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Color name
HEX #B6118D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6118D it is the complementary color #49EE72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6118D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6118D shade: #BB1188, #CC239B, #DD35AE, #EE47C1 and #FF59D4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6118D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6118D shade: #B6118D, #A5007A, #940067, #830054 and #720041

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6118D shade: #B6118D, #B61160, #B61134 and #B61111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6118D shade: #B6118D, #B211B6, #8611B6, #5911B6 and #2D11B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6118D shade matches the following richer shades: #B6118D and #C60195

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6118D shade: #B6118D, #A62185, #96317D, #864175 and #76516D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6118D shade: #8411B6, #B011B6, #B6118F, #B61163 and #B61137

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6118D shade: #6A0A52, #900D70, #B6118D, #DC14AA and #EC2EBC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6118D shade: #B6118D, #B65811 and #11B69A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6118D shade: #B6118D, #8FB611 and #118FB6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6118D shade: #B6118D, #B65811, #11B637 and #116EB6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6118D shade: #B6118D, #B68A11, #11B637 and #113DB6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 23 / 29

HEX #B6118D

RGB 182 17 141

HSL 314.91, 0.83%, 0.39%

LAB 41.64, 68.89, -25.15

 

Complementary color

CMYK 69 / 0 / 52 / 7

HEX #49EE72

RGB 73 238 114

HSL 134.91, 0.83%, 0.61%

LAB 83.85, -67.43, 47.58

 

CMYK 0 / 91 / 27 / 27

HEX #BB1188

RGB 187 17 136

HSL 318, 0.83%, 0.4%

LAB 42.37, 69.34, -20.88

 

CMYK 0 / 83 / 24 / 20

HEX #CC239B

RGB 204 35 155

HSL 317.4, 0.71%, 0.47%

LAB 47.5, 72, -24.2

 

CMYK 0 / 76 / 21 / 13

HEX #DD35AE

RGB 221 53 174

HSL 316.79, 0.71%, 0.54%

LAB 52.92, 73.62, -26.82

 

CMYK 0 / 70 / 19 / 7

HEX #EE47C1

RGB 238 71 193

HSL 316.17, 0.83%, 0.61%

LAB 58.54, 74.48, -28.9

 

CMYK 0 / 65 / 17 / 0

HEX #FF59D4

RGB 255 89 212

HSL 315.54, 1%, 0.67%

LAB 64.29, 74.82, -30.57

 

CMYK 0 / 91 / 23 / 29

HEX #B6118D

RGB 182 17 141

HSL 314.91, 0.83%, 0.39%

LAB 41.64, 68.89, -25.15

 

CMYK 0 / 100 / 26 / 35

HEX #A5007A

RGB 165 0 122

HSL 315.64, 1%, 0.32%

LAB 36.75, 65.13, -21.25

 

CMYK 0 / 100 / 30 / 42

HEX #940067

RGB 148 0 103

HSL 318.24, 1%, 0.29%

LAB 32.43, 59.42, -16.15

 

CMYK 0 / 100 / 36 / 49

HEX #830054

RGB 131 0 84

HSL 321.53, 1%, 0.26%

LAB 28.02, 53.62, -10.78

 

CMYK 0 / 100 / 43 / 55

HEX #720041

RGB 114 0 65

HSL 325.79, 1%, 0.22%

LAB 23.54, 47.73, -5.08

 

CMYK 0 / 91 / 23 / 29

HEX #B6118D

RGB 182 17 141

HSL 314.91, 0.83%, 0.39%

LAB 41.64, 68.89, -25.15

 

CMYK 0 / 91 / 47 / 29

HEX #B61160

RGB 182 17 96

HSL 331.27, 0.83%, 0.39%

LAB 39.9, 64.19, 0.26

 

CMYK 0 / 91 / 71 / 29

HEX #B61134

RGB 182 17 52

HSL 347.27, 0.83%, 0.39%

LAB 38.89, 61.36, 26.88

 

CMYK 0 / 91 / 91 / 29

HEX #B61111

RGB 182 17 17

HSL 0, 0.83%, 0.39%

LAB 38.53, 60.33, 46.04

 

CMYK 0 / 91 / 23 / 29

HEX #B6118D

RGB 182 17 141

HSL 314.91, 0.83%, 0.39%

LAB 41.64, 68.89, -25.15

 

CMYK 2 / 91 / 0 / 29

HEX #B211B6

RGB 178 17 182

HSL 298.55, 0.83%, 0.39%

LAB 43.13, 73.84, -47.46

 

CMYK 26 / 91 / 0 / 29

HEX #8611B6

RGB 134 17 182

HSL 282.55, 0.83%, 0.39%

LAB 35.69, 66.85, -59.85

 

CMYK 51 / 91 / 0 / 29

HEX #5911B6

RGB 89 17 182

HSL 266.18, 0.83%, 0.39%

LAB 29.16, 61.37, -70.8

 

CMYK 75 / 91 / 0 / 29

HEX #2D11B6

RGB 45 17 182

HSL 250.18, 0.83%, 0.39%

LAB 24.75, 58.21, -78.25

 

CMYK 0 / 91 / 23 / 29

HEX #B6118D

RGB 182 17 141

HSL 314.91, 0.83%, 0.39%

LAB 41.64, 68.89, -25.15

 

CMYK 0 / 99 / 25 / 22

HEX #C60195

RGB 198 1 149

HSL 314.92, 0.99%, 0.39%

LAB 44.51, 74.7, -25.31

 

CMYK 0 / 91 / 23 / 29

HEX #B6118D

RGB 182 17 141

HSL 314.91, 0.83%, 0.39%

LAB 41.64, 68.89, -25.15

 

