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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B630B5 it is the complementary color #49CF4A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B630B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B630B5 shade: #BB30B0, #CC42C3, #DD54D6, #EE66E9 and #FF78FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B630B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B630B5 shade: #B630B5, #A51EA2, #940C8F, #83007C and #720069

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B630B5 shade: #B530B4, #B53090, #B5306D, #B53049 and #B53030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B630B5 shade: #B530B4, #9230B5, #6F30B5, #4B30B5 and #3030B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B630B5 shade matches the following richer shades: #B530B4, #C81EC7 and #DA0BD9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B630B5 shade: #B530B4, #A343A2, #905590, #7E687D and #6B7A6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B630B5 shade: #6E30B5, #9230B5, #B530B5, #B53092 and #B5306E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B630B5 shade: #741F73, #952894, #B530B4, #CD42CC and #D563D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B630B5 shade: #B630B5, #B54B30 and #30B580

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B630B5 shade: #B630B5, #B5B530 and #30B5B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B630B5 shade: #B630B5, #B54B30, #30B530 and #309BB5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B630B5 shade: #B630B5, #B57330, #30B530 and #3073B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 1 / 29

HEX #B630B5

RGB 182 48 181

HSL 300.45, 0.58%, 0.45%

LAB 46.17, 67.42, -41.98

 

Complementary color

CMYK 65 / 0 / 64 / 19

HEX #49CF4A

RGB 73 207 74

HSL 120.45, 0.58%, 0.55%

LAB 73.89, -61.66, 53.86

 

CMYK 0 / 74 / 6 / 27

HEX #BB30B0

RGB 187 48 176

HSL 304.75, 0.59%, 0.46%

LAB 46.73, 67.72, -38.1

 

CMYK 0 / 68 / 4 / 20

HEX #CC42C3

RGB 204 66 195

HSL 303.91, 0.58%, 0.53%

LAB 52.59, 68.44, -39.74

 

CMYK 0 / 62 / 3 / 13

HEX #DD54D6

RGB 221 84 214

HSL 303.07, 0.67%, 0.6%

LAB 58.57, 68.63, -41

 

CMYK 0 / 57 / 2 / 7

HEX #EE66E9

RGB 238 102 233

HSL 302.21, 0.8%, 0.67%

LAB 64.61, 68.47, -41.99

 

CMYK 0 / 53 / 1 / 0

HEX #FF78FC

RGB 255 120 252

HSL 301.33, 1%, 0.74%

LAB 70.68, 68.09, -42.79

 

CMYK 0 / 74 / 1 / 29

HEX #B630B5

RGB 182 48 181

HSL 300.45, 0.58%, 0.45%

LAB 46.17, 67.42, -41.98

 

CMYK 0 / 82 / 2 / 35

HEX #A51EA2

RGB 165 30 162

HSL 301.33, 0.69%, 0.38%

LAB 40.47, 65.91, -39.93

 

CMYK 0 / 92 / 3 / 42

HEX #940C8F

RGB 148 12 143

HSL 302.21, 0.85%, 0.31%

LAB 35.09, 63.17, -37.14

 

CMYK 0 / 100 / 5 / 49

HEX #83007C

RGB 131 0 124

HSL 303.21, 1%, 0.26%

LAB 30.11, 58.86, -33.42

 

CMYK 0 / 100 / 8 / 55

HEX #720069

RGB 114 0 105

HSL 304.74, 1%, 0.22%

LAB 25.56, 52.84, -28.7

 

CMYK 0 / 73 / 1 / 29

HEX #B530B4

RGB 181 48 180

HSL 300.45, 0.58%, 0.45%

LAB 45.95, 67.05, -41.75

 

CMYK 0 / 73 / 20 / 29

HEX #B53090

RGB 181 48 144

HSL 316.69, 0.58%, 0.45%

LAB 44.16, 61.66, -23.08

 

