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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B62D00 it is the complementary color #49D2FF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B62D00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #B62D00: #BB2D00, #CC3F0E, #DD5121, #EE6334 and #FF7547

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B62D00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #B62D00: #B62D00, #A51B00, #940900, #830000 and #720000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 75 / 100 / 29

HEX #B62D00

RGB 182 45 0

HSL 14.84, 1%, 0.36%

LAB 40.93, 53.14, 53.46

 

Complementary color

CMYK 71 / 18 / 0 / 0

HEX #49D2FF

RGB 73 210 255

HSL 194.84, 1%, 0.64%

LAB 78.89, -22.66, -32.65

 

CMYK 0 / 76 / 100 / 27

HEX #BB2D00

RGB 187 45 0

HSL 14.44, 1%, 0.37%

LAB 41.91, 54.72, 54.46

 

CMYK 0 / 69 / 93 / 20

HEX #CC3F0E

RGB 204 63 14

HSL 15.47, 0.87%, 0.43%

LAB 47.53, 53.88, 55.26

 

CMYK 0 / 63 / 85 / 13

HEX #DD5121

RGB 221 81 33

HSL 15.32, 0.74%, 0.5%

LAB 53.35, 52.63, 54.08

 

CMYK 0 / 58 / 78 / 7

HEX #EE6334

RGB 238 99 52

HSL 15.16, 0.85%, 0.57%

LAB 59.3, 51.21, 52.05

 

CMYK 0 / 54 / 72 / 0

HEX #FF7547

RGB 255 117 71

HSL 15, 1%, 0.64%

LAB 65.31, 49.74, 49.83

 

CMYK 0 / 75 / 100 / 29

HEX #B62D00

RGB 182 45 0

HSL 14.84, 1%, 0.36%

LAB 40.93, 53.14, 53.46

 

CMYK 0 / 84 / 100 / 35

HEX #A51B00

RGB 165 27 0

HSL 9.82, 1%, 0.32%

LAB 35.56, 53.3, 49.06

 

CMYK 0 / 94 / 100 / 42

HEX #940900

RGB 148 9 0

HSL 3.65, 1%, 0.29%

LAB 30.62, 52.03, 44.15

 

CMYK 0 / 100 / 100 / 49

HEX #830000

RGB 131 0 0

HSL 0, 1%, 0.26%

LAB 26.23, 48.87, 38.96

 

CMYK 0 / 100 / 100 / 55

HEX #720000

RGB 114 0 0

HSL 0, 1%, 0.22%

LAB 22.22, 44.23, 33.67

 

CMYK 0 / 75 / 100 / 29

HEX #B62D00

RGB 182 45 0

HSL 14.84, 1%, 0.36%

LAB 40.93, 53.14, 53.46

 

CMYK 0 / 60 / 100 / 28

HEX #B74900

RGB 183 73 0

HSL 23.93, 1%, 0.36%

LAB 45.4, 41.91, 55.8

 

CMYK 0 / 43 / 100 / 28

HEX #B76800

RGB 183 104 0

HSL 34.1, 1%, 0.36%

LAB 51.8, 25.87, 59.57

 

CMYK 0 / 27 / 100 / 28

HEX #B78600

RGB 183 134 0

HSL 43.93, 1%, 0.36%

LAB 59.08, 9.27, 64.35

 

CMYK 0 / 10 / 100 / 28

HEX #B7A500

RGB 183 165 0

HSL 54.1, 1%, 0.36%

LAB 67.26, -7.52, 70.08

 

CMYK 0 / 75 / 100 / 29

HEX #B62D00

RGB 182 45 0

HSL 14.84, 1%, 0.36%

LAB 40.93, 53.14, 53.46

 

CMYK 0 / 75 / 100 / 9

HEX #E93A00

RGB 233 58 0

HSL 14.94, 1%, 0.46%

LAB 52.23, 64.69, 64.2

 

CMYK 0 / 76 / 100 / 89

HEX #1D0700

RGB 29 7 0

HSL 14.48, 1%, 0.06%

LAB 3.73, 7.78, 5.73

 

CMYK 0 / 75 / 100 / 69

HEX #501400

RGB 80 20 0

HSL 15, 1%, 0.16%

LAB 16.53, 27.04, 25.1

 

CMYK 0 / 76 / 100 / 49

HEX #832000

RGB 131 32 0

HSL 14.66, 1%, 0.26%

LAB 29.05, 40.88, 41.36

 

CMYK 0 / 75 / 100 / 29

HEX #B62D00

RGB 182 45 0

HSL 14.84, 1%, 0.36%

LAB 40.93, 53.14, 53.46

 

CMYK 43 / 0 / 100 / 28

HEX #68B700

RGB 104 183 0

HSL 85.9, 1%, 0.36%

LAB 67.13, -48.38, 67.6

 

CMYK 100 / 84 / 0 / 28

HEX #001EB7

RGB 0 30 183

HSL 230.16, 1%, 0.36%

LAB 24.79, 52.18, -78.83

 

CMYK 0 / 75 / 100 / 29

HEX #B62D00

RGB 182 45 0

HSL 14.84, 1%, 0.36%

LAB 40.93, 53.14, 53.46

 

CMYK 100 / 0 / 77 / 28

HEX #00B72A

RGB 0 183 42

HSL 133.77, 1%, 0.36%

LAB 64.99, -65.45, 56.41

 

CMYK 77 / 100 / 0 / 28

HEX #2A00B7

RGB 42 0 183

HSL 253.77, 1%, 0.36%

LAB 23.38, 62.34, -81.15

 

CMYK 0 / 75 / 100 / 29

HEX #B62D00

RGB 182 45 0

HSL 14.84, 1%, 0.36%

LAB 40.93, 53.14, 53.46

 

CMYK 43 / 0 / 100 / 28

HEX #68B700

RGB 104 183 0

HSL 85.9, 1%, 0.36%

LAB 67.13, -48.38, 67.6

 

CMYK 100 / 23 / 0 / 28

HEX #008CB7

RGB 0 140 183

HSL 194.1, 1%, 0.36%

LAB 54.21, -15.9, -31.3

 

CMYK 57 / 100 / 0 / 28

HEX #4F00B7

RGB 79 0 183

HSL 265.9, 1%, 0.36%

LAB 26.96, 64.04, -75.07

 

CMYK 0 / 75 / 100 / 29

HEX #B62D00

RGB 182 45 0

HSL 14.84, 1%, 0.36%

LAB 40.93, 53.14, 53.46

 

CMYK 74 / 0 / 100 / 28

HEX #30B700

RGB 48 183 0

HSL 104.26, 1%, 0.36%

LAB 65.35, -62.72, 65.44

 

CMYK 100 / 23 / 0 / 28

HEX #008CB7

RGB 0 140 183

HSL 194.1, 1%, 0.36%

LAB 54.21, -15.9, -31.3

 

CMYK 27 / 100 / 0 / 28

HEX #8600B7

RGB 134 0 183

HSL 283.93, 1%, 0.36%

LAB 34.98, 69.4, -61.6

 

Description

Color code: HEX #B62D00 | qconv.com Color code: HEX #B62D00 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 45 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 45 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 75 magenta, 100 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 75% 100% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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