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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B61C87 it is the complementary color #49E378. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B61C87. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B61C87 shade: #BB1C82, #CC2E95, #DD40A8, #EE52BB and #FF64CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B61C87. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B61C87 shade: #B61C87, #A50A74, #940061, #83004E and #72003B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B61C87 shade: #B51C86, #B51C5D, #B51C34 and #B51C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B61C87 shade: #B51C86, #B51CAF, #911CB5, #681CB5 and #3F1CB5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B61C87 shade matches the following richer shades: #B51C86 and #C60B8D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B61C87 shade: #B51C86, #A42D80, #933E79, #824F73 and #71606C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B61C87 shade: #911CB5, #B51CB0, #B51C87, #B51C5E and #B51C36

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B61C87 shade: #6D1151, #91176C, #B51C86, #D922A1 and #E242B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B61C87 shade: #B61C87, #B5691C and #1CB5A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B61C87 shade: #B61C87, #87B51C and #1C87B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B61C87 shade: #B61C87, #B5691C, #1CB54A and #1C69B5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B61C87 shade: #B61C87, #B5961C, #1CB54A and #1C3BB5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 26 / 29

HEX #B61C87

RGB 182 28 135

HSL 318.31, 0.73%, 0.41%

LAB 42.04, 66.21, -20.86

 

Complementary color

CMYK 68 / 0 / 47 / 11

HEX #49E378

RGB 73 227 120

HSL 138.31, 0.73%, 0.59%

LAB 80.58, -62.72, 40.65

 

CMYK 0 / 85 / 30 / 27

HEX #BB1C82

RGB 187 28 130

HSL 321.51, 0.74%, 0.42%

LAB 42.77, 66.76, -16.58

 

CMYK 0 / 77 / 27 / 20

HEX #CC2E95

RGB 204 46 149

HSL 320.89, 0.63%, 0.49%

LAB 48.21, 68.52, -19.52

 

CMYK 0 / 71 / 24 / 13

HEX #DD40A8

RGB 221 64 168

HSL 320.25, 0.7%, 0.56%

LAB 53.88, 69.43, -21.82

 

CMYK 0 / 66 / 21 / 7

HEX #EE52BB

RGB 238 82 187

HSL 319.62, 0.82%, 0.63%

LAB 59.71, 69.75, -23.66

 

CMYK 0 / 61 / 19 / 0

HEX #FF64CE

RGB 255 100 206

HSL 318.97, 1%, 0.7%

LAB 65.62, 69.7, -25.15

 

CMYK 0 / 85 / 26 / 29

HEX #B61C87

RGB 182 28 135

HSL 318.31, 0.73%, 0.41%

LAB 42.04, 66.21, -20.86

 

CMYK 0 / 94 / 30 / 35

HEX #A50A74

RGB 165 10 116

HSL 318.97, 0.89%, 0.34%

LAB 36.89, 63.25, -17.27

 

CMYK 0 / 100 / 34 / 42

HEX #940061

RGB 148 0 97

HSL 320.68, 1%, 0.29%

LAB 32.17, 58.75, -12.67

 

CMYK 0 / 100 / 40 / 49

HEX #83004E

RGB 131 0 78

HSL 324.27, 1%, 0.26%

LAB 27.78, 52.99, -7.15

 

CMYK 0 / 100 / 48 / 55

HEX #72003B

RGB 114 0 59

HSL 328.95, 1%, 0.22%

LAB 23.32, 47.16, -1.27

 

CMYK 0 / 85 / 26 / 29

HEX #B51C86

RGB 181 28 134

HSL 318.43, 0.73%, 0.41%

LAB 41.81, 65.87, -20.62

 

CMYK 0 / 85 / 49 / 29

HEX #B51C5D

RGB 181 28 93

HSL 334.51, 0.73%, 0.41%

LAB 40.32, 61.65, 2.74

 

CMYK 0 / 85 / 71 / 29

HEX #B51C34

RGB 181 28 52

HSL 350.59, 0.73%, 0.41%

LAB 39.42, 58.99, 27.47

 

CMYK 0 / 85 / 85 / 29

HEX #B51C1C

RGB 181 28 28

HSL 0, 0.73%, 0.41%

LAB 39.14, 58.15, 41.14

 

CMYK 0 / 85 / 26 / 29

HEX #B51C86

RGB 181 28 134

HSL 318.43, 0.73%, 0.41%

LAB 41.81, 65.87, -20.62

 

CMYK 0 / 85 / 3 / 29

HEX #B51CAF

RGB 181 28 175

HSL 302.35, 0.73%, 0.41%

LAB 43.87, 71.46, -42.1

 

CMYK 20 / 85 / 0 / 29

HEX #911CB5

RGB 145 28 181

HSL 285.88, 0.73%, 0.41%

LAB 38.17, 66.01, -55.13

 

CMYK 43 / 85 / 0 / 29

HEX #681CB5

RGB 104 28 181

HSL 269.8, 0.73%, 0.41%

LAB 32.06, 59.81, -65.37

 

CMYK 65 / 85 / 0 / 29

HEX #3F1CB5

RGB 63 28 181

HSL 253.73, 0.73%, 0.41%

LAB 27.36, 55.31, -73.27

 

CMYK 0 / 85 / 26 / 29

HEX #B51C86

RGB 181 28 134

HSL 318.43, 0.73%, 0.41%

LAB 41.81, 65.87, -20.62

 

CMYK 0 / 94 / 29 / 22

HEX #C60B8D

RGB 198 11 141

HSL 318.29, 0.89%, 0.41%

LAB 44.47, 72.89, -20.52

 

CMYK 0 / 85 / 26 / 29

HEX #B51C86

RGB 181 28 134

HSL 318.43, 0.73%, 0.41%

LAB 41.81, 65.87, -20.62

 