CMYK 0 / 73 / 40 / 29

HEX #B5306D

RGB 181 48 109

HSL 332.48, 0.58%, 0.45%

LAB 42.83, 57.44, -3.63

 

CMYK 0 / 73 / 60 / 29

HEX #B53049

RGB 181 48 73

HSL 348.72, 0.58%, 0.45%

LAB 41.87, 54.32, 17.52

 

CMYK 0 / 73 / 73 / 29

HEX #B53030

RGB 181 48 48

HSL 0, 0.58%, 0.45%

LAB 41.46, 52.91, 32.28

 

CMYK 0 / 73 / 1 / 29

HEX #B530B4

RGB 181 48 180

HSL 300.45, 0.58%, 0.45%

LAB 45.95, 67.05, -41.75

 

CMYK 19 / 73 / 0 / 29

HEX #9230B5

RGB 146 48 181

HSL 284.21, 0.58%, 0.45%

LAB 40.51, 59.9, -51.35

 

CMYK 39 / 73 / 0 / 29

HEX #6F30B5

RGB 111 48 181

HSL 268.42, 0.58%, 0.45%

LAB 35.65, 53.16, -59.45

 

CMYK 59 / 73 / 0 / 29

HEX #4B30B5

RGB 75 48 181

HSL 252.18, 0.58%, 0.45%

LAB 31.68, 47.37, -66.11

 

CMYK 73 / 73 / 0 / 29

HEX #3030B5

RGB 48 48 181

HSL 240, 0.58%, 0.45%

LAB 29.61, 44.2, -69.59

 

CMYK 0 / 73 / 1 / 29

HEX #B530B4

RGB 181 48 180

HSL 300.45, 0.58%, 0.45%

LAB 45.95, 67.05, -41.75

 

CMYK 0 / 85 / 0 / 22

HEX #C81EC7

RGB 200 30 199

HSL 300.35, 0.74%, 0.45%

LAB 48.67, 78.21, -48.31

 

CMYK 0 / 95 / 0 / 15

HEX #DA0BD9

RGB 218 11 217

HSL 300.29, 0.9%, 0.45%

LAB 52.01, 86.34, -53.14

 

CMYK 0 / 73 / 1 / 29

HEX #B530B4

RGB 181 48 180

HSL 300.45, 0.58%, 0.45%

LAB 45.95, 67.05, -41.75

 

CMYK 0 / 59 / 1 / 36

HEX #A343A2

RGB 163 67 162

HSL 300.63, 0.42%, 0.45%

LAB 44.81, 52.28, -33.08

 

CMYK 0 / 41 / 0 / 44

HEX #905590

RGB 144 85 144

HSL 300, 0.26%, 0.45%

LAB 44.86, 34.01, -22.45

 

CMYK 0 / 17 / 1 / 51

HEX #7E687D

RGB 126 104 125

HSL 302.73, 0.1%, 0.45%

LAB 46.73, 12.72, -8.38

 

CMYK 12 / 0 / 12 / 52

HEX #6B7A6B

RGB 107 122 107

HSL 120, 0.07%, 0.45%

LAB 49.62, -8.66, 6.35

 

CMYK 39 / 73 / 0 / 29

HEX #6E30B5

RGB 110 48 181

HSL 267.97, 0.58%, 0.45%

LAB 35.53, 52.98, -59.66

 

CMYK 19 / 73 / 0 / 29

HEX #9230B5

RGB 146 48 181

HSL 284.21, 0.58%, 0.45%

LAB 40.51, 59.9, -51.35

 

CMYK 0 / 73 / 0 / 29

HEX #B530B5

RGB 181 48 181

HSL 300, 0.58%, 0.45%

LAB 46.01, 67.21, -42.25

 

CMYK 0 / 73 / 19 / 29

HEX #B53092

RGB 181 48 146

HSL 315.79, 0.58%, 0.45%

LAB 44.25, 61.94, -24.15

 

