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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B619C2 it is the complementary color #49E63D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B619C2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B619C2 shade: #BB19BD, #CC2BD0, #DD3DE3, #EE4FF6 and #FF61FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B619C2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B619C2 shade: #B619C2, #A507AF, #94009C, #830089 and #720076

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B619C2 shade: #B619C2, #C219A1, #C21973, #C21945 and #C21919

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B619C2 shade: #B619C2, #8919C2, #5B19C2, #2D19C2 and #1919C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B619C2 shade matches the following richer shades: #B619C2 and #C507D4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B619C2 shade: #B619C2, #A72BB0, #983D9F, #884E8D and #79607B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B619C2 shade: #5A19C2, #8719C2, #B419C2, #C219A3 and #C21976

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B619C2 shade: #721079, #94149E, #B619C2, #D522E2 and #DC47E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B619C2 shade: #B619C2, #C22D19 and #19C270

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B619C2 shade: #B619C2, #C2B419 and #19C2B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B619C2 shade: #B619C2, #C22D19, #27C219 and #19AEC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B619C2 shade: #B619C2, #C26019, #27C219 and #197CC2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 87 / 0 / 24

HEX #B619C2

RGB 182 25 194

HSL 295.74, 0.77%, 0.43%

LAB 44.99, 75.17, -51.47

 

Complementary color

CMYK 68 / 0 / 73 / 10

HEX #49E63D

RGB 73 230 61

HSL 115.74, 0.77%, 0.57%

LAB 80.93, -70.38, 66.19

 

CMYK 1 / 87 / 0 / 26

HEX #BB19BD

RGB 187 25 189

HSL 299.27, 0.77%, 0.42%

LAB 45.54, 75.26, -47.62

 

CMYK 2 / 79 / 0 / 18

HEX #CC2BD0

RGB 204 43 208

HSL 298.55, 0.66%, 0.49%

LAB 50.83, 77.53, -50.02

 

CMYK 3 / 73 / 0 / 11

HEX #DD3DE3

RGB 221 61 227

HSL 297.83, 0.75%, 0.56%

LAB 56.34, 78.89, -51.87

 

CMYK 3 / 68 / 0 / 4

HEX #EE4FF6

RGB 238 79 246

HSL 297.13, 0.9%, 0.64%

LAB 62.02, 79.59, -53.31

 

CMYK 0 / 62 / 0 / 0

HEX #FF61FF

RGB 255 97 255

HSL 300, 1%, 0.69%

LAB 67.3, 78.2, -49.75

 

CMYK 6 / 87 / 0 / 24

HEX #B619C2

RGB 182 25 194

HSL 295.74, 0.77%, 0.43%

LAB 44.99, 75.17, -51.47

 

CMYK 6 / 96 / 0 / 31

HEX #A507AF

RGB 165 7 175

HSL 296.43, 0.92%, 0.36%

LAB 39.99, 71.72, -48.47

 

CMYK 5 / 100 / 0 / 39

HEX #94009C

RGB 148 0 156

HSL 296.92, 1%, 0.31%

LAB 35.39, 66.74, -44.6

 

CMYK 4 / 100 / 0 / 46

HEX #830089

RGB 131 0 137

HSL 297.37, 1%, 0.27%

LAB 30.95, 60.89, -40.22

 

CMYK 3 / 100 / 0 / 54

HEX #720076

RGB 114 0 118

HSL 297.97, 1%, 0.23%

LAB 26.41, 54.9, -35.72

 

CMYK 6 / 87 / 0 / 24

HEX #B619C2

RGB 182 25 194

HSL 295.74, 0.77%, 0.43%

LAB 44.99, 75.17, -51.47

 

CMYK 0 / 87 / 17 / 24

HEX #C219A1

RGB 194 25 161

HSL 311.72, 0.77%, 0.43%

LAB 45.27, 72.61, -31.4

 

