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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B64CEB it is the complementary color #49B314. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B64CEB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B64CEB shade: #BB4CE6, #CC5EF9, #DD70FF, #EE82FF and #FF94FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B64CEB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B64CEB shade: #B64CEB, #A53AD8, #9428C5, #8316B2 and #72049F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B64CEB shade: #B64CEB, #E14CEB, #EB4CCA, #EB4C9F and #EB4C75

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B64CEB shade: #B64CEB, #8B4CEB, #604CEB and #4C4CEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B64CEB shade matches the following richer shades: #B64CEB and #BB3CFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B64CEB shade: #B64CEB, #B15CDB, #AB6CCB, #A67CBB and #A18CAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B64CEB shade: #614CEB, #8C4CEB, #B64CEB, #E14CEB and #EB4CCB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B64CEB shade: #9117CE, #A727E7, #B64CEB, #C571EF and #D496F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B64CEB shade: #B64CEB, #EB4C61 and #4CEB76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B64CEB shade: #B64CEB, #EBB64C and #4CEBB6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B64CEB shade: #B64CEB, #EB4C61, #81EB4C and #4CEBD6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B64CEB shade: #B64CEB, #EB674C, #81EB4C and #4CD1EB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 68 / 0 / 8

HEX #B64CEB

RGB 182 76 235

HSL 280, 0.8%, 0.61%

LAB 53.07, 66.93, -61.93

 

Complementary color

CMYK 59 / 0 / 89 / 30

HEX #49B314

RGB 73 179 20

HSL 100, 0.8%, 0.39%

LAB 64.73, -55.65, 62.38

 

CMYK 19 / 67 / 0 / 10

HEX #BB4CE6

RGB 187 76 230

HSL 283.25, 0.75%, 0.6%

LAB 53.44, 66.98, -58.5

 

CMYK 18 / 62 / 0 / 2

HEX #CC5EF9

RGB 204 94 249

HSL 282.58, 0.93%, 0.67%

LAB 59.6, 66.71, -59.1

 

CMYK 13 / 56 / 0 / 0

HEX #DD70FF

RGB 221 112 255

HSL 285.73, 1%, 0.72%

LAB 65.11, 63.66, -53.51

 

CMYK 7 / 49 / 0 / 0

HEX #EE82FF

RGB 238 130 255

HSL 291.84, 1%, 0.75%

LAB 70.43, 59.44, -44.98

 

CMYK 0 / 42 / 0 / 0

HEX #FF94FF

RGB 255 148 255

HSL 300, 1%, 0.79%

LAB 75.86, 55.33, -36.36

 

CMYK 23 / 68 / 0 / 8

HEX #B64CEB

RGB 182 76 235

HSL 280, 0.8%, 0.61%

LAB 53.07, 66.93, -61.93

 

CMYK 24 / 73 / 0 / 15

HEX #A53AD8

RGB 165 58 216

HSL 280.63, 0.67%, 0.54%

LAB 46.95, 66.9, -61.15

 

CMYK 25 / 80 / 0 / 23

HEX #9428C5

RGB 148 40 197

HSL 281.27, 0.66%, 0.46%

LAB 40.97, 66.25, -59.99

 

CMYK 26 / 88 / 0 / 30

HEX #8316B2

RGB 131 22 178

HSL 281.92, 0.78%, 0.39%

LAB 35.23, 64.62, -58.24

 

CMYK 28 / 97 / 0 / 38

HEX #72049F

RGB 114 4 159

HSL 282.58, 0.95%, 0.32%

LAB 29.83, 61.65, -55.72

 

CMYK 23 / 68 / 0 / 8

HEX #B64CEB

RGB 182 76 235

HSL 280, 0.8%, 0.61%

LAB 53.07, 66.93, -61.93

 

CMYK 4 / 68 / 0 / 8

HEX #E14CEB

RGB 225 76 235

HSL 296.23, 0.8%, 0.61%

LAB 59.14, 76.05, -51.88

 

CMYK 0 / 68 / 14 / 8

HEX #EB4CCA

RGB 235 76 202

HSL 312.45, 0.8%, 0.61%

LAB 59.06, 73.26, -33.27

 

CMYK 0 / 68 / 32 / 8

HEX #EB4C9F

RGB 235 76 159

HSL 328.68, 0.8%, 0.61%

LAB 57.4, 67.77, -11

 

CMYK 0 / 68 / 50 / 8

HEX #EB4C75

RGB 235 76 117

HSL 344.53, 0.8%, 0.61%

LAB 56.2, 63.65, 12

 

CMYK 23 / 68 / 0 / 8

HEX #B64CEB

RGB 182 76 235

HSL 280, 0.8%, 0.61%

LAB 53.07, 66.93, -61.93

 

CMYK 41 / 68 / 0 / 8

HEX #8B4CEB

RGB 139 76 235

HSL 263.77, 0.8%, 0.61%

LAB 47.82, 58.49, -70.67

 

CMYK 59 / 68 / 0 / 8

HEX #604CEB

RGB 96 76 235

HSL 247.55, 0.8%, 0.61%

LAB 43.73, 51.39, -77.52

 

CMYK 68 / 68 / 0 / 8

HEX #4C4CEB

RGB 76 76 235

HSL 240, 0.8%, 0.61%

LAB 42.31, 48.8, -79.9

 

CMYK 23 / 68 / 0 / 8

HEX #B64CEB

RGB 182 76 235

HSL 280, 0.8%, 0.61%

LAB 53.07, 66.93, -61.93

 

CMYK 25 / 76 / 0 / 2

HEX #BB3CFB

RGB 187 60 251

HSL 279.9, 0.96%, 0.61%

LAB 52.69, 77.13, -71.46

 

