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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B61EEE it is the complementary color #49E111. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B61EEE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B61EEE shade: #BB1EE9, #CC30FC, #DD42FF, #EE54FF and #FF66FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B61EEE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B61EEE shade: #B61EEE, #A50CDB, #9400C8, #8300B5 and #7200A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B61EEE shade: #B720EE, #EE20EE, #EE20B7, #EE207F and #EE2047

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B61EEE shade: #B720EE, #7F20EE, #4820EE and #2020EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B61EEE shade matches the following richer shades: #B720EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B61EEE shade: #B720EE, #AE33DB, #A547C7, #9C5AB4 and #936EA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B61EEE shade: #4620EE, #7D20EE, #B420EE, #EB20EE and #EE20BB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B61EEE shade: #830DAF, #A010D5, #B720EE, #C346F1 and #D06DF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B61EEE shade: #B61EEE, #EE2031 and #20EE61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B61EEE shade: #B61EEE, #EEB420 and #20EEB4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B61EEE shade: #B61EEE, #EE2031, #5AEE20 and #20EEDD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B61EEE shade: #B61EEE, #EE4D20, #5AEE20 and #20C2EE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 87 / 0 / 7

HEX #B61EEE

RGB 182 30 238

HSL 283.85, 0.86%, 0.53%

LAB 48.32, 81.79, -71.31

 

Complementary color

CMYK 68 / 0 / 92 / 12

HEX #49E111

RGB 73 225 17

HSL 103.85, 0.86%, 0.47%

LAB 79.22, -70.85, 75.04

 

CMYK 20 / 87 / 0 / 9

HEX #BB1EE9

RGB 187 30 233

HSL 286.4, 0.82%, 0.52%

LAB 48.73, 81.63, -67.78

 

CMYK 19 / 81 / 0 / 1

HEX #CC30FC

RGB 204 48 252

HSL 285.88, 0.97%, 0.59%

LAB 54.01, 83.66, -69.77

 

CMYK 13 / 74 / 0 / 0

HEX #DD42FF

RGB 221 66 255

HSL 289.21, 1%, 0.63%

LAB 58.5, 82.02, -64.06

 

CMYK 7 / 67 / 0 / 0

HEX #EE54FF

RGB 238 84 255

HSL 294.04, 1%, 0.66%

LAB 63.13, 79.3, -56.52

 

CMYK 0 / 60 / 0 / 0

HEX #FF66FF

RGB 255 102 255

HSL 300, 1%, 0.7%

LAB 68.01, 76.24, -48.63

 

CMYK 24 / 87 / 0 / 7

HEX #B61EEE

RGB 182 30 238

HSL 283.85, 0.86%, 0.53%

LAB 48.32, 81.79, -71.31

 

CMYK 25 / 95 / 0 / 14

HEX #A50CDB

RGB 165 12 219

HSL 284.35, 0.9%, 0.45%

LAB 43.33, 78.69, -68.75

 

CMYK 26 / 100 / 0 / 22

HEX #9400C8

RGB 148 0 200

HSL 284.4, 1%, 0.39%

LAB 38.67, 74.3, -65.48

 

CMYK 28 / 100 / 0 / 29

HEX #8300B5

RGB 131 0 181

HSL 283.43, 1%, 0.35%

LAB 34.32, 68.65, -61.51

 

CMYK 30 / 100 / 0 / 36

HEX #7200A2

RGB 114 0 162

HSL 282.22, 1%, 0.32%

LAB 29.88, 62.88, -57.47

 

CMYK 23 / 87 / 0 / 7

HEX #B720EE

RGB 183 32 238

HSL 283.98, 0.86%, 0.53%

LAB 48.6, 81.55, -70.84

 

CMYK 0 / 87 / 0 / 7

HEX #EE20EE

RGB 238 32 238

HSL 300, 0.86%, 0.53%

LAB 57.45, 90.27, -56.13

 

CMYK 0 / 87 / 23 / 7

HEX #EE20B7

RGB 238 32 183

HSL 316.02, 0.86%, 0.53%

LAB 54.69, 83.05, -29.09

 

CMYK 0 / 87 / 47 / 7

HEX #EE207F

RGB 238 32 127

HSL 332.33, 0.86%, 0.53%

LAB 52.67, 77.49, 1.04

 

CMYK 0 / 87 / 70 / 7

HEX #EE2047

RGB 238 32 71

HSL 348.64, 0.86%, 0.53%

LAB 51.46, 74.04, 33.2

 

CMYK 23 / 87 / 0 / 7

HEX #B720EE

RGB 183 32 238

HSL 283.98, 0.86%, 0.53%

LAB 48.6, 81.55, -70.84

 

CMYK 47 / 87 / 0 / 7

HEX #7F20EE

RGB 127 32 238

HSL 267.67, 0.86%, 0.53%

LAB 40.76, 74.4, -83.98

 

CMYK 70 / 87 / 0 / 7

HEX #4820EE

RGB 72 32 238

HSL 251.65, 0.86%, 0.53%

LAB 35.17, 69.84, -93.41

 

CMYK 87 / 87 / 0 / 7

HEX #2020EE

RGB 32 32 238

HSL 240, 0.86%, 0.53%

LAB 32.95, 68.19, -97.17

 

CMYK 23 / 87 / 0 / 7

HEX #B720EE

RGB 183 32 238

HSL 283.98, 0.86%, 0.53%

LAB 48.6, 81.55, -70.84

 

CMYK 23 / 87 / 0 / 7

HEX #B720EE

RGB 183 32 238

HSL 283.98, 0.86%, 0.53%

LAB 48.6, 81.55, -70.84

 