CMYK 0 / 73 / 39 / 29

HEX #B5306E

RGB 181 48 110

HSL 332.03, 0.58%, 0.45%

LAB 42.86, 57.55, -4.2

 

CMYK 0 / 73 / 1 / 55

HEX #741F73

RGB 116 31 115

HSL 300.71, 0.58%, 0.29%

LAB 29.24, 47.09, -29.27

 

CMYK 0 / 73 / 1 / 42

HEX #952894

RGB 149 40 148

HSL 300.55, 0.58%, 0.37%

LAB 37.92, 57.33, -35.68

 

CMYK 0 / 73 / 1 / 29

HEX #B530B4

RGB 181 48 180

HSL 300.45, 0.58%, 0.45%

LAB 45.95, 67.05, -41.75

 

CMYK 0 / 68 / 0 / 20

HEX #CD42CC

RGB 205 66 204

HSL 300.43, 0.58%, 0.53%

LAB 53.21, 70.12, -43.94

 

CMYK 0 / 54 / 0 / 16

HEX #D563D5

RGB 213 99 213

HSL 300, 0.58%, 0.61%

LAB 59.77, 59.92, -38.63

 

CMYK 0 / 74 / 1 / 29

HEX #B630B5

RGB 182 48 181

HSL 300.45, 0.58%, 0.45%

LAB 46.17, 67.42, -41.98

 

CMYK 0 / 59 / 73 / 29

HEX #B54B30

RGB 181 75 48

HSL 12.18, 0.58%, 0.45%

LAB 45.73, 41.41, 37.08

 

CMYK 73 / 0 / 29 / 29

HEX #30B580

RGB 48 181 128

HSL 156.09, 0.58%, 0.45%

LAB 65.93, -47.84, 17.05

 

CMYK 0 / 74 / 1 / 29

HEX #B630B5

RGB 182 48 181

HSL 300.45, 0.58%, 0.45%

LAB 46.17, 67.42, -41.98

 

CMYK 0 / 0 / 73 / 29

HEX #B5B530

RGB 181 181 48

HSL 60, 0.58%, 0.45%

LAB 71.61, -15.5, 63.27

 

CMYK 73 / 0 / 0 / 29

HEX #30B5B5

RGB 48 181 181

HSL 180, 0.58%, 0.45%

LAB 67.29, -34.07, -10.17

 

CMYK 0 / 74 / 1 / 29

HEX #B630B5

RGB 182 48 181

HSL 300.45, 0.58%, 0.45%

LAB 46.17, 67.42, -41.98

 

CMYK 0 / 59 / 73 / 29

HEX #B54B30

RGB 181 75 48

HSL 12.18, 0.58%, 0.45%

LAB 45.73, 41.41, 37.08

 

CMYK 73 / 0 / 73 / 29

HEX #30B530

RGB 48 181 48

HSL 120, 0.58%, 0.45%

LAB 64.87, -60, 54.39

 

CMYK 73 / 14 / 0 / 29

HEX #309BB5

RGB 48 155 181

HSL 191.73, 0.58%, 0.45%

LAB 59.35, -21.17, -22.18

 

CMYK 0 / 74 / 1 / 29

HEX #B630B5

RGB 182 48 181

HSL 300.45, 0.58%, 0.45%

LAB 46.17, 67.42, -41.98

 

CMYK 0 / 36 / 73 / 29

HEX #B57330

RGB 181 115 48

HSL 30.23, 0.58%, 0.45%

LAB 54.34, 20.21, 46.27

 

CMYK 73 / 0 / 73 / 29

HEX #30B530

RGB 48 181 48

HSL 120, 0.58%, 0.45%

LAB 64.87, -60, 54.39

 

CMYK 73 / 36 / 0 / 29

HEX #3073B5

RGB 48 115 181

HSL 209.77, 0.58%, 0.45%

LAB 47.27, 1.57, -41.01

 

Description

Color code: HEX #B630B5 | qconv.com Color code: HEX #B630B5 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 48 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 48 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 1 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 1% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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