181 76 44

HSL 14.01, 0.61%, 0.44%

LAB 45.87, 40.75, 39.38

 

CMYK 0 / 38 / 76 / 29

HEX #B5702C

RGB 181 112 44

HSL 29.78, 0.61%, 0.44%

LAB 53.59, 21.68, 47.35

 

CMYK 0 / 18 / 76 / 29

HEX #B5952C

RGB 181 149 44

HSL 45.99, 0.61%, 0.44%

LAB 62.93, 1.2, 56.47

 

CMYK 0 / 58 / 75 / 55

HEX #72301C

RGB 114 48 28

HSL 13.95, 0.61%, 0.28%

LAB 28.84, 27.72, 26.54

 

CMYK 0 / 58 / 76 / 42

HEX #933E24

RGB 147 62 36

HSL 14.05, 0.61%, 0.36%

LAB 37.44, 34.19, 33

 

CMYK 0 / 58 / 76 / 29

HEX #B54C2C

RGB 181 76 44

HSL 14.01, 0.61%, 0.44%

LAB 45.87, 40.75, 39.38

 

CMYK 0 / 55 / 72 / 19

HEX #CF5E3A

RGB 207 94 58

HSL 14.5, 0.61%, 0.52%

LAB 53.57, 42.42, 41.55

 

CMYK 0 / 44 / 57 / 16

HEX #D7795C

RGB 215 121 92

HSL 14.15, 0.61%, 0.6%

LAB 60.69, 33.85, 31.85

 

CMYK 0 / 58 / 76 / 29

HEX #B64D2C

RGB 182 77 44

HSL 14.35, 0.61%, 0.44%

LAB 46.22, 40.64, 39.81

 

CMYK 33 / 0 / 76 / 29

HEX #79B52C

RGB 121 181 44

HSL 86.28, 0.61%, 0.44%

LAB 67.5, -40.13, 59.26

 

CMYK 76 / 63 / 0 / 29

HEX #2C43B5

RGB 44 67 181

HSL 229.93, 0.61%, 0.44%

LAB 33.74, 32.07, -62.81

 

CMYK 0 / 58 / 76 / 29

HEX #B64D2C

RGB 182 77 44

HSL 14.35, 0.61%, 0.44%

LAB 46.22, 40.64, 39.81

 

CMYK 76 / 0 / 58 / 29

HEX #2CB54C

RGB 44 181 76

HSL 134.01, 0.61%, 0.44%

LAB 65.05, -57.67, 42.72

 

CMYK 58 / 76 / 0 / 29

HEX #4C2CB5

RGB 76 44 181

HSL 254.01, 0.61%, 0.44%

LAB 31.05, 49.55, -67.14

 

CMYK 0 / 58 / 76 / 29

HEX #B64D2C

RGB 182 77 44

HSL 14.35, 0.61%, 0.44%

LAB 46.22, 40.64, 39.81

 

CMYK 33 / 0 / 76 / 29

HEX #79B52C

RGB 121 181 44

HSL 86.28, 0.61%, 0.44%

LAB 67.5, -40.13, 59.26

 

CMYK 76 / 18 / 0 / 29

HEX #2C95B5

RGB 44 149 181

HSL 194.01, 0.61%, 0.44%

LAB 57.43, -18.49, -25.13

 

CMYK 43 / 76 / 0 / 29

HEX #672CB5

RGB 103 44 181

HSL 265.84, 0.61%, 0.44%

LAB 34.03, 53.57, -62.15

 

CMYK 0 / 58 / 76 / 29

HEX #B64D2C

RGB 182 77 44

HSL 14.35, 0.61%, 0.44%

LAB 46.22, 40.64, 39.81

 

CMYK 56 / 0 / 76 / 29

HEX #50B52C

RGB 80 181 44

HSL 104.23, 0.61%, 0.44%

LAB 65.7, -53.34, 56.89

 

CMYK 76 / 18 / 0 / 29

HEX #2C95B5

RGB 44 149 181

HSL 194.01, 0.61%, 0.44%

LAB 57.43, -18.49, -25.13

 

CMYK 20 / 76 / 0 / 29

HEX #902CB5

RGB 144 44 181

HSL 283.8, 0.61%, 0.44%

LAB 39.69, 60.98, -52.69

 

Description

Color code: HEX #B64D2C | qconv.com Color code: HEX #B64D2C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 77 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 77 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 76 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 76% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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