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Color name
HEX #B61750

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B61750 it is the complementary color #49E8AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B61750. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B61750 shade: #BB174B, #CC295E, #DD3B71, #EE4D84 and #FF5F97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B61750. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B61750 shade: #B61750, #A5053D, #94002A, #830017 and #720004

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B61750 shade: #B6164F, #B61625 and #B61616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B61750 shade: #B6164F, #B6167A, #B616A5, #9B16B6 and #7016B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B61750 shade matches the following richer shades: #B6164F and #C6064B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B61750 shade: #B6164F, #A52754, #953759, #84485D and #745862

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B61750 shade: #B616A6, #B6167B, #B61651, #B61626 and #B63116

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B61750 shade: #6C0D2F, #91123F, #B6164F, #DA1B60 and #E63877

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B61750 shade: #B61750, #B69B16 and #1690B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B61750 shade: #B61750, #51B616 and #1651B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B61750 shade: #B61750, #B69B16, #16B67B and #1631B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B61750 shade: #B61750, #A0B616, #16B67B and #2C16B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 87 / 56 / 29

HEX #B61750

RGB 182 23 80

HSL 338.49, 0.78%, 0.4%

LAB 39.81, 61.93, 10.31

 

Complementary color

CMYK 69 / 0 / 25 / 9

HEX #49E8AF

RGB 73 232 175

HSL 158.49, 0.78%, 0.6%

LAB 83.03, -54.24, 15.94

 

CMYK 0 / 88 / 60 / 27

HEX #BB174B

RGB 187 23 75

HSL 340.98, 0.78%, 0.41%

LAB 40.71, 62.87, 14.9

 

CMYK 0 / 80 / 54 / 20

HEX #CC295E

RGB 204 41 94

HSL 340.49, 0.67%, 0.48%

LAB 45.95, 64.54, 10.74

 

CMYK 0 / 73 / 49 / 13

HEX #DD3B71

RGB 221 59 113

HSL 340, 0.7%, 0.55%

LAB 51.49, 65.3, 7.39

 

CMYK 0 / 68 / 45 / 7

HEX #EE4D84

RGB 238 77 132

HSL 339.5, 0.83%, 0.62%

LAB 57.22, 65.46, 4.65

 

CMYK 0 / 63 / 41 / 0

HEX #FF5F97

RGB 255 95 151

HSL 339, 1%, 0.69%

LAB 63.08, 65.24, 2.39

 

CMYK 0 / 87 / 56 / 29

HEX #B61750

RGB 182 23 80

HSL 338.49, 0.78%, 0.4%

LAB 39.81, 61.93, 10.31

 

CMYK 0 / 97 / 63 / 35

HEX #A5053D

RGB 165 5 61

HSL 339, 0.94%, 0.33%

LAB 34.89, 59.07, 15.28

 

CMYK 0 / 100 / 72 / 42

HEX #94002A

RGB 148 0 42

HSL 342.97, 1%, 0.29%

LAB 30.55, 54.5, 21.42

 

CMYK 0 / 100 / 82 / 49

HEX #830017

RGB 131 0 23

HSL 349.47, 1%, 0.26%

LAB 26.41, 49.36, 27.98

 

CMYK 0 / 100 / 96 / 55

HEX #720004

RGB 114 0 4

HSL 357.89, 1%, 0.22%

LAB 22.25, 44.31, 32.07

 

CMYK 0 / 88 / 57 / 29

HEX #B6164F

RGB 182 22 79

HSL 338.63, 0.78%, 0.4%

LAB 39.72, 62.05, 10.83

 

CMYK 0 / 88 / 80 / 29

HEX #B61625

RGB 182 22 37

HSL 354.38, 0.78%, 0.4%

LAB 38.99, 59.94, 36.08

 

CMYK 0 / 88 / 88 / 29

HEX #B61616

RGB 182 22 22

HSL 0, 0.78%, 0.4%

LAB 38.86, 59.56, 44

 

CMYK 0 / 88 / 57 / 29

HEX #B6164F

RGB 182 22 79

HSL 338.63, 0.78%, 0.4%

LAB 39.72, 62.05, 10.83

 

CMYK 0 / 88 / 33 / 29

HEX #B6167A

RGB 182 22 122

HSL 322.5, 0.78%, 0.4%

LAB 41.1, 65.89, -14.29

 

CMYK 0 / 88 / 9 / 29

HEX #B616A5

RGB 182 22 165

HSL 306.38, 0.78%, 0.4%

LAB 43.12, 71.3, -37.34

 

CMYK 15 / 88 / 0 / 29

HEX #9B16B6

RGB 155 22 182

HSL 289.88, 0.78%, 0.4%

LAB 39.45, 69.16, -53.59

 

CMYK 38 / 88 / 0 / 29

HEX #7016B6

RGB 112 22 182

HSL 273.75, 0.78%, 0.4%

LAB 32.69, 62.78, -64.88

 

CMYK 0 / 88 / 57 / 29

HEX #B6164F

RGB 182 22 79

HSL 338.63, 0.78%, 0.4%

LAB 39.72, 62.05, 10.83

 

CMYK 0 / 97 / 62 / 22

HEX #C6064B

RGB 198 6 75

HSL 338.44, 0.94%, 0.4%

LAB 42.22, 67.79, 17.32

 

CMYK 0 / 88 / 57 / 29

HEX #B6164F

RGB 182 22 79

HSL 338.63, 0.78%, 0.4%

LAB 39.72, 62.05, 10.83

 

