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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B62299 it is the complementary color #49DD66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B62299. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B62299 shade: #BB2294, #CC34A7, #DD46BA, #EE58CD and #FF6AE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B62299. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B62299 shade: #B62299, #A51086, #940073, #830060 and #72004D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B62299 shade: #B52198, #B52170, #B52148 and #B52121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B62299 shade: #B52198, #AA21B5, #8221B5, #5A21B5 and #3321B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B62299 shade matches the following richer shades: #B52198 and #C610A3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B62299 shade: #B52198, #A4338D, #924483, #815578 and #70676E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B62299 shade: #8121B5, #A921B5, #B5219A, #B52172 and #B5214B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B62299 shade: #6F145D, #921B7B, #B52198, #D828B5 and #DE4BC1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B62299 shade: #B62299, #B55A21 and #21B595

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B62299 shade: #B62299, #9AB521 and #219AB5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B62299 shade: #B62299, #B55A21, #21B53C and #217CB5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B62299 shade: #B62299, #B58621, #21B53C and #2150B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 16 / 29

HEX #B62299

RGB 182 34 153

HSL 311.76, 0.69%, 0.42%

LAB 43.34, 67.17, -29.78

 

Complementary color

CMYK 67 / 0 / 54 / 13

HEX #49DD66

RGB 73 221 102

HSL 131.76, 0.69%, 0.58%

LAB 78.51, -63.2, 46.71

 

CMYK 0 / 82 / 21 / 27

HEX #BB2294

RGB 187 34 148

HSL 315.29, 0.69%, 0.43%

LAB 44.01, 67.6, -25.65

 

CMYK 0 / 75 / 18 / 20

HEX #CC34A7

RGB 204 52 167

HSL 314.61, 0.6%, 0.5%

LAB 49.6, 69.05, -28.09

 

CMYK 0 / 68 / 16 / 13

HEX #DD46BA

RGB 221 70 186

HSL 313.91, 0.69%, 0.57%

LAB 55.38, 69.74, -29.99

 

CMYK 0 / 63 / 14 / 7

HEX #EE58CD

RGB 238 88 205

HSL 313.2, 0.82%, 0.64%

LAB 61.28, 69.92, -31.5

 

CMYK 0 / 58 / 12 / 0

HEX #FF6AE0

RGB 255 106 224

HSL 312.48, 1%, 0.71%

LAB 67.24, 69.77, -32.72

 

CMYK 0 / 81 / 16 / 29

HEX #B62299

RGB 182 34 153

HSL 311.76, 0.69%, 0.42%

LAB 43.34, 67.17, -29.78

 

CMYK 0 / 90 / 19 / 35

HEX #A51086

RGB 165 16 134

HSL 312.48, 0.82%, 0.35%

LAB 38.01, 64.64, -26.77

 

CMYK 0 / 100 / 22 / 42

HEX #940073

RGB 148 0 115

HSL 313.38, 1%, 0.29%

LAB 32.99, 60.86, -22.94

 

CMYK 0 / 100 / 27 / 49

HEX #830060

RGB 131 0 96

HSL 316.03, 1%, 0.26%

LAB 28.56, 55.01, -17.86

 

CMYK 0 / 100 / 32 / 55

HEX #72004D

RGB 114 0 77

HSL 319.47, 1%, 0.22%

LAB 24.04, 49.04, -12.5

 

CMYK 0 / 82 / 16 / 29

HEX #B52198

RGB 181 33 152

HSL 311.76, 0.69%, 0.42%

LAB 43.03, 67.05, -29.68

 

CMYK 0 / 82 / 38 / 29

HEX #B52170

RGB 181 33 112

HSL 327.97, 0.69%, 0.42%

LAB 41.35, 62.24, -7.7

 

CMYK 0 / 82 / 60 / 29

HEX #B52148

RGB 181 33 72

HSL 344.19, 0.69%, 0.42%

LAB 40.21, 58.87, 15.92

 

CMYK 0 / 82 / 82 / 29

HEX #B52121

RGB 181 33 33

HSL 0, 0.69%, 0.42%

LAB 39.62, 57.05, 38.9

 

CMYK 0 / 82 / 16 / 29

HEX #B52198

RGB 181 33 152

HSL 311.76, 0.69%, 0.42%

LAB 43.03, 67.05, -29.68

 

CMYK 6 / 82 / 0 / 29

HEX #AA21B5

RGB 170 33 181

HSL 295.54, 0.69%, 0.42%

LAB 42.72, 69.23, -47.6

 

CMYK 28 / 82 / 0 / 29

HEX #8221B5

RGB 130 33 181

HSL 279.32, 0.69%, 0.42%

LAB 36.31, 62.14, -58.27

 

CMYK 50 / 82 / 0 / 29

HEX #5A21B5

RGB 90 33 181

HSL 263.11, 0.69%, 0.42%

LAB 30.87, 56.24, -67.38

 

CMYK 72 / 82 / 0 / 29

HEX #3321B5

RGB 51 33 181

HSL 247.3, 0.69%, 0.42%

LAB 27.1, 52.23, -73.75

 

CMYK 0 / 82 / 16 / 29

HEX #B52198

RGB 181 33 152

HSL 311.76, 0.69%, 0.42%

LAB 43.03, 67.05, -29.68

 

CMYK 0 / 92 / 18 / 22

HEX #C610A3

RGB 198 16 163

HSL 311.54, 0.85%, 0.42%

LAB 45.66, 74.97, -31.94

 

CMYK 0 / 82 / 16 / 29

HEX #B52198

RGB 181 33 152

HSL 311.76, 0.69%, 0.42%

LAB 43.03, 67.05, -29.68

 