CMYK 21 / 77 / 0 / 14

HEX #AE33DB

RGB 174 51 219

HSL 283.93, 0.7%, 0.53%

LAB 47.6, 71.61, -61.75

 

CMYK 17 / 64 / 0 / 22

HEX #A547C7

RGB 165 71 199

HSL 284.06, 0.53%, 0.53%

LAB 47.79, 58.05, -50.03

 

CMYK 13 / 50 / 0 / 29

HEX #9C5AB4

RGB 156 90 180

HSL 284, 0.38%, 0.53%

LAB 49.1, 42.32, -37

 

CMYK 9 / 32 / 0 / 37

HEX #936EA1

RGB 147 110 161

HSL 283.53, 0.21%, 0.53%

LAB 51.76, 24.16, -21.86

 

CMYK 71 / 87 / 0 / 7

HEX #4620EE

RGB 70 32 238

HSL 251.07, 0.86%, 0.53%

LAB 35.02, 69.72, -93.67

 

CMYK 47 / 87 / 0 / 7

HEX #7D20EE

RGB 125 32 238

HSL 267.09, 0.86%, 0.53%

LAB 40.52, 74.19, -84.4

 

CMYK 24 / 87 / 0 / 7

HEX #B420EE

RGB 180 32 238

HSL 283.11, 0.86%, 0.53%

LAB 48.15, 81.11, -71.6

 

CMYK 1 / 87 / 0 / 7

HEX #EB20EE

RGB 235 32 238

HSL 299.13, 0.86%, 0.53%

LAB 56.95, 89.77, -56.96

 

CMYK 0 / 87 / 21 / 7

HEX #EE20BB

RGB 238 32 187

HSL 314.85, 0.86%, 0.53%

LAB 54.86, 83.52, -31.14

 

CMYK 25 / 93 / 0 / 31

HEX #830DAF

RGB 131 13 175

HSL 283.7, 0.86%, 0.37%

LAB 34.41, 65.75, -57.78

 

CMYK 25 / 92 / 0 / 16

HEX #A010D5

RGB 160 16 213

HSL 283.86, 0.86%, 0.45%

LAB 42.23, 76.45, -67.13

 

CMYK 23 / 87 / 0 / 7

HEX #B720EE

RGB 183 32 238

HSL 283.98, 0.86%, 0.53%

LAB 48.6, 81.55, -70.84

 

CMYK 19 / 71 / 0 / 5

HEX #C346F1

RGB 195 70 241

HSL 283.86, 0.86%, 0.61%

LAB 54.38, 73.12, -63.09

 

CMYK 15 / 55 / 0 / 4

HEX #D06DF4

RGB 208 109 244

HSL 284, 0.86%, 0.69%

LAB 62.41, 59.69, -51.84

 

CMYK 24 / 87 / 0 / 7

HEX #B61EEE

RGB 182 30 238

HSL 283.85, 0.86%, 0.53%

LAB 48.32, 81.79, -71.31

 

CMYK 0 / 87 / 79 / 7

HEX #EE2031

RGB 238 32 49

HSL 355.05, 0.86%, 0.53%

LAB 51.19, 73.26, 45.48

 

CMYK 87 / 0 / 59 / 7

HEX #20EE61

RGB 32 238 97

HSL 138.93, 0.86%, 0.53%

LAB 83.08, -74.5, 54.22

 

CMYK 24 / 87 / 0 / 7

HEX #B61EEE

RGB 182 30 238

HSL 283.85, 0.86%, 0.53%

LAB 48.32, 81.79, -71.31

 

CMYK 0 / 24 / 87 / 7

HEX #EEB420

RGB 238 180 32

HSL 43.11, 0.86%, 0.53%

LAB 76.63, 9.24, 74.36

 

CMYK 87 / 0 / 24 / 7

HEX #20EEB4

RGB 32 238 180

HSL 163.11, 0.86%, 0.53%

LAB 84.36, -59.73, 15.11

 

CMYK 24 / 87 / 0 / 7

HEX #B61EEE

RGB 182 30 238

HSL 283.85, 0.86%, 0.53%

LAB 48.32, 81.79, -71.31

 

CMYK 0 / 87 / 79 / 7

HEX #EE2031

RGB 238 32 49

HSL 355.05, 0.86%, 0.53%

LAB 51.19, 73.26, 45.48

 

CMYK 62 / 0 / 87 / 7

HEX #5AEE20

RGB 90 238 32

HSL 103.11, 0.86%, 0.53%

LAB 83.67, -71.04, 76.59

 

CMYK 87 / 0 / 7 / 7

HEX #20EEDD

RGB 32 238 221

HSL 175.05, 0.86%, 0.53%

LAB 85.34, -49.37, -4.95

 

CMYK 24 / 87 / 0 / 7

HEX #B61EEE

RGB 182 30 238

HSL 283.85, 0.86%, 0.53%

LAB 48.32, 81.79, -71.31

 

CMYK 0 / 68 / 87 / 7

HEX #EE4D20

RGB 238 77 32

HSL 13.11, 0.86%, 0.53%

LAB 55.67, 59.97, 57.61

 

CMYK 62 / 0 / 87 / 7

HEX #5AEE20

RGB 90 238 32

HSL 103.11, 0.86%, 0.53%

LAB 83.67, -71.04, 76.59

 

CMYK 87 / 18 / 0 / 7

HEX #20C2EE

RGB 32 194 238

HSL 192.82, 0.86%, 0.53%

LAB 72.93, -23.86, -32.77

 

Description

Color code: HEX #B61EEE | qconv.com Color code: HEX #B61EEE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 30 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 30 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 87 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 87% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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