CMYK 0 / 73 / 22 / 36

HEX #A42D80

RGB 164 45 128

HSL 318.15, 0.57%, 0.41%

LAB 40.13, 56.18, -19.78

 

CMYK 0 / 58 / 18 / 42

HEX #933E79

RGB 147 62 121

HSL 318.35, 0.41%, 0.41%

LAB 39.63, 43.07, -16.46

 

CMYK 0 / 39 / 12 / 49

HEX #824F73

RGB 130 79 115

HSL 317.65, 0.24%, 0.41%

LAB 40.53, 27.1, -11.6

 

CMYK 0 / 15 / 4 / 56

HEX #71606C

RGB 113 96 108

HSL 317.65, 0.08%, 0.41%

LAB 42.7, 9.13, -4.26

 

CMYK 20 / 85 / 0 / 29

HEX #911CB5

RGB 145 28 181

HSL 285.88, 0.73%, 0.41%

LAB 38.17, 66.01, -55.13

 

CMYK 0 / 85 / 3 / 29

HEX #B51CB0

RGB 181 28 176

HSL 301.96, 0.73%, 0.41%

LAB 43.93, 71.62, -42.6

 

CMYK 0 / 85 / 25 / 29

HEX #B51C87

RGB 181 28 135

HSL 318.04, 0.73%, 0.41%

LAB 41.85, 65.99, -21.17

 

CMYK 0 / 85 / 48 / 29

HEX #B51C5E

RGB 181 28 94

HSL 334.12, 0.73%, 0.41%

LAB 40.35, 61.73, 2.15

 

CMYK 0 / 85 / 70 / 29

HEX #B51C36

RGB 181 28 54

HSL 349.8, 0.73%, 0.41%

LAB 39.45, 59.08, 26.26

 

CMYK 0 / 84 / 26 / 57

HEX #6D1151

RGB 109 17 81

HSL 318.26, 0.73%, 0.25%

LAB 24.47, 44.62, -14.63

 

CMYK 0 / 84 / 26 / 43

HEX #91176C

RGB 145 23 108

HSL 318.2, 0.73%, 0.33%

LAB 33.38, 55.47, -17.93

 

CMYK 0 / 85 / 26 / 29

HEX #B51C86

RGB 181 28 134

HSL 318.43, 0.73%, 0.41%

LAB 41.81, 65.87, -20.62

 

CMYK 0 / 84 / 26 / 15

HEX #D922A1

RGB 217 34 161

HSL 318.36, 0.73%, 0.49%

LAB 50.06, 75.75, -23.63

 

CMYK 0 / 71 / 22 / 11

HEX #E242B1

RGB 226 66 177

HSL 318.38, 0.73%, 0.57%

LAB 55.32, 71.15, -24.8

 

CMYK 0 / 85 / 26 / 29

HEX #B61C87

RGB 182 28 135

HSL 318.31, 0.73%, 0.41%

LAB 42.04, 66.21, -20.86

 

CMYK 0 / 42 / 85 / 29

HEX #B5691C

RGB 181 105 28

HSL 30.2, 0.73%, 0.41%

LAB 51.85, 24.96, 52.32

 

CMYK 85 / 0 / 8 / 29

HEX #1CB5A6

RGB 28 181 166

HSL 174.12, 0.73%, 0.41%

LAB 66.56, -40.32, -2.99

 

CMYK 0 / 85 / 26 / 29

HEX #B61C87

RGB 182 28 135

HSL 318.31, 0.73%, 0.41%

LAB 42.04, 66.21, -20.86

 

CMYK 25 / 0 / 85 / 29

HEX #87B51C

RGB 135 181 28

HSL 78.04, 0.73%, 0.41%

LAB 68.23, -35.49, 64.8

 

CMYK 85 / 25 / 0 / 29

HEX #1C87B5

RGB 28 135 181

HSL 198.04, 0.73%, 0.41%

LAB 52.85, -12.42, -32.26

 

CMYK 0 / 85 / 26 / 29

HEX #B61C87

RGB 182 28 135

HSL 318.31, 0.73%, 0.41%

LAB 42.04, 66.21, -20.86

 

CMYK 0 / 42 / 85 / 29

HEX #B5691C

RGB 181 105 28

HSL 30.2, 0.73%, 0.41%

LAB 51.85, 24.96, 52.32

 

CMYK 85 / 0 / 59 / 29

HEX #1CB54A

RGB 28 181 74

HSL 138.04, 0.73%, 0.41%

LAB 64.79, -59.86, 43.31

 

CMYK 85 / 42 / 0 / 29

HEX #1C69B5

RGB 28 105 181

HSL 209.8, 0.73%, 0.41%

LAB 43.78, 5.57, -46.6

 

CMYK 0 / 85 / 26 / 29

HEX #B61C87

RGB 182 28 135

HSL 318.31, 0.73%, 0.41%

LAB 42.04, 66.21, -20.86

 

CMYK 0 / 17 / 85 / 29

HEX #B5961C

RGB 181 150 28

HSL 47.84, 0.73%, 0.41%

LAB 63.11, 0.09, 61.88

 

CMYK 85 / 0 / 59 / 29

HEX #1CB54A

RGB 28 181 74

HSL 138.04, 0.73%, 0.41%

LAB 64.79, -59.86, 43.31

 

CMYK 85 / 67 / 0 / 29

HEX #1C3BB5

RGB 28 59 181

HSL 227.84, 0.73%, 0.41%

LAB 31.14, 35.83, -67.11

 

Description

Color code: HEX #B61C87 | qconv.com Color code: HEX #B61C87 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 28 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 28 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 26 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 26% 29% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

25% - TjDeeD Technology
Link: http://www.tjdeed.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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