CMYK 0 / 80 / 20 / 35

HEX #A62185

RGB 166 33 133

HSL 314.89, 0.67%, 0.39%

LAB 39.39, 61.11, -23.97

 

CMYK 0 / 67 / 17 / 41

HEX #96317D

RGB 150 49 125

HSL 314.85, 0.51%, 0.39%

LAB 38.13, 50.46, -21.2

 

CMYK 0 / 51 / 13 / 47

HEX #864175

RGB 134 65 117

HSL 314.78, 0.35%, 0.39%

LAB 38.08, 36.69, -16.52

 

CMYK 0 / 31 / 8 / 54

HEX #76516D

RGB 118 81 109

HSL 314.59, 0.19%, 0.39%

LAB 39.31, 20.35, -9.88

 

CMYK 27 / 91 / 0 / 29

HEX #8411B6

RGB 132 17 182

HSL 281.82, 0.83%, 0.39%

LAB 35.37, 66.56, -60.38

 

CMYK 3 / 91 / 0 / 29

HEX #B011B6

RGB 176 17 182

HSL 297.82, 0.83%, 0.39%

LAB 42.78, 73.5, -48.04

 

CMYK 0 / 91 / 21 / 29

HEX #B6118F

RGB 182 17 143

HSL 314.18, 0.83%, 0.39%

LAB 41.73, 69.14, -26.23

 

CMYK 0 / 91 / 46 / 29

HEX #B61163

RGB 182 17 99

HSL 330.18, 0.83%, 0.39%

LAB 39.99, 64.45, -1.51

 

CMYK 0 / 91 / 70 / 29

HEX #B61137

RGB 182 17 55

HSL 346.18, 0.83%, 0.39%

LAB 38.94, 61.5, 25.06

 

CMYK 0 / 91 / 23 / 58

HEX #6A0A52

RGB 106 10 82

HSL 315, 0.83%, 0.23%

LAB 23.31, 45.75, -17.15

 

CMYK 0 / 91 / 22 / 44

HEX #900D70

RGB 144 13 112

HSL 314.66, 0.83%, 0.31%

LAB 32.67, 57.8, -21.59

 

CMYK 0 / 91 / 23 / 29

HEX #B6118D

RGB 182 17 141

HSL 314.91, 0.83%, 0.39%

LAB 41.64, 68.89, -25.15

 

CMYK 0 / 91 / 23 / 14

HEX #DC14AA

RGB 220 20 170

HSL 315, 0.83%, 0.47%

LAB 50.24, 79.65, -28.65

 

CMYK 0 / 81 / 20 / 7

HEX #EC2EBC

RGB 236 46 188

HSL 315.16, 0.83%, 0.55%

LAB 55.5, 80.48, -30.76

 

CMYK 0 / 91 / 23 / 29

HEX #B6118D

RGB 182 17 141

HSL 314.91, 0.83%, 0.39%

LAB 41.64, 68.89, -25.15

 

CMYK 0 / 52 / 91 / 29

HEX #B65811

RGB 182 88 17

HSL 25.82, 0.83%, 0.39%

LAB 48.22, 34.25, 53.13

 

CMYK 91 / 0 / 15 / 29

HEX #11B69A

RGB 17 182 154

HSL 169.82, 0.83%, 0.39%

LAB 66.45, -44.75, 3.47

 

CMYK 0 / 91 / 23 / 29

HEX #B6118D

RGB 182 17 141

HSL 314.91, 0.83%, 0.39%

LAB 41.64, 68.89, -25.15

 

CMYK 21 / 0 / 91 / 29

HEX #8FB611

RGB 143 182 17

HSL 74.18, 0.83%, 0.39%

LAB 68.99, -33.04, 67.82

 

CMYK 91 / 21 / 0 / 29

HEX #118FB6

RGB 17 143 182

HSL 194.18, 0.83%, 0.39%

LAB 55.22, -17.22, -29.16

 

CMYK 0 / 91 / 23 / 29

HEX #B6118D

RGB 182 17 141

HSL 314.91, 0.83%, 0.39%

LAB 41.64, 68.89, -25.15

 

CMYK 0 / 52 / 91 / 29

HEX #B65811

RGB 182 88 17

HSL 25.82, 0.83%, 0.39%

LAB 48.22, 34.25, 53.13

 

CMYK 91 / 0 / 70 / 29

HEX #11B637

RGB 17 182 55

HSL 133.82, 0.83%, 0.39%

LAB 64.84, -63.21, 51.57

 

CMYK 91 / 40 / 0 / 29

HEX #116EB6

RGB 17 110 182

HSL 206.18, 0.83%, 0.39%

LAB 45.15, 2.05, -45

 

CMYK 0 / 91 / 23 / 29

HEX #B6118D

RGB 182 17 141

HSL 314.91, 0.83%, 0.39%

LAB 41.64, 68.89, -25.15

 

CMYK 0 / 24 / 91 / 29

HEX #B68A11

RGB 182 138 17

HSL 44, 0.83%, 0.39%

LAB 60.04, 6.85, 62.13

 

CMYK 91 / 0 / 70 / 29

HEX #11B637

RGB 17 182 55

HSL 133.82, 0.83%, 0.39%

LAB 64.84, -63.21, 51.57

 

CMYK 91 / 66 / 0 / 29

HEX #113DB6

RGB 17 61 182

HSL 224, 0.83%, 0.39%

LAB 31.43, 34.29, -67.24

 

Description

Color code: HEX #B6118D | qconv.com Color code: HEX #B6118D | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 17 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 17 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 23 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 23% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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