CMYK 23 / 68 / 0 / 8

HEX #B64CEB

RGB 182 76 235

HSL 280, 0.8%, 0.61%

LAB 53.07, 66.93, -61.93

 

CMYK 19 / 58 / 0 / 14

HEX #B15CDB

RGB 177 92 219

HSL 280.16, 0.64%, 0.61%

LAB 54.15, 55.14, -51.22

 

CMYK 16 / 47 / 0 / 20

HEX #AB6CCB

RGB 171 108 203

HSL 279.79, 0.48%, 0.61%

LAB 55.78, 41.8, -39.6

 

CMYK 11 / 34 / 0 / 27

HEX #A67CBB

RGB 166 124 187

HSL 280, 0.32%, 0.61%

LAB 58.14, 27.91, -26.85

 

CMYK 6 / 18 / 0 / 33

HEX #A18CAB

RGB 161 140 171

HSL 280.65, 0.16%, 0.61%

LAB 61.02, 13.75, -13.39

 

CMYK 59 / 68 / 0 / 8

HEX #614CEB

RGB 97 76 235

HSL 247.92, 0.8%, 0.61%

LAB 43.81, 51.54, -77.39

 

CMYK 40 / 68 / 0 / 8

HEX #8C4CEB

RGB 140 76 235

HSL 264.15, 0.8%, 0.61%

LAB 47.93, 58.67, -70.49

 

CMYK 23 / 68 / 0 / 8

HEX #B64CEB

RGB 182 76 235

HSL 280, 0.8%, 0.61%

LAB 53.07, 66.93, -61.93

 

CMYK 4 / 68 / 0 / 8

HEX #E14CEB

RGB 225 76 235

HSL 296.23, 0.8%, 0.61%

LAB 59.14, 76.05, -51.88

 

CMYK 0 / 68 / 14 / 8

HEX #EB4CCB

RGB 235 76 203

HSL 312.08, 0.8%, 0.61%

LAB 59.11, 73.4, -33.77

 

CMYK 30 / 89 / 0 / 19

HEX #9117CE

RGB 145 23 206

HSL 280, 0.8%, 0.45%

LAB 39.73, 71.92, -67.26

 

CMYK 28 / 83 / 0 / 9

HEX #A727E7

RGB 167 39 231

HSL 280, 0.8%, 0.53%

LAB 46.23, 76.28, -70.86

 

CMYK 23 / 68 / 0 / 8

HEX #B64CEB

RGB 182 76 235

HSL 280, 0.8%, 0.61%

LAB 53.07, 66.93, -61.93

 

CMYK 18 / 53 / 0 / 6

HEX #C571EF

RGB 197 113 239

HSL 280, 0.8%, 0.69%

LAB 61.58, 53.89, -50.46

 

CMYK 13 / 38 / 0 / 5

HEX #D496F3

RGB 212 150 243

HSL 280, 0.79%, 0.77%

LAB 71.06, 39.44, -37.65

 

CMYK 23 / 68 / 0 / 8

HEX #B64CEB

RGB 182 76 235

HSL 280, 0.8%, 0.61%

LAB 53.07, 66.93, -61.93

 

CMYK 0 / 68 / 59 / 8

HEX #EB4C61

RGB 235 76 97

HSL 352.08, 0.8%, 0.61%

LAB 55.78, 62.16, 23.23

 

CMYK 68 / 0 / 50 / 8

HEX #4CEB76

RGB 76 235 118

HSL 135.85, 0.8%, 0.61%

LAB 83.05, -65.32, 44.72

 

CMYK 23 / 68 / 0 / 8

HEX #B64CEB

RGB 182 76 235

HSL 280, 0.8%, 0.61%

LAB 53.07, 66.93, -61.93

 

CMYK 0 / 23 / 68 / 8

HEX #EBB64C

RGB 235 182 76

HSL 40, 0.8%, 0.61%

LAB 77.06, 8.56, 59.39

 

CMYK 68 / 0 / 23 / 8

HEX #4CEBB6

RGB 76 235 182

HSL 160, 0.8%, 0.61%

LAB 84.14, -53.43, 13.85

 

CMYK 23 / 68 / 0 / 8

HEX #B64CEB

RGB 182 76 235

HSL 280, 0.8%, 0.61%

LAB 53.07, 66.93, -61.93

 

CMYK 0 / 68 / 59 / 8

HEX #EB4C61

RGB 235 76 97

HSL 352.08, 0.8%, 0.61%

LAB 55.78, 62.16, 23.23

 

CMYK 45 / 0 / 68 / 8

HEX #81EB4C

RGB 129 235 76

HSL 100, 0.8%, 0.61%

LAB 84.28, -57.34, 64.79

 

CMYK 68 / 0 / 9 / 8

HEX #4CEBD6

RGB 76 235 214

HSL 172.08, 0.8%, 0.61%

LAB 84.9, -45.71, -1.84

 

CMYK 23 / 68 / 0 / 8

HEX #B64CEB

RGB 182 76 235

HSL 280, 0.8%, 0.61%

LAB 53.07, 66.93, -61.93

 

CMYK 0 / 56 / 68 / 8

HEX #EB674C

RGB 235 103 76

HSL 10.19, 0.8%, 0.61%

LAB 59.78, 49.33, 40.16

 

CMYK 45 / 0 / 68 / 8

HEX #81EB4C

RGB 129 235 76

HSL 100, 0.8%, 0.61%

LAB 84.28, -57.34, 64.79

 

CMYK 68 / 11 / 0 / 8

HEX #4CD1EB

RGB 76 209 235

HSL 189.81, 0.8%, 0.61%

LAB 77.95, -27.88, -23.39

 

Description

Color code: HEX #B64CEB | qconv.com Color code: HEX #B64CEB | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 76 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 76 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 68 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 68% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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