CMYK 0 / 87 / 41 / 24

HEX #C21973

RGB 194 25 115

HSL 328.05, 0.77%, 0.43%

LAB 43.36, 67.4, -6.29

 

CMYK 0 / 87 / 64 / 24

HEX #C21945

RGB 194 25 69

HSL 344.38, 0.77%, 0.43%

LAB 42.15, 63.95, 20.85

 

CMYK 0 / 87 / 87 / 24

HEX #C21919

RGB 194 25 25

HSL 0, 0.77%, 0.43%

LAB 41.59, 62.32, 45.81

 

CMYK 6 / 87 / 0 / 24

HEX #B619C2

RGB 182 25 194

HSL 295.74, 0.77%, 0.43%

LAB 44.99, 75.17, -51.47

 

CMYK 29 / 87 / 0 / 24

HEX #8919C2

RGB 137 25 194

HSL 279.76, 0.77%, 0.43%

LAB 37.68, 68, -63.66

 

CMYK 53 / 87 / 0 / 24

HEX #5B19C2

RGB 91 25 194

HSL 263.43, 0.77%, 0.43%

LAB 31.38, 62.32, -74.23

 

CMYK 77 / 87 / 0 / 24

HEX #2D19C2

RGB 45 25 194

HSL 247.1, 0.77%, 0.43%

LAB 27.15, 58.89, -81.37

 

CMYK 87 / 87 / 0 / 24

HEX #1919C2

RGB 25 25 194

HSL 240, 0.77%, 0.43%

LAB 26.15, 58.13, -83.07

 

CMYK 6 / 87 / 0 / 24

HEX #B619C2

RGB 182 25 194

HSL 295.74, 0.77%, 0.43%

LAB 44.99, 75.17, -51.47

 

CMYK 7 / 97 / 0 / 17

HEX #C507D4

RGB 197 7 212

HSL 295.61, 0.94%, 0.43%

LAB 47.98, 82.57, -56.95

 

CMYK 6 / 87 / 0 / 24

HEX #B619C2

RGB 182 25 194

HSL 295.74, 0.77%, 0.43%

LAB 44.99, 75.17, -51.47

 

CMYK 5 / 76 / 0 / 31

HEX #A72BB0

RGB 167 43 176

HSL 295.94, 0.61%, 0.43%

LAB 42.88, 65.01, -44.42

 

CMYK 4 / 62 / 0 / 38

HEX #983D9F

RGB 152 61 159

HSL 295.71, 0.45%, 0.43%

LAB 42.02, 51.57, -35.8

 

CMYK 4 / 45 / 0 / 45

HEX #884E8D

RGB 136 78 141

HSL 295.24, 0.29%, 0.43%

LAB 42.16, 34.74, -24.9

 

CMYK 2 / 22 / 0 / 52

HEX #79607B

RGB 121 96 123

HSL 295.56, 0.12%, 0.43%

LAB 44.03, 15.25, -11.29

 

CMYK 54 / 87 / 0 / 24

HEX #5A19C2

RGB 90 25 194

HSL 263.08, 0.77%, 0.43%

LAB 31.26, 62.22, -74.43

 

CMYK 30 / 87 / 0 / 24

HEX #8719C2

RGB 135 25 194

HSL 279.05, 0.77%, 0.43%

LAB 37.37, 67.72, -64.17

 

CMYK 7 / 87 / 0 / 24

HEX #B419C2

RGB 180 25 194

HSL 295.03, 0.77%, 0.43%

LAB 44.65, 74.82, -52.03

 

CMYK 0 / 87 / 16 / 24

HEX #C219A3

RGB 194 25 163

HSL 311.01, 0.77%, 0.43%

LAB 45.37, 72.87, -32.44

 

CMYK 0 / 87 / 39 / 24

HEX #C21976

RGB 194 25 118

HSL 326.98, 0.77%, 0.43%

LAB 43.47, 67.69, -8

 