CMYK 0 / 69 / 14 / 36

HEX #A4338D

RGB 164 51 141

HSL 312.21, 0.53%, 0.42%

LAB 41.51, 55.84, -25.61

 

CMYK 0 / 53 / 10 / 43

HEX #924483

RGB 146 68 131

HSL 311.54, 0.36%, 0.42%

LAB 41.03, 41.4, -20.46

 

CMYK 0 / 34 / 7 / 49

HEX #815578

RGB 129 85 120

HSL 312.27, 0.21%, 0.42%

LAB 42.03, 24.16, -12.41

 

CMYK 0 / 8 / 2 / 56

HEX #70676E

RGB 112 103 110

HSL 313.33, 0.04%, 0.42%

LAB 44.62, 4.93, -2.65

 

CMYK 29 / 82 / 0 / 29

HEX #8121B5

RGB 129 33 181

HSL 278.92, 0.69%, 0.42%

LAB 36.16, 61.98, -58.52

 

CMYK 7 / 82 / 0 / 29

HEX #A921B5

RGB 169 33 181

HSL 295.14, 0.69%, 0.42%

LAB 42.55, 69.04, -47.88

 

CMYK 0 / 82 / 15 / 29

HEX #B5219A

RGB 181 33 154

HSL 310.95, 0.69%, 0.42%

LAB 43.13, 67.33, -30.73

 

CMYK 0 / 82 / 37 / 29

HEX #B52172

RGB 181 33 114

HSL 327.16, 0.69%, 0.42%

LAB 41.42, 62.45, -8.84

 

CMYK 0 / 82 / 59 / 29

HEX #B5214B

RGB 181 33 75

HSL 342.97, 0.69%, 0.42%

LAB 40.28, 59.07, 14.11

 

CMYK 0 / 82 / 16 / 56

HEX #6F145D

RGB 111 20 93

HSL 311.87, 0.69%, 0.26%

LAB 25.77, 45.98, -20.54

 

CMYK 0 / 82 / 16 / 43

HEX #921B7B

RGB 146 27 123

HSL 311.6, 0.69%, 0.34%

LAB 34.65, 56.72, -25.43

 

CMYK 0 / 82 / 16 / 29

HEX #B52198

RGB 181 33 152

HSL 311.76, 0.69%, 0.42%

LAB 43.03, 67.05, -29.68

 

CMYK 0 / 81 / 16 / 15

HEX #D828B5

RGB 216 40 181

HSL 311.93, 0.69%, 0.5%

LAB 51.21, 76.74, -33.64

 

CMYK 0 / 66 / 13 / 13

HEX #DE4BC1

RGB 222 75 193

HSL 311.84, 0.69%, 0.58%

LAB 56.5, 69.15, -32.27

 

CMYK 0 / 81 / 16 / 29

HEX #B62299

RGB 182 34 153

HSL 311.76, 0.69%, 0.42%

LAB 43.34, 67.17, -29.78

 

CMYK 0 / 50 / 82 / 29

HEX #B55A21

RGB 181 90 33

HSL 23.11, 0.69%, 0.42%

LAB 48.57, 33.21, 47.4

 

CMYK 82 / 0 / 18 / 29

HEX #21B595

RGB 33 181 149

HSL 167.03, 0.69%, 0.42%

LAB 66.17, -44.52, 5.84

 

CMYK 0 / 81 / 16 / 29

HEX #B62299

RGB 182 34 153

HSL 311.76, 0.69%, 0.42%

LAB 43.34, 67.17, -29.78

 

CMYK 15 / 0 / 82 / 29

HEX #9AB521

RGB 154 181 33

HSL 70.95, 0.69%, 0.42%

LAB 69.49, -27.58, 65.13

 

CMYK 82 / 15 / 0 / 29

HEX #219AB5

RGB 33 154 181

HSL 190.95, 0.69%, 0.42%

LAB 58.76, -22.28, -23.11

 

CMYK 0 / 81 / 16 / 29

HEX #B62299

RGB 182 34 153

HSL 311.76, 0.69%, 0.42%

LAB 43.34, 67.17, -29.78

 

CMYK 0 / 50 / 82 / 29

HEX #B55A21

RGB 181 90 33

HSL 23.11, 0.69%, 0.42%

LAB 48.57, 33.21, 47.4

 

CMYK 82 / 0 / 67 / 29

HEX #21B53C

RGB 33 181 60

HSL 130.95, 0.69%, 0.42%

LAB 64.72, -60.98, 49.45

 

CMYK 82 / 31 / 0 / 29

HEX #217CB5

RGB 33 124 181

HSL 203.11, 0.69%, 0.42%

LAB 49.59, -5.62, -37.37

 

CMYK 0 / 81 / 16 / 29

HEX #B62299

RGB 182 34 153

HSL 311.76, 0.69%, 0.42%

LAB 43.34, 67.17, -29.78

 

CMYK 0 / 26 / 82 / 29

HEX #B58621

RGB 181 134 33

HSL 40.95, 0.69%, 0.42%

LAB 58.96, 9.02, 56.78

 

CMYK 82 / 0 / 67 / 29

HEX #21B53C

RGB 33 181 60

HSL 130.95, 0.69%, 0.42%

LAB 64.72, -60.98, 49.45

 

CMYK 82 / 56 / 0 / 29

HEX #2150B5

RGB 33 80 181

HSL 220.95, 0.69%, 0.42%

LAB 36.74, 22.37, -57.94

 

Description

Color code: HEX #B62299 | qconv.com Color code: HEX #B62299 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 34 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 34 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 16 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 16% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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