CMYK 0 / 76 / 49 / 35

HEX #A52754

RGB 165 39 84

HSL 338.57, 0.62%, 0.4%

LAB 38, 53.52, 4.73

 

CMYK 0 / 63 / 40 / 42

HEX #953759

RGB 149 55 89

HSL 338.3, 0.46%, 0.4%

LAB 37.56, 42.69, 0.54

 

CMYK 0 / 45 / 30 / 48

HEX #84485D

RGB 132 72 93

HSL 339, 0.29%, 0.4%

LAB 38.43, 28.24, -1.03

 

CMYK 0 / 24 / 16 / 55

HEX #745862

RGB 116 88 98

HSL 338.57, 0.14%, 0.4%

LAB 40.53, 13.26, -1.29

 

CMYK 0 / 88 / 9 / 29

HEX #B616A6

RGB 182 22 166

HSL 306, 0.78%, 0.4%

LAB 43.17, 71.44, -37.85

 

CMYK 0 / 88 / 32 / 29

HEX #B6167B

RGB 182 22 123

HSL 322.13, 0.78%, 0.4%

LAB 41.13, 66, -14.85

 

CMYK 0 / 88 / 55 / 29

HEX #B61651

RGB 182 22 81

HSL 337.88, 0.78%, 0.4%

LAB 39.77, 62.19, 9.62

 

CMYK 0 / 88 / 79 / 29

HEX #B61626

RGB 182 22 38

HSL 354, 0.78%, 0.4%

LAB 39, 59.97, 35.51

 

CMYK 0 / 73 / 88 / 29

HEX #B63116

RGB 182 49 22

HSL 10.13, 0.78%, 0.4%

LAB 41.53, 52.04, 46.15

 

CMYK 0 / 88 / 56 / 58

HEX #6C0D2F

RGB 108 13 47

HSL 338.53, 0.79%, 0.24%

LAB 22.59, 41.66, 5.86

 

CMYK 0 / 88 / 57 / 43

HEX #91123F

RGB 145 18 63

HSL 338.74, 0.78%, 0.32%

LAB 31.37, 52.03, 8.46

 

CMYK 0 / 88 / 57 / 29

HEX #B6164F

RGB 182 22 79

HSL 338.63, 0.78%, 0.4%

LAB 39.72, 62.05, 10.83

 

CMYK 0 / 88 / 56 / 15

HEX #DA1B60

RGB 218 27 96

HSL 338.32, 0.78%, 0.48%

LAB 47.67, 71.28, 12.3

 

CMYK 0 / 76 / 48 / 10

HEX #E63877

RGB 230 56 119

HSL 338.28, 0.78%, 0.56%

LAB 52.93, 69.2, 6.05

 

CMYK 0 / 87 / 56 / 29

HEX #B61750

RGB 182 23 80

HSL 338.49, 0.78%, 0.4%

LAB 39.81, 61.93, 10.31

 

CMYK 0 / 15 / 88 / 29

HEX #B69B16

RGB 182 155 22

HSL 49.88, 0.78%, 0.4%

LAB 64.52, -2.31, 64.57

 

CMYK 88 / 21 / 0 / 29

HEX #1690B6

RGB 22 144 182

HSL 194.25, 0.78%, 0.4%

LAB 55.58, -17.47, -28.6

 

CMYK 0 / 87 / 56 / 29

HEX #B61750

RGB 182 23 80

HSL 338.49, 0.78%, 0.4%

LAB 39.81, 61.93, 10.31

 

CMYK 55 / 0 / 88 / 29

HEX #51B616

RGB 81 182 22

HSL 97.88, 0.78%, 0.4%

LAB 65.95, -54.54, 63.14

 

CMYK 88 / 55 / 0 / 29

HEX #1651B6

RGB 22 81 182

HSL 217.88, 0.78%, 0.4%

LAB 36.8, 21.24, -58.44

 

CMYK 0 / 87 / 56 / 29

HEX #B61750

RGB 182 23 80

HSL 338.49, 0.78%, 0.4%

LAB 39.81, 61.93, 10.31

 

CMYK 0 / 15 / 88 / 29

HEX #B69B16

RGB 182 155 22

HSL 49.88, 0.78%, 0.4%

LAB 64.52, -2.31, 64.57

 

CMYK 88 / 0 / 32 / 29

HEX #16B67B

RGB 22 182 123

HSL 157.88, 0.78%, 0.4%

LAB 65.79, -52.05, 19.51

 

CMYK 88 / 73 / 0 / 29

HEX #1631B6

RGB 22 49 182

HSL 229.88, 0.78%, 0.4%

LAB 28.76, 42.11, -71.63

 

CMYK 0 / 87 / 56 / 29

HEX #B61750

RGB 182 23 80

HSL 338.49, 0.78%, 0.4%

LAB 39.81, 61.93, 10.31

 

CMYK 12 / 0 / 88 / 29

HEX #A0B616

RGB 160 182 22

HSL 68.25, 0.78%, 0.4%

LAB 70.17, -25.87, 68.38

 

CMYK 88 / 0 / 32 / 29

HEX #16B67B

RGB 22 182 123

HSL 157.88, 0.78%, 0.4%

LAB 65.79, -52.05, 19.51

 

CMYK 76 / 88 / 0 / 29

HEX #2C16B6

RGB 44 22 182

HSL 248.25, 0.78%, 0.4%

LAB 25.22, 56.54, -77.47

 

Description

Color code: HEX #B61750 | qconv.com Color code: HEX #B61750 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 23 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 23 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 87 magenta, 56 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 87% 56% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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