CMYK 6 / 87 / 0 / 53

HEX #721079

RGB 114 16 121

HSL 296, 0.77%, 0.27%

LAB 27.65, 52.34, -35.63

 

CMYK 6 / 87 / 0 / 38

HEX #94149E

RGB 148 20 158

HSL 295.65, 0.78%, 0.35%

LAB 36.49, 64.22, -44.05

 

CMYK 6 / 87 / 0 / 24

HEX #B619C2

RGB 182 25 194

HSL 295.74, 0.77%, 0.43%

LAB 44.99, 75.17, -51.47

 

CMYK 6 / 85 / 0 / 11

HEX #D522E2

RGB 213 34 226

HSL 295.94, 0.77%, 0.51%

LAB 52.71, 83.89, -57.19

 

CMYK 5 / 69 / 0 / 9

HEX #DC47E7

RGB 220 71 231

HSL 295.88, 0.77%, 0.59%

LAB 57.55, 76.08, -52.21

 

CMYK 6 / 87 / 0 / 24

HEX #B619C2

RGB 182 25 194

HSL 295.74, 0.77%, 0.43%

LAB 44.99, 75.17, -51.47

 

CMYK 0 / 77 / 87 / 24

HEX #C22D19

RGB 194 45 25

HSL 7.1, 0.77%, 0.43%

LAB 43.38, 57.24, 47.28

 

CMYK 87 / 0 / 42 / 24

HEX #19C270

RGB 25 194 112

HSL 150.89, 0.77%, 0.43%

LAB 69.44, -58.44, 30.22

 

CMYK 6 / 87 / 0 / 24

HEX #B619C2

RGB 182 25 194

HSL 295.74, 0.77%, 0.43%

LAB 44.99, 75.17, -51.47

 

CMYK 0 / 7 / 87 / 24

HEX #C2B419

RGB 194 180 25

HSL 55.03, 0.77%, 0.43%

LAB 72.35, -10.09, 70.69

 

CMYK 87 / 0 / 7 / 24

HEX #19C2B4

RGB 25 194 180

HSL 175.03, 0.77%, 0.43%

LAB 70.93, -42.28, -4.25

 

CMYK 6 / 87 / 0 / 24

HEX #B619C2

RGB 182 25 194

HSL 295.74, 0.77%, 0.43%

LAB 44.99, 75.17, -51.47

 

CMYK 0 / 77 / 87 / 24

HEX #C22D19

RGB 194 45 25

HSL 7.1, 0.77%, 0.43%

LAB 43.38, 57.24, 47.28

 

CMYK 80 / 0 / 87 / 24

HEX #27C219

RGB 39 194 25

HSL 115.03, 0.77%, 0.43%

LAB 68.81, -66.68, 64.63

 

CMYK 87 / 10 / 0 / 24

HEX #19AEC2

RGB 25 174 194

HSL 187.1, 0.77%, 0.43%

LAB 65.26, -28.72, -20.47

 

CMYK 6 / 87 / 0 / 24

HEX #B619C2

RGB 182 25 194

HSL 295.74, 0.77%, 0.43%

LAB 44.99, 75.17, -51.47

 

CMYK 0 / 51 / 87 / 24

HEX #C26019

RGB 194 96 25

HSL 25.21, 0.77%, 0.43%

LAB 51.73, 35.14, 54.05

 

CMYK 80 / 0 / 87 / 24

HEX #27C219

RGB 39 194 25

HSL 115.03, 0.77%, 0.43%

LAB 68.81, -66.68, 64.63

 

CMYK 87 / 36 / 0 / 24

HEX #197CC2

RGB 25 124 194

HSL 204.85, 0.77%, 0.43%

LAB 50.12, -1.38, -44.02

 

Description

Color code: HEX #B619C2 | qconv.com Color code: HEX #B619C2 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 25 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 25 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 87 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 87% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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