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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B617BC it is the complementary color #49E843. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B617BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B617BC shade: #BB17B7, #CC29CA, #DD3BDD, #EE4DF0 and #FF5FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B617BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B617BC shade: #B617BC, #A505A9, #940096, #830083 and #720070

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B617BC shade: #B417BA, #BA1794, #BA1768, #BA173C and #BA1717

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B617BC shade: #B417BA, #8817BA, #5C17BA, #3017BA and #1717BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B617BC shade matches the following richer shades: #B417BA and #C406CB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B617BC shade: #B417BA, #A428A9, #953998, #854A87 and #755B76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B617BC shade: #5B17BA, #8617BA, #B217BA, #BA1797 and #BA176B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B617BC shade: #6D0E71, #911295, #B417BA, #D81CDF and #E13DE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B617BC shade: #B617BC, #BA2F17 and #17BA71

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B617BC shade: #B617BC, #BAB217 and #17BAB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B617BC shade: #B617BC, #BA2F17, #1FBA17 and #17A2BA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B617BC shade: #B617BC, #BA6017, #1FBA17 and #1771BA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 88 / 0 / 26

HEX #B617BC

RGB 182 23 188

HSL 297.82, 0.78%, 0.41%

LAB 44.5, 74.56, -48.75

 

Complementary color

CMYK 69 / 0 / 71 / 9

HEX #49E843

RGB 73 232 67

HSL 117.82, 0.78%, 0.59%

LAB 81.58, -70.57, 64.77

 

CMYK 0 / 88 / 2 / 27

HEX #BB17B7

RGB 187 23 183

HSL 301.46, 0.78%, 0.41%

LAB 45.08, 74.68, -44.84

 

CMYK 0 / 80 / 1 / 20

HEX #CC29CA

RGB 204 41 202

HSL 300.74, 0.67%, 0.48%

LAB 50.32, 77.09, -47.38

 

CMYK 0 / 73 / 0 / 13

HEX #DD3BDD

RGB 221 59 221

HSL 300, 0.7%, 0.55%

LAB 55.81, 78.54, -49.34

 

CMYK 1 / 68 / 0 / 6

HEX #EE4DF0

RGB 238 77 240

HSL 299.26, 0.84%, 0.62%

LAB 61.46, 79.32, -50.86

 

CMYK 0 / 63 / 0 / 0

HEX #FF5FFF

RGB 255 95 255

HSL 300, 1%, 0.69%

LAB 67.02, 78.97, -50.18

 

CMYK 3 / 88 / 0 / 26

HEX #B617BC

RGB 182 23 188

HSL 297.82, 0.78%, 0.41%

LAB 44.5, 74.56, -48.75

 

CMYK 2 / 97 / 0 / 34

HEX #A505A9

RGB 165 5 169

HSL 298.54, 0.94%, 0.34%

LAB 39.53, 71, -45.62

 

CMYK 1 / 100 / 0 / 41

HEX #940096

RGB 148 0 150

HSL 299.2, 1%, 0.29%

LAB 35, 65.8, -41.57

 

CMYK 0 / 100 / 0 / 49

HEX #830083

RGB 131 0 131

HSL 300, 1%, 0.26%

LAB 30.55, 59.93, -37.11

 

CMYK 0 / 100 / 2 / 55

HEX #720070

RGB 114 0 112

HSL 301.05, 1%, 0.22%

LAB 26, 53.92, -32.52

 

CMYK 3 / 88 / 0 / 27

HEX #B417BA

RGB 180 23 186

HSL 297.79, 0.78%, 0.41%

LAB 44.03, 73.9, -48.34

 

CMYK 0 / 88 / 20 / 27

HEX #BA1794

RGB 186 23 148

HSL 313.99, 0.78%, 0.41%

LAB 43.05, 69.65, -27.16

 

CMYK 0 / 88 / 44 / 27

HEX #BA1768

RGB 186 23 104

HSL 330.18, 0.78%, 0.41%

LAB 41.3, 64.85, -2.65

 

CMYK 0 / 88 / 68 / 27

HEX #BA173C

RGB 186 23 60

HSL 346.38, 0.78%, 0.41%

LAB 40.21, 61.76, 23.68

 

CMYK 0 / 88 / 88 / 27

HEX #BA1717

RGB 186 23 23

HSL 0, 0.78%, 0.41%

LAB 39.77, 60.48, 44.61

 

CMYK 3 / 88 / 0 / 27

HEX #B417BA

RGB 180 23 186

HSL 297.79, 0.78%, 0.41%

LAB 44.03, 73.9, -48.34

 

CMYK 27 / 88 / 0 / 27

HEX #8817BA

RGB 136 23 186

HSL 281.6, 0.78%, 0.41%

LAB 36.73, 66.72, -60.51

 

CMYK 51 / 88 / 0 / 27

HEX #5C17BA

RGB 92 23 186

HSL 265.4, 0.78%, 0.41%

LAB 30.48, 61.06, -70.99

 

CMYK 74 / 88 / 0 / 27

HEX #3017BA

RGB 48 23 186

HSL 249.2, 0.78%, 0.41%

LAB 26.12, 57.52, -78.35

 

CMYK 88 / 88 / 0 / 27

HEX #1717BA

RGB 23 23 186

HSL 240, 0.78%, 0.41%

LAB 24.77, 56.51, -80.64

 

CMYK 3 / 88 / 0 / 27

HEX #B417BA

RGB 180 23 186

HSL 297.79, 0.78%, 0.41%

LAB 44.03, 73.9, -48.34

 

CMYK 3 / 97 / 0 / 20

HEX #C406CB

RGB 196 6 203

HSL 297.87, 0.94%, 0.41%

LAB 47.21, 81.13, -53.01

 

CMYK 3 / 88 / 0 / 27

HEX #B417BA

RGB 180 23 186

HSL 297.79, 0.78%, 0.41%

LAB 44.03, 73.9, -48.34

 

CMYK 3 / 76 / 0 / 34

HEX #A428A9

RGB 164 40 169

HSL 297.67, 0.62%, 0.41%

LAB 41.65, 64.12, -42.25

 

CMYK 2 / 63 / 0 / 40

HEX #953998

RGB 149 57 152

HSL 298.11, 0.45%, 0.41%

LAB 40.55, 51.29, -33.96

 

CMYK 1 / 45 / 0 / 47

HEX #854A87

RGB 133 74 135

HSL 298.03, 0.29%, 0.41%

LAB 40.63, 34.81, -23.68

 

CMYK 1 / 23 / 0 / 54

HEX #755B76

RGB 117 91 118

HSL 297.78, 0.13%, 0.41%

LAB 42.11, 15.74, -11.2

 

CMYK 51 / 88 / 0 / 27

HEX #5B17BA

RGB 91 23 186

HSL 265.03, 0.78%, 0.41%

LAB 30.36, 60.96, -71.2

 

CMYK 28 / 88 / 0 / 27

HEX #8617BA

RGB 134 23 186

HSL 280.86, 0.78%, 0.41%

LAB 36.42, 66.43, -61.03

 

CMYK 4 / 88 / 0 / 27

HEX #B217BA

RGB 178 23 186

HSL 297.06, 0.78%, 0.41%

LAB 43.69, 73.55, -48.92

 

CMYK 0 / 88 / 19 / 27

HEX #BA1797

RGB 186 23 151

HSL 312.88, 0.78%, 0.41%

LAB 43.19, 70.03, -28.76

 

CMYK 0 / 88 / 42 / 27

HEX #BA176B

RGB 186 23 107

HSL 329.08, 0.78%, 0.41%

LAB 41.4, 65.13, -4.39

 

CMYK 4 / 88 / 0 / 56

HEX #6D0E71

RGB 109 14 113

HSL 297.58, 0.78%, 0.25%

LAB 26.03, 50.41, -33.17

 

CMYK 3 / 88 / 0 / 42

HEX #911295

RGB 145 18 149

HSL 298.17, 0.78%, 0.33%

LAB 35.25, 62.57, -40.6

 

CMYK 3 / 88 / 0 / 27

HEX #B417BA

RGB 180 23 186

HSL 297.79, 0.78%, 0.41%

LAB 44.03, 73.9, -48.34

 

CMYK 3 / 87 / 0 / 13

HEX #D81CDF

RGB 216 28 223

HSL 297.85, 0.78%, 0.49%

LAB 52.68, 84.95, -55.5

 

CMYK 3 / 74 / 0 / 9

HEX #E13DE7

RGB 225 61 231

HSL 297.88, 0.78%, 0.57%

LAB 57.19, 80.33, -52.74

 

CMYK 3 / 88 / 0 / 26

HEX #B617BC

RGB 182 23 188

HSL 297.82, 0.78%, 0.41%

LAB 44.5, 74.56, -48.75

 

CMYK 0 / 75 / 88 / 27

HEX #BA2F17

RGB 186 47 23

HSL 8.83, 0.78%, 0.41%

LAB 42.05, 54.05, 46.45

 

CMYK 88 / 0 / 39 / 27

HEX #17BA71

RGB 23 186 113

HSL 153.13, 0.78%, 0.41%

LAB 66.89, -55.55, 26.34

 

CMYK 3 / 88 / 0 / 26

HEX #B617BC

RGB 182 23 188

HSL 297.82, 0.78%, 0.41%

LAB 44.5, 74.56, -48.75

 

CMYK 0 / 4 / 88 / 27

HEX #BAB217

RGB 186 178 23

HSL 57.06, 0.78%, 0.41%

LAB 71.11, -12.61, 69.8

 

CMYK 88 / 0 / 4 / 27

HEX #17BAB2

RGB 23 186 178

HSL 177.06, 0.78%, 0.41%

LAB 68.4, -39.43, -6.9

 

CMYK 3 / 88 / 0 / 26

HEX #B617BC

RGB 182 23 188

HSL 297.82, 0.78%, 0.41%

LAB 44.5, 74.56, -48.75

 

CMYK 0 / 75 / 88 / 27

HEX #BA2F17

RGB 186 47 23

HSL 8.83, 0.78%, 0.41%

LAB 42.05, 54.05, 46.45

 

CMYK 83 / 0 / 88 / 27

HEX #1FBA17

RGB 31 186 23

HSL 117.06, 0.78%, 0.41%

LAB 66.11, -65.33, 62.64

 

CMYK 88 / 13 / 0 / 27

HEX #17A2BA

RGB 23 162 186

HSL 188.83, 0.78%, 0.41%

LAB 61.28, -25.47, -22.08

 

CMYK 3 / 88 / 0 / 26

HEX #B617BC

RGB 182 23 188

HSL 297.82, 0.78%, 0.41%

LAB 44.5, 74.56, -48.75

 

CMYK 0 / 48 / 88 / 27

HEX #BA6017

RGB 186 96 23

HSL 26.87, 0.78%, 0.41%

LAB 50.53, 31.82, 53.27

 

CMYK 83 / 0 / 88 / 27

HEX #1FBA17

RGB 31 186 23

HSL 117.06, 0.78%, 0.41%

LAB 66.11, -65.33, 62.64

 

CMYK 88 / 39 / 0 / 27

HEX #1771BA

RGB 23 113 186

HSL 206.87, 0.78%, 0.41%

LAB 46.36, 2.13, -45.39

 

Description

Color code: HEX #B617BC | qconv.com Color code: HEX #B617BC | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 23 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 23 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 88 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 88% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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